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Bollywood’s impact on the patriarchal society in India | Rijutha Garimella and Shreya Patel | TEDxOU


[Music]

[Music] [Applause]

[Applause]

[Applause] so a few years ago I visited my family

so a few years ago I visited my family

so a few years ago I visited my family in India the first day I distinctly

in India the first day I distinctly

in India the first day I distinctly remember that I went down to the corner

remember that I went down to the corner

remember that I went down to the corner market with my cousin and while we were

market with my cousin and while we were

market with my cousin and while we were just purchasing our snacks I noticed

just purchasing our snacks I noticed

just purchasing our snacks I noticed that a few guys across the street were

that a few guys across the street were

that a few guys across the street were just staring at me they wouldn’t look

just staring at me they wouldn’t look

just staring at me they wouldn’t look away and it made me feel really

away and it made me feel really

away and it made me feel really uncomfortable I noticed that this kept

uncomfortable I noticed that this kept

uncomfortable I noticed that this kept happening throughout the rest of my time

happening throughout the rest of my time

happening throughout the rest of my time I was there and if I would go to stores

I was there and if I would go to stores

I was there and if I would go to stores I noticed that I would be greeted

I noticed that I would be greeted

I noticed that I would be greeted differently than my male family members

differently than my male family members

differently than my male family members or if I stayed in my opinion too loudly

or if I stayed in my opinion too loudly

or if I stayed in my opinion too loudly random people would just glare at me I

random people would just glare at me I

random people would just glare at me I had seen this in Bollywood movies but

had seen this in Bollywood movies but

had seen this in Bollywood movies but experiencing it made me feel like I was

experiencing it made me feel like I was

experiencing it made me feel like I was in a Bollywood movie now similarly I

in a Bollywood movie now similarly I

in a Bollywood movie now similarly I just returned from India a few weeks ago

just returned from India a few weeks ago

just returned from India a few weeks ago now one of the one experience that

now one of the one experience that

now one of the one experience that really took me aback was the way that

really took me aback was the way that

really took me aback was the way that men and boys interacted with me in

men and boys interacted with me in

men and boys interacted with me in public

public

public and when I say interacted with let me

and when I say interacted with let me

and when I say interacted with let me explain to you what I mean everywhere

explain to you what I mean everywhere

explain to you what I mean everywhere that I went whether it was the mall

that I went whether it was the mall

that I went whether it was the mall walking down the street if I was at a

walking down the street if I was at a

walking down the street if I was at a temple I could look up and see the eyes

temple I could look up and see the eyes

temple I could look up and see the eyes of countless men looking back at me but

of countless men looking back at me but

of countless men looking back at me but it wasn’t just that that they were

it wasn’t just that that they were

it wasn’t just that that they were looking at me it was that they were

looking at me it was that they were

looking at me it was that they were staring at me they were leering at me

staring at me they were leering at me

staring at me they were leering at me and as you can imagine that this made me

and as you can imagine that this made me

and as you can imagine that this made me feel very uncomfortable

feel very uncomfortable

feel very uncomfortable Bollywood plays a major role in the

Bollywood plays a major role in the

Bollywood plays a major role in the proliferation of such attitudes towards

proliferation of such attitudes towards

proliferation of such attitudes towards women these attitudes are part of the

women these attitudes are part of the

women these attitudes are part of the societal norm in India that many women

societal norm in India that many women

societal norm in India that many women experience however we’re just supposed

experience however we’re just supposed

experience however we’re just supposed to accept it and move on while there are

to accept it and move on while there are

to accept it and move on while there are countless sources that contribute to

countless sources that contribute to

countless sources that contribute to this Bollywood the Hindi language film

this Bollywood the Hindi language film

this Bollywood the Hindi language film industry is one of the sources and its

industry is one of the sources and its

industry is one of the sources and its portrayal of women in this way is what

portrayal of women in this way is what

portrayal of women in this way is what has led to a lot of the patriarchy in

has led to a lot of the patriarchy in

has led to a lot of the patriarchy in India so we’re gonna begin with a brief

India so we’re gonna begin with a brief

India so we’re gonna begin with a brief history of Bollywood and explore how it

history of Bollywood and explore how it

history of Bollywood and explore how it has condoned patriarchal ideals

has condoned patriarchal ideals

has condoned patriarchal ideals throughout its existence

throughout its existence

throughout its existence so Bollywood was started in the year

so Bollywood was started in the year

so Bollywood was started in the year 1913 and early films were in Bollywood

1913 and early films were in Bollywood

1913 and early films were in Bollywood focused on drew inspiration from Hindu

focused on drew inspiration from Hindu

focused on drew inspiration from Hindu epics like the Ramayana and the

epics like the Ramayana and the

epics like the Ramayana and the Mahabharata stories I focused on strong

Mahabharata stories I focused on strong

Mahabharata stories I focused on strong male characters combating evil but in

male characters combating evil but in

male characters combating evil but in the 1940s India was struggling to gain

the 1940s India was struggling to gain

the 1940s India was struggling to gain independence from Great Britain during

independence from Great Britain during

independence from Great Britain during this time many of them

this time many of them

this time many of them he’s depicted violent war heroes or

he’s depicted violent war heroes or

he’s depicted violent war heroes or military dramas and then in 1947 India

military dramas and then in 1947 India

military dramas and then in 1947 India gained its independence from Great

gained its independence from Great

gained its independence from Great Britain

Britain

Britain afterwards most of the movies depicted

afterwards most of the movies depicted

afterwards most of the movies depicted more romances and risque love stories

more romances and risque love stories

more romances and risque love stories so these risque love stories caused a

so these risque love stories caused a

so these risque love stories caused a widespread concern in India and in fact

widespread concern in India and in fact

widespread concern in India and in fact in the year 1954 thirteen thousand

in the year 1954 thirteen thousand

in the year 1954 thirteen thousand Indian women sign and presented a

Indian women sign and presented a

Indian women sign and presented a petition to Indian Prime Minister Nehru

petition to Indian Prime Minister Nehru

petition to Indian Prime Minister Nehru at the time they believe that these

at the time they believe that these

at the time they believe that these radically romantic films were in evil

radically romantic films were in evil

radically romantic films were in evil influence on the nation’s youth and so

influence on the nation’s youth and so

influence on the nation’s youth and so the government eventually agreed and

the government eventually agreed and

the government eventually agreed and then from then on Indian cinema was

then from then on Indian cinema was

then from then on Indian cinema was censored this led to a change in the

censored this led to a change in the

censored this led to a change in the portrayal of women in Bollywood so from

portrayal of women in Bollywood so from

portrayal of women in Bollywood so from then on their women were portrayed as

then on their women were portrayed as

then on their women were portrayed as damsels in distress’ or homemakers a

damsels in distress’ or homemakers a

damsels in distress’ or homemakers a great example of this is the 1968 movie

great example of this is the 1968 movie

great example of this is the 1968 movie Brahma Chari this movie follows the

Brahma Chari this movie follows the

Brahma Chari this movie follows the story of a kind man who cares for

story of a kind man who cares for

story of a kind man who cares for orphans and he helps a woman to appeal

orphans and he helps a woman to appeal

orphans and he helps a woman to appeal to our love interest by teaching her how

to our love interest by teaching her how

to our love interest by teaching her how to dress behave and act from a man’s

to dress behave and act from a man’s

to dress behave and act from a man’s point of view this movie gained a lot of

point of view this movie gained a lot of

point of view this movie gained a lot of awards and was a major box-office hit

awards and was a major box-office hit

awards and was a major box-office hit but it portrayed women as obedient and

but it portrayed women as obedient and

but it portrayed women as obedient and often submissive so as the years

often submissive so as the years

often submissive so as the years progressed not much changed in the year

progressed not much changed in the year

progressed not much changed in the year 1995 a very popular movie by the name of

1995 a very popular movie by the name of

1995 a very popular movie by the name of the volatile hanyul a giant get became

the volatile hanyul a giant get became

the volatile hanyul a giant get became popular so this is a movie that our

popular so this is a movie that our

popular so this is a movie that our generation Millennials have grown up

generation Millennials have grown up

generation Millennials have grown up watching and the title of the movie

watching and the title of the movie

watching and the title of the movie roughly translates to the brave hearted

roughly translates to the brave hearted

roughly translates to the brave hearted will take away his bride in this movie

will take away his bride in this movie

will take away his bride in this movie two Indian strangers fall in love with

two Indian strangers fall in love with

two Indian strangers fall in love with each other but the heroine of this movie

each other but the heroine of this movie

each other but the heroine of this movie is depicted without an identity she’s

is depicted without an identity she’s

is depicted without an identity she’s often portrayed in relation to the men

often portrayed in relation to the men

often portrayed in relation to the men in her life either as a daughter or as a

in her life either as a daughter or as a

in her life either as a daughter or as a love interest and subject to societal

love interest and subject to societal

love interest and subject to societal norms so this shows how woman in Indian

norms so this shows how woman in Indian

norms so this shows how woman in Indian cinema are portrayed as complementary

cinema are portrayed as complementary

cinema are portrayed as complementary and supplementary characters to men who

and supplementary characters to men who

and supplementary characters to men who are the focal point and in addition in

are the focal point and in addition in

are the focal point and in addition in addition Indian cinema also portrays

addition Indian cinema also portrays

addition Indian cinema also portrays items

items

items which which are dance numbers where

which which are dance numbers where

which which are dance numbers where scantily clad actresses perform

scantily clad actresses perform

scantily clad actresses perform provocative dances now why are we

provocative dances now why are we

provocative dances now why are we concerned about the portrayal of women

concerned about the portrayal of women

concerned about the portrayal of women in Bollywood

in Bollywood

in Bollywood well bollywood is a 2.2 eight billion

well bollywood is a 2.2 eight billion

well bollywood is a 2.2 eight billion dollar industry they produce over 16

dollar industry they produce over 16

dollar industry they produce over 16 hundred films a year ten times that of

hundred films a year ten times that of

hundred films a year ten times that of Hollywood and they sell twice as many

Hollywood and they sell twice as many

Hollywood and they sell twice as many tickets as the United States movies do

tickets as the United States movies do

tickets as the United States movies do and in the industry itself six point two

and in the industry itself six point two

and in the industry itself six point two men – one female is a ratio twice that

men – one female is a ratio twice that

men – one female is a ratio twice that of the United States now what exactly do

of the United States now what exactly do

of the United States now what exactly do these numbers tell us

these numbers tell us

these numbers tell us so obviously Bollywood has a very large

so obviously Bollywood has a very large

so obviously Bollywood has a very large reach in India so it should be no

reach in India so it should be no

reach in India so it should be no surprise that it also plays a large role

surprise that it also plays a large role

surprise that it also plays a large role in shaping the mindsets of the people in

in shaping the mindsets of the people in

in shaping the mindsets of the people in India and it can be argued that Western

India and it can be argued that Western

India and it can be argued that Western movies also portrayed gender stereotypes

movies also portrayed gender stereotypes

movies also portrayed gender stereotypes in cinema and popular culture but the

in cinema and popular culture but the

in cinema and popular culture but the key difference here with Bollywood is

key difference here with Bollywood is

key difference here with Bollywood is that it’s in India where society and

that it’s in India where society and

that it’s in India where society and culture is is dramatically more

culture is is dramatically more

culture is is dramatically more conservative than the Western world now

conservative than the Western world now

conservative than the Western world now Bollywood in India have contrasting

Bollywood in India have contrasting

Bollywood in India have contrasting takes on the Indian culture producing

takes on the Indian culture producing

takes on the Indian culture producing conflicting messages to the society for

conflicting messages to the society for

conflicting messages to the society for example Sasori societal norms restrict

example Sasori societal norms restrict

example Sasori societal norms restrict interactions between girls and boys in

interactions between girls and boys in

interactions between girls and boys in India in this case they portray more of

India in this case they portray more of

India in this case they portray more of conservative clothing and encourage

conservative clothing and encourage

conservative clothing and encourage girls to stay at home until they’re

girls to stay at home until they’re

girls to stay at home until they’re married but Bollywood takes a more

married but Bollywood takes a more

married but Bollywood takes a more modern twist on this what I mean by that

modern twist on this what I mean by that

modern twist on this what I mean by that is that people wear more risque and

is that people wear more risque and

is that people wear more risque and revealing clothing and premarital

revealing clothing and premarital

revealing clothing and premarital relationships are often encouraged us

relationships are often encouraged us

relationships are often encouraged us who mariner asani of foreign policy

who mariner asani of foreign policy

who mariner asani of foreign policy states the role of women in Indian

states the role of women in Indian

states the role of women in Indian cinema is a reflection of a woman’s role

cinema is a reflection of a woman’s role

cinema is a reflection of a woman’s role in society from a man’s viewpoint and

in society from a man’s viewpoint and

in society from a man’s viewpoint and this often leads to the objectification

this often leads to the objectification

this often leads to the objectification of women and poor treatment of women

of women and poor treatment of women

of women and poor treatment of women glorification of hyper masculinity and

glorification of hyper masculinity and

glorification of hyper masculinity and violence influences kind of culture so

violence influences kind of culture so

violence influences kind of culture so violence is a very prevalent theme in

violence is a very prevalent theme in

violence is a very prevalent theme in Bollywood movies a campaign by frame her

Bollywood movies a campaign by frame her

Bollywood movies a campaign by frame her right found that 95 percent of Indian

right found that 95 percent of Indian

right found that 95 percent of Indian women felt very uncomfortable watching

women felt very uncomfortable watching

women felt very uncomfortable watching movies where there is violence against

movies where there is violence against

movies where there is violence against women and 55 to 70 percent of married

women and 55 to 70 percent of married

women and 55 to 70 percent of married Indian women live in a domestically

Indian women live in a domestically

Indian women live in a domestically abusive relationship

abusive relationship

abusive relationship a court case in Australia found that a

a court case in Australia found that a

a court case in Australia found that a man was stalking two women when asked

man was stalking two women when asked

man was stalking two women when asked why he did that he said that it was

why he did that he said that it was

why he did that he said that it was common in Bollywood movies for this to

common in Bollywood movies for this to

common in Bollywood movies for this to happen and the woman eventually ended up

happen and the woman eventually ended up

happen and the woman eventually ended up falling in love with the men but even

falling in love with the men but even

falling in love with the men but even the lawyer defended him and he said this

the lawyer defended him and he said this

the lawyer defended him and he said this behavior is typical of Indian men so it

behavior is typical of Indian men so it

behavior is typical of Indian men so it should just be affected in 2012 a

should just be affected in 2012 a

should just be affected in 2012 a horrific aughts horrific incident in New

horrific aughts horrific incident in New

horrific aughts horrific incident in New Delhi took headlines worldwide in 2012 a

Delhi took headlines worldwide in 2012 a

Delhi took headlines worldwide in 2012 a young woman was brutally attacked and

young woman was brutally attacked and

young woman was brutally attacked and gang-raped a few days after the attack

gang-raped a few days after the attack

gang-raped a few days after the attack she died of her injuries and so this

she died of her injuries and so this

she died of her injuries and so this event sparked a worldwide conversation

event sparked a worldwide conversation

event sparked a worldwide conversation about how Indian culture and also

about how Indian culture and also

about how Indian culture and also Bollywood contribute to such ideals in

Bollywood contribute to such ideals in

Bollywood contribute to such ideals in India following these tragic events a

India following these tragic events a

India following these tragic events a documentary called India’s daughter was

documentary called India’s daughter was

documentary called India’s daughter was released and it kind of tracked the

released and it kind of tracked the

released and it kind of tracked the incidence of rape culture within India

incidence of rape culture within India

incidence of rape culture within India however the government banned it saying

however the government banned it saying

however the government banned it saying that it went against many of the Indian

that it went against many of the Indian

that it went against many of the Indian cultures and morals and even members of

cultures and morals and even members of

cultures and morals and even members of parliament at the time said that it

parliament at the time said that it

parliament at the time said that it should be banned because it would lead

should be banned because it would lead

should be banned because it would lead to men feeling uncomfortable by the

to men feeling uncomfortable by the

to men feeling uncomfortable by the thoughts and actions that they had

thoughts and actions that they had

thoughts and actions that they had another event it happened very recently

another event it happened very recently

another event it happened very recently on Year’s Eve this past December in

on Year’s Eve this past December in

on Year’s Eve this past December in Bangalore India mobs of men took to the

Bangalore India mobs of men took to the

Bangalore India mobs of men took to the streets of took to the main streets of

streets of took to the main streets of

streets of took to the main streets of the city and what ended up being a mass

the city and what ended up being a mass

the city and what ended up being a mass molestation of women who happened to be

molestation of women who happened to be

molestation of women who happened to be celebrating museum and these events were

celebrating museum and these events were

celebrating museum and these events were highly documented there were videos and

highly documented there were videos and

highly documented there were videos and pictures that were shared on social

pictures that were shared on social

pictures that were shared on social media sites and covered by news

media sites and covered by news

media sites and covered by news organizations however government

organizations however government

organizations however government officials in India’s such as the police

officials in India’s such as the police

officials in India’s such as the police commissioner of Bank lawyer refused to

commissioner of Bank lawyer refused to

commissioner of Bank lawyer refused to believe that any of these events

believe that any of these events

believe that any of these events happened in fact they blatantly denied

happened in fact they blatantly denied

happened in fact they blatantly denied that the dis happened the most

that the dis happened the most

that the dis happened the most frightening part of this is the fact

frightening part of this is the fact

frightening part of this is the fact that women had to take most of the blame

that women had to take most of the blame

that women had to take most of the blame for what had happened in fact even after

for what had happened in fact even after

for what had happened in fact even after it happened the Home Minister just said

it happened the Home Minister just said

it happened the Home Minister just said these things happen and he said that

these things happen and he said that

these things happen and he said that women should just accept it which just

women should just accept it which just

women should just accept it which just shows that the government and officials

shows that the government and officials

shows that the government and officials in India are not ready to move forward

in India are not ready to move forward

in India are not ready to move forward from the binding effects of the

from the binding effects of the

from the binding effects of the patriarchy now these denials don’t just

patriarchy now these denials don’t just

patriarchy now these denials don’t just come from the government they also come

come from the government they also come

come from the government they also come from Bollywood itself in fact

from Bollywood itself in fact

from Bollywood itself in fact of the most popular actors in India is

of the most popular actors in India is

of the most popular actors in India is Shia Khan and he has been quoted saying

Shia Khan and he has been quoted saying

Shia Khan and he has been quoted saying that he does not believe that Bollywood

that he does not believe that Bollywood

that he does not believe that Bollywood plays any part in the maltreatment of

plays any part in the maltreatment of

plays any part in the maltreatment of women in in Indian society however there

women in in Indian society however there

women in in Indian society however there are some notable actors and actresses

are some notable actors and actresses

are some notable actors and actresses who do who do recognize that this is a

who do who do recognize that this is a

who do who do recognize that this is a problem and are working to address this

problem and are working to address this

problem and are working to address this these include Mallika Sherawat Farhan

these include Mallika Sherawat Farhan

these include Mallika Sherawat Farhan Akhtar Kalki Koechlin and Amitabh

Akhtar Kalki Koechlin and Amitabh

Akhtar Kalki Koechlin and Amitabh Bachchan

Bachchan

Bachchan now these actors have had led to an

now these actors have had led to an

now these actors have had led to an increasing number of Bollywood movies

increasing number of Bollywood movies

increasing number of Bollywood movies that help to promote feminism and

that help to promote feminism and

that help to promote feminism and women’s right all a while they helped to

women’s right all a while they helped to

women’s right all a while they helped to bring down the patriarchy and demote the

bring down the patriarchy and demote the

bring down the patriarchy and demote the jet binding gender norms a couple of

jet binding gender norms a couple of

jet binding gender norms a couple of examples of this are dear zindagi dear

examples of this are dear zindagi dear

examples of this are dear zindagi dear zindagi is the story of a woman that is

zindagi is the story of a woman that is

zindagi is the story of a woman that is encouraged to follow her ambitions while

encouraged to follow her ambitions while

encouraged to follow her ambitions while breaking down these gender norms on the

breaking down these gender norms on the

breaking down these gender norms on the other hand is dung-geul dung-geul is the

other hand is dung-geul dung-geul is the

other hand is dung-geul dung-geul is the true story of a father that encourages

true story of a father that encourages

true story of a father that encourages his young daughters to pursue a

his young daughters to pursue a

his young daughters to pursue a professional career in wrestling radical

professional career in wrestling radical

professional career in wrestling radical ideas considering the societal norms

ideas considering the societal norms

ideas considering the societal norms that currently exist now it is

that currently exist now it is

that currently exist now it is indisputable that India still has a long

indisputable that India still has a long

indisputable that India still has a long ways to go before women are treated

ways to go before women are treated

ways to go before women are treated equally

equally

equally Bollywood plays a large role in shaping

Bollywood plays a large role in shaping

Bollywood plays a large role in shaping Indian society and so instead of

Indian society and so instead of

Indian society and so instead of condoning patriarchal ideals as it

condoning patriarchal ideals as it

condoning patriarchal ideals as it currently does Bollywood should instead

currently does Bollywood should instead

currently does Bollywood should instead promote the better treatment of women

promote the better treatment of women

promote the better treatment of women now Bollywood is starting to head in

now Bollywood is starting to head in

now Bollywood is starting to head in that direction but it’s not enough

that direction but it’s not enough

that direction but it’s not enough bollywood needs to keep moving forward

bollywood needs to keep moving forward

bollywood needs to keep moving forward and in order to do this there will

and in order to do this there will

and in order to do this there will conversations both on and off screen

conversations both on and off screen

conversations both on and off screen will be required if Bollywood wants to

will be required if Bollywood wants to

will be required if Bollywood wants to promote gender equality in India thank

promote gender equality in India thank

promote gender equality in India thank you

you

you [Applause]

”

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