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How I learned to draw people of color | Jane Hsi | TEDxOU


[Applause]

[Applause] okay well hello everyone my name is Jane

okay well hello everyone my name is Jane

okay well hello everyone my name is Jane C as I was introduced and I am an artist

C as I was introduced and I am an artist

C as I was introduced and I am an artist and growing up I’ve always loved to draw

and growing up I’ve always loved to draw

and growing up I’ve always loved to draw faces I draw faces all day every day and

faces I draw faces all day every day and

faces I draw faces all day every day and but while I was trying spaces I was so

but while I was trying spaces I was so

but while I was trying spaces I was so immersed in drawing a perfect face that

immersed in drawing a perfect face that

immersed in drawing a perfect face that I never questioned what factors

I never questioned what factors

I never questioned what factors determined to me what a perfect face was

determined to me what a perfect face was

determined to me what a perfect face was and then about two summers ago maybe

and then about two summers ago maybe

and then about two summers ago maybe three i was a freshman long time ago i

three i was a freshman long time ago i

three i was a freshman long time ago i was studying abroad in oxford and was

was studying abroad in oxford and was

was studying abroad in oxford and was deciding to take a weekend trip to

deciding to take a weekend trip to

deciding to take a weekend trip to london and while i was on the bus the

london and while i was on the bus the

london and while i was on the bus the lady sitting next to me is actually an

lady sitting next to me is actually an

lady sitting next to me is actually an art professor in the vicinity and we

art professor in the vicinity and we

art professor in the vicinity and we talk about art conversations seem to be

talk about art conversations seem to be

talk about art conversations seem to be going well and then I show her some of

going well and then I show her some of

going well and then I show her some of my work and the faces and she stares and

my work and the faces and she stares and

my work and the faces and she stares and she looks at me and says why do all your

she looks at me and says why do all your

she looks at me and says why do all your faces look the same you know why are

faces look the same you know why are

faces look the same you know why are they all love you know white women who

they all love you know white women who

they all love you know white women who look like they’re beautiful models and I

look like they’re beautiful models and I

look like they’re beautiful models and I really didn’t know how to answer that

really didn’t know how to answer that

really didn’t know how to answer that question and so it’s just an awkward

question and so it’s just an awkward

question and so it’s just an awkward long ride the rest of the way to London

long ride the rest of the way to London

long ride the rest of the way to London and then you know I came back to the US

and then you know I came back to the US

and then you know I came back to the US came back to resume my studies and sort

came back to resume my studies and sort

came back to resume my studies and sort of put that question in the back of my

of put that question in the back of my

of put that question in the back of my mind until I took a race aesthetics and

mind until I took a race aesthetics and

mind until I took a race aesthetics and analytical class and my professor asked

analytical class and my professor asked

analytical class and my professor asked me the exact same question and this time

me the exact same question and this time

me the exact same question and this time the scientist in me emerged and tried to

the scientist in me emerged and tried to

the scientist in me emerged and tried to find the source of my bias e toward this

find the source of my bias e toward this

find the source of my bias e toward this one type of beauty and how I could

one type of beauty and how I could

one type of beauty and how I could change that so going back growing up

change that so going back growing up

change that so going back growing up I’ve always loved magazines i collected

I’ve always loved magazines i collected

I’ve always loved magazines i collected Bob since the two thousand millennial

Bob since the two thousand millennial

Bob since the two thousand millennial issue every time I go to a different

issue every time I go to a different

issue every time I go to a different country i buy so many magazines that it

country i buy so many magazines that it

country i buy so many magazines that it almost exceeds the 50-pound luggage

almost exceeds the 50-pound luggage

almost exceeds the 50-pound luggage limit and you know you look at all these

limit and you know you look at all these

limit and you know you look at all these covers they’re all beautiful women but

covers they’re all beautiful women but

covers they’re all beautiful women but they all share that same type of look

they all share that same type of look

they all share that same type of look and features and even The Huffington

and features and even The Huffington

and features and even The Huffington Post reports that in 2015 80.2 percent

Post reports that in 2015 80.2 percent

Post reports that in 2015 80.2 percent of models cast for the cover were of

of models cast for the cover were of

of models cast for the cover were of white and then I go back to my education

white and then I go back to my education

white and then I go back to my education as an artist and growing up from

as an artist and growing up from

as an artist and growing up from elementary school middle school and

elementary school middle school and

elementary school middle school and onwards there was this emphasis on

onwards there was this emphasis on

onwards there was this emphasis on Western art

Western art

Western art and in these beautiful paintings by da

and in these beautiful paintings by da

and in these beautiful paintings by da Vinci Renoir Vermeer there’s always this

Vinci Renoir Vermeer there’s always this

Vinci Renoir Vermeer there’s always this emphasis on white beauty as the ideal

emphasis on white beauty as the ideal

emphasis on white beauty as the ideal subject to portray in the art world and

subject to portray in the art world and

subject to portray in the art world and lastly even in my own Asian community

lastly even in my own Asian community

lastly even in my own Asian community every time I visit my grandma she always

every time I visit my grandma she always

every time I visit my grandma she always had these whitening skin kits for me

had these whitening skin kits for me

had these whitening skin kits for me saying that Oh Jane you just put this on

saying that Oh Jane you just put this on

saying that Oh Jane you just put this on every day and night and in two months

every day and night and in two months

every day and night and in two months you’ll be as beautiful as a pale

you’ll be as beautiful as a pale

you’ll be as beautiful as a pale supermodel and you know I it was a lot

supermodel and you know I it was a lot

supermodel and you know I it was a lot of pressure and it wasn’t only me you

of pressure and it wasn’t only me you

of pressure and it wasn’t only me you know even the New Yorker estimates that

know even the New Yorker estimates that

know even the New Yorker estimates that anywhere from 150 to one-third of women

anywhere from 150 to one-third of women

anywhere from 150 to one-third of women in Asia undergo the knife for cosmetic

in Asia undergo the knife for cosmetic

in Asia undergo the knife for cosmetic reasons to gain more Western features

reasons to gain more Western features

reasons to gain more Western features some examples I know personally are high

some examples I know personally are high

some examples I know personally are high nose bridges double eyelids and you know

nose bridges double eyelids and you know

nose bridges double eyelids and you know skin creams to whiten the skin so just

skin creams to whiten the skin so just

skin creams to whiten the skin so just to look like these Chinese and Asian

to look like these Chinese and Asian

to look like these Chinese and Asian celebrities you see here you know and

celebrities you see here you know and

celebrities you see here you know and all these influences resulted in me and

all these influences resulted in me and

all these influences resulted in me and creating a painting with a face that

creating a painting with a face that

creating a painting with a face that looks like this this is a very good

looks like this this is a very good

looks like this this is a very good example of a lot of the faces i drew

example of a lot of the faces i drew

example of a lot of the faces i drew growing up and although i think all of

growing up and although i think all of

growing up and although i think all of these faces are lovely what is wrong

these faces are lovely what is wrong

these faces are lovely what is wrong with this none of these faces look like

with this none of these faces look like

with this none of these faces look like me the people around me or any of you

me the people around me or any of you

me the people around me or any of you guys in this audience and from this I

guys in this audience and from this I

guys in this audience and from this I realized not only was my work lacking

realized not only was my work lacking

realized not only was my work lacking diversity it was also lacking an

diversity it was also lacking an

diversity it was also lacking an appreciation of the people I see every

appreciation of the people I see every

appreciation of the people I see every day and so going back i made this

day and so going back i made this

day and so going back i made this hypothesis that i looked and thought

hypothesis that i looked and thought

hypothesis that i looked and thought okay what I grew up with shaped the

okay what I grew up with shaped the

okay what I grew up with shaped the artwork I made and the beauty ideals

artwork I made and the beauty ideals

artwork I made and the beauty ideals instilled in me and the way I wanted to

instilled in me and the way I wanted to

instilled in me and the way I wanted to change it was look at the people around

change it was look at the people around

change it was look at the people around me look at photography of other cultures

me look at photography of other cultures

me look at photography of other cultures and races and draw them and practice my

and races and draw them and practice my

and races and draw them and practice my hand at them in order to expand my

hand at them in order to expand my

hand at them in order to expand my aesthetic values to people of all color

aesthetic values to people of all color

aesthetic values to people of all color so this sort of experiment started about

so this sort of experiment started about

so this sort of experiment started about a summer ago I was in Shanghai China a

a summer ago I was in Shanghai China a

a summer ago I was in Shanghai China a little selfie of me in the bustling

little selfie of me in the bustling

little selfie of me in the bustling streets there and next to it I put an

streets there and next to it I put an

streets there and next to it I put an example of my default why ideal face

example of my default why ideal face

example of my default why ideal face just for comparison and I was shadowing

just for comparison and I was shadowing

just for comparison and I was shadowing in a Chinese hospital and the nurse

in a Chinese hospital and the nurse

in a Chinese hospital and the nurse asked me hey Jane can you draw a picture

asked me hey Jane can you draw a picture

asked me hey Jane can you draw a picture of me and I thought no big deal faces

of me and I thought no big deal faces

of me and I thought no big deal faces are my thing I love to draw faces and I

are my thing I love to draw faces and I

are my thing I love to draw faces and I sit down I draw an oval and then from

sit down I draw an oval and then from

sit down I draw an oval and then from that point on things

that point on things

that point on things harder I draw her eyelids incorrectly I

harder I draw her eyelids incorrectly I

harder I draw her eyelids incorrectly I make her nose bridge too high and too

make her nose bridge too high and too

make her nose bridge too high and too Western and I can’t get the pigmentation

Western and I can’t get the pigmentation

Western and I can’t get the pigmentation of her skin correct with the colored

of her skin correct with the colored

of her skin correct with the colored pencils i have and so I realized it’s

pencils i have and so I realized it’s

pencils i have and so I realized it’s hard for me to draw people of color

hard for me to draw people of color

hard for me to draw people of color because my hand is so practiced in

because my hand is so practiced in

because my hand is so practiced in drawing supermodel western faces but you

drawing supermodel western faces but you

drawing supermodel western faces but you know through practice I keep pushing

know through practice I keep pushing

know through practice I keep pushing myself to actively ask people around me

myself to actively ask people around me

myself to actively ask people around me to let me draw them reading more papers

to let me draw them reading more papers

to let me draw them reading more papers on analytical aesthetics as a concerns

on analytical aesthetics as a concerns

on analytical aesthetics as a concerns race and you know over time I’ve been so

race and you know over time I’ve been so

race and you know over time I’ve been so in love with the subject that I’ve been

in love with the subject that I’ve been

in love with the subject that I’ve been given the opportunity to curate a show

given the opportunity to curate a show

given the opportunity to curate a show on this particular subject and at by

on this particular subject and at by

on this particular subject and at by curatorship I mean I challenge artists

curatorship I mean I challenge artists

curatorship I mean I challenge artists in this community out of state or one

in this community out of state or one

in this community out of state or one even out of country to draw people of

even out of country to draw people of

even out of country to draw people of color and to write down the challenges

color and to write down the challenges

color and to write down the challenges associated with it and this March will

associated with it and this March will

associated with it and this March will all put it into a gallery space and

all put it into a gallery space and

all put it into a gallery space and exhibit these awesome works and thoughts

exhibit these awesome works and thoughts

exhibit these awesome works and thoughts that these artists have had about it and

that these artists have had about it and

that these artists have had about it and in my own development as an artist I’ve

in my own development as an artist I’ve

in my own development as an artist I’ve been really happy to see how I’ve

been really happy to see how I’ve

been really happy to see how I’ve learned to appreciate the aesthetic

learned to appreciate the aesthetic

learned to appreciate the aesthetic quality of all kinds of people and a

quality of all kinds of people and a

quality of all kinds of people and a people around me and how my art has just

people around me and how my art has just

people around me and how my art has just become more interesting to me overall

become more interesting to me overall

become more interesting to me overall and I just have so much fun looking at

and I just have so much fun looking at

and I just have so much fun looking at people’s faces and thinking I want to

people’s faces and thinking I want to

people’s faces and thinking I want to draw the space too and so as you can see

draw the space too and so as you can see

draw the space too and so as you can see from all of this what we grow up with

from all of this what we grow up with

from all of this what we grow up with and what forms the basic building blocks

and what forms the basic building blocks

and what forms the basic building blocks of our understanding really shapes the

of our understanding really shapes the

of our understanding really shapes the way we think how we perceive others and

way we think how we perceive others and

way we think how we perceive others and ourselves and you know for me how I

ourselves and you know for me how I

ourselves and you know for me how I create what I do create and how we all

create what I do create and how we all

create what I do create and how we all create you know work and so I think that

create you know work and so I think that

create you know work and so I think that from this it is so important for us to

from this it is so important for us to

from this it is so important for us to go back to these building blocks and to

go back to these building blocks and to

go back to these building blocks and to question them to analyze what is feeding

question them to analyze what is feeding

question them to analyze what is feeding into the way we form our understanding

into the way we form our understanding

into the way we form our understanding of ourselves in the world around us and

of ourselves in the world around us and

of ourselves in the world around us and I think by doing so we can all make a

I think by doing so we can all make a

I think by doing so we can all make a 180 and the way we think and life will

180 and the way we think and life will

180 and the way we think and life will become not only more interesting but

become not only more interesting but

become not only more interesting but more colorful as well thank you

more colorful as well thank you

more colorful as well thank you [Applause]

”

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