controversial period of modern history the revolutions we’re concerned with
the revolutions we’re concerned with
the revolutions we’re concerned with here were being staged across our
here were being staged across our
here were being staged across our airwaves
welcome to watchmojo.com and today we’re
welcome to watchmojo.com and today we’re counting down our picks for the top ten
counting down our picks for the top ten
counting down our picks for the top ten decade defining songs of the 1960s for
decade defining songs of the 1960s for
decade defining songs of the 1960s for this list we’ve looked at a combination
this list we’ve looked at a combination
this list we’ve looked at a combination of the decades most commercially
of the decades most commercially
of the decades most commercially successful songs as well as the most
successful songs as well as the most
successful songs as well as the most influential records and the tracks that
influential records and the tracks that
influential records and the tracks that best reflect the period
our list and the 60s in general begins
our list and the 60s in general begins with a whole lot of soul released in 61
with a whole lot of soul released in 61
with a whole lot of soul released in 61 hit the road jack is the earliest record
hit the road jack is the earliest record
hit the road jack is the earliest record to make our countdown and it sets a
to make our countdown and it sets a
to make our countdown and it sets a silky-smooth standard
Ray Charles had grown up learning
Ray Charles had grown up learning classical piano but always had a
classical piano but always had a
classical piano but always had a hankering for R&B this record was the
hankering for R&B this record was the
hankering for R&B this record was the second of his three us number ones major
second of his three us number ones major
second of his three us number ones major proof that his genre preferences were
proof that his genre preferences were
proof that his genre preferences were justified
if the road jack is rhythm and attitude
if the road jack is rhythm and attitude it still gets finger snapping even now
number nine mrs. Robinson Simon &
number nine mrs. Robinson Simon & Garfunkel
first heard on the soundtrack to the
first heard on the soundtrack to the movie the graduate
movie the graduate
movie the graduate mrs. Robinson character in the song came
mrs. Robinson character in the song came
mrs. Robinson character in the song came to represent Dustin Hoffman’s older love
to represent Dustin Hoffman’s older love
to represent Dustin Hoffman’s older love interest in the film I love you but it
interest in the film I love you but it
interest in the film I love you but it would never work out
however the 4-minute number was actually
however the 4-minute number was actually originally written with president FDR’s
originally written with president FDR’s
originally written with president FDR’s wife mrs. Eleanor Roosevelt in mind her
wife mrs. Eleanor Roosevelt in mind her
wife mrs. Eleanor Roosevelt in mind her tireless campaign work for equal rights
tireless campaign work for equal rights
tireless campaign work for equal rights meant that she was loved by the American
meant that she was loved by the American
meant that she was loved by the American people and this song pays homage to her
also mentions legendary baseball player
also mentions legendary baseball player Joe DiMaggio as a hero of the past its
Joe DiMaggio as a hero of the past its
Joe DiMaggio as a hero of the past its folk-rock
folk-rock
folk-rock and Frank sentiment
mr8 you really got me the kinks you
mr8 you really got me the kinks you really got me going jicama Sodom after
really got me going jicama Sodom after
really got me going jicama Sodom after their first two singles flopped there
their first two singles flopped there
their first two singles flopped there was a lot riding on this record got was
was a lot riding on this record got was
was a lot riding on this record got was I guess a redneck
I guess a redneck
I guess a redneck ultimately it carried the kinks to
ultimately it carried the kinks to
ultimately it carried the kinks to number one in the UK and confirmed them
number one in the UK and confirmed them
number one in the UK and confirmed them as major players in the British Invasion
as major players in the British Invasion
as major players in the British Invasion of America
tarus Dave Davies achieved the dirty
tarus Dave Davies achieved the dirty distorted sound of the single by
distorted sound of the single by
distorted sound of the single by slashing his amp with a razor blade
thus inspiring a wave of technology to
thus inspiring a wave of technology to mimic the effect
the song captured exactly what 60s rock
the song captured exactly what 60s rock was all about simplicity sexuality and
was all about simplicity sexuality and
was all about simplicity sexuality and innovation
while it was originally written and
while it was originally written and released by Otis Redding it wasn’t until
released by Otis Redding it wasn’t until
released by Otis Redding it wasn’t until Aretha Franklin got hold of this track
Aretha Franklin got hold of this track
Aretha Franklin got hold of this track that respect really caused waves she
that respect really caused waves she
that respect really caused waves she added the iconic chorus hook and she
added the iconic chorus hook and she
added the iconic chorus hook and she smothered it in sassiness her version
smothered it in sassiness her version
smothered it in sassiness her version turned the tables on the men showing
turned the tables on the men showing
turned the tables on the men showing women that their voices could be heard
women that their voices could be heard
women that their voices could be heard just as loudly gone were the days that
just as loudly gone were the days that
just as loudly gone were the days that respect and success were male only
respect and success were male only
respect and success were male only privileges we don’t need to spell it out
privileges we don’t need to spell it out
privileges we don’t need to spell it out for you this song was a winner
number six like a rolling stone Bob
number six like a rolling stone Bob Dylan once upon a time it is so fun
Dylan once upon a time it is so fun
Dylan once upon a time it is so fun bumps a dime in your
one of the most influential musicians of
one of the most influential musicians of all time
all time
all time not just the 60s Bob Dylan’s highest of
not just the 60s Bob Dylan’s highest of
not just the 60s Bob Dylan’s highest of high points has to be like a rolling
high points has to be like a rolling
high points has to be like a rolling stone
lyrically it’s lengthy which makes its
lyrically it’s lengthy which makes its chart success a bit unusual but with
chart success a bit unusual but with
chart success a bit unusual but with words this wise it isn’t hard to see why
words this wise it isn’t hard to see why
words this wise it isn’t hard to see why people loved it
detailing the story of a character
detailing the story of a character that’s fallen out of high society it’s a
that’s fallen out of high society it’s a
that’s fallen out of high society it’s a perfect example of Dillon’s ability to
perfect example of Dillon’s ability to
perfect example of Dillon’s ability to use music as a soapbox to him there was
use music as a soapbox to him there was
use music as a soapbox to him there was more to rock than rhythm
it may have been released in the 60s but
it may have been released in the 60s but this song is carried through time as
this song is carried through time as
this song is carried through time as applicable to the next generation as it
applicable to the next generation as it
applicable to the next generation as it was to the one before for a ghetto
stuttering into success in more ways
stuttering into success in more ways than one it was their first of 4 efforts
than one it was their first of 4 efforts
than one it was their first of 4 efforts to break into the top 5 in the UK and it
to break into the top 5 in the UK and it
to break into the top 5 in the UK and it only scraped into the top 75 in the US
the vocally impeded sound was feared to
the vocally impeded sound was feared to be offensive upon release but has since
be offensive upon release but has since
be offensive upon release but has since become iconic
and the guitar smashing finale is just
and the guitar smashing finale is just plain awesome
on the wind and if super movie a number
on the wind and if super movie a number for Good Vibrations the Beach Boys
in 1966 this became the most expensive
in 1966 this became the most expensive record ever produced costing around
record ever produced costing around
record ever produced costing around $50,000
it also demanded almost 90 hours of
it also demanded almost 90 hours of studio time and many of those minutes
studio time and many of those minutes
studio time and many of those minutes passed without the full beach boys
passed without the full beach boys
passed without the full beach boys lineup present due to touring
lineup present due to touring
lineup present due to touring commitments
as a result the original recording is
as a result the original recording is actually a fantastic melee obsession
actually a fantastic melee obsession
actually a fantastic melee obsession performers
they’re expensive vibrations
they’re expensive vibrations time-consuming vibrations but ultimately
time-consuming vibrations but ultimately
time-consuming vibrations but ultimately they’re good and they’re worth it
number three I can’t get no satisfaction
number three I can’t get no satisfaction the Rolling Stones
written in America during their first
written in America during their first statewide tour legend has it that
statewide tour legend has it that
statewide tour legend has it that following a less than successful gig
following a less than successful gig
following a less than successful gig Stones guitarist Keith Richards awoke in
Stones guitarist Keith Richards awoke in
Stones guitarist Keith Richards awoke in the middle of the night with this riff
the middle of the night with this riff
the middle of the night with this riff fully formed in his head
the band would record and release it
the band would record and release it within three weeks scoring themselves at
within three weeks scoring themselves at
within three weeks scoring themselves at number one in America and Britain
social frustration sexual frustration
social frustration sexual frustration and musical pleasure this is double
and musical pleasure this is double
and musical pleasure this is double negative but do we really care
satisfaction to find this decade in a
satisfaction to find this decade in a big way
number two all along the watchtower the
number two all along the watchtower the Jimi Hendrix Experience
written and recorded by Bob Dylan Jimi
written and recorded by Bob Dylan Jimi Hendrix released his version of all
Hendrix released his version of all
Hendrix released his version of all along the watchtower after he heard a
along the watchtower after he heard a
along the watchtower after he heard a tape recording of the folk singers
tape recording of the folk singers
tape recording of the folk singers original nobody of it
original nobody of it
original nobody of it the cover had such an impact the Dylan
the cover had such an impact the Dylan
the cover had such an impact the Dylan himself changed the way he played his
himself changed the way he played his
himself changed the way he played his own song to mimic it
a showcase of scintillating guitar music
a showcase of scintillating guitar music it’s a brand that was Jimmy’s own
he spent days and weeks in the studio
he spent days and weeks in the studio tweaking and overdubbing the material
tweaking and overdubbing the material
tweaking and overdubbing the material until he achieved the classic that we
until he achieved the classic that we
until he achieved the classic that we enjoy today
before we unveil our top pick here are a
before we unveil our top pick here are a few honorable mentions
hey what’s that sound everybody look
hey what’s that sound everybody look what’s going
what’s going
what’s going you
number one I want to hold your hand The
number one I want to hold your hand The Beatles oh yeah their first u.s. number
Beatles oh yeah their first u.s. number
Beatles oh yeah their first u.s. number one this record provoked a British
one this record provoked a British
one this record provoked a British Invasion of America and turn Beatle
Invasion of America and turn Beatle
Invasion of America and turn Beatle mania into a multinational frenzy
John Lennon and Paul McCartney co-wrote
John Lennon and Paul McCartney co-wrote the songs and they collaborated on the
the songs and they collaborated on the
the songs and they collaborated on the vocals to produce a sound that became so
vocals to produce a sound that became so
vocals to produce a sound that became so beatles and so 60s and when a tool i
beatles and so 60s and when a tool i
beatles and so 60s and when a tool i feel happy inside the hysteria
feel happy inside the hysteria
feel happy inside the hysteria surrounding the Liverpool for peace was
surrounding the Liverpool for peace was
surrounding the Liverpool for peace was so loud that Lennon later admitted to
so loud that Lennon later admitted to
so loud that Lennon later admitted to playfully changing the lyric hand to
playfully changing the lyric hand to
playfully changing the lyric hand to gland during live shows
in truth whatever they sang was
in truth whatever they sang was successful
successful
successful they set the 60s trend and shaped modern
they set the 60s trend and shaped modern
they set the 60s trend and shaped modern music do you agree with our list what’s
music do you agree with our list what’s
music do you agree with our list what’s your favorite 60 songs
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