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Top 10 Cinematographers


get out your camera and start rolling

get out your camera and start rolling film welcome to watchmojo.com and today

film welcome to watchmojo.com and today

film welcome to watchmojo.com and today we’re counting down our picks for the

we’re counting down our picks for the

we’re counting down our picks for the top 10 cinematographers you’re gonna go

top 10 cinematographers you’re gonna go

top 10 cinematographers you’re gonna go to London exactly as we discuss that

to London exactly as we discuss that

to London exactly as we discuss that you’re gonna take advantage of that

you’re gonna take advantage of that

you’re gonna take advantage of that opportunity and study acting over there

opportunity and study acting over there

opportunity and study acting over there you know and and you’ll think of me

you know and and you’ll think of me

you know and and you’ll think of me always as a fond memory for this list

always as a fond memory for this list

always as a fond memory for this list we’re taking a look at the most

we’re taking a look at the most

we’re taking a look at the most influential and artistic people behind

influential and artistic people behind

influential and artistic people behind the camera that add another level of

the camera that add another level of

the camera that add another level of atmosphere to every movie they shoot I

atmosphere to every movie they shoot I

atmosphere to every movie they shoot I like to win your bag boy is that who you

like to win your bag boy is that who you

like to win your bag boy is that who you was looking for number 10 James Wong how

was looking for number 10 James Wong how

was looking for number 10 James Wong how high that is what I call one hell of a

high that is what I call one hell of a

high that is what I call one hell of a night you got about six times a week

night you got about six times a week

night you got about six times a week you don’t win them all you know at a

you don’t win them all you know at a

you don’t win them all you know at a young age Wong how avidly tinkered with

young age Wong how avidly tinkered with

young age Wong how avidly tinkered with cameras and photography techniques hey

cameras and photography techniques hey

cameras and photography techniques hey back there did you really want to let me

back there did you really want to let me

back there did you really want to let me I was good

I was good

I was good my heart was beating Sophia you don’t

my heart was beating Sophia you don’t

my heart was beating Sophia you don’t need to it maybe next time I went what

need to it maybe next time I went what

need to it maybe next time I went what this tinkering eventually led him to

this tinkering eventually led him to

this tinkering eventually led him to make technical innovations in cinema

make technical innovations in cinema

make technical innovations in cinema that earned him a spot in film history

contributing to over 130 films wong hau

contributing to over 130 films wong hau became a much sought-after

became a much sought-after

became a much sought-after cinematographer for his ability to shoot

cinematographer for his ability to shoot

cinematographer for his ability to shoot beautiful images and the way he

beautiful images and the way he

beautiful images and the way he manipulated light and shadow to create

manipulated light and shadow to create

manipulated light and shadow to create images that were revolutionary at the

images that were revolutionary at the

images that were revolutionary at the time

time

time liebherr life again begin again all-new

liebherr life again begin again all-new

liebherr life again begin again all-new all-different he took home two Academy

all-different he took home two Academy

all-different he took home two Academy Awards for his work in the Rose Tattoo

Awards for his work in the Rose Tattoo

Awards for his work in the Rose Tattoo and HUD but the mesmerizing seconds is

and HUD but the mesmerizing seconds is

and HUD but the mesmerizing seconds is arguably his crowning achievement yes

number nine Matthew Liberty I asked you

number nine Matthew Liberty I asked you here along the difficulty I will making

here along the difficulty I will making

here along the difficulty I will making that day no problem a frequent

that day no problem a frequent

that day no problem a frequent collaborator of director Darren

collaborator of director Darren

collaborator of director Darren Aronofsky Matthew Lee batik got his

Aronofsky Matthew Lee batik got his

Aronofsky Matthew Lee batik got his start shooting surreal and often trippy

start shooting surreal and often trippy

start shooting surreal and often trippy films about drug users or crazy math

films about drug users or crazy math

films about drug users or crazy math problems there is a pattern an order

problems there is a pattern an order

problems there is a pattern an order underlying every go game since then his

underlying every go game since then his

underlying every go game since then his career has extended to more

career has extended to more

career has extended to more action-oriented films like the first two

action-oriented films like the first two

action-oriented films like the first two iron man pictures and he’s made

iron man pictures and he’s made

iron man pictures and he’s made professional relationships with iconic

professional relationships with iconic

professional relationships with iconic directors like Joel Schumacher and Spike

directors like Joel Schumacher and Spike

directors like Joel Schumacher and Spike Lee the Hiroshima bomb was dropped at

Lee the Hiroshima bomb was dropped at

Lee the Hiroshima bomb was dropped at 8:15 8 plus 15 is 23 the boutique has a

8:15 8 plus 15 is 23 the boutique has a

8:15 8 plus 15 is 23 the boutique has a knack for shooting close-up scenes that

knack for shooting close-up scenes that

knack for shooting close-up scenes that tend to isolate the main character and

tend to isolate the main character and

tend to isolate the main character and bring about a sense of urgency and

bring about a sense of urgency and

bring about a sense of urgency and import you to maleta

import you to maleta

import you to maleta why do you want the light off for I just

why do you want the light off for I just

why do you want the light off for I just did even when a film story is a mess at

did even when a film story is a mess at

did even when a film story is a mess at least you can always expect some

least you can always expect some

least you can always expect some striking imagery with Li batik behind

striking imagery with Li batik behind

striking imagery with Li batik behind the camera testcomplete’s preparing to

the camera testcomplete’s preparing to

the camera testcomplete’s preparing to power down and begin diagnosis ah yeah

power down and begin diagnosis ah yeah

power down and begin diagnosis ah yeah tell you what do weather and ATC checks

tell you what do weather and ATC checks

tell you what do weather and ATC checks start listening in on ground control

start listening in on ground control

start listening in on ground control number 8

number 8

number 8 Charles Roscher

in the early days of cinema crazy camera

in the early days of cinema crazy camera tricks and special effects were a thing

tricks and special effects were a thing

tricks and special effects were a thing of science fiction and you had to use

of science fiction and you had to use

of science fiction and you had to use the tools available I like you to be

the tools available I like you to be

the tools available I like you to be ambitious I want you to improve that’ll

ambitious I want you to improve that’ll

ambitious I want you to improve that’ll take some time oh I wanna be is a pink

take some time oh I wanna be is a pink

take some time oh I wanna be is a pink and white lady Rocher was an artist who

and white lady Rocher was an artist who

and white lady Rocher was an artist who used light and shadow to capture

used light and shadow to capture

used light and shadow to capture beautiful images and his mastery made

beautiful images and his mastery made

beautiful images and his mastery made him a vital part of the movie industry

him a vital part of the movie industry

him a vital part of the movie industry you scared mice got nap covers up there

you scared mice got nap covers up there

you scared mice got nap covers up there yes mom through 1927 sunrise Rocher

yes mom through 1927 sunrise Rocher

yes mom through 1927 sunrise Rocher distinguished himself as an

distinguished himself as an

distinguished himself as an indispensable cinematographer with his

indispensable cinematographer with his

indispensable cinematographer with his use of long tracking shots and forced

use of long tracking shots and forced

use of long tracking shots and forced perspective

it’s hard to think of a more stunning

it’s hard to think of a more stunning film from the silent era and that’s

film from the silent era and that’s

film from the silent era and that’s largely thanks to this visionary number

largely thanks to this visionary number

largely thanks to this visionary number 7 Janusz Kaminski hello how are you

7 Janusz Kaminski hello how are you

7 Janusz Kaminski hello how are you thank you I have a payroll check here

thank you I have a payroll check here

thank you I have a payroll check here I’d like to catch me if you’re wondering

I’d like to catch me if you’re wondering

I’d like to catch me if you’re wondering why Steven Spielberg’s movies always

why Steven Spielberg’s movies always

why Steven Spielberg’s movies always look so great search no further for

look so great search no further for

look so great search no further for social from Schindler’s List to Lincoln

social from Schindler’s List to Lincoln

social from Schindler’s List to Lincoln Janusz Kaminski has shot a lot of the

Janusz Kaminski has shot a lot of the

Janusz Kaminski has shot a lot of the big Hollywood blockbusters that have

big Hollywood blockbusters that have

big Hollywood blockbusters that have become classics for the best damn pilot

become classics for the best damn pilot

become classics for the best damn pilot in the sky it’s not what you think I’m

in the sky it’s not what you think I’m

in the sky it’s not what you think I’m just a co-pilot his career began with

just a co-pilot his career began with

just a co-pilot his career began with the ill-fated Kulas ice what the hell is

the ill-fated Kulas ice what the hell is

the ill-fated Kulas ice what the hell is that but has since moved up a few

that but has since moved up a few

that but has since moved up a few notches with such films as Saving

notches with such films as Saving

notches with such films as Saving Private Ryan and catch me if you can

Private Ryan and catch me if you can

Private Ryan and catch me if you can using his very specific framing style

using his very specific framing style

using his very specific framing style and always moving camera work across

and always moving camera work across

and always moving camera work across various genres

his talent especially stands out in a

his talent especially stands out in a movie like the diving bell and the

movie like the diving bell and the

movie like the diving bell and the butterfly where the cinematography is a

butterfly where the cinematography is a

butterfly where the cinematography is a core storytelling element number six

core storytelling element number six

core storytelling element number six Robert Richardson but I am gonna ask you

Robert Richardson but I am gonna ask you

Robert Richardson but I am gonna ask you questions and every time you don’t give

questions and every time you don’t give

questions and every time you don’t give me answers

me answers

me answers I’m gonna cut something off Robert

I’m gonna cut something off Robert

I’m gonna cut something off Robert Richardson has made an indelible mark on

Richardson has made an indelible mark on

Richardson has made an indelible mark on cinema working with such titans as

cinema working with such titans as

cinema working with such titans as Oliver Stone Martin Scorsese and Quentin

Oliver Stone Martin Scorsese and Quentin

Oliver Stone Martin Scorsese and Quentin Tarantino late again but can’t you tell

Tarantino late again but can’t you tell

Tarantino late again but can’t you tell time there ain’t nobody in here man

time there ain’t nobody in here man

time there ain’t nobody in here man he knows many ways to portray violence

he knows many ways to portray violence

he knows many ways to portray violence on screen from the gritty realism of

on screen from the gritty realism of

on screen from the gritty realism of platoon to the all-out cartoon mayhem of

platoon to the all-out cartoon mayhem of

platoon to the all-out cartoon mayhem of Kill Bill

however he also helped construct one of

however he also helped construct one of the most engaging 3d experiences ever in

the most engaging 3d experiences ever in

the most engaging 3d experiences ever in Hugo we risked everything we sell the

Hugo we risked everything we sell the

Hugo we risked everything we sell the theater and everything we had so we

theater and everything we had so we

theater and everything we had so we could build our own movie studio

could build our own movie studio

could build our own movie studio recently Richardson was nominated for an

recently Richardson was nominated for an

recently Richardson was nominated for an Academy Award for his work on Django

Academy Award for his work on Django

Academy Award for his work on Django Unchained you had my curiosity now you

Unchained you had my curiosity now you

Unchained you had my curiosity now you have my attention and decided to follow

have my attention and decided to follow

have my attention and decided to follow that up by working with Tarantino again

that up by working with Tarantino again

that up by working with Tarantino again on his next Western flick the hateful

on his next Western flick the hateful

on his next Western flick the hateful eight got room for one mo number five

eight got room for one mo number five

eight got room for one mo number five Gordon Willis well did you go to the

Gordon Willis well did you go to the

Gordon Willis well did you go to the place why didn’t you come to me first

place why didn’t you come to me first

place why didn’t you come to me first crap do you want me tell me anything but

crap do you want me tell me anything but

crap do you want me tell me anything but to where I begged little known to some

to where I begged little known to some

to where I begged little known to some of his friends as the Prince of Darkness

of his friends as the Prince of Darkness

of his friends as the Prince of Darkness Gordon Willis is perhaps most highly

Gordon Willis is perhaps most highly

Gordon Willis is perhaps most highly regarded for his work on The Godfather

regarded for his work on The Godfather

regarded for his work on The Godfather series then just gonna bring his son but

series then just gonna bring his son but

series then just gonna bring his son but feel a my boy to me in which he

feel a my boy to me in which he

feel a my boy to me in which he seamlessly blends a dark color palette

seamlessly blends a dark color palette

seamlessly blends a dark color palette with brighter elements to convey a sense

with brighter elements to convey a sense

with brighter elements to convey a sense of starkness to the story he’d be good

Willis was known for getting shots just

Willis was known for getting shots just before Twilight to capture a golden

before Twilight to capture a golden

before Twilight to capture a golden radiance for flashback scenes

he was also a frequent collaborator of

he was also a frequent collaborator of director Woody Allen on films like Annie

director Woody Allen on films like Annie

director Woody Allen on films like Annie Hall and Manhattan

Hall and Manhattan

Hall and Manhattan what was the electricity I don’t wanna

what was the electricity I don’t wanna

what was the electricity I don’t wanna get hit by lightning up turn it’s one of

get hit by lightning up turn it’s one of

get hit by lightning up turn it’s one of those guys that sells comic books

those guys that sells comic books

those guys that sells comic books outside of Bloomingdale’s nobody shoots

outside of Bloomingdale’s nobody shoots

outside of Bloomingdale’s nobody shoots New York quite like Willis boy this is

New York quite like Willis boy this is

New York quite like Willis boy this is really a great city I don’t care what

really a great city I don’t care what

really a great city I don’t care what anybody said it’s just really a knockout

anybody said it’s just really a knockout

anybody said it’s just really a knockout you know it’s number four

you know it’s number four

you know it’s number four Christopher Doyle originally from

Christopher Doyle originally from

Christopher Doyle originally from australia this eccentric cinematographer

australia this eccentric cinematographer

australia this eccentric cinematographer made a big splash in Chinese cinema

made a big splash in Chinese cinema

made a big splash in Chinese cinema gorgeo – chicken eating silicon found

gorgeo – chicken eating silicon found

gorgeo – chicken eating silicon found Tony Jones ho ho time went upon your

Tony Jones ho ho time went upon your

Tony Jones ho ho time went upon your healing Caesar known for his use of

healing Caesar known for his use of

healing Caesar known for his use of vivid colors and lively visuals Doyle

vivid colors and lively visuals Doyle

vivid colors and lively visuals Doyle has made an extensive and prominent

has made an extensive and prominent

has made an extensive and prominent career shooting artistic and often

career shooting artistic and often

career shooting artistic and often impressionistic cinema collaborating

impressionistic cinema collaborating

impressionistic cinema collaborating frequently with director Wong kar-wai

frequently with director Wong kar-wai

frequently with director Wong kar-wai loca named ah no no boku no kokoro yaga

loca named ah no no boku no kokoro yaga

loca named ah no no boku no kokoro yaga yaga kakete wanna annoy you – toki ni

yaga kakete wanna annoy you – toki ni

yaga kakete wanna annoy you – toki ni nice known in North America for his work

nice known in North America for his work

nice known in North America for his work on films like the 2002 martial arts epic

on films like the 2002 martial arts epic

on films like the 2002 martial arts epic hero soil blends daring action sequences

hero soil blends daring action sequences

hero soil blends daring action sequences with overwhelming natural beauty

it’s unfortunate that his most

it’s unfortunate that his most mainstream Western film is M night

mainstream Western film is M night

mainstream Western film is M night Shyamalan disjointed lady in the water

Shyamalan disjointed lady in the water

Shyamalan disjointed lady in the water but at least the movie looked beautiful

but at least the movie looked beautiful

but at least the movie looked beautiful with Doyle acting as cinematographer his

with Doyle acting as cinematographer his

with Doyle acting as cinematographer his legs bending and coiling underneath him

number three Robert L sweat I’m gonna

number three Robert L sweat I’m gonna cry I’m not gonna cry for you directors

cry I’m not gonna cry for you directors

cry I’m not gonna cry for you directors often partner with the same

often partner with the same

often partner with the same cinematographers to maintain a similar

cinematographers to maintain a similar

cinematographers to maintain a similar look for their films did you do it

look for their films did you do it

look for their films did you do it no you didn’t just match up the bathroom

no you didn’t just match up the bathroom

no you didn’t just match up the bathroom know who did I don’t know Robert else

know who did I don’t know Robert else

know who did I don’t know Robert else which has worked with Paul Thomas

which has worked with Paul Thomas

which has worked with Paul Thomas Anderson on many occasions and always

Anderson on many occasions and always

Anderson on many occasions and always delivers distinctive visuals that are as

delivers distinctive visuals that are as

delivers distinctive visuals that are as impressive as they are haunting winning

impressive as they are haunting winning

impressive as they are haunting winning an Academy Award for his work on

an Academy Award for his work on

an Academy Award for his work on Anderson’s there will be blood else wood

Anderson’s there will be blood else wood

Anderson’s there will be blood else wood was honored in large part due to a

was honored in large part due to a

was honored in large part due to a technically complex scene involving an

technically complex scene involving an

technically complex scene involving an oil well fire a sequence he turned into

oil well fire a sequence he turned into

oil well fire a sequence he turned into art

else wit isn’t limited to extended

else wit isn’t limited to extended close-ups or beautiful long shots though

close-ups or beautiful long shots though

close-ups or beautiful long shots though as he’s worked on the mission impossible

as he’s worked on the mission impossible

as he’s worked on the mission impossible franchise and even a Bond film we’re

franchise and even a Bond film we’re

franchise and even a Bond film we’re gonna finish this together and if I may

gonna finish this together and if I may

gonna finish this together and if I may say so you found the right decadent

say so you found the right decadent

say so you found the right decadent corrupt Weston his range as a

corrupt Weston his range as a

corrupt Weston his range as a cinematographer clearly knows no end as

cinematographer clearly knows no end as

cinematographer clearly knows no end as at this moment any action is

at this moment any action is

at this moment any action is unsanctioned so if you want out speak

unsanctioned so if you want out speak

unsanctioned so if you want out speak now number two Emmanuel Lubezki the boy

now number two Emmanuel Lubezki the boy

now number two Emmanuel Lubezki the boy the other boy with his remarkable

the other boy with his remarkable

the other boy with his remarkable control of natural lighting and things

control of natural lighting and things

control of natural lighting and things like long takes this cinematographer

like long takes this cinematographer

like long takes this cinematographer took home Academy Awards two years in a

took home Academy Awards two years in a

took home Academy Awards two years in a row Houston this is mission specialist

row Houston this is mission specialist

row Houston this is mission specialist Ryan stone I am off structurally

Ryan stone I am off structurally

Ryan stone I am off structurally drifting do you copy at the 2015

drifting do you copy at the 2015

drifting do you copy at the 2015 ceremony the Oscar he was awarded was

ceremony the Oscar he was awarded was

ceremony the Oscar he was awarded was for the surreal Birdman how did we end

for the surreal Birdman how did we end

for the surreal Birdman how did we end up here in which he tricks the audience

up here in which he tricks the audience

up here in which he tricks the audience into believing they’re watching a 119

into believing they’re watching a 119

into believing they’re watching a 119 minute long uncut shot

the year before that

the year before that Levesque e14 gravity a movie directed by

Levesque e14 gravity a movie directed by

Levesque e14 gravity a movie directed by his frequent collaborator Alfonso Cuaron

his frequent collaborator Alfonso Cuaron

his frequent collaborator Alfonso Cuaron in which he provides a beautiful yet

in which he provides a beautiful yet

in which he provides a beautiful yet terrifying first-hand look at the

terrifying first-hand look at the

terrifying first-hand look at the vastness of space alright

vastness of space alright

vastness of space alright another clear you for the Jets I’m gonna

another clear you for the Jets I’m gonna

another clear you for the Jets I’m gonna give you a little portion oh no no no no

give you a little portion oh no no no no

give you a little portion oh no no no no not even with those accolades though the

not even with those accolades though the

not even with those accolades though the sequence he’ll likely go down in history

sequence he’ll likely go down in history

sequence he’ll likely go down in history for is the continuous uninterrupted car

for is the continuous uninterrupted car

for is the continuous uninterrupted car ambush from children of men before we

ambush from children of men before we

ambush from children of men before we zoom in on our top pick here are some

zoom in on our top pick here are some

zoom in on our top pick here are some honorable mentions

huh the Toyota though you’ll never

huh the Toyota though you’ll never forget

forget

forget no it’ll remain a little idiot Virginia

no it’ll remain a little idiot Virginia

no it’ll remain a little idiot Virginia meadow sons of Scotland

meadow sons of Scotland

meadow sons of Scotland I am William Wallace Toby Wallace is

I am William Wallace Toby Wallace is

I am William Wallace Toby Wallace is seven feet tall

seven feet tall

seven feet tall yes I found kills men by the hundred I

yes I found kills men by the hundred I

yes I found kills men by the hundred I mean look this is where Monet lived and

mean look this is where Monet lived and

mean look this is where Monet lived and painted were 30 minutes from town

painted were 30 minutes from town

painted were 30 minutes from town imagine the two of us settling here we

imagine the two of us settling here we

imagine the two of us settling here we could do it I mean if my book turns out

number one Roger Deakins whether you

number one Roger Deakins whether you like the tranquil scenery of a Coen

like the tranquil scenery of a Coen

like the tranquil scenery of a Coen Brothers movie or the all-out

Brothers movie or the all-out

Brothers movie or the all-out action-packed spectacle of a movie like

action-packed spectacle of a movie like

action-packed spectacle of a movie like Skyfall Roger Deakins was there camera

Skyfall Roger Deakins was there camera

Skyfall Roger Deakins was there camera in hand Deakins began his career in

in hand Deakins began his career in

in hand Deakins began his career in filmmaking as a documentary cameraman

filmmaking as a documentary cameraman

filmmaking as a documentary cameraman and eventually found his way to bigger

and eventually found his way to bigger

and eventually found his way to bigger American productions oh yeah war made

American productions oh yeah war made

American productions oh yeah war made some eggs

some eggs

some eggs yeah well well now do you think he’s

yeah well well now do you think he’s

yeah well well now do you think he’s since made his mark as a cinematographer

since made his mark as a cinematographer

since made his mark as a cinematographer unlike any other having brought some of

unlike any other having brought some of

unlike any other having brought some of the most gorgeous scenes in recent

the most gorgeous scenes in recent

the most gorgeous scenes in recent memory to our movie screens

eight mile straight

eight mile straight downtown he can shoot anything from

downtown he can shoot anything from

downtown he can shoot anything from action to dialogue and make it seem

action to dialogue and make it seem

action to dialogue and make it seem beautiful with his ability to manipulate

beautiful with his ability to manipulate

beautiful with his ability to manipulate light in a scene an Academy Award

light in a scene an Academy Award

light in a scene an Academy Award nominee of over ten times what is a guy

nominee of over ten times what is a guy

nominee of over ten times what is a guy got to do to finally bring home Oscar

got to do to finally bring home Oscar

got to do to finally bring home Oscar gold though I walk through the valley of

gold though I walk through the valley of

gold though I walk through the valley of the shadow of death I shall fear no evil

the shadow of death I shall fear no evil

the shadow of death I shall fear no evil the author of all things watches over me

the author of all things watches over me

the author of all things watches over me and I have a fine horse do you agree

and I have a fine horse do you agree

and I have a fine horse do you agree with our list who’s your favorite

with our list who’s your favorite

with our list who’s your favorite cinematographer

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