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¡Cuba! Art And History: From 1868 to Today – Part 2


there is a wonderful mural behind us

there is a wonderful mural behind us which was created by almost 100 artists

which was created by almost 100 artists

which was created by almost 100 artists tell us a little bit about the history

tell us a little bit about the history

tell us a little bit about the history of this mural it’s the collective mural

of this mural it’s the collective mural

of this mural it’s the collective mural of the salon de me of 1967 the salon de

of the salon de me of 1967 the salon de

of the salon de me of 1967 the salon de may was a Parisian institution that was

may was a Parisian institution that was

may was a Parisian institution that was born in night in May 1945 just after the

born in night in May 1945 just after the

born in night in May 1945 just after the liberation of Paris it grouped together

liberation of Paris it grouped together

liberation of Paris it grouped together the best artists of the European scene

the best artists of the European scene

the best artists of the European scene thus an older male artists were all

thus an older male artists were all

thus an older male artists were all invited officially by the Revolutionary

invited officially by the Revolutionary

invited officially by the Revolutionary Government to show their works in Havana

Government to show their works in Havana

Government to show their works in Havana and then they would show them in Paris

and then they would show them in Paris

and then they would show them in Paris afterwards and what happened while they

afterwards and what happened while they

afterwards and what happened while they were there they produced this

were there they produced this

were there they produced this extraordinary mural over one night and

extraordinary mural over one night and

extraordinary mural over one night and each had a little sector then for those

each had a little sector then for those

each had a little sector then for those who know you know the artists of that

who know you know the artists of that

who know you know the artists of that period you can recognize how Martinez

period you can recognize how Martinez

period you can recognize how Martinez and Jacques monavie and Caesar and

and Jacques monavie and Caesar and

and Jacques monavie and Caesar and Wilfred olam the circle in the middle

Wilfred olam the circle in the middle

Wilfred olam the circle in the middle and as we you know go down the spiral

and as we you know go down the spiral

and as we you know go down the spiral the number 26 is left blank and number

the number 26 is left blank and number

the number 26 is left blank and number 26 was Fidel Castro because his movement

26 was Fidel Castro because his movement

26 was Fidel Castro because his movement was the one of July 26 so that his say

was the one of July 26 so that his say

was the one of July 26 so that his say that’s his sacred number but he never

that’s his sacred number but he never

that’s his sacred number but he never had the time to come and visit in the

had the time to come and visit in the

had the time to come and visit in the year after in 68 this mural went to

year after in 68 this mural went to

year after in 68 this mural went to Paris but that’s may 68 so the show

Paris but that’s may 68 so the show

Paris but that’s may 68 so the show opened and there was riot in the street

opened and there was riot in the street

opened and there was riot in the street on his Paris may 68 and it closed down

on his Paris may 68 and it closed down

on his Paris may 68 and it closed down and so actually it was only seeing three

and so actually it was only seeing three

and so actually it was only seeing three or four hours outside of Cuba on its

or four hours outside of Cuba on its

or four hours outside of Cuba on its 40-year existence one of the things we

40-year existence one of the things we

40-year existence one of the things we hear about Cuba under the communist

hear about Cuba under the communist

hear about Cuba under the communist system is that their limits placed on

system is that their limits placed on

system is that their limits placed on the freedom of expression how has this

the freedom of expression how has this

the freedom of expression how has this affected the content of the artwork

affected the content of the artwork

affected the content of the artwork created post 1959 during the revolution

created post 1959 during the revolution

created post 1959 during the revolution during the first year of the artists

during the first year of the artists

during the first year of the artists like embrace the revolution it was a

like embrace the revolution it was a

like embrace the revolution it was a beautiful movement to embrace I mean

beautiful movement to embrace I mean

beautiful movement to embrace I mean this was you know freedom getting rid of

this was you know freedom getting rid of

this was you know freedom getting rid of a dictatorship Fidel himself always said

a dictatorship Fidel himself always said

a dictatorship Fidel himself always said our enemies is imperialism and

our enemies is imperialism and

our enemies is imperialism and capitalism not abstract art he was smart

capitalism not abstract art he was smart

capitalism not abstract art he was smart enough to know that an abstract painting

enough to know that an abstract painting

enough to know that an abstract painting would not cause you know that fall of

would not cause you know that fall of

would not cause you know that fall of his regime on the other hand in the 70s

his regime on the other hand in the 70s

his regime on the other hand in the 70s sort of crack down a little bit harder

sort of crack down a little bit harder

sort of crack down a little bit harder but mostly on literature and cinema but

but mostly on literature and cinema but

but mostly on literature and cinema but in the 80s and 90s and also due to the

in the 80s and 90s and also due to the

in the 80s and 90s and also due to the collapse of the Soviet bloc and the

collapse of the Soviet bloc and the

collapse of the Soviet bloc and the collapse of the Cuban economy as a

collapse of the Cuban economy as a

collapse of the Cuban economy as a consequence there is a new school or

consequence there is a new school or

consequence there is a new school or thought or we have thought of Cuban

thought or we have thought of Cuban

thought or we have thought of Cuban artists to be very critical of the

artists to be very critical of the

artists to be very critical of the current state of affairs there have been

current state of affairs there have been

current state of affairs there have been cases of censorship they are documented

cases of censorship they are documented

cases of censorship they are documented their been documented in the catalogue

their been documented in the catalogue

their been documented in the catalogue the artists are very critical of the

the artists are very critical of the

the artists are very critical of the situation and one will notice this where

situation and one will notice this where

situation and one will notice this where you have a detector of ideology where

you have a detector of ideology where

you have a detector of ideology where you have the island represented with

you have the island represented with

you have the island represented with cement blocks it cell block awards

cement blocks it cell block awards

cement blocks it cell block awards embargo what do you hope to accomplish

embargo what do you hope to accomplish

embargo what do you hope to accomplish with this exhibition Cuba is not just a

with this exhibition Cuba is not just a

with this exhibition Cuba is not just a land of beaches it’s also very very

land of beaches it’s also very very

land of beaches it’s also very very special country with a rich history and

special country with a rich history and

special country with a rich history and we think that this you know exhibition

we think that this you know exhibition

we think that this you know exhibition should serve in revealing this history

should serve in revealing this history

should serve in revealing this history in a better way thank you so much for

in a better way thank you so much for

in a better way thank you so much for your time it’s been a great pleasure to

your time it’s been a great pleasure to

your time it’s been a great pleasure to meet you in to hear about the exhibit in

meet you in to hear about the exhibit in

meet you in to hear about the exhibit in detail well thank you my pleasure

”

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