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¡Cuba! Art And History: From 1868 to Today – Part 1


when one thinks of Cuba the things that

when one thinks of Cuba the things that come to minor son beach music rum but

come to minor son beach music rum but

come to minor son beach music rum but there’s an art exhibit that’s set to

there’s an art exhibit that’s set to

there’s an art exhibit that’s set to change all of that hi I’m Christina

change all of that hi I’m Christina

change all of that hi I’m Christina watchmojo comrade Cuba art in history

watchmojo comrade Cuba art in history

watchmojo comrade Cuba art in history from 1868 to today what makes Cuban art

from 1868 to today what makes Cuban art

from 1868 to today what makes Cuban art so unique that you devoted an entire

so unique that you devoted an entire

so unique that you devoted an entire show to it what makes it special is that

show to it what makes it special is that

show to it what makes it special is that Cuba really held a very unique position

Cuba really held a very unique position

Cuba really held a very unique position over the century and since its history

over the century and since its history

over the century and since its history it was the richest Latin American

it was the richest Latin American

it was the richest Latin American country for decades if not centuries and

country for decades if not centuries and

country for decades if not centuries and it developed a sense of uniqueness

it developed a sense of uniqueness

it developed a sense of uniqueness because it was an island and something

because it was an island and something

because it was an island and something that is very very special they have

that is very very special they have

that is very very special they have these great historical events wars with

these great historical events wars with

these great historical events wars with with the United States with Spain the

with the United States with Spain the

with the United States with Spain the Revolution and then the Fidel Castro

Revolution and then the Fidel Castro

Revolution and then the Fidel Castro revolution the 59 and then they have

revolution the 59 and then they have

revolution the 59 and then they have this unique condition of being maybe one

this unique condition of being maybe one

this unique condition of being maybe one of the last communist countries in a

of the last communist countries in a

of the last communist countries in a world that has you know moved away from

world that has you know moved away from

world that has you know moved away from communist utopia certainly because of

communist utopia certainly because of

communist utopia certainly because of the embargo it is not as well known to

the embargo it is not as well known to

the embargo it is not as well known to us as it should be so when we saw this

us as it should be so when we saw this

us as it should be so when we saw this history we said my god it’s rich it’s

history we said my god it’s rich it’s

history we said my god it’s rich it’s consistent it’s it’s unique it’s a

consistent it’s it’s unique it’s a

consistent it’s it’s unique it’s a singular narrative and it’s you can’t

singular narrative and it’s you can’t

singular narrative and it’s you can’t come you know confuse it with any other

come you know confuse it with any other

come you know confuse it with any other and we said well this is not just a

and we said well this is not just a

and we said well this is not just a project to do that’s not just a project

project to do that’s not just a project

project to do that’s not just a project we should do an overall survey of Cuban

we should do an overall survey of Cuban

we should do an overall survey of Cuban art over the last century it has never

art over the last century it has never

art over the last century it has never been done and we should undertake this

been done and we should undertake this

been done and we should undertake this it also combines European culture and

it also combines European culture and

it also combines European culture and African culture as well as Christianity

African culture as well as Christianity

African culture as well as Christianity and some other aspects of spiritual

and some other aspects of spiritual

and some other aspects of spiritual spirituality like Santa tia for example

spirituality like Santa tia for example

spirituality like Santa tia for example well that’s another aspect of Cuban

well that’s another aspect of Cuban

well that’s another aspect of Cuban history that makes it so rich this blend

history that makes it so rich this blend

history that makes it so rich this blend of European culture with the the black

of European culture with the the black

of European culture with the the black African slave culture all this mixed up

African slave culture all this mixed up

African slave culture all this mixed up in what they call misty sauce culture

in what they call misty sauce culture

in what they call misty sauce culture and certainly the exhibition is shows

and certainly the exhibition is shows

and certainly the exhibition is shows this there is a revival of afro roots

this there is a revival of afro roots

this there is a revival of afro roots afro-cuban roots starting in the 30s and

afro-cuban roots starting in the 30s and

afro-cuban roots starting in the 30s and 40s mostly with will Wilfred olam and

40s mostly with will Wilfred olam and

40s mostly with will Wilfred olam and this is an important dimension of their

this is an important dimension of their

this is an important dimension of their way of conceiving themselves and their

way of conceiving themselves and their

way of conceiving themselves and their identity of the art of their culture

identity of the art of their culture

identity of the art of their culture part of this exhibit includes a large

part of this exhibit includes a large

part of this exhibit includes a large number of photographs can you tell us

number of photographs can you tell us

number of photographs can you tell us how these photographs I’ll fit into the

how these photographs I’ll fit into the

how these photographs I’ll fit into the exhibit it allows for the the

exhibit it allows for the the

exhibit it allows for the the documentation of history mostly in the

documentation of history mostly in the

documentation of history mostly in the earlier years the documentation of

earlier years the documentation of

earlier years the documentation of society of class of class struggles of

society of class of class struggles of

society of class of class struggles of poverty of political and historical

poverty of political and historical

poverty of political and historical events you know art responds in various

events you know art responds in various

events you know art responds in various ways to history but photography let’s

ways to history but photography let’s

ways to history but photography let’s say for for many years at the beginning

say for for many years at the beginning

say for for many years at the beginning of century documented what was happening

of century documented what was happening

of century documented what was happening in in a very direct way but then

in in a very direct way but then

in in a very direct way but then photography also has a key role in the

photography also has a key role in the

photography also has a key role in the revolutionary period and we have these

revolutionary period and we have these

revolutionary period and we have these great photographers of Cuban Revolution

great photographers of Cuban Revolution

great photographers of Cuban Revolution ekkada made you know this famous image

ekkada made you know this famous image

ekkada made you know this famous image of che that’s on every t-shirt the

of che that’s on every t-shirt the

of che that’s on every t-shirt the photographic moments of Cuba were very

photographic moments of Cuba were very

photographic moments of Cuba were very strong and we thought that would they

strong and we thought that would they

strong and we thought that would they needed to be shown

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