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Why we need more stories of aging women on TV and in movies | Naeemah Clark | TEDxMidAtlantic


five years ago I had a shot but gave me

five years ago I had a shot but gave me a glimpse into the future this shot was

a glimpse into the future this shot was

a glimpse into the future this shot was full of lupron LeBron if you don’t know

full of lupron LeBron if you don’t know

full of lupron LeBron if you don’t know it’s a chemical but races your estrogen

it’s a chemical but races your estrogen

it’s a chemical but races your estrogen and it puts you into premature menopause

and it puts you into premature menopause

and it puts you into premature menopause and so here I was 36 years old

and so here I was 36 years old

and so here I was 36 years old going through menopause I did not know

going through menopause I did not know

going through menopause I did not know that you could be extremely dry and

that you could be extremely dry and

that you could be extremely dry and soaking wet at the same time I didn’t

soaking wet at the same time I didn’t

soaking wet at the same time I didn’t know about how many changes of pajamas I

know about how many changes of pajamas I

know about how many changes of pajamas I would have during the night I didn’t

would have during the night I didn’t

would have during the night I didn’t know about the hair growing in places

know about the hair growing in places

know about the hair growing in places there had never been hair and the rage

there had never been hair and the rage

there had never been hair and the rage oh dear Lord the rage and it occurred to

oh dear Lord the rage and it occurred to

oh dear Lord the rage and it occurred to me why is it that I don’t know what this

me why is it that I don’t know what this

me why is it that I don’t know what this is why don’t I know what this is

is why don’t I know what this is

is why don’t I know what this is supposed to feel like I mean my mother

supposed to feel like I mean my mother

supposed to feel like I mean my mother went through it but she wasn’t really

went through it but she wasn’t really

went through it but she wasn’t really communicative and then it dawned on me I

communicative and then it dawned on me I

communicative and then it dawned on me I am aging and I don’t know what to do and

am aging and I don’t know what to do and

am aging and I don’t know what to do and I was scared to death

I was scared to death

I was scared to death and rightly so if you go to the grocery

and rightly so if you go to the grocery

and rightly so if you go to the grocery store there are so many images of women

store there are so many images of women

store there are so many images of women getting older and magazines judging them

getting older and magazines judging them

getting older and magazines judging them for it there are some magazines that

for it there are some magazines that

for it there are some magazines that point two lines on women’s faces TV

point two lines on women’s faces TV

point two lines on women’s faces TV shows will ask oh dear lord what has she

shows will ask oh dear lord what has she

shows will ask oh dear lord what has she done to her face and I thought the media

done to her face and I thought the media

done to her face and I thought the media is judging women for aging heaven forbid

is judging women for aging heaven forbid

is judging women for aging heaven forbid you have saggy cleavage or crow’s feet

you have saggy cleavage or crow’s feet

you have saggy cleavage or crow’s feet but then also shaming them for taking

but then also shaming them for taking

but then also shaming them for taking care of themselves in any way they see

care of themselves in any way they see

care of themselves in any way they see fit and I was really

fit and I was really

fit and I was really frustrated and I do what I do when I get

frustrated and I do what I do when I get

frustrated and I do what I do when I get frustrated with media I go to work my

frustrated with media I go to work my

frustrated with media I go to work my job is to study media representations of

job is to study media representations of

job is to study media representations of marginalized groups and here’s what I

marginalized groups and here’s what I

marginalized groups and here’s what I found

found

found media socialization is a theory that

media socialization is a theory that

media socialization is a theory that says that the television or media but

says that the television or media but

says that the television or media but we’re talking about television today but

we’re talking about television today but

we’re talking about television today but television tells us who we can be

television tells us who we can be

television tells us who we can be and what roles we are to have in society

and what roles we are to have in society

and what roles we are to have in society in other words television create a

in other words television create a

in other words television create a reality for what is possible so if

reality for what is possible so if

reality for what is possible so if you’re growing up in the 1980s you learn

you’re growing up in the 1980s you learn

you’re growing up in the 1980s you learn watching Claire Huxtable that it is

watching Claire Huxtable that it is

watching Claire Huxtable that it is possible to be a successful

possible to be a successful

possible to be a successful african-american lawyer and have a

african-american lawyer and have a

african-american lawyer and have a family and be married to a doctor you

family and be married to a doctor you

family and be married to a doctor you learn that that is something that is

learn that that is something that is

learn that that is something that is possible for you also what I learned is

possible for you also what I learned is

possible for you also what I learned is that television has not been kind to

that television has not been kind to

that television has not been kind to women as they age and Brandi she was a

women as they age and Brandi she was a

women as they age and Brandi she was a spinster the next one’s gonna freak you

spinster the next one’s gonna freak you

spinster the next one’s gonna freak you out

Alice was 44 years old I know

Alice was 44 years old I know Edith bunker harried housewife 46 and

Edith bunker harried housewife 46 and

Edith bunker harried housewife 46 and she did go through menopause for half of

she did go through menopause for half of

she did go through menopause for half of an episode never to be talked about

an episode never to be talked about

an episode never to be talked about again Florida Evans from good times

again Florida Evans from good times

again Florida Evans from good times again strong mother but didn’t really

again strong mother but didn’t really

again strong mother but didn’t really talk about what it was like to be at one

talk about what it was like to be at one

talk about what it was like to be at one point a single mother raising all these

point a single mother raising all these

point a single mother raising all these children and aging and then in the 1980s

children and aging and then in the 1980s

children and aging and then in the 1980s something wonderful happened in 1984

something wonderful happened in 1984

something wonderful happened in 1984 there was Jessica Fletcher for Murder

there was Jessica Fletcher for Murder

there was Jessica Fletcher for Murder She Wrote played by Angela Lansbury and

She Wrote played by Angela Lansbury and

She Wrote played by Angela Lansbury and she was great she was fit remember in

she was great she was fit remember in

she was great she was fit remember in the beginning of a show should be riding

the beginning of a show should be riding

the beginning of a show should be riding her bike or jogging and then always

her bike or jogging and then always

her bike or jogging and then always seemed to love her you know the minute

seemed to love her you know the minute

seemed to love her you know the minute would always flirt with her

would always flirt with her

would always flirt with her of course don’t invite her to a dinner

of course don’t invite her to a dinner

of course don’t invite her to a dinner party someone would end up dead you

party someone would end up dead you

party someone would end up dead you don’t want to do that and you imagine

don’t want to do that and you imagine

don’t want to do that and you imagine every time she comes in where someone’s

every time she comes in where someone’s

every time she comes in where someone’s killed

killed

killed and then in 1985 the Golden Girls well I

and then in 1985 the Golden Girls well I

and then in 1985 the Golden Girls well I didn’t make it one of the widths the

didn’t make it one of the widths the

didn’t make it one of the widths the Golden Girls were for women aging living

Golden Girls were for women aging living

Golden Girls were for women aging living in the same house working taking care of

in the same house working taking care of

in the same house working taking care of themselves eating cheesecake and having

themselves eating cheesecake and having

themselves eating cheesecake and having sex right when Blanche was 52 remember

sex right when Blanche was 52 remember

sex right when Blanche was 52 remember she thought she was pregnant there was

she thought she was pregnant there was

she thought she was pregnant there was an episode but in actuality she was

an episode but in actuality she was

an episode but in actuality she was going through menopause again at the end

going through menopause again at the end

going through menopause again at the end of that episode they talked about it

of that episode they talked about it

of that episode they talked about it never to be talked about again but it

never to be talked about again but it

never to be talked about again but it did happen it happened for her and then

did happen it happened for her and then

did happen it happened for her and then if you zoom forward to the 2000s he of

if you zoom forward to the 2000s he of

if you zoom forward to the 2000s he of julianna margulies alicia florrick from

julianna margulies alicia florrick from

julianna margulies alicia florrick from The Good Wife when the show started she

The Good Wife when the show started she

The Good Wife when the show started she was 46 ended she was about 50 and this

was 46 ended she was about 50 and this

was 46 ended she was about 50 and this was a new representation of women aging

was a new representation of women aging

was a new representation of women aging or getting older on television she was

or getting older on television she was

or getting older on television she was extremely sexy this was actually one of

extremely sexy this was actually one of

extremely sexy this was actually one of the first year the show was airing this

the first year the show was airing this

the first year the show was airing this is one of the ads that they ran again

is one of the ads that they ran again

is one of the ads that they ran again she’s very sexual she’s in charge of her

she’s very sexual she’s in charge of her

she’s very sexual she’s in charge of her decision-making after her husband did

decision-making after her husband did

decision-making after her husband did what he did and so she was starting over

what he did and so she was starting over

what he did and so she was starting over again and she was leading a group of

again and she was leading a group of

again and she was leading a group of people and then more recently there’s

people and then more recently there’s

people and then more recently there’s Annalise Keating from how to get away

Annalise Keating from how to get away

Annalise Keating from how to get away with murder she is fabulous she is

with murder she is fabulous she is

with murder she is fabulous she is fierce she leads a group of young people

fierce she leads a group of young people

fierce she leads a group of young people who actually listen to what she says to

who actually listen to what she says to

who actually listen to what she says to do like my students do and I thought oh

do like my students do and I thought oh

do like my students do and I thought oh this is a new image of women they have

this is a new image of women they have

this is a new image of women they have sexual agency they’re making decisions

sexual agency they’re making decisions

sexual agency they’re making decisions but then something dawned on me

but then something dawned on me

but then something dawned on me something was missing and I didn’t

something was missing and I didn’t

something was missing and I didn’t recognize it until I was watching an

recognize it until I was watching an

recognize it until I was watching an episode of how to get away with murder

episode of how to get away with murder

episode of how to get away with murder you see these images of women in their

you see these images of women in their

you see these images of women in their late 40s early 50s what they’re really

late 40s early 50s what they’re really

late 40s early 50s what they’re really saying on the shows they’re saying that

saying on the shows they’re saying that

saying on the shows they’re saying that in spite of getting older these women

in spite of getting older these women

in spite of getting older these women are still fabulous

are still fabulous

are still fabulous and I think a better storyline is

and I think a better storyline is

and I think a better storyline is because they are getting older they’re

because they are getting older they’re

because they are getting older they’re still fabulous so this is the episode of

still fabulous so this is the episode of

still fabulous so this is the episode of how to get away that I saw him that I

how to get away that I saw him that I

how to get away that I saw him that I thought wait there’s something else

thought wait there’s something else

thought wait there’s something else going on here

going on here

going on here so obviously this picture of Viola Davis

so obviously this picture of Viola Davis

so obviously this picture of Viola Davis she’s wearing her wig she’s got her

she’s wearing her wig she’s got her

she’s wearing her wig she’s got her makeup done flawlessly the picture next

makeup done flawlessly the picture next

makeup done flawlessly the picture next to it is a scene where she’s taken off

to it is a scene where she’s taken off

to it is a scene where she’s taken off the wig taken off the makeup and the

the wig taken off the makeup and the

the wig taken off the makeup and the gray in her afro the furrow and her brow

gray in her afro the furrow and her brow

gray in her afro the furrow and her brow that is who she is and that is authentic

that is who she is and that is authentic

that is who she is and that is authentic and those of you who watched it so know

and those of you who watched it so know

and those of you who watched it so know exactly what she said in this scene I

exactly what she said in this scene I

exactly what she said in this scene I won’t say it because this is being

won’t say it because this is being

won’t say it because this is being videotaped but she says her husband what

videotaped but she says her husband what

videotaped but she says her husband what is a picture of your hoo-ha doing in a

is a picture of your hoo-ha doing in a

is a picture of your hoo-ha doing in a 20 year olds phone so she’s saying I

20 year olds phone so she’s saying I

20 year olds phone so she’s saying I know you’re cheating on me with a 20

know you’re cheating on me with a 20

know you’re cheating on me with a 20 year old and in this scene she is more

year old and in this scene she is more

year old and in this scene she is more herself then she’s ever been on the show

herself then she’s ever been on the show

herself then she’s ever been on the show she is empowered she is strong she is

she is empowered she is strong she is

she is empowered she is strong she is vulnerable but she is telling the truth

vulnerable but she is telling the truth

vulnerable but she is telling the truth and again I think this is where the

and again I think this is where the

and again I think this is where the power is

power is

power is and I thought television is not telling

and I thought television is not telling

and I thought television is not telling those stories and so what are women to

those stories and so what are women to

those stories and so what are women to do if they don’t see that they can be

do if they don’t see that they can be

do if they don’t see that they can be fabulous and mature so what do women do

fabulous and mature so what do women do

fabulous and mature so what do women do well some women cut into their faces to

well some women cut into their faces to

well some women cut into their faces to exercise the years to tell the world I

exercise the years to tell the world I

exercise the years to tell the world I still have a story to tell I can still

still have a story to tell I can still

still have a story to tell I can still tell an interesting story or women

tell an interesting story or women

tell an interesting story or women insert toxins into their cheeks and

insert toxins into their cheeks and

insert toxins into their cheeks and their foreheads to remain relevant in

their foreheads to remain relevant in

their foreheads to remain relevant in today’s media world recently there was a

today’s media world recently there was a

today’s media world recently there was a California law suit with Junie Wong who

California law suit with Junie Wong who

California law suit with Junie Wong who sued IMDB in its parent company Amazon

sued IMDB in its parent company Amazon

sued IMDB in its parent company Amazon for putting her actual age on imdb.com

for putting her actual age on imdb.com

for putting her actual age on imdb.com according to Wong she was saying that in

according to Wong she was saying that in

according to Wong she was saying that in Hollywood youth is power youth is king

Hollywood youth is power youth is king

Hollywood youth is power youth is king and by putting her actual birth year

and by putting her actual birth year

and by putting her actual birth year on IMDB it was keeping her from getting

on IMDB it was keeping her from getting

on IMDB it was keeping her from getting work and so then I asked myself the

work and so then I asked myself the

work and so then I asked myself the question is this IMDb’s fault of course

question is this IMDb’s fault of course

question is this IMDb’s fault of course it’s not

it’s not

it’s not IMDB puts everyone’s ages right on there

IMDB puts everyone’s ages right on there

IMDB puts everyone’s ages right on there on the database really it’s our fault

on the database really it’s our fault

on the database really it’s our fault every time you click on line when it

every time you click on line when it

every time you click on line when it says you won’t believe this actress from

says you won’t believe this actress from

says you won’t believe this actress from Little House on the Prairie you won’t

Little House on the Prairie you won’t

Little House on the Prairie you won’t believe what she looks like now and you

believe what she looks like now and you

believe what she looks like now and you click on it they click fate you’re

click on it they click fate you’re

click on it they click fate you’re telling the media it’s perfectly okay to

telling the media it’s perfectly okay to

telling the media it’s perfectly okay to shame women for aging however they

shame women for aging however they

shame women for aging however they choose to age but more than us it’s

choose to age but more than us it’s

choose to age but more than us it’s televisions fault right it’s the

televisions fault right it’s the

televisions fault right it’s the executives fault what is fascinating to

executives fault what is fascinating to

executives fault what is fascinating to me is that television is an industry run

me is that television is an industry run

me is that television is an industry run by money and 50% of the population are

by money and 50% of the population are

by money and 50% of the population are 50 and over and 70% of the disposable

50 and over and 70% of the disposable

50 and over and 70% of the disposable income in this country is controlled by

income in this country is controlled by

income in this country is controlled by that group of people and this is

that group of people and this is

that group of people and this is fascinating in the next 20 years that

fascinating in the next 20 years that

fascinating in the next 20 years that group 50 and over stands to inherit 15

group 50 and over stands to inherit 15

group 50 and over stands to inherit 15 trillion dollars most of that money not

trillion dollars most of that money not

trillion dollars most of that money not for nothing inherited by women cuz the

for nothing inherited by women cuz the

for nothing inherited by women cuz the men go first

yes television producers knowing this

yes television producers knowing this knowing that the whole sole purpose for

knowing that the whole sole purpose for

knowing that the whole sole purpose for network television is to deliver

network television is to deliver

network television is to deliver audience to advertisers they’re ignoring

audience to advertisers they’re ignoring

audience to advertisers they’re ignoring this group they’re ignoring stories

this group they’re ignoring stories

this group they’re ignoring stories about these women at their own financial

about these women at their own financial

about these women at their own financial peril because really at the end of the

peril because really at the end of the

peril because really at the end of the day this is where the money is this is

day this is where the money is this is

day this is where the money is this is what your bread and butter is gonna be

what your bread and butter is gonna be

what your bread and butter is gonna be but they’re ignoring it and I think

but they’re ignoring it and I think

but they’re ignoring it and I think they’re ignoring it for two reasons to

they’re ignoring it for two reasons to

they’re ignoring it for two reasons to be honest I think first executives are

be honest I think first executives are

be honest I think first executives are fearful of their own aging process and

fearful of their own aging process and

fearful of their own aging process and then second I think that they are

then second I think that they are

then second I think that they are socialized to believe that those women’s

socialized to believe that those women’s

socialized to believe that those women’s stories don’t matter and so ironically

stories don’t matter and so ironically

stories don’t matter and so ironically or maybe not so Veronica Lee the most

or maybe not so Veronica Lee the most

or maybe not so Veronica Lee the most powerful stories told about women who

powerful stories told about women who

powerful stories told about women who were aging are found on streaming

were aging are found on streaming

were aging are found on streaming services that don’t rely on advertising

services that don’t rely on advertising

services that don’t rely on advertising so this is an example of one of those

so this is an example of one of those

so this is an example of one of those this is Grace and Frankie played by Lily

this is Grace and Frankie played by Lily

this is Grace and Frankie played by Lily Tomlin and Jane Fonda they’re in their

Tomlin and Jane Fonda they’re in their

Tomlin and Jane Fonda they’re in their late 70s interestingly enough the men

late 70s interestingly enough the men

late 70s interestingly enough the men who play their husbands are younger than

who play their husbands are younger than

who play their husbands are younger than they are you know that never happens and

they are you know that never happens and

they are you know that never happens and these women if you don’t know the

these women if you don’t know the

these women if you don’t know the premise of this show I’m not gonna ruin

premise of this show I’m not gonna ruin

premise of this show I’m not gonna ruin a whole lot of things or every one part

a whole lot of things or every one part

a whole lot of things or every one part of how to get away with murder but these

of how to get away with murder but these

of how to get away with murder but these women have found themselves living

women have found themselves living

women have found themselves living together in a gorgeous beach house of

together in a gorgeous beach house of

together in a gorgeous beach house of course because their husbands have left

course because their husbands have left

course because their husbands have left them for each other and so these women

them for each other and so these women

them for each other and so these women these women are rebuilding their lives

these women are rebuilding their lives

these women are rebuilding their lives and their figure and who they are and

and their figure and who they are and

and their figure and who they are and they’re dating and they’re using organic

they’re dating and they’re using organic

they’re dating and they’re using organic Lube because they’re having sex and so

Lube because they’re having sex and so

Lube because they’re having sex and so that is a part of the magic of getting

that is a part of the magic of getting

that is a part of the magic of getting older another example as this show

older another example as this show

older another example as this show transparent if you watch the show if

transparent if you watch the show if

transparent if you watch the show if you’re not watching the show you really

you’re not watching the show you really

you’re not watching the show you really should be watching the show it’s on

should be watching the show it’s on

should be watching the show it’s on Amazon Prime this show is about a

Amazon Prime this show is about a

Amazon Prime this show is about a transgendered woman in her 60s who has

transgendered woman in her 60s who has

transgendered woman in her 60s who has discovered that she is transgender and

discovered that she is transgender and

discovered that she is transgender and or surahs living is starting to live as

or surahs living is starting to live as

or surahs living is starting to live as a transgender woman and so the first two

a transgender woman and so the first two

a transgender woman and so the first two seasons really focused on Maura’s

seasons really focused on Maura’s

seasons really focused on Maura’s transformation and Maura’s discovery of

transformation and Maura’s discovery of

transformation and Maura’s discovery of what it is to be

what it is to be

what it is to be an older woman in this country but by

an older woman in this country but by

an older woman in this country but by the end of the third season I’m not

the end of the third season I’m not

the end of the third season I’m not gonna ruin it but the end of the third

gonna ruin it but the end of the third

gonna ruin it but the end of the third season something else wonderful happens

season something else wonderful happens

season something else wonderful happens it’s not just Morra who is coming of age

it’s not just Morra who is coming of age

it’s not just Morra who is coming of age it’s more his wife Shelley Shelley

it’s more his wife Shelley Shelley

it’s more his wife Shelley Shelley really discovers who she is

really discovers who she is

really discovers who she is after Morra has left her and okay I’m

after Morra has left her and okay I’m

after Morra has left her and okay I’m gonna ruin it

gonna ruin it

gonna ruin it after Shelley leaves her new boyfriend

after Shelley leaves her new boyfriend

after Shelley leaves her new boyfriend who is taking advantage of her taking

who is taking advantage of her taking

who is taking advantage of her taking her money inherent basically and so she

her money inherent basically and so she

her money inherent basically and so she kicks the boyfriend out and she begins

kicks the boyfriend out and she begins

kicks the boyfriend out and she begins to tell her own stories and in this

to tell her own stories and in this

to tell her own stories and in this scene she’s singing and I an Alanis

scene she’s singing and I an Alanis

scene she’s singing and I an Alanis Morissette song on a cruise ship and

Morissette song on a cruise ship and

Morissette song on a cruise ship and it’s just fabulous and so it is here

it’s just fabulous and so it is here

it’s just fabulous and so it is here online that we have power and so what I

online that we have power and so what I

online that we have power and so what I want you to do I want you to tweet about

want you to do I want you to tweet about

want you to do I want you to tweet about these shows I want you to share them

these shows I want you to share them

these shows I want you to share them with your friends on Facebook I want you

with your friends on Facebook I want you

with your friends on Facebook I want you to tweet the producers and the writers

to tweet the producers and the writers

to tweet the producers and the writers and then tweet some of the advertisers

and then tweet some of the advertisers

and then tweet some of the advertisers of how to get away with murder and say

of how to get away with murder and say

of how to get away with murder and say we want to see more of these stories

we want to see more of these stories

we want to see more of these stories these stories are important us and I am

these stories are important us and I am

these stories are important us and I am NOT just speaking to women over the age

NOT just speaking to women over the age

NOT just speaking to women over the age of 40 I’m speaking to all of you even

of 40 I’m speaking to all of you even

of 40 I’m speaking to all of you even you 30 year olds because you know what

you 30 year olds because you know what

you 30 year olds because you know what you’re in the fourth decade of your life

oh stop whining and the fourth and fifth

oh stop whining and the fourth and fifth are just around the corner and when you

are just around the corner and when you

are just around the corner and when you do this when we all do this we give

do this when we all do this we give

do this when we all do this we give voice to women and we tell little girls

voice to women and we tell little girls

voice to women and we tell little girls that their stories will matter

that their stories will matter

that their stories will matter throughout the rest of their lives thank

throughout the rest of their lives thank

throughout the rest of their lives thank you very much

you very much

you very much [Applause]

”

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