well I suppose now you’re wondering how can this guy be a spokesman for the
can this guy be a spokesman for the
can this guy be a spokesman for the cowboy way I’m a professor of art that
cowboy way I’m a professor of art that
cowboy way I’m a professor of art that Minot State University I am wearing a
Minot State University I am wearing a
Minot State University I am wearing a hat but anybody can buy hat doesn’t mean
hat but anybody can buy hat doesn’t mean
hat but anybody can buy hat doesn’t mean owning horses or cattle but I do a
owning horses or cattle but I do a
owning horses or cattle but I do a Hawaiian shirt not the typical striped
Hawaiian shirt not the typical striped
Hawaiian shirt not the typical striped shirt or a plaid shirt that most Cowboys
shirt or a plaid shirt that most Cowboys
shirt or a plaid shirt that most Cowboys wear but that’s just what I wear so I’ve
wear but that’s just what I wear so I’ve
wear but that’s just what I wear so I’ve brought along an image that I think I
brought along an image that I think I
brought along an image that I think I would like to prove my credibility as a
would like to prove my credibility as a
would like to prove my credibility as a real bona fide cowboy and that is this
real bona fide cowboy and that is this
real bona fide cowboy and that is this image of myself and a much younger age
image of myself and a much younger age
image of myself and a much younger age much thinner at the memorial for Tom Mix
much thinner at the memorial for Tom Mix
much thinner at the memorial for Tom Mix in Florence Arizona where he was killed
in Florence Arizona where he was killed
in Florence Arizona where he was killed in an auto accident that should prove my
in an auto accident that should prove my
in an auto accident that should prove my cowboy credibility until the 1950s and
cowboy credibility until the 1950s and
cowboy credibility until the 1950s and into the 60s was cowboy art too limited
into the 60s was cowboy art too limited
into the 60s was cowboy art too limited in the kind of representational art that
in the kind of representational art that
in the kind of representational art that it produced because it was an art of
it produced because it was an art of
it produced because it was an art of illustration and it was an art of
illustration and it was an art of
illustration and it was an art of storytelling and in the 50s and 60s some
storytelling and in the 50s and 60s some
storytelling and in the 50s and 60s some people wanted to try to bring it up into
people wanted to try to bring it up into
people wanted to try to bring it up into a more contemporary look the one on the
a more contemporary look the one on the
a more contemporary look the one on the left
left
left what is more adventurous what is more
what is more adventurous what is more
what is more adventurous what is more romantic than Native Americans hunting
romantic than Native Americans hunting
romantic than Native Americans hunting Buffalo with Spears by John mix Stanley
Buffalo with Spears by John mix Stanley
Buffalo with Spears by John mix Stanley very very full of sentiment and romance
very very full of sentiment and romance
very very full of sentiment and romance one on the right side riders on the dawn
one on the right side riders on the dawn
one on the right side riders on the dawn five Cowboys riding the breast through
five Cowboys riding the breast through
five Cowboys riding the breast through the range once again a great
the range once again a great
the range once again a great illustration for a story or a great
illustration for a story or a great
illustration for a story or a great standalone
standalone
standalone peytie turn him loose bill on the left
peytie turn him loose bill on the left
peytie turn him loose bill on the left by Frederick Remington what a great
by Frederick Remington what a great
by Frederick Remington what a great story this tells in and of itself but it
story this tells in and of itself but it
story this tells in and of itself but it might have been an illustration for a
might have been an illustration for a
might have been an illustration for a poem for a short story pretty typical
poem for a short story pretty typical
poem for a short story pretty typical the more detail the better the better
the more detail the better the better
the more detail the better the better tell the story of the Great West this is
tell the story of the Great West this is
tell the story of the Great West this is what people wanted they wanted
what people wanted they wanted
what people wanted they wanted illustrations that illuminated more the
illustrations that illuminated more the
illustrations that illuminated more the story in every detail if I was that
story in every detail if I was that
story in every detail if I was that cowboy I would not have asked for built
cowboy I would not have asked for built
cowboy I would not have asked for built the Train loose that horse has got the
the Train loose that horse has got the
the Train loose that horse has got the best of him right now and I can tell you
best of him right now and I can tell you
best of him right now and I can tell you that that rider probably is not going to
that that rider probably is not going to
that that rider probably is not going to make the ride one on the right blue
make the ride one on the right blue
make the ride one on the right blue locks the Queen from NC Wyeth who is a
locks the Queen from NC Wyeth who is a
locks the Queen from NC Wyeth who is a father of Andrew Wyeth the great
father of Andrew Wyeth the great
father of Andrew Wyeth the great American painter Blue has a native boy
American painter Blue has a native boy
American painter Blue has a native boy who jumps on this wild horse as it runs
who jumps on this wild horse as it runs
who jumps on this wild horse as it runs by locks the White Queen once again
by locks the White Queen once again
by locks the White Queen once again these are very typical of the
these are very typical of the
these are very typical of the illustrations and the artwork of the
illustrations and the artwork of the
illustrations and the artwork of the American West and the American cowboy up
American West and the American cowboy up
American West and the American cowboy up until the 1950s and 60s a bit of my
until the 1950s and 60s a bit of my
until the 1950s and 60s a bit of my history I went to good Cordia college to
history I went to good Cordia college to
history I went to good Cordia college to get out of the haystack
get out of the haystack
get out of the haystack I got a four-year degree in secondary
I got a four-year degree in secondary
I got a four-year degree in secondary art education and when I didn’t get a
art education and when I didn’t get a
art education and when I didn’t get a job right out of college I applied to
job right out of college I applied to
job right out of college I applied to the Graduate School at the University of
the Graduate School at the University of
the Graduate School at the University of North Dakota
North Dakota
North Dakota I married high school or I should say a
I married high school or I should say a
I married high school or I should say a 12-year classmate and Marion Becky Barch
12-year classmate and Marion Becky Barch
12-year classmate and Marion Becky Barch and we moved to Grand Forks my first
and we moved to Grand Forks my first
and we moved to Grand Forks my first painting class there my instructor Dave
painting class there my instructor Dave
painting class there my instructor Dave Brown said I hear that you go out on
Brown said I hear that you go out on
Brown said I hear that you go out on weekends and follow the rodeo circuit
weekends and follow the rodeo circuit
weekends and follow the rodeo circuit and I said yes my father has rodeo stock
and I said yes my father has rodeo stock
and I said yes my father has rodeo stock and we produced rodeos and he leases out
and we produced rodeos and he leases out
and we produced rodeos and he leases out stock other producers and Dakota Dave as
stock other producers and Dakota Dave as
stock other producers and Dakota Dave as he was sometimes called said well why
he was sometimes called said well why
he was sometimes called said well why don’t you paint the rodeo instead of
don’t you paint the rodeo instead of
don’t you paint the rodeo instead of those lame and insipid landscapes that
those lame and insipid landscapes that
those lame and insipid landscapes that you’re working on
yeah it did get my attention after I
yeah it did get my attention after I took a breath I said well I didn’t think
took a breath I said well I didn’t think
took a breath I said well I didn’t think was appropriate
was appropriate
was appropriate I didn’t think something as a romantic
I didn’t think something as a romantic
I didn’t think something as a romantic and his sentimental was the subject
and his sentimental was the subject
and his sentimental was the subject matter that could be used in a fine art
matter that could be used in a fine art
matter that could be used in a fine art department he said nothing is it
department he said nothing is it
department he said nothing is it appropriate only concept only style only
appropriate only concept only style only
appropriate only concept only style only technique might be appropriate but no
technique might be appropriate but no
technique might be appropriate but no subject is inappropriate
subject is inappropriate
subject is inappropriate so I wholeheartedly embraced the
so I wholeheartedly embraced the
so I wholeheartedly embraced the challenge but where do I start
challenge but where do I start
challenge but where do I start I look to art history for other artists
I look to art history for other artists
I look to art history for other artists that might have tried to portray the
that might have tried to portray the
that might have tried to portray the dynamics of motion and action that I saw
dynamics of motion and action that I saw
dynamics of motion and action that I saw as the primary aspect of the bucking
as the primary aspect of the bucking
as the primary aspect of the bucking stock in rodeos I looked to the Italian
stock in rodeos I looked to the Italian
stock in rodeos I looked to the Italian futurists in early 1900s
futurists in early 1900s
futurists in early 1900s a group of very radical anarchist artist
a group of very radical anarchist artist
a group of very radical anarchist artist in Italy or in yes Italy the one on the
in Italy or in yes Italy the one on the
in Italy or in yes Italy the one on the left very typical of them trying to show
left very typical of them trying to show
left very typical of them trying to show move motion it looks rather comical
move motion it looks rather comical
move motion it looks rather comical because the dog and his handler seem to
because the dog and his handler seem to
because the dog and his handler seem to be spinning but you can see that they’re
be spinning but you can see that they’re
be spinning but you can see that they’re trying to suggest motion the one on the
trying to suggest motion the one on the
trying to suggest motion the one on the right the red horsemen even though it
right the red horsemen even though it
right the red horsemen even though it doesn’t have quite as much fluid action
doesn’t have quite as much fluid action
doesn’t have quite as much fluid action it does show that the legs are churning
it does show that the legs are churning
it does show that the legs are churning in a certain kind of way and the rider
in a certain kind of way and the rider
in a certain kind of way and the rider is leaning over the horse’s head and it
is leaning over the horse’s head and it
is leaning over the horse’s head and it doesn’t look like it is running charge
doesn’t look like it is running charge
doesn’t look like it is running charge of the Lancers on the left a lot of
of the Lancers on the left a lot of
of the Lancers on the left a lot of energy a lot of dynamic composition on
energy a lot of dynamic composition on
energy a lot of dynamic composition on the right jumping horse by Franz Marc
the right jumping horse by Franz Marc
the right jumping horse by Franz Marc one of my favorite artists who was part
one of my favorite artists who was part
one of my favorite artists who was part of the blue rider the writer school of
of the blue rider the writer school of
of the blue rider the writer school of painting out of Munich Germany the blue
painting out of Munich Germany the blue
painting out of Munich Germany the blue rider is important to me because it’s
rider is important to me because it’s
rider is important to me because it’s also the name of a little pub that my
also the name of a little pub that my
also the name of a little pub that my family runs in Minot North Dakota so I
family runs in Minot North Dakota so I
family runs in Minot North Dakota so I looked at these people as how perhaps I
looked at these people as how perhaps I
looked at these people as how perhaps I could start to portray the action of
could start to portray the action of
could start to portray the action of rodeo the one on the left my first
rodeo the one on the left my first
rodeo the one on the left my first attempt looks pretty conventional and
attempt looks pretty conventional and
attempt looks pretty conventional and the instructor side
the instructor side
the instructor side conventional also I wasn’t satisfied
conventional also I wasn’t satisfied
conventional also I wasn’t satisfied with it but it was a way to start a robo
with it but it was a way to start a robo
with it but it was a way to start a robo and bronc in a very contorted kind of
and bronc in a very contorted kind of
and bronc in a very contorted kind of position the rider going off the one in
position the rider going off the one in
position the rider going off the one in the middle
the middle
the middle very much influenced by the Futurists
very much influenced by the Futurists
very much influenced by the Futurists but to me it wasn’t satisfying because
but to me it wasn’t satisfying because
but to me it wasn’t satisfying because it was far too regimented far too
it was far too regimented far too
it was far too regimented far too mechanical it just really didn’t have
mechanical it just really didn’t have
mechanical it just really didn’t have the flow that I would like to see in a
the flow that I would like to see in a
the flow that I would like to see in a bucking horse picture even in a drawing
bucking horse picture even in a drawing
bucking horse picture even in a drawing even in the study like on the right it
even in the study like on the right it
even in the study like on the right it was far too mechanical looking what else
was far too mechanical looking what else
was far too mechanical looking what else could I do
could I do
could I do what else could I bring to it that might
what else could I bring to it that might
what else could I bring to it that might give it a better effect well I looked to
give it a better effect well I looked to
give it a better effect well I looked to the American School of abstract
the American School of abstract
the American School of abstract expressionism or the American school of
expressionism or the American school of
expressionism or the American school of action painters in New York this is
action painters in New York this is
action painters in New York this is Willem de Kooning on the left with his
Willem de Kooning on the left with his
Willem de Kooning on the left with his woman number one he painted with great
woman number one he painted with great
woman number one he painted with great energy the paint was fluid it dripped it
energy the paint was fluid it dripped it
energy the paint was fluid it dripped it splattered he moved it around
splattered he moved it around
splattered he moved it around he gave the energy of his paint
he gave the energy of his paint
he gave the energy of his paint application to that woman she becomes
application to that woman she becomes
application to that woman she becomes the earth-mother she becomes the fierce
the earth-mother she becomes the fierce
the earth-mother she becomes the fierce woman that can be on the right side we
woman that can be on the right side we
woman that can be on the right side we have Franz mark Franz Kline pardon very
have Franz mark Franz Kline pardon very
have Franz mark Franz Kline pardon very strong simple brushstrokes but full of
strong simple brushstrokes but full of
strong simple brushstrokes but full of force and full of energy
force and full of energy
force and full of energy my next attempts slash-and-burn the one
my next attempts slash-and-burn the one
my next attempts slash-and-burn the one on the Left I tried to get that kind of
on the Left I tried to get that kind of
on the Left I tried to get that kind of energy into my pieces and you can also
energy into my pieces and you can also
energy into my pieces and you can also see that those are very colorful much
see that those are very colorful much
see that those are very colorful much different than those first paintings
different than those first paintings
different than those first paintings that I did trying to image the Futurists
that I did trying to image the Futurists
that I did trying to image the Futurists you can see the riders yellow sheared at
you can see the riders yellow sheared at
you can see the riders yellow sheared at the top his boots at the upper right
the top his boots at the upper right
the top his boots at the upper right hand corner the horses front head front
hand corner the horses front head front
hand corner the horses front head front legs in the lower right hand corner
legs in the lower right hand corner
legs in the lower right hand corner Tiger Rag one in the middle a very
Tiger Rag one in the middle a very
Tiger Rag one in the middle a very strong splash of red paint in there
strong splash of red paint in there
strong splash of red paint in there there are some multiple images like the
there are some multiple images like the
there are some multiple images like the futurists would use the heads in a
futurists would use the heads in a
futurists would use the heads in a couple different places the feet have
couple different places the feet have
couple different places the feet have smeared and are moving the rider’s hand
smeared and are moving the rider’s hand
smeared and are moving the rider’s hand is in a couple three different places I
is in a couple three different places I
is in a couple three different places I believe so this was a little closer to
believe so this was a little closer to
believe so this was a little closer to what I felt I needed to do the one on
what I felt I needed to do the one on
what I felt I needed to do the one on the right
the right
the right moonstruck is the title of this one it’s
moonstruck is the title of this one it’s
moonstruck is the title of this one it’s named after that great bucking horse
named after that great bucking horse
named after that great bucking horse sire that comes from Mandan North Dakota
sire that comes from Mandan North Dakota
sire that comes from Mandan North Dakota owned by Jim Moss Rucker in the Moscow a
owned by Jim Moss Rucker in the Moscow a
owned by Jim Moss Rucker in the Moscow a rodeo company very abstract but you can
rodeo company very abstract but you can
rodeo company very abstract but you can make out the horse’s head in the upper
make out the horse’s head in the upper
make out the horse’s head in the upper left-hand corner the riders boots are in
left-hand corner the riders boots are in
left-hand corner the riders boots are in the stirrups and they’re up on the
the stirrups and they’re up on the
the stirrups and they’re up on the horse’s neck up in the shoulders where
horse’s neck up in the shoulders where
horse’s neck up in the shoulders where they need to be when that horse made his
they need to be when that horse made his
they need to be when that horse made his first big jump out of the chute he was a
first big jump out of the chute he was a
first big jump out of the chute he was a terrific bucking horse you can ask my
terrific bucking horse you can ask my
terrific bucking horse you can ask my son he threw him off many times I then
son he threw him off many times I then
son he threw him off many times I then did a series of paintings where I tried
did a series of paintings where I tried
did a series of paintings where I tried to incorporate hearts into it because I
to incorporate hearts into it because I
to incorporate hearts into it because I loved the idea of the action of the
loved the idea of the action of the
loved the idea of the action of the rodeo and then the sentimental nature
rodeo and then the sentimental nature
rodeo and then the sentimental nature and the romantic nature of a heart and
and the romantic nature of a heart and
and the romantic nature of a heart and it also visited the subject of a
it also visited the subject of a
it also visited the subject of a wonderful rock country rock album by the
wonderful rock country rock album by the
wonderful rock country rock album by the Byrds in 1968 called sweetheart of the
Byrds in 1968 called sweetheart of the
Byrds in 1968 called sweetheart of the rodeo and the sweetheart of the rodeo
rodeo and the sweetheart of the rodeo
rodeo and the sweetheart of the rodeo covered for that album was a painting
covered for that album was a painting
covered for that album was a painting made by a very famous California artist
made by a very famous California artist
made by a very famous California artist by the name of Joel Mora and he made
by the name of Joel Mora and he made
by the name of Joel Mora and he made that in the 1930s so it became the cover
that in the 1930s so it became the cover
that in the 1930s so it became the cover of this Byrd’s country rock album and I
of this Byrd’s country rock album and I
of this Byrd’s country rock album and I thought that sweetheart of the rodeo was
thought that sweetheart of the rodeo was
thought that sweetheart of the rodeo was an appropriate title for the whole
an appropriate title for the whole
an appropriate title for the whole series of paintings that I did dealing
series of paintings that I did dealing
series of paintings that I did dealing with rodeo one on the left
with rodeo one on the left
with rodeo one on the left proud cut hopefully it’s kind of doing
proud cut hopefully it’s kind of doing
proud cut hopefully it’s kind of doing what I wanted to do smearing movement
what I wanted to do smearing movement
what I wanted to do smearing movement it’s a lot of energy a lot of dynamics
it’s a lot of energy a lot of dynamics
it’s a lot of energy a lot of dynamics of the horse the riders in trouble the
of the horse the riders in trouble the
of the horse the riders in trouble the one in the middle
one in the middle
one in the middle comes around title of it the name of the
comes around title of it the name of the
comes around title of it the name of the horse comes around sweetheart of the
horse comes around sweetheart of the
horse comes around sweetheart of the rodeo series very colorful again think
rodeo series very colorful again think
rodeo series very colorful again think back about those early attempts that I
back about those early attempts that I
back about those early attempts that I did on mundane the color was the horse I
did on mundane the color was the horse I
did on mundane the color was the horse I think shows probably four different
think shows probably four different
think shows probably four different heads and this one the riders in several
heads and this one the riders in several
heads and this one the riders in several different places the front legs of the
different places the front legs of the
different places the front legs of the horse probably shown in eight or ten
horse probably shown in eight or ten
horse probably shown in eight or ten different positions the one on the right
different positions the one on the right
different positions the one on the right a Nana Rama I don’t know where that
a Nana Rama I don’t know where that
a Nana Rama I don’t know where that title came from it just popped into my
title came from it just popped into my
title came from it just popped into my head I recall that and again the head
head I recall that and again the head
head I recall that and again the head seen in three different positions
seen in three different positions
seen in three different positions positions as a horse moves his head from
positions as a horse moves his head from
positions as a horse moves his head from side to side
side to side
side to side it has very energetic paint application
it has very energetic paint application
it has very energetic paint application hopefully you can see that so
hopefully you can see that so
hopefully you can see that so brushstrokes are put down with great
brushstrokes are put down with great
brushstrokes are put down with great energy hopefully that energy interprets
energy hopefully that energy interprets
energy hopefully that energy interprets into the energy of the horse and the
into the energy of the horse and the
into the energy of the horse and the rider and of the bucking horse theme of
rider and of the bucking horse theme of
rider and of the bucking horse theme of that particular painting could I then
that particular painting could I then
that particular painting could I then use that same kind of device that same
use that same kind of device that same
use that same kind of device that same kind of concept to show the action of
kind of concept to show the action of
kind of concept to show the action of both riders and that series now the one
both riders and that series now the one
both riders and that series now the one on the left is called the American
on the left is called the American
on the left is called the American military because the Minotaur was a
military because the Minotaur was a
military because the Minotaur was a Greek mythological character who had the
Greek mythological character who had the
Greek mythological character who had the body of a man and the head of a bull I
body of a man and the head of a bull I
body of a man and the head of a bull I think you have to become part of that
think you have to become part of that
think you have to become part of that bull in order to make the ride you can
bull in order to make the ride you can
bull in order to make the ride you can see on the left there the Bulls head
see on the left there the Bulls head
see on the left there the Bulls head swinging from side to side as they try
swinging from side to side as they try
swinging from side to side as they try to do to knock the rider off their back
to do to knock the rider off their back
to do to knock the rider off their back the back legs in many different
the back legs in many different
the back legs in many different positions the ride are very abstract but
positions the ride are very abstract but
positions the ride are very abstract but with a white hat on and his hand kind of
with a white hat on and his hand kind of
with a white hat on and his hand kind of moving over on the right side of the
moving over on the right side of the
moving over on the right side of the canvas the one on the right yellow
canvas the one on the right yellow
canvas the one on the right yellow jacket once again named after a
jacket once again named after a
jacket once again named after a wonderful world’s champion saiyr bucking
wonderful world’s champion saiyr bucking
wonderful world’s champion saiyr bucking bull out of Mandan North Dakota from the
bull out of Mandan North Dakota from the
bull out of Mandan North Dakota from the Joe Berger string of rodeo bucking bulls
Joe Berger string of rodeo bucking bulls
Joe Berger string of rodeo bucking bulls a lot of bright color a lot of
a lot of bright color a lot of
a lot of bright color a lot of abstraction
abstraction
abstraction they bullet once again throwing his head
they bullet once again throwing his head
they bullet once again throwing his head around as they so often do especially
around as they so often do especially
around as they so often do especially when they have horns this particular
when they have horns this particular
when they have horns this particular painting I did 15 18 years ago at an art
painting I did 15 18 years ago at an art
painting I did 15 18 years ago at an art festival and Bismarck State University
festival and Bismarck State University
festival and Bismarck State University and had a lot of fun doing it in fact
and had a lot of fun doing it in fact
and had a lot of fun doing it in fact one of the local young children walked
one of the local young children walked
one of the local young children walked up and was standing very close to me as
up and was standing very close to me as
up and was standing very close to me as I was demonstrating and talking and it
I was demonstrating and talking and it
I was demonstrating and talking and it turns out that it was these daughter of
turns out that it was these daughter of
turns out that it was these daughter of your mayor Mike seminary and as there
your mayor Mike seminary and as there
your mayor Mike seminary and as there was movement paid around I said to her
was movement paid around I said to her
was movement paid around I said to her you want to try it and she said yeah so
you want to try it and she said yeah so
you want to try it and she said yeah so she took the brush and she put some
she took the brush and she put some
she took the brush and she put some paint on and around and I believe the
paint on and around and I believe the
paint on and around and I believe the marks that she paid stayed on the
marks that she paid stayed on the
marks that she paid stayed on the painting I don’t own it anymore but I
painting I don’t own it anymore but I
painting I don’t own it anymore but I recall that as a very interesting part
recall that as a very interesting part
recall that as a very interesting part of that particular painting
on the left head bagger horses sometimes
on the left head bagger horses sometimes store their head back make it very
store their head back make it very
store their head back make it very difficult for the rider to ride
difficult for the rider to ride
difficult for the rider to ride sometimes knocking him off and again a
sometimes knocking him off and again a
sometimes knocking him off and again a lot of color in the top half not so much
lot of color in the top half not so much
lot of color in the top half not so much in the bottom the one on the right side
in the bottom the one on the right side
in the bottom the one on the right side Freebird title of that one I made
Freebird title of that one I made
Freebird title of that one I made several compositions of that particular
several compositions of that particular
several compositions of that particular composition free bird again reminiscent
composition free bird again reminiscent
composition free bird again reminiscent of that great rock and roll song by the
of that great rock and roll song by the
of that great rock and roll song by the Leonard Skynyrd group named many
Leonard Skynyrd group named many
Leonard Skynyrd group named many paintings after rock and roll or country
paintings after rock and roll or country
paintings after rock and roll or country albums so my point being art any kind of
albums so my point being art any kind of
albums so my point being art any kind of art no matter how good it was the
art no matter how good it was the
art no matter how good it was the illustrators of the past centuries they
illustrators of the past centuries they
illustrators of the past centuries they were very good but they were very
were very good but they were very
were very good but they were very limited in the way in which they
limited in the way in which they
limited in the way in which they portrayed their subjects Ark should be
portrayed their subjects Ark should be
portrayed their subjects Ark should be unlimited art should be open to
unlimited art should be open to
unlimited art should be open to originality uniqueness and hopefully to
originality uniqueness and hopefully to
originality uniqueness and hopefully to paraphrase a cliche that is so often
paraphrase a cliche that is so often
paraphrase a cliche that is so often used today as artists as musicians as
used today as artists as musicians as
used today as artists as musicians as poets as everyone we should learn to
poets as everyone we should learn to
poets as everyone we should learn to think outside of the loop thank you
think outside of the loop thank you
think outside of the loop thank you [Applause]
[Applause]
[Applause] [Music]
”
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