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Trabajar en televisión desde joven | Julieta Cherep | TEDxYouth@Torrelodones


and

[Music]

good morning everyone for me today be

here in front of a camera and a

put microphone is very weird because I

I will always be on the other side where

I’m very comfortable but well I started

to work on television when I had

17 years

a few months from turning 18 and that already

It ‘s been 11 years and every time

a new program starts around the world

he tells me you have to juveniles that young

young people and you say how lucky because

not because if it’s my turn to be like giving

explanations not saying good if I am

young but I’ve been so many years

working on this done this or that

if you are comfortable explanations

many people think that work in the

television is a joke not that is

frivolous than the famous funny but

He assured us that although we save lives

the work in television is very

difficult but good to start from

principle when I studied in the

Torrelodones institute with many of

those who are here was very bad

student and the truth that I never know

gave good study and and I have passed

pretty bad I felt trapped in a

educational system that pushed you to

memorize and that does not encourage others

talents nor creativity

I felt that if I did not know about

memory all the rivers of spain not

I could get to nothing and also I

I have a very bad memory because in fact

I would appreciate very much that I was not like

this could have a pinganillo of

this is what we use for

bring the presenters not everything

that are saying, although many later do not

recognize that what we say to them

them because they are telling

someone but good the question is that

I repeated 2nd of the that was a drama

total and and then I had to listen

things not like I would not wear anything or

that was not worth anything but actually

I was very clear about what I wanted

I wanted to study cinema I wanted to

study journalism I wanted to tell

stories and that’s why at 17 I left

Latin and the Greek of the baccalaureate

I said to my mother mom what I want

is to study cinema

I believe that the face of about my mother

is eleven years later still

today and and there what purpose

and I come from a family of journalists

my father was a photographer my mother is

communication director

my grandparents are journalists

and me from a very young always sucked

this profession I have always been

passed on the passion for the profession

so much so that I when I was little

played to imitate isabel gemio

I loved myself and I was surprised

surprise presenting my brother brother

I am so sorry

was the surprised and now the

presenter before we played a little

go to present

and at 10 years old they gave me my first

handycam a camarita of these of walking

for house with which I had fun

aggravating my friends to my friends to me

family and in fact I have a study

of kurt cobain quite deep on

the topic because at that time I liked

a lot and we spent the day recording it

and I never imagined that seven years

after that passion that was to record with

a little camera would become my

profession the profession that I have today

in day my mother helped me start my

first get my first job that

it was in whoever falls

but then I came in that came after

and then the truth that for me was a

shock because when I started to

work on that in this production company and in

that program

I suddenly realized that I

belonged to that world I belong to

I always knew that it will be my

world

then every day that goes to work

I learned I learned I was like a

Sponge was all learning

I was suddenly in situations

like recording at a rock concert and

they are paying me for it

and on top of doing what I liked

I worked for a year and a half

Production and production grant holder

I started working and whoever falls and

I was saying they are paying me to do

what I like very well but it is

that today continues to happen to me

because a month ago I was recording with

the firemen of madrid are all there

in the gymnasium there are good airs

weigh and I would look at partner I told him and

now they are paying us why wait

but in these in these eleven years have

passed many things like this was the

program the league was a program that I

he says he’s like a street guy who

I went with 19 years to live in Argentina

to my native Argentina and I was there on a

year and a half recording reports

journalistic

well, it was very complicated, so it happened to me

months measures

the shack with the prostitutes until

one day we had a situation a little

Fucked because they threatened us with a

weapon and we had to run out and

that’s when I said if I turn to

madryn that eats very rich ham and that

these things do not happen and then there I

I’m going to Madrid and started working on my

first reality that were fame and great

brother that I know many of those who

you are here sure you are saying

there the trash error big brother

Well, I’ll say there’s behind these

programs

there are teams of more than 100 people

is to take off your hat and how

work and how they get to the

what have to get there because the

power of television control is very

important each one we have a command and

we choose what we want to see

I have worked as a program writer

as a principle for corina or who

wants to marry my son and not in a

principle for corina for example

we were 24 hours recording in a row without

stop the first chapter and we

although it does not look like the people who

we work in television in addition to

psychologists we are also celestinas

why so many people find thanks

to those of us who are behind the camera

and then with 26 years old I started working

as assistant director of programs like

adam and eva the boss infiltrated nightmare

the kitchen for example would start the

I was cooking for four seasons traveling

by Spain helping with the team

Refloat restaurants that were in

crisis

imagine yourself and the situations that you see

from your home they are tense and being

I do not love you anymore, I do not know how to

I’m here today

but of all the jobs that I have

done in this in these both in these

years that have been many

the work that I am most proud of

I feel is the pretty girl the girl

Pretty is a documentary that I directed with

a group of caring friends

production completely ad

honorem sa because if for love of art

We decided to tell the story of leaving the

that is a Syrian girl refugee in a

greece countryside

our intention was to be able to bring the

situation of refugees to the people

do not remove this stigma that the

refugees are numbers not the

refugees are people like any of

those of us who are sitting here today

In fact llosa I ask you to do the

exercise

think for a minute that today you have

come out this house and when you come back

it will not have anything

you do not have your house you do not have

your things do not have your

you have to go with the place

and have to start from scratch

Well, what we wanted

was precisely to help give voice to

all to all these people

we made this documentary and I was lucky

of being able to tell part of the

my family’s story because my family

she was a refugee from the Argentine dictatorship

and Chilean to this one or more moore result

most dangerous daily sun for this

crisis

before such or in others

the menu very special and knew the

an eye eye art

p is why I say this coming

[Music]

Wednesday in the room anna julia red

How I want to tell you because I wanted to

interview you I also went

refugee when I had when I was 15

years

khan

also like you I went with the clothes that

I had put friends left that never

more I saw again

I also had to leave my country my house

and lose everything

angel you like ni rico or type 10

siefore me cry and this one with sense

chosen type because they come and without

services and that before enchanted and that

anden or xing nátoli numbers verbalized

[Music]

well this is a bit of the

documentary that lasts 27 minutes what

we did with acnur

We spent three days in a field

refugees on the border of Macedonia

with greece and then we were one day

recording in germany with the meeting of

the family because hopefully the

protagonist was able to rediscover his

family but there’s still a lot of

refugees who are still waiting for this

reunion and I think that responsibility

of many of us push that

these things happen europe open the

doors to refugees and

but well beyond my work I

love

yes it is true that if you any

of you choose my life or some of

our children what is worse

choose my life is very important that

you know that you will not have life because

work on television are many

hours

there is a lot of demand a lot of stress never

they will never pay an extra hour

although this one has 24 as I was thrown away

you’re always worth what your last

I work because you ‘re always coming back

start every three months change of

office change change partners

producer to change life and and it’s yes

It really is hard

the other day facebook reminded me of this

I’ll leave the TV to put to

ripoll or need partners a for ripoll

in argentina is a broiler of chickens to the

chicken grill

the truth that this thought of leaving

TV comes very often sometimes

changed to veterinary but then I say

I do not go with him to ripoll or the

veterinary and finally I wonder

it’s worth leaving everything is worth the

It’s a shame to change profession because it’s very hard

that is for many hours that you take and

the answer is that no

the answer is not because I feel

which is a great privileged by power

tell a million stories by proxy

make people know the stories

that we have told, I think it’s a

lucky to be able to travel around the world to know

different realities share moments

super magic with the team with which

I work that always changes but

we always end up turning as if

we were in a big family and about

everything I think working from a young age gives a

great great power that is that of the

independence being independent

to have your own money and power

choose where to travel

with whom to travel where to live or

just look at choosing the cowboy that

you want to buy there are not in these moments

in which I feel that it is a

privileged I say and I do my job

I like what I do, I remember everyone

those professors that when he came to

institute they told me that it was not worth

nothing and I think a lot of people like me do not

is the model student does not enter

of the canons of the good student

I would think that in the future

there is another educational system that

encourage creativity that encourages others

talents and that make people be

happy with what he does and gets up every

tomorrow wanting to go to work

how do I do

every morning because I love my job

because what is mine is telling stories

[Applause]

me

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