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Stargate Emozionali | Alessandra MR D’Agostino | TEDxArezzo


[Music]

[Music]

[Applause]

this year the eyes then what

they were the ones you saw shirts of

force or were tired of the canteen though

clean up ok to respond to this

earth I will ask you a question that is

this

how many moments of humanity you have had

today for humanity I do not mean with

passion that you remember at what age

kindness but moments of human contact

presence report in front of someone

other

unhooked the technology from such go

up and down from screens someone I try to

see the faces or not at all

many unclear accounts then I there

I ask this question because this one

question is a little question inquisitive

that grips my life known a bit

years without telling me I found myself and

I discovered around me one

depletion of this thing

there is

obviously it’s called we are surrounded

from technology 9 this field network

easy connection and communication

the exchange of content ideas e

however, however, this makes more

difficult leicester and presents one

report would feel report what

it means having two elements that are

nun to have a physical presence to have

a mutual attention this is

the interaction of work on this

matching that was on emotion

so try to answer this

I ask myself over the years

ventured by creating this instrument

surreal that are the stars of stargate

emotional tags and I did it

granting by doing theater and let’s say

turning a new mode that is

using the theater in a way not

conventional to work on

relationships within relationships

to observe the emotions that come from these

dynamics flow I did it

in short, the conventional theater spaces

squares whatever else you have

seen is a performance I do a

milan more times there are monsters with

these dresses this coveted point of

historical very almost also that it creates

uncomfortable and put themselves in a square

that is, in short, a crossing of the and

who ask questions to people who

pass important questions that

may there be someone who I love you

really rather than respected the

rules

and therefore the fact of bringing a person

that you see for were people that a

that hour was about 6 people

they came out of the office back

at university then we were right in

proximity of the subway for which

there was that I feel this of people and

so bring those tired people

in short, verses agiate the routine of

week of the office evening

etc. to bring them into a real space

in front of a person dressed as a monster

that asks you so short ie

any news but really anyway

a great challenge, however, for people

miraculously wonderfully

they respond with great generosity in the

sense that they do not insult you also remain

there they answer you with great kindness and

on the contrary, very often you open yourselves

I saw very very very interesting

significant changes also

compared to their lives this is the

beauty of emotional theater matri

interactive and is interactive functional

from discipline that has been registered

on the national register asylum bl dos

thanks to this association and to the

so many white that is an association

affiliated to the lite then wood

international human rights and is for

this that this discipline makes sense

within the places where the lilies

closed in oil of restricted places

detentivi in which one works on

on the crush that becomes of

perhaps becoming education

accompaniment towards a healing from

an addiction

very often it is not so and I have

I worked by chance

within a

of a district house a few years

ago I brought a theater company

and functional interactive and we went

to bring this this show a lot

simple who spoke spoke of one

letter to the point that a prisoner

he wrote one to a companion to whom

pregnant all.re in this letter point

it was said that he probably was there

birth would not have seen it would not

could see birth of this child

that show was represented is

sixth second of Saint Victor for those who do not

he knew patrons saintly

the district house for more

beautiful that has a titan in other words

complex more than Milan of Lombardy

we say and is divided into rays reached

from can be said to petrachi are a kind

of phase the infernal circles because they are

containers that go to close of the

different detentions compared to the crime the

second sense to be clear in the radius

of sex offenders, therefore, crimes in the background

sexual transsexuals rather than

in short, protected prisoners e

anything else then to form it by chance

in short, that show is in short

those inmates ask us to do it

processed to ask to do a

workshop with me

so when I was asked precisely

from the educator you want to make some canvas

interactive theatrical education that

they still do not know it will be made to me

I miss the idea of what it could be

exactly with these prisoners for i

which one comes

in short, very little is done

no formation the answer yes in the

sense that I always try to meet

the other anyone

who not anyone who has before

in short, without prejudice without judgment

without label without going to see

what was there before

that meeting the first one that this

person stands in front of me for that

accepted moment and I started in the era

the January era of remembering mine

teaching space that was a former one

infirmary used to say state

creative know how short it will be study will be

try everything and this former infirmary where

I remember you

there were two seats and there was a basket

there was a sink in which transsexual

they cut themselves hands

then there was this tall window

Private short of a vetero with the

obviously bars not for which this

So imagine doing something

artistic therefore that has a finality

even if we want it so recreational

within a space that is there

recreational I have nothing inside

a gigantic structure that from there

creatively less inside point

in front of people who never have

made theater that do not know what

mean that if you are big

interactive emotional specification

so the first thing is first

be able to edge in front of them in short

anyone in an authentic way is not

simply without filter without

mask communicating what you are and

this way in this in this

try to look for a way

to lead them to fascinate them and bring them

towards a path towards the goal

he complains that we set ourselves up then

that year start with 16 inmates

face all men aged 25 to 65 years

different then the first thing that there

we will prefix now but find ourselves finding us

a name no because they are we should have

had to work many months together

beautiful we should have become one

independent mobile creature inside

of that structure therefore a lot in which

I asked them then how we want

I did not want to call this company

this group of men forming one

once a week you meet for

in short, talking about dramaturgy sells

out of castino there in the end it is not

I chose this name that I do not want to make of it

so I do not want to start from that project

to be part of it because essentially those

he would propose it to himself who he would like to do

part of a companion held shores that

would like to enter here in this space a

do not do theater in these

places

that project then journey made his own

path in the sense that then over the years

passed without offending the common crimes

then go to the district of Monza

currently I am in drawing community

therapeutic recovery community for

Alcohol addicts in September

a project will start in a community of

minor

returning that I do not want to be part of it

the second purpose that we set ourselves is

then we do something important

something important though it is in

some way also linked to what

we have around what we like

we hear no, of course I can not

propose you chose and one step I want

offer something that can be linked

to the estrangement situation of

loneliness that is living and the thing

let’s say closer that came to me

mind that came to mind because

There were two people inside

that something short of literature of

another, in short, they chew and it was godot

precisely by beckett for which nampo e

that year just a godot reloading of

this show that we call the

luck to insert inside the

international theater day e

Unesco prison

[Music]

when someone asks me, in short

talk about the experience of theater and

prison or even community

I always say for myself recently

the maritime experience for which for me

the meeting was very important words the

wonderful word a word that like

a sort of cylinder and double

a thousand beautiful things come out no

so when I go into a structure

detentive then at the end

pilgrimage because you imagine then

permits corridors and steps between the cells

walks in the corridors between the cells

open infirmary anything else for which

it becomes a true pilgrimage because

for those who enter and the obstinacy of

come back every time for me to teach

this kind of thing inside

structures of this type means the

opposite various king tables find again

people who the week after you

tell stories they tell

who met the children here

told of doing theater and then children

they are a little happier because

probably parents have a face

different a different expression

and in fact they show things of the

things they wrote that they tried

then write to you somehow

sets in motion a sort of circuit of

production and then actually one

dig deep to touch the

things for which what is the meaning of everything

that sense of all this is that me

part of a question

continuing, in short, answers respond

the question I try a little to stimulate

the people I have around at least a

look for meeting spaces to look for

interaction spaces because

in the interaction we start exchanging

between two elements there is an exchange also

there is a change and a transformation

physiological if we want is what

I would like short maybe with the help of

giacomo try to make you do something

here is this closing of this tonight

of this short of lace if maybe

then I would ask him for it

torture the time to get up all you are

very followed

I ask you to distribute them in a way that is

to approach me there are no spaces

empty and then fill the empty files

for example, in short, become

fill all that is impossible

imaginable then all those who

they are behind becoming too and so on

let’s have three minutes

that you also hide among them

so they are missing

we also go to London go false false

false voluntarily network without fear

then there is still someone watching

he says a place from which the auction is

announced a bush angled then you if

you are 12 45

so let’s do the first row yes

runs

[Music]

ok perfect the third row is 246 la

third row instead we have the turn

it is about two couples so I ask for them

more notes to face one of

face each other ok you want to work on

people every odd night instead of the

third fourth sorry number above the

fourth and fifth row then the fourth

row turns to the fifth row la

the name of the second one was then seen

then now first row second row

bring them the fifth row you all have one

front mate you feel

this is one discovered who wants to do

but you are the only careless 6 when you

you are with him who you are with him

tonight, each one wants to have a

face mate then get yourself

secondary

so now I ask you to practically

raise your hands

putting practically the palms of the hands

just like I do it myself

shoulder height and get them

advance that you are hungry until you meet

then in the hands of the person who

see in front of this point I ask you

to stay there a few moments then

close your eyes

at this point will start once the city

of three fatal minutes simply

watch you feel uncomfortable pleasantness

so what else do you try not to hear

as far as possible voice the voice of whom

you have around in the memories and for a long time

focus on the palms of your hands

of the people you are facing then

it exists only you obviously have of

face here

one minute is gone you will still be 2

[Music]

However

if you want to try also to move the

hands together to the other instead maybe

without static position , it annoys you

truth you also want the hands that is

always pole against parma if it is

you want to recreate a little more

physical well-being that last minute

[Music]

it’s a laugh you do not laugh

worry frangente usually escapes

when I hear it

in thirty seconds

ok you can leave untied from

from the union you are back to sit down

in short, appointments and sometimes

before

now I wanted as my performances

letrari meetings always close with

what we call restitution that

it means sharing the stuff it has

also some other meaning though

a sort of opening compared to that

that he felt just because yes

it works really little but on the

physical sensations possibly on the up

what you feel compared to

closeness of the other

I wanted to ask him if anyone

voluntarily to desire of

share with others

feeling he tried if he heard

something can also be uncomfortable

crap, in short, anything there is

things must come out without without

judgment therefore that words come

in short, annoying

just getting used to and not heard

Hello

but what do you say experiences in someone of the

same sex

meanwhile in 133 different from the

context of the person mentioned by

shake hands as if we were one

video from anything but from a table

support

[Music]

[Music]

you’ve never held free

I struggle with any caste

remove something that you also face

of Lent

[Music]

we will fight pirates I see a moment

but it seems a story more than all

with your rights and you know if they are worth

to tell why here today and what

what will be counted another of the bells

what do I say this day

[Music]

the awareness of not being alone a

see

[Music]

aero

thank you

[Music]

[Applause]

[Music]

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