Sorry Not Sorry, Tokenism and White Liberal Proverbs | Jacob V Joyce | TEDxUCLWomen

I am an artist from Mitchum there’s

I am an artist from Mitchum there’s nothing else I can say about myself as

nothing else I can say about myself as

nothing else I can say about myself as an artist because we just got said I

an artist because we just got said I

an artist because we just got said I think apart from them from Mitchum but I

think apart from them from Mitchum but I

think apart from them from Mitchum but I feel really really oh I feel odd that

feel really really oh I feel odd that

feel really really oh I feel odd that I’m in a queer decolonial punk band

I’m in a queer decolonial punk band

I’m in a queer decolonial punk band called screaming toenail who are

called screaming toenail who are

called screaming toenail who are fantastic and make me really happy but

fantastic and make me really happy but

fantastic and make me really happy but yeah I feel really really privileged

yeah I feel really really privileged

yeah I feel really really privileged right now to be part of something that I

right now to be part of something that I

right now to be part of something that I would call a cultural Renaissance of

would call a cultural Renaissance of

would call a cultural Renaissance of individuals and collectives creatively

individuals and collectives creatively

individuals and collectives creatively holding space and centering the voices

holding space and centering the voices

holding space and centering the voices of black and brown people in the UK in

of black and brown people in the UK in

of black and brown people in the UK in fact just last night a collective called

fact just last night a collective called

fact just last night a collective called gal dem in partnership with another

gal dem in partnership with another

gal dem in partnership with another collective called babes about BB Zedd

collective called babes about BB Zedd

collective called babes about BB Zedd took over the Victoria & Albert Museum

took over the Victoria & Albert Museum

took over the Victoria & Albert Museum and filled it with music with dancing

and filled it with music with dancing

and filled it with music with dancing with artworks that spoke to a really

with artworks that spoke to a really

with artworks that spoke to a really broad variety of black and brown British

broad variety of black and brown British

broad variety of black and brown British the experiences and they’re not alone

the experiences and they’re not alone

the experiences and they’re not alone there’s fantastic collectives such as

there’s fantastic collectives such as

there’s fantastic collectives such as voices that shake there is skin deep

voices that shake there is skin deep

voices that shake there is skin deep there is black lives matter UK there is

there is black lives matter UK there is

there is black lives matter UK there is black British girlhood to name just a

black British girlhood to name just a

black British girlhood to name just a few of the collectives which are

few of the collectives which are

few of the collectives which are creating really much needed spaces for

creating really much needed spaces for

creating really much needed spaces for discussions and actions responding to

discussions and actions responding to

discussions and actions responding to the institutionalized violence’s that

the institutionalized violence’s that

the institutionalized violence’s that are faced by people of color in the UK

are faced by people of color in the UK

are faced by people of color in the UK my own collective sorry feel

my own collective sorry feel

my own collective sorry feel uncomfortable is made up of lots of

uncomfortable is made up of lots of

uncomfortable is made up of lots of different artists doing lots of

different artists doing lots of

different artists doing lots of different things

different things

different things there’s DJs there are sculptors there

there’s DJs there are sculptors there

there’s DJs there are sculptors there are academics we’re kind of an art

are academics we’re kind of an art

are academics we’re kind of an art collective but also a kind of political

collective but also a kind of political

collective but also a kind of political critical collective and I’m going to

critical collective and I’m going to

critical collective and I’m going to talk a little bit more about the

talk a little bit more about the

talk a little bit more about the collective later but I will say about my

collective later but I will say about my

collective later but I will say about my artwork that I draw a lot of inspiration

artwork that I draw a lot of inspiration

artwork that I draw a lot of inspiration from the histories of African and

from the histories of African and

from the histories of African and Caribbean revolutionaries

Caribbean revolutionaries

Caribbean revolutionaries like Claudia Jones who setup Notting

like Claudia Jones who setup Notting

like Claudia Jones who setup Notting Hill Carnival or the writer and play

Hill Carnival or the writer and play

Hill Carnival or the writer and play writer

writer

writer Sylvia winter Miriam Makeba the musician

Sylvia winter Miriam Makeba the musician

Sylvia winter Miriam Makeba the musician but was so like very outspoken activist

but was so like very outspoken activist

but was so like very outspoken activist and these people but also not just the

and these people but also not just the

and these people but also not just the people that came out of Africa in the

people that came out of Africa in the

people that came out of Africa in the Caribbean but also the belief systems

Caribbean but also the belief systems

Caribbean but also the belief systems that came out of the Diaspora

that came out of the Diaspora

that came out of the Diaspora specifically belief systems which have

specifically belief systems which have

specifically belief systems which have roots in West Africa so there is a

roots in West Africa so there is a

roots in West Africa so there is a people there is a culture that’s a

people there is a culture that’s a

people there is a culture that’s a language called Yoruba and every single

language called Yoruba and every single

language called Yoruba and every single place that enslaved Africans were taken

place that enslaved Africans were taken

place that enslaved Africans were taken to Europe were found ways to subvert to

to Europe were found ways to subvert to

to Europe were found ways to subvert to resist and to grow into different belief

resist and to grow into different belief

resist and to grow into different belief systems such as voodoo in Haiti such as

systems such as voodoo in Haiti such as

systems such as voodoo in Haiti such as Santeria in Cuba Banda Qin Banda in

Santeria in Cuba Banda Qin Banda in

Santeria in Cuba Banda Qin Banda in South America

South America

South America Shango in Trinidad and these theologies

Shango in Trinidad and these theologies

Shango in Trinidad and these theologies have been really really nourishing to my

have been really really nourishing to my

have been really really nourishing to my art practice and it’s been so fantastic

art practice and it’s been so fantastic

art practice and it’s been so fantastic to collaborate with devotees and artists

to collaborate with devotees and artists

to collaborate with devotees and artists who are also invested in these practices

who are also invested in these practices

who are also invested in these practices and in terms of the collective it’s it’s

and in terms of the collective it’s it’s

and in terms of the collective it’s it’s funny because in the history of black

funny because in the history of black

funny because in the history of black power collectives referencing African

power collectives referencing African

power collectives referencing African theologies respectively utilizing potent

theologies respectively utilizing potent

theologies respectively utilizing potent iconographies and quoting Proverbs and

iconographies and quoting Proverbs and

iconographies and quoting Proverbs and ancient philosophies it’s kind of a

ancient philosophies it’s kind of a

ancient philosophies it’s kind of a militant trope but I honestly don’t mind

militant trope but I honestly don’t mind

militant trope but I honestly don’t mind being a cliche because it has helped me

being a cliche because it has helped me

being a cliche because it has helped me to equip myself with a rope to fasten

to equip myself with a rope to fasten

to equip myself with a rope to fasten myself to the mast of a vessel that’s

myself to the mast of a vessel that’s

myself to the mast of a vessel that’s anchored to an island where denizens

anchored to an island where denizens

anchored to an island where denizens wrestle with depthless perceptions of

wrestle with depthless perceptions of

wrestle with depthless perceptions of inferiority and endless abuses of

inferiority and endless abuses of

inferiority and endless abuses of institutional Authority where

institutional Authority where

institutional Authority where microaggressions are pretty commonplace

microaggressions are pretty commonplace

microaggressions are pretty commonplace but people don’t like to talk about race

but people don’t like to talk about race

but people don’t like to talk about race unless faintly reflecting on memories of

unless faintly reflecting on memories of

unless faintly reflecting on memories of oppressions faced by assimilated

oppressions faced by assimilated

oppressions faced by assimilated minorities the more brazen racism of my

minorities the more brazen racism of my

minorities the more brazen racism of my parents generation see I’m not likely to

parents generation see I’m not likely to

parents generation see I’m not likely to read in any hotels or pubs no blacks no

read in any hotels or pubs no blacks no

read in any hotels or pubs no blacks no Irish no dogs those kind of bold

Irish no dogs those kind of bold

Irish no dogs those kind of bold hostilities are now as retro as vintage

hostilities are now as retro as vintage

hostilities are now as retro as vintage clothes or golliwogs no racial

clothes or golliwogs no racial

clothes or golliwogs no racial oppression these days is a little bit

oppression these days is a little bit

oppression these days is a little bit more complex it feels like it’s become

more complex it feels like it’s become

more complex it feels like it’s become embedded within the subtext it’s the

embedded within the subtext it’s the

embedded within the subtext it’s the shadow not the act so it’s harder to

shadow not the act so it’s harder to

shadow not the act so it’s harder to react it’s the sinew between muscle and

react it’s the sinew between muscle and

react it’s the sinew between muscle and bone not the color of the skin but

bone not the color of the skin but

bone not the color of the skin but subtle undertone unless it falls out

subtle undertone unless it falls out

subtle undertone unless it falls out clumsily someone calls you broth they

clumsily someone calls you broth they

clumsily someone calls you broth they say do you sell drugs they shake all

say do you sell drugs they shake all

say do you sell drugs they shake all your white friends hand and try to give

your white friends hand and try to give

your white friends hand and try to give you a spud they tell you I’m not afraid

you a spud they tell you I’m not afraid

you a spud they tell you I’m not afraid of Brixton anymore conceitedly or they

of Brixton anymore conceitedly or they

of Brixton anymore conceitedly or they ask you where you’re really from despite

ask you where you’re really from despite

ask you where you’re really from despite being told repeatedly or I noticed that

being told repeatedly or I noticed that

being told repeatedly or I noticed that many of the books about our collective

many of the books about our collective

many of the books about our collective histories are vanishing from schools or

histories are vanishing from schools or

histories are vanishing from schools or I feel a stranger without consent

I feel a stranger without consent

I feel a stranger without consent touching my hair and they say oh it just

touching my hair and they say oh it just

touching my hair and they say oh it just looks really who or I’ve really find it

looks really who or I’ve really find it

looks really who or I’ve really find it hard to talk about the police but I’ll

hard to talk about the police but I’ll

hard to talk about the police but I’ll just say that they are a racist gang a

just say that they are a racist gang a

just say that they are a racist gang a fascist thugs to say the least but

fascist thugs to say the least but

fascist thugs to say the least but actually no no sorry we live in a

actually no no sorry we live in a

actually no no sorry we live in a post-racial society proven by London’s

post-racial society proven by London’s

post-racial society proven by London’s multicultural variety although it’s true

multicultural variety although it’s true

multicultural variety although it’s true there are definitely more interracial

there are definitely more interracial

there are definitely more interracial lovers Orientalism still colours our

lovers Orientalism still colours our

lovers Orientalism still colours our perception of other of other see the

perception of other of other see the

perception of other of other see the canvas looks balanced but the frame is

canvas looks balanced but the frame is

canvas looks balanced but the frame is bent

bent

bent imagine a Middle Eastern oil painting of

imagine a Middle Eastern oil painting of

imagine a Middle Eastern oil painting of all the money spent conjuring up

all the money spent conjuring up

all the money spent conjuring up narratives of Muslim women who are all

narratives of Muslim women who are all

narratives of Muslim women who are all apparently victims that need saving from

apparently victims that need saving from

apparently victims that need saving from Muslim men who are all apparently

Muslim men who are all apparently

Muslim men who are all apparently fanatics constantly raving about taking

fanatics constantly raving about taking

fanatics constantly raving about taking over the world and robbing little girls

over the world and robbing little girls

over the world and robbing little girls of agency and education what a perfect

of agency and education what a perfect

of agency and education what a perfect justification to continue a legacy of

justification to continue a legacy of

justification to continue a legacy of colonization of nations less blessed

colonization of nations less blessed

colonization of nations less blessed than the facial in their turn to tyrants

than the facial in their turn to tyrants

than the facial in their turn to tyrants for while we shall flourish great and

for while we shall flourish great and

for while we shall flourish great and free actually got the lyrics of god save

free actually got the lyrics of god save

free actually got the lyrics of god save the queen

the queen

the queen but yeah it’s easier to repress or

but yeah it’s easier to repress or

but yeah it’s easier to repress or ignore maybe colonial guilts when the

ignore maybe colonial guilts when the

ignore maybe colonial guilts when the axis of power is reversed on it still so

axis of power is reversed on it still so

axis of power is reversed on it still so that Nordic countries Christian white

that Nordic countries Christian white

that Nordic countries Christian white countries like this one become the ones

countries like this one become the ones

countries like this one become the ones terrorized by villainous immigrants who

terrorized by villainous immigrants who

terrorized by villainous immigrants who want our culture bastardized they’re

want our culture bastardized they’re

want our culture bastardized they’re going to corrupt our morals they’re

going to corrupt our morals they’re

going to corrupt our morals they’re going to steal our jobs Wow

going to steal our jobs Wow

going to steal our jobs Wow is a handle on fear a bronze cast

is a handle on fear a bronze cast

is a handle on fear a bronze cast doorknob on the houses of parliament or

doorknob on the houses of parliament or

doorknob on the houses of parliament or the House of Lords because a war on

the House of Lords because a war on

the House of Lords because a war on terror is when we can all applaud terror

terror is when we can all applaud terror

terror is when we can all applaud terror is a abstract concepts not a thing you

is a abstract concepts not a thing you

is a abstract concepts not a thing you can fight any way it feels like politics

can fight any way it feels like politics

can fight any way it feels like politics has been aestheticized by so many

has been aestheticized by so many

has been aestheticized by so many detestably digestible television

detestably digestible television

detestably digestible television politicians with simple sound bites to

politicians with simple sound bites to

politicians with simple sound bites to anyth the citize like brexit means

anyth the citize like brexit means

anyth the citize like brexit means brexit to anathematized the masses with

brexit to anathematized the masses with

brexit to anathematized the masses with apathetic appetite so we end up chewing

apathetic appetite so we end up chewing

apathetic appetite so we end up chewing on the effect without addressing the

on the effect without addressing the

on the effect without addressing the cause I hear people up in arms about the

cause I hear people up in arms about the

cause I hear people up in arms about the so-called savagery of homophobia in

so-called savagery of homophobia in

so-called savagery of homophobia in Nigeria and Uganda

Nigeria and Uganda

Nigeria and Uganda and other Commonwealth countries

and other Commonwealth countries

and other Commonwealth countries forgetting that fear and hatred was

forgetting that fear and hatred was

forgetting that fear and hatred was imported when they were British

imported when they were British

imported when they were British territories evil tut-tutting about the

territories evil tut-tutting about the

territories evil tut-tutting about the instability in Haiti and Jamaica and

instability in Haiti and Jamaica and

instability in Haiti and Jamaica and other Caribbean nations then laughing at

other Caribbean nations then laughing at

other Caribbean nations then laughing at the idea of any reparations hip people

the idea of any reparations hip people

the idea of any reparations hip people up in arms when a bigot is caught saying

up in arms when a bigot is caught saying

up in arms when a bigot is caught saying something racist off camera from the BBC

something racist off camera from the BBC

something racist off camera from the BBC or Channel for an ITV what about the

or Channel for an ITV what about the

or Channel for an ITV what about the absolute lack of black people on British

absolute lack of black people on British

absolute lack of black people on British TV unless poor traders rioting

TV unless poor traders rioting

TV unless poor traders rioting unnecessarily exacerbated or nonviolent

unnecessarily exacerbated or nonviolent

unnecessarily exacerbated or nonviolent revolutionaries who have happened to get

revolutionaries who have happened to get

revolutionaries who have happened to get assassinated or the occasional token or

assassinated or the occasional token or

assassinated or the occasional token or of course money obsessed misogynistic

of course money obsessed misogynistic

of course money obsessed misogynistic rappers whose lifestyle can be packaged

rappers whose lifestyle can be packaged

rappers whose lifestyle can be packaged up and sold to rich white masses because

up and sold to rich white masses because

up and sold to rich white masses because black people don’t actually own any of

black people don’t actually own any of

black people don’t actually own any of the industries that profit from our

the industries that profit from our

the industries that profit from our collective stripes and I’d really like

collective stripes and I’d really like

collective stripes and I’d really like to see that change within the span of my

to see that change within the span of my

to see that change within the span of my life so I will continue to research and

life so I will continue to research and

life so I will continue to research and to take pride and joy in the writings of

to take pride and joy in the writings of

to take pride and joy in the writings of African and Caribbean revolutionaries I

African and Caribbean revolutionaries I

African and Caribbean revolutionaries I will continue to adorn my shrine both

will continue to adorn my shrine both

will continue to adorn my shrine both outside of my mind and inside with

outside of my mind and inside with

outside of my mind and inside with potent African iconographies and I will

potent African iconographies and I will

potent African iconographies and I will can continue to call out these kind of

can continue to call out these kind of

can continue to call out these kind of atrocities and I will not feel sorry if

atrocities and I will not feel sorry if

atrocities and I will not feel sorry if you feel uncomfortable so that is a

you feel uncomfortable so that is a

you feel uncomfortable so that is a spoken word piece called sorry you feel

spoken word piece called sorry you feel

spoken word piece called sorry you feel uncomfortable and it’s also sorry feel

uncomfortable and it’s also sorry feel

uncomfortable and it’s also sorry feel uncomfortable so the name of the

uncomfortable so the name of the

uncomfortable so the name of the collective and I want to take this

collective and I want to take this

collective and I want to take this opportunity to just say that all of the

opportunity to just say that all of the

opportunity to just say that all of the work that the collective does is the

work that the collective does is the

work that the collective does is the result of hard work that has come from

result of hard work that has come from

result of hard work that has come from an artist called Barbie Asante and

an artist called Barbie Asante and

an artist called Barbie Asante and another artist called Teresa Cisneros it

another artist called Teresa Cisneros it

another artist called Teresa Cisneros it was their brainchild and they have

was their brainchild and they have

was their brainchild and they have helped us with the work that we’ve done

helped us with the work that we’ve done

helped us with the work that we’ve done with Tate with the welcome collection

with Tate with the welcome collection

with Tate with the welcome collection with Nottingham contemporary across

with Nottingham contemporary across

with Nottingham contemporary across Europe in different ethnographic and

Europe in different ethnographic and

Europe in different ethnographic and archives and museums and the collective

archives and museums and the collective

archives and museums and the collective is really fantastic everybody in it is

is really fantastic everybody in it is

is really fantastic everybody in it is great and you should check them out

great and you should check them out

great and you should check them out individually but my practice personally

individually but my practice personally

individually but my practice personally I would say one thing that goes eeeem

I would say one thing that goes eeeem

I would say one thing that goes eeeem that runs through my art practice is

that runs through my art practice is

that runs through my art practice is satire so in a way the token jumpers are

satire so in a way the token jumpers are

satire so in a way the token jumpers are a form of satire because they are saying

a form of satire because they are saying

a form of satire because they are saying you know I feel like this system that

you know I feel like this system that

you know I feel like this system that I’m engaging with is ridiculous but I

I’m engaging with is ridiculous but I

I’m engaging with is ridiculous but I kind of have to engage with it by I can

kind of have to engage with it by I can

kind of have to engage with it by I can at least take the mick a little bit you

at least take the mick a little bit you

at least take the mick a little bit you know I can have a bit of fun with it and

know I can have a bit of fun with it and

know I can have a bit of fun with it and poke fun because satire has been used to

poke fun because satire has been used to

poke fun because satire has been used to undermine and demean people of color you

undermine and demean people of color you

undermine and demean people of color you know tropes like the

know tropes like the

know tropes like the black women the submissive Asian woman

black women the submissive Asian woman

black women the submissive Asian woman there you know there’s so many different

there you know there’s so many different

there you know there’s so many different satirical attacks that have been

satirical attacks that have been

satirical attacks that have been launched on people who are marginalized

launched on people who are marginalized

launched on people who are marginalized in different ways so I think it’s

in different ways so I think it’s

in different ways so I think it’s actually been really useful to poke fun

actually been really useful to poke fun

actually been really useful to poke fun at hegemony and undermine dominant power

at hegemony and undermine dominant power

at hegemony and undermine dominant power structures and I’d like to just share

structures and I’d like to just share

structures and I’d like to just share another piece of satire with you which

another piece of satire with you which

another piece of satire with you which is so I make books Illustrated books and

is so I make books Illustrated books and

is so I make books Illustrated books and one of them is called the alphabetical

one of them is called the alphabetical

one of them is called the alphabetical anthology of white middle-class liberal

anthology of white middle-class liberal

anthology of white middle-class liberal proverbs and I’d like to share a little

proverbs and I’d like to share a little

proverbs and I’d like to share a little bit of that with you

bit of that with you

bit of that with you a is for all lives matter although all

a is for all lives matter although all

a is for all lives matter although all lives are not treated as collateral when

lives are not treated as collateral when

lives are not treated as collateral when we’re harsh Ning our stance on

we’re harsh Ning our stance on

we’re harsh Ning our stance on immigration and actually all lives

immigration and actually all lives

immigration and actually all lives aren’t routinely targeted and abused in

aren’t routinely targeted and abused in

aren’t routinely targeted and abused in racist deportations and actually all

racist deportations and actually all

racist deportations and actually all lives

lives

lives don’t make up it’s a it’s actually got

don’t make up it’s a it’s actually got

don’t make up it’s a it’s actually got this always 30 percent of US prison

this always 30 percent of US prison

this always 30 percent of US prison populations and 13 percent of UK prison

populations and 13 percent of UK prison

populations and 13 percent of UK prison populations which is alarming

populations which is alarming

populations which is alarming considering the matter of all lives now

considering the matter of all lives now

considering the matter of all lives now lived out in mass incarceration be is

lived out in mass incarceration be is

lived out in mass incarceration be is for be the change you wish to see in

for be the change you wish to see in

for be the change you wish to see in society straighten your back be the new

society straighten your back be the new

society straighten your back be the new black and be access to affordable

black and be access to affordable

black and be access to affordable education both eyes on the prize as you

education both eyes on the prize as you

education both eyes on the prize as you be the end of public sector

be the end of public sector

be the end of public sector privatization be positive and be

privatization be positive and be

privatization be positive and be billions and billions of pounds worth of

billions and billions of pounds worth of

billions and billions of pounds worth of reparations for Caribbean nations burned

reparations for Caribbean nations burned

reparations for Caribbean nations burned with bug reloads born from British

with bug reloads born from British

with bug reloads born from British subjugation see you so can I touch your

subjugation see you so can I touch your

subjugation see you so can I touch your hair can I make you cringing Lee aware

hair can I make you cringing Lee aware

hair can I make you cringing Lee aware of how curious I find you can I

of how curious I find you can I

of how curious I find you can I carelessly censor my whiteness in this

carelessly censor my whiteness in this

carelessly censor my whiteness in this critique of your current cultural

critique of your current cultural

critique of your current cultural climate can I take that little bit of

climate can I take that little bit of

climate can I take that little bit of your religious dress can I take that

your religious dress can I take that

your religious dress can I take that little bit of your history can I take

little bit of your history can I take

little bit of your history can I take that little bit of your culture and can

that little bit of your culture and can

that little bit of your culture and can I turn it into a commodity can I collect

I turn it into a commodity can I collect

I turn it into a commodity can I collect objects of your resistance to curate

objects of your resistance to curate

objects of your resistance to curate this ornate oddities ds4 don’t worry

this ornate oddities ds4 don’t worry

this ornate oddities ds4 don’t worry darling I’m just playing devil’s

darling I’m just playing devil’s

darling I’m just playing devil’s advocate disclaimer details in the

advocate disclaimer details in the

advocate disclaimer details in the following dialogue are deliberately

following dialogue are deliberately

following dialogue are deliberately hypothetical don’t get defensive because

hypothetical don’t get defensive because

hypothetical don’t get defensive because my opinions are nuanced and purely

my opinions are nuanced and purely

my opinions are nuanced and purely theoretical e is for even Africans had

theoretical e is for even Africans had

theoretical e is for even Africans had slaves

he is also for our honestly ik waiting

he is also for our honestly ik waiting an epoch of enormous ly diverse an

an epoch of enormous ly diverse an

an epoch of enormous ly diverse an equally expansive pre-colonial power

equally expansive pre-colonial power

equally expansive pre-colonial power structures of the justification for

structures of the justification for

structures of the justification for genocide evading the issues that still

genocide evading the issues that still

genocide evading the issues that still preside era upon era of black

preside era upon era of black

preside era upon era of black communities disenfranchised of black

communities disenfranchised of black

communities disenfranchised of black economies intentionally destabilized e

economies intentionally destabilized e

economies intentionally destabilized e is for an enslavement which evolved

is for an enslavement which evolved

is for an enslavement which evolved instead of ending and he is also for an

instead of ending and he is also for an

instead of ending and he is also for an equality which we never seem to reach

equality which we never seem to reach

equality which we never seem to reach but is also for an enslavement which

but is also for an enslavement which

but is also for an enslavement which evolved instead of ending and a slave

evolved instead of ending and a slave

evolved instead of ending and a slave until on as Europe is still pretending

until on as Europe is still pretending

until on as Europe is still pretending to be an example of equality and of

to be an example of equality and of

to be an example of equality and of human rights when all that we enjoy here

human rights when all that we enjoy here

human rights when all that we enjoy here is the profit from wars kept out of

is the profit from wars kept out of

is the profit from wars kept out of sight and I will leave you on that page

sight and I will leave you on that page

sight and I will leave you on that page but it’s also a book that’s available

but it’s also a book that’s available

but it’s also a book that’s available I’m also a struggling artist from

I’m also a struggling artist from

I’m also a struggling artist from Mitchum so you can buy the book yeah and

Mitchum so you can buy the book yeah and

Mitchum so you can buy the book yeah and check out Barbie Asante and Theresa

check out Barbie Asante and Theresa

check out Barbie Asante and Theresa Cisneros who put together the collective

Cisneros who put together the collective

Cisneros who put together the collective and sorry feel uncomfortable and all the

and sorry feel uncomfortable and all the

and sorry feel uncomfortable and all the other wonderful collective start working

other wonderful collective start working

other wonderful collective start working in London thank you so much

in London thank you so much

in London thank you so much [Applause]

[Applause]

[Applause] you

you

you [Music]