and I grew up in a country at war at
the age of 4 while the vouchers
to fall my father to take care to do that
it was my coloring book my
grandfather and his brother had founded
a decoration company
he creates oriental salons in
painted woodwork
my father worked with them before
become a painter my name tarasy
comes from the Arabic word gives to in who wants
to say what embroidered my ancestors were
embroider my line and manas naturally
transmitted the secret language of the lines and
colors when we grow up in the
chaos and violence with parents
who think the war will last
a few days and that it lasts fifteen
years we do not know it’s not
normal to leave the war chaos
the confusion I left my country on
Lebanon and I came to live in France
installed in paris for several
years I was at the time tormented
canton of guer I then undertook a
healing quest
I multiplied the internships of
personal development of therapy and
until the day I did
an internship on the garment and there I
tipped in my body before I went
in the stores I bought what
fell under the hand of the favorites
without ever really being satisfied
did not know what I was looking for
exactly before I wore
clothes that did not represent
who I am I had the feeling of being
disguised as opportunities for a
professional appointment I wore my
black fitted jacket to look
credible but I felt engulfed
is embarrassed to post an authority
which was not mine for a
wedding
I was looking for the dress I had seen
wear on my favorite actress in
a movie but it would never work
quite I did not feel very much at
comfortable awkward false
I was wearing the vaporous dresses
slight feminine and then the Saharan
at the edge of the beach to appear also
sexy that the models in the
magazines but I looked like a bag
is much bigger than what
I was actually and then the click
I finally understand how
dress
how to dress true if I’m here
it’s not for you to talk about the
coquetry of the garment but for you
talk about body awareness
why it’s important to have
consciousness of his body
well because inside is
find your feelings your emotions
everything that grounds your being your
scaffolding to build your life
so when you are aware of your
body you have access to that you
can build your life from
you rather than expectations
outside so listen well I’ll
take you on a journey indoors
of your body so that you too
could you have your body true to
three components that ground them the
carnation the movements and the
architecture your body emits a
golden or silver light
you have a golden light when this
are the arteries that color your skin
giving it a reddish background you
are either carnation spring it’s
the moment when the sun increases we have
more light the winning colors in
transparency in sparkling one goes
also find this transparency in
the skin of these people a spring
look who will look outside
like spring light and missy
20 or you are of autumn carnation
this is the moment when the light goes down
colors become deeper
thicker and we’ll see that the skin of
these people there too is more
thick there is more presence in the
look at people who are ass this
time the giving of oneself in the
generosity
so they will attract to her as the
fall light that goes down to
inside you are of carnation
silvered when his
the veins that color your skin him
giving a cooler bluish background then
you are either of carnation was
so that’s when the sun is
at its zenith
the light is at its maximum and therefore
she sees the nature of a white veil this
who does not see too much
contrasts there is a lot of
subtlety in the colors that
become a lot softer powder and
we will find this lack of contrast
at the people of carnation summer
and this sweetness this light white veil
in the eye
either you have the carnation winter it’s
the moment when the light is at his
minimum so the contrast increases one does not
see more details we only see
the extremes the white the black the glaze
the intense we will find this
intensity in people of this
carnation we will not see details
but only very frank
gives a very typical look did you know
that when you wear colors that
are too far from the light of
your body that can make you intoxicated
face give you a tired look you
age but when you wear
colors that take the light of
your body that visually unifies you
but it also gives you the sensation
to be unified me when I
discovered my colors I was not
very surprised against that allowed me
to understand why there was
some colors that I only wore
very rarely and I could really
put the story that I told myself
behind who was not me at
the embryo before the skin and the
nervous system does develop into
two separate organs they form a
single and same leaflet called
hecto dermis
it’s only later in the
embryo development that this
ectotherms will split into two
organs that are on the one hand the skin that
has a protective role and secondly
the nervous system that grounds your
sensitivity
so whatever you ask on your
body aj up into your system
nervous
some material textures are going
to excite you unpleasantly while
others have soothing you and you
right up to act
on your well-being on your
breathing and your mood we have
all a way to move a texture
body that recalls one of the four
elements of nature the air the water the
earth and fire
if your body is light and airy
like the air you need to move
to open the windows to breathe you
are impatient rather fast
choose materials that do not have
of weights that will really marry your
movements and give them freedom
if your body is relaxed and flexible
like water then you are someone
of rather slow who needs time
to react
choose heavy fluids
thick creamy that will marry the
shapes of your body and help you to
slow down to get into your rhythm
if you are more like the earth
ask dance did not talk much
but you absorb a lot of
outside we want to confide in
you choose thick materials
comfortable wrap that do not
pili but that are nevertheless flexible and
if your body has been structured and
intense like fire then you go
need to maintain with
clothes that contain you that are
adjusted that will really contain you
in the intensity of your actions in the
contrasts that you are going to have in
your way of being
me when I discovered my subjects
in it was a real liberation
because I understood why there was
clothes that I had worn and
others in which I felt
disguised that I needed to remove
just after my appointment these
materials hautmont really helped to
to be in my relative legitimacy
to my hypersensitivity and to the fact that
very often I liquefy con when
I am in stress and so I take care
really of this hypersensitivity and
I display myself as I am from
departure so that I do not have any more
nothing to lose
we also have the architecture of the body
were important for the cuts of
clothes then you are line if
your spine directs the
body so what happens when
it is the spine that directs
the body you are there really for
guide people to see far
well you need clothes
straight cut that will trace the unity
of the body if you are more of a type
rhombus we see the joints at
you first of all which something
very angular very mobile so
rhombi it’s really people who
are there to create links and so
they will need low clothes
which retraces his lines of force which
extends its lines diagonally in
crossed who will highlight his
joints so the person
can really be in his mission to
connect ideas and people between
they if you are circle type then
it is the plane the flesh that is seen in
first at home and so what will
must know how to highlight will be in
showcasing your shapes people
circle that’s what’s going on
when we are really in this movement
who predominates in life we go
federate a lot of people around
of self it is to respect your nature
corporeal and energetic getting dressed
true is to respect your light your
movements and your architecture as well
your wardrobe becomes timeless
because you leave your body and
not fashion trends know
why fashion fascinates us because
that it represents the connection to the
novelty but we forgot the
connection the actual connection that is
the connection to that and that was
relegated to a superficiality plan
on the surface of magazines and
glossy the garment good garment
allowed me to reconnect to me at
my life and so to mourn all
what I was not to give up on
to wear other people’s clothes as well
release all my energy to the service
of my life
and today I do not want to
change my body
I love as it is I feel a
deep inner peace I can
to build on my family’s story
all in frank hand there feels loved mans
sipan of the wounds of my past when
you dress from your
body then you weave a new
story with him but also from you to
your identity and you yourself
to be good in his pumps and to dance
clothes unfolded this thread
invisible of the encounter with oneself
body space and others thank you
[Applause]
”
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