“Os Estados reduziram a arte, a cultura e a música, a propaganda” | Miguel Maia | TEDxESEV

[Music]

I wanted to thank the conflict was the

invitation to thank everyone who is

present and all those who do not

being present will attend this

conversation when they

first time

what would be the subject of this intervention

our voice to the voice could not avoid

to understand with a statement

policy not necessarily

ideological with non-sectarian certainty

but definitely our policy

voice is what is ours

collective and above all that uses

for all the others it’s not us

it’s not us

from prehistory to

contemporary

there were several means and days

techniques found by mankind

still adding the need to

communicate the anxiety to share with

your customers

the way to understand oneself

and the way I understand the world

engaging including naturally

music sound monkey convicted and confessed

music was an important part of the

my life

What I propose following with you is

share a half dozen considerations

which illustrate my relationship with

music but also necessarily with

the world and with the current state of things

is paramount in this need

human to share with their

similar

the way you conceive of yourself and

to the world together will not be much used

at this time to state that since the pre-

music history was assumed as a

primary vehicle

there is always a vehicle here

privileged communication and also

in May with gregarious potential

undoubtedly add video

I can not pick the list besides

of image

There’s nothing you want on the other side of my

head is serious

Let’s try to continue so it will be a

tacit and universal recognition of

communicational effectiveness of music and

their potential to aggregate individuals who

will determine throughout the

history with music with power and with

the people throughout history

ongoing national power not speak with

only voice as a rule are two actions per

one side political power

all the voices are several

[Music]

when we think that the new situation and

make music a key role

and this song will be the main

responsible for communication means

in language there is another moment

determining history in music to

culture music is a time

technological devices

appliances allow the enjoyment of

from home music to production and

everyone’s home music highlights

naturally

and this radio these innovations

technologies will be used by

totalitarian states for the duo

state champion

the liberals and to spread among

the 20 and the sectors

an idealized image of society

all voices to make with the use of

this height in as few minutes

in a few minutes and contemporary

contemporary tron in a little away

long ago and we came to the time the

post war is war is a new season

of great advances

one of the key moments eee

determinants in music right now

an exponential growth in the number of

able to buy a middle class and

thrashed by consumption and new dj

feelings

it is obvious that this middle class

history of target

increasingly more and more

aggressive and increasingly became a

market and consumption

despite being the middle class elected

the privileged target of communication

Social communication in places of

mass media the society continues

highly segregated and

a population band that is not

considered

in conventional official programming

now oscillated between the

conservative entertainment and advertising

subliminal it is obvious that these classes

segregava were not allowed to

access or may the conventional means

diffusion of culture and music

however, because there really was

possibility existed these classes

these subaltern population fringes

has for the first time in history the

possibility of making your voice heard and

massively disseminate these these

population fringes these margins of the

consumer society will win the

of the 20th century as

rock musical demonstrations that will

determine how we are going to

understand the music and we will produce

music

fundamentally to this day the structures

which is music from the margins spread was

a symbolic structure and

simultaneously protest and his victory

obviously it was a vision that was

conceived on the banks and protested

against exclusion against

marginalization that these populations

affected but simultaneously

words are the fact that a form

perversely was exactly this condition

exclusion that would allow him to live

away from production

culture and rural traditions and

the prerequisite virtuosism

to produce music was

also an exercise in freedom both

which will add the introduction of this

music from the margins is this character

liberating emancipatory movement that

keeps until today at the moment

in which music with sounds or merge

universally massively this

symbolic structure has produced it

aggression of a number of individuals

of the world who identified with these

structures with more or less reason if

they felt excluded what they intended

will live excluded from this discourse

have been produced to date.

several originated several strains that

if they complain about their intentions

unique music music

produced on his back punk rock with

sure a god web goal is for sure

a god and reaction to the threat was such

relationship was proportional to the

politician used all means and all

pinion techniques available

marginalization to exclusion

of the conventional diffusion media

the persecution and imprisonment of artists

but used one more that was provided

through the

context of the culture industry and

of market power consumption ie by

first time the dominant powers

have access to the ability to

identify any type of evidence

even the most threatening

Modification modification is when the

central power appropriately

cultural phenomenon involves back to

population in the form of a bank

consumable without any

ethical content and represented a

Aesthetic seductive form is this world

that we live today

transform scientific technique

particularly in the sciences

communication of the sciences of

information in 2000 see practically

the first is immediate fast

product

today we live in a time when we

we have been able to accompany the

can follow the releases

phonographic happening in the world such

as with photography such as

happens with some kind of journalism

music suffers exactly the same

problem is one is one

there is a new flow of information in

lets you accompany the music

however it was located in the networks

Traditional fusion and is now higher

part of people consume music via

itub via social networks come

eventually pieces of music almost

never come to an end almost never have

over the entire product

cultural product

However, today we can observe the

think with all these innovations

technology, namely one that is

very important the possibility of

audiovisual communication in real time

music would have prohibited this character

this communicative efficiency and this

ability to aggregate people into

around 1 of the feeling of belonging

common

on the contrary it is music or it is every

more present in our daily lives

we have music mobile phone we have

music in the waiting room

we have songs with extensive range

applications of ethnomusicology to

music therapy psychological warfare as

was used traditionally noriega

He took refuge in the Vatican embassy

American troops have been

permanently as the columns

giants inhabit cm between

self-consciousness not to let

sleep on so much music is

omnipresent all types music all

those who seem to be this

this intrusion of political power into

music ceased to exist at least

replacement with excessive or less this

kind of political discussion of music

ceased to exist

will it be that wherever we go

try to understand the importance that the

political power continues to happen in

music

we have several episodes going to sea

center we have a successful heavy bands

metal were at a very short time

and imprisoned for blasphemy we have

very recently a punk band in the

Indonesian prisoner who was arrested for

police and religious authorities and

were re-rerouted by a singer of

education where their Mohicans were

covered and the garments that associated with

punk movements were destroyed

we also have to think about only

happens in the countries of the world

only it seems that countries more or less

theocratic theme

if desenganem after September 11 was

posted one went to good way

Inquiry was published a list of

banned songs and music harmed

the war effort to terror in the

American population includes bands such as

the all blacks the topics such as the beeps

chances of the year

therefore this repressive action of the

state is the sail is importance that

the political authorities

still continue to attribute to the

music that learned political power

However throughout this

process is all this violent reaction

aroused a proportional reaction

that what you have learned throughout this

relationship was to act in a very

more diffuse and more and more the

political discussion of dissenting voices

is done by modifying the

cultural products

particularly African populations

enslaved in the new world was forbidden

the use of a drum in an attempt to free

go to make it difficult to create

videos and turn off the

cultural identity

now that prohibition was that it was that

is integrated by the owner

world slavers a few years later

are the instruments of the

white population by the

populations and is one of the

reasons one of the circumstances

contribute to and contribute to the

feeling rock’n’roll half a dozen

years later it would be a very

the greater the power the political power then

to signal that must end and has brought

transverse the consciousness of

I’ve been things and we think that everything

This is soon all this is a fault that

comes to us is manipulated

instrumentalised by political power

easily impels us towards the

inertia easily engage us in the

sense of cynicism and conformity

I say exactly the opposite should

encourage them to act and what we did

together with the pedro and the

daniela in viseu in 2003 was to found a

cultural association was through the

associativism and cooperativism

found a cultural association without

for profit with an action once

that we can not change the world because

increased the power of the immense proportion

with localized and focused action

in an area where we can see more

indirectly the results and a god

will be more impacting at the local

scale outer houses those people

with whom we live every day

success seems a success of the initiative

It was extraordinary and really we

we achieve with this will create a

an alternative structure to the

exist

the conventional offer in this city

unpretentiously, I think we can

was there really any

humanity

are relations created around the

music are no longer virtual are

human beings are palpable and if they do not

a better world at least make the

lived experience more rewarding and

I will see a bit of serenity to the

people involved

thank you

[Applause]