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Migliorarsi per migliorare ciò che si fa | Luca Barcellona | TEDxBrescia


[Applause]

can 18 minutes

I still think that time is

the true luxury of this historic moment

in short, a quarter can not be taken

from now on a time bank and get it back

so I always think that it should be used in the

better than the ways

I will try to do it in this too

so taker occasion we titled

this meeting of ted for brescia

take care of your time then

and through the things that are done

calligraphy was what the thing

that has changed the life I have

met is the one who taught me

to appreciate the weather and other things of

which I will now speak to you through these

images

I have met writing

when I was studying graphic design though in the

at the same time something was happening in the

milanese surroundings say in italy six

things always come a little later

so in the early 90s I discovered the

writing

and it’s a love story for letters

what I’m talking about writing is one

discipline that many recognize with the

word graffiti

what he taught me at a very old age

young has been transferring of the

very small proportions and therefore have

a project that thing that you

sit at a desk in complete

solitude however a very thing

intimate in something that then becomes

huge then transfer these

proportions train your eye

to transfer a gesture from a media

to the other and he taught me just to

take proportions with my body

how do I know if I’m writing

straight from here to where I take the measure

of my head of my arm the

greatness of a letter and I can

reproduce even without having that

vision from above that is what there

it shows things as a whole

there was one and a palermo of maximum pitis

that is a graphic friend who talked about

a fly on a carpet

here is the fly sitting still on a

particular sees only that particular

when he starts flying, see them together

he understands that it’s part of one more thing

great if this finds a beautiful one

metaphor and when you’re near a wall

so he can not understand what he is

happening there but you know there is one

together and you must always keep in mind

this thing I have always been

interested in pure writing then

these are tools a can

spray to create the texture

texture is created by black and white e

this is one of the first concepts that I have

they are very black and white

eternal dualism something does not happen

if its opposite is not an element

it does not exist without its opposite

so this one

reading is a gray color formed by

white elements black elements and the

beautiful is when I’m in harmony for

understand this concept must start

think that you do not write in black on white

but he writes in black and white and even

the white therefore the void is more

important of the element itself in

this case a black letter on a

sheet because knowing how to see in negative

and also according to me the first metaphor that

I learned about knowing how to see things from

a different point of view then not

I look more at what I’m writing but

I look at the white I leave and it’s one

concept that seems simple but simple

it means easy then to understand it there

It took some time

this tool I often had in

pocket could for example do this

type of writing but also this type

writing

so it’s not a question of la

calligraphy intended as a gentleman

curved with a candle with a nib

with the goose pen but this

representation that they often give us in

better also the film or anyway the

our historical memory but it is a gesture and

It is a gesture of 600 years ago that it can

be done with a modern instrument

this is a wide felt pen that you use

to make graffiti but this writing is

from 1500

so it’s not a question of how much

is current and of what is actualized

through his tools I could say

that for example many do not agree

with this but because there are purists

as in all environments are the

hater the purists the maniacs and those who

they take it serenely

I’m trying to take the most with

serenity and so I like to try

there are also new tools for writing

This semi crazy tool is when

there are these things on here because if

in your world really in your world vr

virtual reality

you are in a fabulous world from which among

the other is difficult to go out because

all perfect you believe your background

6 in the environment you want and you are

creating writing not me

dimensionally but all around you

travel in the middle of the letters a gesture does not

it is only in this sense but in this

in this and then you understand that the gestures

what are you doing to create a letter

they can even have a thousand years is it

a tool that changes and is what it does

live writing in this case too

nowadays another phase

important of my experience with

writing was teaching

of calligraphy is essential

at some point pass on this thing

and passing it down does not mean only

use social networks videos but

see people really traveling

meet people who have the same

interest in your thing that seems

so if total so niche but if

Look for calligraphy on a social network

you will realize that this is no longer the case

or at least it’s a cyclic thing

now we have been in a drunkenness

incredible digital and there is an interest

is found for the manual things because

they are conquests and writing is one

conquest of the human being

we can not throw it away with one

fifty years of technology

yet we are doing it slowly

I am a lottery warrior because

this does not happen I do not teach children

and I teach those a little older

I teach calligraphy, so I do not write

beautiful writing writing understood as

an image the courses I do are of

various nature but above all they are in

many places for which this is the user

I had in Chicago

America is a big interest but it is one

first generation in Italy are a lot

younger are designers are statue

tori are brighter like I was

in Japan I’m like that and the difference

it is not just in age or in the target

this year all women almost except

that there but that’s when you tell him to

an Italian a Brazilian does in a row

so no discipline

he does so when he tells him one

Japanese does the 15 hour line to put us

of your proof something else not until

when I do not do the line like that

what have you done I do not stop

and you understand that he is teaching to

same thing but they are teaching you

a different way to absorb it

completely different and this is it

an experience I always say I learned

to teach

it took me about ten years now

been just like not just for the

fact that we travel and discover each other

some places you might never be

state but because value is created

there are people who have been taught that for years

after I write I am working with

this thing

I have two daughters I keep my family

then

it’s that concept of hunger and not you

I give a fish I teach you pescara and it is

very nice to recognize oneself in one’s own

work means to be also

recognizable

I think one of the most difficult destinations

I calligraphy for a designer

applied to design to graphics is

very difficult to be recognizable and

especially when there is not only one

style is nice and maybe it works when

someone tells you that work is yours

from what he recognized it all

different but there is something that does not

I understand that I evidently put in

every job that then becomes your figure

stylistic this was a job

commercial and I was a child what

that I appreciated the calligraphy that I do not

I still knew existed was existence

of the letters on the packaging on the

packs I did not see the packaging of

candy cereal we say to those who have

drawn this writing I do not

I knew, however, gave me an emotion to see

I copied these boxes and tried to

redo them and I think once you do a

work of this kind is not a simple one

design work is something that remains

then maybe in the collective memory

I like to think that someone is handling

this bottle that I see from some

other part of the world without having me

known and somehow a

sign of my passage made of

details

surely you have no idea how much

it’s hard to get one thing approved

like that because maybe the ypsilon does not

it’s quite Swedish and it seems like a

religious sign I do not tell you however to the

end this thing you did

It survives to yourself that you are one

finished person

sometimes we are beings too

but our work is despicable

it can be

detached from what we are like

people and also true that the speech is

improve to improve what you do

ago and so I can assure you that

through jobs like this this is

an Italian wired rapper an article on al

jazeera and is made by an art director

to an art director with two can be said

balls like that because there are few that

He knows you are creating an image

so it does not tell you it must be legible

it must be understandable you do that

that you must then be an image that speaks

the calligram is an image made of

written and that’s how it should be seen not how

a readable thing escapes from the

readability just because it is

beautiful when an image speaks for itself and

after we enter his level of

legibility

these are a bit of logos made

obviously everyone has his own style

its implication is almost always there

an inspiration behind this comes from

a French record label

this from the lettering of the cinema

cinematographic posters 60 and 70 years

that are a part of ours

big tradition very different from

the American one and these tries to

find your own style your own

style is a sum of its own

experiences

I do not think I’ve ever invented anything

simply to have put together

the experience with writing a journey into

japan a trip to san francisco

see the psychedelic poster art of the

60 years 70

all this eventually becomes yours

work and the fact of small details

to take care of as well as the

typography is made of small details

to an untrained eye the characters

they all look the same, that is, who has me

said I did not know that the books had a

different character

he thought perhaps the same character

pardoned for everyone and not so one

sign put together with others creates one

suggestion creates a skyline

skyline or signs, I do not know

it depends on what we want to see us

and the details are those in which the fly

it is flying over and then perceiving

the whole but the quality of those

together it does not exist without the details

now I have done several performances since

vivo those proportions are different not

I do not have control of all that

happens sometimes I look for inspiration

just for a phrase like this here of

orwell wiev write

sometimes I find her here I have her

found it was a book that came out

from a bookstore there was written why and

wright I played there is perfect and I have it

found just before the performance

what happens when you are immersed in the

writing when you are in front of one

texture is that something happens that is

very close to meditation

what happens when you are about to forming e

you do not know you do not have the lines you do not know if

will arrive and at the end of the panel with

the right writing you do not know if you will do

of mistakes to the people behind that

he looks at you at those below and it’s beautiful

because it makes people feel alive

maybe they think you know what you’re up to

making sure you are all prepared and

instead you do not know and when it is good if

double satisfied but it’s something with

they will never know others

this is a performance made with a

pianist cesare peak he followed me

with music

I followed his music behind we had

an audience I have a certain point

completely forgotten by the public

I was completely absorbed then I have

I understood what meditation I have

started to understand what was the

my relationship also to look for mine

relationship with spirituality and here it is

this is the concept that has arisen

miles means being here and now in the

when we are

doing something completely

[Music]

focus on this

so you get lost in black and white

of writing and one is also a

exercise for a little maniacal perhaps

but it is as beautiful as a certain

point there is no longer a focal point but

all the same importance is there

typographer called adrian frutiger

Swiss typographer who summarized

this concept of white and black

with a beautiful picture looking

through the leaves of a tree

the light that comes in here is the

typography this scania also

this see the light that enters

from the elements look the opposite of

the one in which the major is focused

some people when they look at this

it’s black and white or not they are gods

shades of gray then becomes

painting and throwing all this is

Meditative fully meditative ho

had the beautiful experience with this

sir, who is a dari karateka

marchini nine times world champion e

I was able to understand that in the dojo with him

there were very great similarities between

his discipline and he and my

I was looking at one or one of them

I said these things are very similar

this project is called vale

the effectiveness of art and effective art

when a series of repeated gestures

to infinity with care with dedication

put together they create a language that

then it becomes effective as well as the

writing then what I have

understood is that calligraphy for me is

just one of the excuses with which

watching the world is called the way of

ladder

the way of writing means not

have a destination but enjoy the route

that you do and this many of you

they will find metaphorical for their own

life but also very close to disciplines

different from mine

and it’s beautiful not knowing where to get there

enjoy every step you take

I would say that the care you put on it

attention to their discipline

it’s the one that makes the difference

difference we say that in the path

same and not result must be a

pleasure first of all and people

he senses when you would like to do

something

so I sincerely hope so

take your pleasure seriously

thank you

[Applause]

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