either I think I’ll join my
colleague since I am an artist
painter and I can not begin without
quote nietzsche without citing nietzsche
because there is no genius after
he and that genius is forged after
the society of the needs of society
today I am here to talk to you
of art in the nation so the
romance I can not I can not move forward
on my idea if I’m forced to
go back a little bit about the history of art
and on the role of art in
nations to be able to move forward to arrive
until today and what
we become us today so from
romanticism to the expressionism of the
symbolism to the new objectivity
dollar and howie to degenerate art
it’s about art in the nation
it’s about aesthetic currents
major and fundamental has spoken of
visionary and revolutionary artist
it’s finally opening whole cities
on the world
open his story at once
cultural social policies in
which creators and works
were the key players
torments and hopes of nations
two major nation nations of the
World War II
I can not go through
his donations there to be able to move forward
just in my idea the urss
and totalitarian Nazi Germany who
replies to a single word of order to a
one-party leadership
propaganda was one of
first weapons to be able to do
pass the most important slogans
the propaganda program is a
communication strategy that tends to
instill at a high speed grand v
ideas to a large population
the people are cropped up and get back into
the goal 2 2 in order to make
pass a single idea in the field
cultural spiritual social policy
we have artists like Frederic
like them like gaspard like auto
dicks who witnessed the
torment of this nation we have
also our directory stops one of the most
great propaganda this is one of the most
great dictators of that time
was the mines himself who had
advocated theater and cinema for
able to push illiteracy back into
country
I come back to us today
why why chose these two
great nations
these two great nations used the
culture to be able to advance the culture
to be able to pass their more
big their biggest strategies
like that destructive
today things have changed but
what has not changed what has evolved
it’s a kind of device
extraordinary culture that has
set up
in two centuries
in front of us we singapore
Singapore which is a very big city
who wanted to or open up to the
world
how to open there to the world in
creating theaters by creating
theaters it became
today a kind of esplanade this
that they called the plan of the
rebirth in 2000 in 17 years they have
made a breakthrough in the world
extraordinary contemporary art
dubai dubai how not to talk about
dubai which is a hub
contemporary art today
dubai that is holding a must
imagine that it’s an area of
3000 825 square meters or if there has been
or there are extraordinary moles of
shopping or brands are jostling at
through through dubai for
to be the first dubai dubai
as a hub of art
contemporary yes because the
megalomania of dubai wanted
present in contemporary art for the
simple reason that big big ones
figures v ip of this art world
artistic like the moma of new york
like the pompidou center as the most
big galleries are jostling to see
and to smell the biggest
the biggest events and the
and those who would be better
in the artistic and contemporary world
my question is what have we done to us
how can we move forward facing this
species this kind of devices
extraordinary called the device
cultural it’s a machine two centuries
of preparation two centuries we have
integrated end us no but them like
model before they integrated a
kind of extraordinary machine for
create their nation’s big brands
today very very big brand
in cosmetics ready-to-wear
the automobile advances with the only
torches loved luxury
luxury is the master of order
today to be able to move from
great nations by the emblem of the
clean
and scarcity and need
we created this need as much
that being human only Algeria is
remained out of this kind of
mac of machines we were even
not to observers
we are where are we moving where we
let’s go in my opinion blindly
in which we are we will all go
Straight into the wall
how can we claim a
nation today is advancing in hill to
coast to be able to create something
which is called contemporary art
blinded by a system that does not understand
nothing to nothing I think the time is
serious
my job unless maybe we
said of me I am an artist I do not
do not know but I’m just
actor and observer I am only
sponge sponge of something that
I call the alienation
I’m sorry but the animation is
present until no longer able
look at the future you young you
young adults you teens created
this system there so that we can
move forward so that you can
advance anyway it’s not you
who would advance but that’s the new
generation that has to move forward we do not
can overshadow what happens is
true the postcolonial the colonial in order to
tie the black decade to us has
a lot is regressed in the model
of a face to models and managers
in front of us but we can we
have a very very beautiful energy
we must build a heritage
national when you think our
system
nash even happened artistic that
are in extraordinary precariousness
how do you want us to continue
to think about thinking about advancing me
I answer themes we
work responds with a thematic the
more often I try to dissect
a theme for this one was
on the wire on the wire
my to symbolic was the guillotine
I crossed the time I left
up to 8 14 to be able to understand this
what was the guillotine
the guillotine was created by guy
iota the guide would have also gloomy and
macabre that it was guillotined
thought it was the best way
to kill to give death in fact he
appears after guyotat concon
faint and then death is
immediate
except that guetta was not the first
to create this machine no she was
created in the Netherlands except that it has
been imported louis xiv did not have not
mother of pearl did not believe good actually used
this machine and yet he is dead
two is with this machine towards the
french revolution with claude
short the bourgeoisie was repealed
French for power to be able to
to introduce a new word
of order who is the people years I have
advanced in mathematics
knowing that these are two years of work
and research
I advanced to go into the
young people said amarok live ball
independent Algeria
continuing let’s continue to say keen
independent Algeria
it is not to plummet the atmosphere
but are we really
independent when I continue in
this momentum to be able to say
today we have in each on
each of us as the sword damocles
actually a guillotine in guillotine that
today is not visible since
it’s the era of the east of the virtual
she is not visible she is
actually present I transform the
virtual language in language
plastic
I am witness that we want it or
weight of one of a control system a
history
I open my story to you for
to be able to think together
how are we going to do to be able to
advance the slogan must be
advanced
we must move forward otherwise we will
all right in the wall
here
[Applause]
”
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