La guitarra flamenca: de la tradición a la vanguardia | Jose Antonio Rodriguez | TEDxLucena

[Music]

[Music]

Good Morning

good as they see with dry hands is the

guitar so much now with the guitar

impossible and also because I do not smoke I do not know

house with her and good and on the other hand

he thinks he would be a better friend

the lucena this does not become professional

giving his presentation and next to a musician

who is 80% of his life playing the

Callao guitar his friend but good house

the motto the theme reinvent for me is

a little loud even pretentious not the

of music and already inventing I see it very

very very complicated to reinvent yourself for the

milk house to grab something that

no professionals or five points that I

I see basic at least tried

believe me what does of my life that can

be any musician any

guitarist always led to music

flamenco music flamenco guitarist

the first thing that I feel that I hear

with flamenco guitar when I was

little one that would be six years old this

year and then there was only

Spanish television national radio and

some local radio station and the

music that was heard flamenco

Spanish song music and some

piece of an artist that makes

light music than what was said

Rafael who was always accompanied by

an important guitarist case of

Victor Monge Serranito Genius of the Century

past

fortunately he lives he was still the

collaborator of rafáh then

all that is feeding the child

apart from my father when they left or

came to the child with a neighbor in that

then virtually everyone

had a guitar the common house of

guitarist another world sang Seville

this kind of more folk thing

traditional in then good to that the

bad boy as a doctor said what

it brings to me not me children boys are

wicked evil does not shut me up or under

water and the only way that the mere with

a guitar that destroys the annex c

total that child is working

had the merits long before it

he said he was a prototype pianist

guitarist no case rock I’ll tell you

but that was how one is evolving to

through his father he was a private teacher

that starts to light the first

notions that I have always been

I do not know how to say it in Seville where

I live they say fatigue and fatigue head and

I always wondered why the

things not very flamenco that but I am

I’m like that then since I was little

I asked why is this sounded sounded

nice and because they told you how much

more hours will play better was he believes me

that it was like that but it was what

there was the only methodology that

there was the flamenco guitar

the more what touches the total better than

is happening

time goes by we could accustom

to get used to that and a stage arrives

young man also already in adolescence

where your professional rate quotes

where he participates in a contest where

represents your conservatory teacher

in cordoba that for classical music

It was good established for flamenco

started in the 70s and both the

teacher explained sound technique

fingering things that I did not know and

good one is lucky to compete and

win some contests young man not

then automatically the public

public flamenco habits

young guitarist back then

it was only paco de lucía manolo

sanlúcar and serranito then we come to

rafael riqueni I were the promises

from that time and good we hope to

morris to sincerely because we were the

later generation

then one begins to be done and I say

professional not in the broad sense of

the word but start doing your

first concert starts to be your

first disc starts to get used to

to tell him how well he plays and that takes

everybody the tier and I was bored

a little bit because I still do not

he knew why he was touching he knows that

that was nice and that what

composed sounded good but I did not feel

that was my time I was destroying

music of others doing like a puzzle

so that it was something different but not

I never felt like mine is the

music

what I did have luck in that

time to live

It was my first trip out of Spain

the flamenco guitar was developed

xàtiva the classical guitar

mainly that there was a lot in all

europe above all and I knew I knew I had

the luck of living with them people

that today 10 to a genius of music as

asturias or another web to bind

benitez john williams

julian bream yes something good good good

had that time that today would be

difficult to repeat that you trust only up

today consumption is eating a week and

recording the sound test of your

concert with orchestra will be those

conversations with these gentlemen that I

I did not understand neither dad nor dad of what

they are talking but I only keep a child

that the teenager was keeping all

this information

then when the time came that

had that he was already a professional the

people like what they played but

I had to be comfortable and there is no other

stage

inventing is about reinventing yourself by your

part to invent something then

try to invent something and paco de lucía

he had a well-defined personality and

manolo sanlúcar also tomás serrano

made an agreement good would not be bad and

I started trying to adapt everything good

I forgive my knowledge in that

time

both my classical music studio

classical guitar as my talks with

great teacher and my personal taste I

I want a record and they call me from the

conservatory library because

flamenco guitarist road and not

I was interested in the

scores and I read slowly for

give him to be a weirdo but all to

kind of thing to me they made it easy for me

the power to invent a character

in that sense music did not come out

sound for the flamingos sound

classic for the united classics

flamenco for jazz players touch

flamenco for flamenco played jazz

so good all static to me

it came great because I was

doing something different

the hand is doing it’s my taste

staff is the main thing for me the

music

I started as I say to invent a sound

make music

thankfully custom made for music

of dance or cinema

that fed a lot because I did not have

conditioned with a very very music

the rhythmic structure is made

tonality leaves us very little freedom

for the composition with which when

have something general with a script the

freedom

all that helped me a lot to look

sonoridad looks for another series of things that

they had made us the flamenco guitar

Well, well, he began to use the

concerts that people liked that

site is inventing and everyone

reacts favorable does not invent anything

how can it be that everybody will

like something that is being taught

head

the musicians are like that I do not like it

sincerely people liked and played for

the public but it gives me courage that everything

world like it because I do

well keep turning it around because

these also accommodate a status of

collaborations travel concert

even for my personal taste they collaborate

different music itself came to

collaborate with Alejandro soda that with

scorpion that with a whole rock band

american because I liked it

always one thing I could not say in

Cordoba and passion for rock but of course

that was not prototype rocker and what

I played it was flamenco then but I

love that music and until

I got to play and record with it

I thought it was great rock from the 80s

An atrocity

good all all these as I say is

comfortable it is very good but good

there comes a time that you what you want

is the topic that today we try to be

different interests me or I always like

to be different

good as an anecdote paco de lucía

he called me children of Cordoba not

he remembered my name was a

boy and the first said he likes it for

that said it did not play like year and

that is always removed the child is

it was not to continue posing as how

could I josé antonio choclán

overbearing that is known

fast with everything he has done is

music not only in music factories of

generated music could start a

almost comical way is to change the

finger layout but in plan

nothing profession to nothing

scholastic but randomly and the corde is

well but little is started playing with

that with the thick and if this one my

life studying behavior I do not

it sounds like they are and clean the note

to start hitting to use what

what was done before

what is called contemporary music

in my time I remembered certain works

classic that I saw as a ping

pong that eventually ends up getting side

that kind of thing great madness

I started not long ago to consider that

why it’s not flamenco and what it gave me

aa that was a lovely

córdoba to the gorgeous sissy

who recorded a record with 7 guitarist

it’s called eight guitars and a piano with

dorantes and another clark guitarist did

I am one of them and they loaded me

seguidilla that a flamenco genre

but how is it interpreted or india that is

very accelerated infumable and infumable

play that rhythm because it’s cut

traditional and I no longer feel that be it

that is good or bad but that I feel

the music another way it seems to me

It seems very vulgar to do that because I do not

I do not defend it well I do not sell it I saw

then being memory for me

musicians are from huelva huelva beyond

I did not know what to do because he said it was

nice is very well sung but what

I do with that I happened to call the

memory in the car is also thought

Great has fined carried by

that’s true and it occurred to me

use my part that I like about

bassist I love the bass

electric and percussion in the

guitar

previously a criminal playing percussion

but with chords and the truth that

curious and it was a bit the spark that

gave to try and change to

invent another character through that

series already had a sound mechanism

more or less personal sorry I was

inventing one or the other side remembering

remembering a series of mechanisms

because they own or own it with him alone

with the stirrup of the violin and towards a

uac sound in a way the

phyto guitar this kind of mechanisms

that they are creating they are inventing another

character and also the funny thing is that

there were many people who did not like

when it’s expensive I was there

delighted because most people

it seemed ordinary to sing because

I have always been very cautious was very

very balanced technical very maybe it’s

so for my way sa but what a

that people feel in a thought

so different from my great university

I love that he did not like it

guitarist who play with me the

shame to do as if this is true

which is an effect but good is not

understood and from there I am

doing this kind of music but if

I have to contribute a little more

title to today’s topic is something else

he came out recording my last record of

natural way because I recorded myself in the

moment that I should have recorded and

had the head for that maybe neither the

hand

maybe not my physical form but I do not know

why I have fancy football

aggravates and then one more point I say

that he called free guitarist

instrumentalist I talk about my instrument

that makes me know more

conscious and musicians we play with the

view whether or not it took nor consented nor

with him or with the ear or take away rhythm what

first one that looks at the hand is applying

a course something is not undermined hand

is understanding what it says today

cards or delinquent

so the point where I am now is

free myself from the instrument be I believe

that a way to reinvent yourself is no longer

I want to be the guitarist but in the

guitar is the means to get to

you with the impossible music in a

guitarist but certainly when I

he listened to what he had recorded he has

listened to as a guitarist with which

I have never done this kind of thing

I listened as a guitarist analyzing the

technique because this sector sound with

other things just music

so I think it’s a little bit more

like like anger if we do not go back to babies

with time and I may be

going back to the baby because now what

what am I talking about there is no

novelty what interests me the music of

you that only the beginning of everything is

the instrument is the language for

to arrive or the means to arrive but

after all life doing

instrumentalists in the guitarist with

tendinitis and with muscle pain in the

neck destroys only what

want them to understand a note and because

press it and how do you press it but in plan

sense sensory or emotional oo

how to call it in that

in that table I am and good and for

finish I remember a lot of I had

a big feli great friend

national writer relates to the

flamenco and felix was part of a speaker

tremendous condensed everything and he had me

illustrate many times a conference that

he said to define his vehicle what

defines flamenco more together with

a tear that can not no more

things about what flamenco means to

level of depression or that level

Overall, I think it’s a great phrase and

I believe that after a genius

a man who lives I have nothing

what speaks

so nothing many thanks a hundred

the hand movement because I was missing

guitar and good to be with

you and me and nothing

I’ll try to reinvent it

very complicated not to face them

[Applause]