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“Identidad que marca nuestro destino” | Sandro Tamayo Gustavo Alayza | TEDxCharacato


[Music]

Hello everyone

according to secondary

precisely in the history course of

peru that the task was to perform

a summary accompanied by a drawing that

illustrates what impacted the most is not

I had tired and had to do a

drawing i love to draw

I’ve always loved it but I did it

a very particular way

for example when the subject in class was

it was only about the time Peru peru

alone or bankruptcy filed this

work when the topic was about a

president who had entered the first

sanitation of arequipa puno and cusco

in front of this and when the subject stops

example on the paving of the

streets and public baths the first

public toilets represents this then

had a very peculiar way that

present things or draw

luckily I had a teacher that far from

cancel this peculiar way of showing

effective rather this kind of work

in that time

I did not know there was a career

of advertising design but I’m sure

that something inside of me I already knew

I would like to ask if in life they have

could do everything they wanted

someone can tell me that life has

could do everything he wanted

it’s not true in life it’s not always

possible to do what is born or projected

everything we want

in my case something similar happened I

when I studied architecture

I had a little problem I knew

draw month jiang yu

the architecture is for you and the

architecture is a professional career

a race that is going to locate you that is going

to give money that will give you position

I can say that the architecture I like

but not enough

that’s how I got to work in

different companies that they had to do

with design and communication it ‘s like that

I ended up working on a local channel

in arequipa and then I started to develop

several aspects apply the architecture

the design did things beyond the

that I had obviously been taught the u

but he learned them self-taught and

I learned them in that channel and that’s where

It was my boss from the producer Caesar Portillo

they have many capacities

esthetic handles color all these

things because you do not get to study

address of arc and me

attending to your criteria

I searched the internet for options to study

a specialization and I found in

Argentina the opportunity to learn

art direction at the level of

specialization and I had the opportunity to

contact with him with kato asato mi

mentor in the aspect of advertising

because he is a very open person very

Very convincing very authentic that despite

that I did not come from the advertising world

He accepted bet for me and I managed to enter

the institution

he is also you explain a person

who travels throughout Latin America and has

allowed to meet at your institution

Thanks to him, teamwork is

better than just working

individually because we are

very used to work in a way

very personalized and he taught me that

we must work as a team, so I

I found out about the brand contest

destination to arequipa and automatically

I said I will not do it just because my

philosophy had radically changed

it is so he summoned him to sandro tamayo

my great friend and excellent designer of

arequipeño to project us in

this great in dream that was the design of

the mark of our beloved land

the first step that we

we developed to be able to present a

proposal of this contest was to gather

information

we had bibliographic information

we had information about

investigations had been made

previously there were interviews that

had made outstanding characters and

recognized in the different areas of

regional development and with this

information has been transformed into

concepts

we started working on this brand

destination for that I want to tell you that

thing is a destination brand

here the concept and the way in which a

city ​​or region is perceived and wishes to be

recognized to enhance their

capabilities and competitive advantages with

the goal of positioning them

internationally from the

promotion of its attributes and value

said in other words is all that

whereby a place is valued and

appreciated by the world

then why arequipa need a

destination brand

we had to know why to be able

clearly develop the concepts

then we find four reasons

substantiated

first because a brand serves to

attract investment from outside to our

region

secondly because it serves to

boost tourism that we already have but

that has much more to develop

The next point is that Arequipa had

to be much more known at the level

world had to position itself in the

mind of people from abroad and for

last because the brand also serves

to generate citizenship and identity

then with these concepts

we started to work we developed

a lot of ideas

we start and can see how

we begin to generate proposed changes

until all this is information

was embodied in those twelve concepts

that we are going to explain the first

which is the volcano that represents the valley

of volcanoes and all places

tourism with which the region has

the second son what I followed the glass

caporal that represents our

traditional gastronomy

picantería the house that represents the

colonial architecture and the sillar

characteristic

the condor that represents the

animal biodiversity and it is also associated

with the colca valley the platforms

represents the enormous biodiversity vigor

natural plant with which the

region

the ship represents commerce and

export

the church is going to represent me

living culture with which the region enjoys

until now and also the syncretism that

is the fusion of cultures that we have in

our in our region the grape that goes

to represent the production

agribusiness in sol the potential of

solar energy that the region has as

the region with the greatest number of hours of

sun of all the peru

[Music]

the wind that represents the potential

wind we have the potential rivers

hydroelectric and the sea that represents

Maritime wealth and the coast more

great of all the peru

this design needed a little bit we can

say a kind of container one

kind of style that will help me

communicate identity better and at the same time

the elements that our region has

it is so we choose the textile style or

graphic that part of the architecture

arequipeña colonial architecture that

we see for example on the covers of

mansions and churches of not only the city

but of the region because always

we think not only in Arequipa as a city

but throughout the region

it is so we can appreciate of

xylography in the common colca church

of her

in the central part and in the church the

company that has even inspired

designs to as far away as

Buenos Aires as you can see is a

cover in the center of buenos aires that

is inspired by the house ricketts

it is so that applying the design I counted

nor modes within one to the initial of

the word arequipa and we arrange the

different iconographic elements of

easy to read that this very own style

can express from another side we think about

the color all of us will not let me

lie

we have a confrontation with color

practically every day when when

we say what clothes to wear that color is

basis of our identity and also the

identity of a brand a brand like

mark destination to arequipa then

we create a red color arequipeño

result of the fusion of four tones

the rocoto tone that represents the

strength and the strength of the spirit of

character also not the tone or the

color of chili that represents

recognized gastronomy inclusive

internationally the color of chicha

nail po representing the inheritance

prehispanic of our culture that still

our lives these days

finally the color of the flag

Hispánica de Arequipa that merged with

all that indigenous culture that we have

to generate what we know today as

arequipa that was coded under a

international system that may have a

Perfect use not only within Peru

but around the world for when

need and we qualify in colors

pigment for prints and in code

light colors for screens and

computers

so we already apply the color to everything

that we have developed in the textile or

spelling and then sandro them

will comment the next pass well and only

the isologist must have to contain the

Arequipa word

then we develop a

typography specifically for that to

this show is the typography I had to

represent the strong character but to the

Arequipa’s kind time and it’s because of

that we work a thick typography

but with all the rounded corners

except that of the cv that is an element

that subliminally also shows

the destination or location icon

you can see

[Music]

now let’s talk about him he accepted the

arequipeño accent who has not come across

with a person who is not of our

region and told us you talk like

singing is not the way we

speak as if singing I do not know why they speak

So you Arequipeños

well that is a brand that also

we have not taken advantage of in our

design is more inclusive in what we have

researched in the world there is no

brand that use the accent the form of

talk about one of a territory for

generate a brand is so it accepted

represents our typical way of

lengthen the vowels and at the same time

represents the volcanic fire that crowns

the one of our wolf sun too

represents the campfire arequipeña that heat

that heat not only from the kitchen but

also from the warmth of our

gastronomy and at the same time represents the

intellect the intellect of our

great personalities like mario vargas

llosa pedro poblete josé luis bustamante

and rivero that are personalities in

various fields of science and

Arts

already left star you have to wash it chambas

to the jars first tennis to load

the water you have to fill the pan

cooking the wink for the chicha or a

fulfilled and satisfied third axis there is no

firewood wahnón and bonnet strap also look

a reason for alfalfa more than

well all these elements that have

seen are those that make up the brand

destination to arequipa but like a

person just like we can value to

a person we are not going to have to do

when we see the performance of this

person when we see him act when he

we see perform various actions

so let’s see the isologo acting

we can see it on as a sign

facades of institutions

government as well as companies

commercial cultural organizations

we can see it in airports airports

international doing promotion to

our region

we can see it in every product that is

export from arequipa csja world

we will be able to see it in the area of

tourism

when we receive all the tourists

we will be able to see how it is applied in

services

let’s see it in merchandising we’re going to

see it in souvenirs

let’s see it in branding we’ll see

in international events and we hope

see it also in this various parts

of the world

internal projection of the brand that

represents for us the brand of

equipment

not only is the projection towards

out of what we have to be able to

sell more or promote our

resources but we also consider more

important that it be a congreganating entity

an entity that unifies all types of

identities that we have because the

identity is born first of the person be

of what we are

but then it is generated from groups

like for example people with great

religious fervor that we have in our

region the fanatical people of sports

with the football case the people

proud of her production of what

makes what the field produces

who makes with his hands all this what

it must be understood as a pride

transversal or to all the estates

of our society from the citizen to

stand up to the public official

including the intellectuals who at the same time

must be translated in the generations

future

without any prejudice or

segmentation must be universal and

general for all so that this

youth can project with pride with

belonging to love everything

we are and what we have from

of us out and at home failed

see what they are

what is the sustenance and what is and from what

way is that it develops in any case

this brand has been developed

Arequipa and what’s left next

is that each of us to own

this mark destiny to arequipa and that of

that way we can achieve the desired

development that we all want to

our region as a final point

I want to tell you that 95 more than 95%

of the works developed by the

advertising designers that is

focused on the commercial market

very rarely do you have the opportunity

to be able to develop something that can

be useful to a society and in itself to the

people we want to leave them like this

final phrase design commercially it

professionally located design for

people that satisfy themselves humanly

thank you very much for your attention, thank you

to

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