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From M+ to Palace Museum: Future of Hong Kong’s Cultural Development | Oscar Ho | TEDxYouth@DBSHK


[Applause]

[Applause] hi thank you for inviting me to these

hi thank you for inviting me to these

hi thank you for inviting me to these taxes talk I’m not sure but my aunt

taxes talk I’m not sure but my aunt

taxes talk I’m not sure but my aunt might not talk like that they like

might not talk like that they like

might not talk like that they like speaker but to be honest I don’t care I

speaker but to be honest I don’t care I

speaker but to be honest I don’t care I just follow one more basic principle

just follow one more basic principle

just follow one more basic principle about giving public talk he just speak

about giving public talk he just speak

about giving public talk he just speak with my heart

with my heart

with my heart nothing does he says so I came back to

nothing does he says so I came back to

nothing does he says so I came back to Hong Kong after studying for 10 years in

Hong Kong after studying for 10 years in

Hong Kong after studying for 10 years in North America and when I first came back

North America and when I first came back

North America and when I first came back when cultural phenomenon really

when cultural phenomenon really

when cultural phenomenon really disturbed me and that is all the people

disturbed me and that is all the people

disturbed me and that is all the people I talk to would describe Hong Kong as a

I talk to would describe Hong Kong as a

I talk to would describe Hong Kong as a cultural desert for anyone just feel a

cultural desert for anyone just feel a

cultural desert for anyone just feel a little bit knowledge of apology you know

little bit knowledge of apology you know

little bit knowledge of apology you know when there is people there is culture

when there is people there is culture

when there is people there is culture you don’t even need to know if apology

you don’t even need to know if apology

you don’t even need to know if apology just take the bus

just take the bus

just take the bus long live and ROI at night or walk

long live and ROI at night or walk

long live and ROI at night or walk around Hong Kong you know you were

around Hong Kong you know you were

around Hong Kong you know you were amazed how colorful how rich how

amazed how colorful how rich how

amazed how colorful how rich how distinctive Hong Kong culture is the

distinctive Hong Kong culture is the

distinctive Hong Kong culture is the other thing that really annoyed me was

other thing that really annoyed me was

other thing that really annoyed me was that I realized that most of the young

that I realized that most of the young

that I realized that most of the young artists in Hong Kong were making up for

artists in Hong Kong were making up for

artists in Hong Kong were making up for the New York greeting instead of using a

the New York greeting instead of using a

the New York greeting instead of using a language understood by the local all of

language understood by the local all of

language understood by the local all of these phenomenas refrigerator already

these phenomenas refrigerator already

these phenomenas refrigerator already complex or certain aisle it’s not and

complex or certain aisle it’s not and

complex or certain aisle it’s not and it’s understandable because ELISA

it’s understandable because ELISA

it’s understandable because ELISA covered call earlier tactic to undermine

covered call earlier tactic to undermine

covered call earlier tactic to undermine the cultural identity of the locals and

the cultural identity of the locals and

the cultural identity of the locals and he said they were highlight the culture

he said they were highlight the culture

he said they were highlight the culture of the colonizer having too strong a

of the colonizer having too strong a

of the colonizer having too strong a sense of local culture identity is

sense of local culture identity is

sense of local culture identity is politically dangerous in Hong Kong case

politically dangerous in Hong Kong case

politically dangerous in Hong Kong case of course it was about adoring and

of course it was about adoring and

of course it was about adoring and admiring but his culture and his

admiring but his culture and his

admiring but his culture and his extension Delhi’s Western culture know

extension Delhi’s Western culture know

extension Delhi’s Western culture know at this point I have to highlight one

at this point I have to highlight one

at this point I have to highlight one thing because when we talk about local

thing because when we talk about local

thing because when we talk about local culture we could easily fall into this

culture we could easily fall into this

culture we could easily fall into this Sim simplify the fall out the suppressor

Sim simplify the fall out the suppressor

Sim simplify the fall out the suppressor and suppress the good and the bad they

and suppress the good and the bad they

and suppress the good and the bad they ask you a lot of wonderful stuff we

ask you a lot of wonderful stuff we

ask you a lot of wonderful stuff we should learn for the west from the

should learn for the west from the

should learn for the west from the beaches

beaches

beaches I mean don’t over simplify it but at the

I mean don’t over simplify it but at the

I mean don’t over simplify it but at the same time they are also good faith about

same time they are also good faith about

same time they are also good faith about ourselves that we should not ain’t know

ourselves that we should not ain’t know

ourselves that we should not ain’t know after I pick up my job and exhibition

after I pick up my job and exhibition

after I pick up my job and exhibition director of the Hong Kong Rock Center

director of the Hong Kong Rock Center

director of the Hong Kong Rock Center indeed I brought in a lot of Western and

indeed I brought in a lot of Western and

indeed I brought in a lot of Western and Asian exhibition to Hong Kong because I

Asian exhibition to Hong Kong because I

Asian exhibition to Hong Kong because I feel because I felt they were very

feel because I felt they were very

feel because I felt they were very important and did some what they were

important and did some what they were

important and did some what they were really excellent but at the same time I

really excellent but at the same time I

really excellent but at the same time I start to focus on Hong Kong Hong Kong

start to focus on Hong Kong Hong Kong

start to focus on Hong Kong Hong Kong culture that deal our research in this

culture that deal our research in this

culture that deal our research in this area up to that point there were hot any

area up to that point there were hot any

area up to that point there were hot any research

research

research about Hong Kong Hong Kong cultures as I

about Hong Kong Hong Kong cultures as I

about Hong Kong Hong Kong cultures as I did the research I was amazed by how

did the research I was amazed by how

did the research I was amazed by how colorful how strong Hong Kong culture is

colorful how strong Hong Kong culture is

colorful how strong Hong Kong culture is just given some example the first

just given some example the first

just given some example the first political cartoonist in the history of

political cartoonist in the history of

political cartoonist in the history of modern China he said I call him see he’s

modern China he said I call him see he’s

modern China he said I call him see he’s from Hong Kong snake chain dynasty the

from Hong Kong snake chain dynasty the

from Hong Kong snake chain dynasty the first artist who went in China in

first artist who went in China in

first artist who went in China in Chinese history who went overseas to

Chinese history who went overseas to

Chinese history who went overseas to study Western painting it says was this

study Western painting it says was this

study Western painting it says was this guy lady full he actually live in Hong

guy lady full he actually live in Hong

guy lady full he actually live in Hong Kong for the 30 and 40s and home in fact

Kong for the 30 and 40s and home in fact

Kong for the 30 and 40s and home in fact when should be home with a Hong Kong

when should be home with a Hong Kong

when should be home with a Hong Kong it was so amazed to find that there was

it was so amazed to find that there was

it was so amazed to find that there was this poor artists living in oh how could

this poor artists living in oh how could

this poor artists living in oh how could be such a fantastic painter then you

be such a fantastic painter then you

be such a fantastic painter then you know he finally some unbelievable Hong

know he finally some unbelievable Hong

know he finally some unbelievable Hong Kong will have an artist like that in

Kong will have an artist like that in

Kong will have an artist like that in the history of modern Chinese design the

the history of modern Chinese design the

the history of modern Chinese design the only two person have studied at the

only two person have studied at the

only two person have studied at the famous German school the Bauhaus one of

famous German school the Bauhaus one of

famous German school the Bauhaus one of them is this guy called tell hall I bet

them is this guy called tell hall I bet

them is this guy called tell hall I bet most of you they know are these

most of you they know are these

most of you they know are these important figures the important Rogers

important figures the important Rogers

important figures the important Rogers for Hong Kong in a whole history a

for Hong Kong in a whole history a

for Hong Kong in a whole history a modern China they bring were significant

modern China they bring were significant

modern China they bring were significant role if we expand our definition of our

role if we expand our definition of our

role if we expand our definition of our own culture and includes popular culture

own culture and includes popular culture

own culture and includes popular culture the sky’s the limit

the sky’s the limit

the sky’s the limit it’s truly amazing to come pop more

it’s truly amazing to come pop more

it’s truly amazing to come pop more important even Uncle Phil where Bruce

important even Uncle Phil where Bruce

important even Uncle Phil where Bruce Lee we have walked away

Lee we have walked away

Lee we have walked away we have Stephen Chow we have jungle no

we have Stephen Chow we have jungle no

we have Stephen Chow we have jungle no they they found a whole world of the

they they found a whole world of the

they they found a whole world of the creation how can we say we have no

creation how can we say we have no

creation how can we say we have no culture how can we call Hong Kong a

culture how can we call Hong Kong a

culture how can we call Hong Kong a cultural desert when I was invited in

cultural desert when I was invited in

cultural desert when I was invited in 2006 to help to plan the museum for West

2006 to help to plan the museum for West

2006 to help to plan the museum for West Kowloon cultural district we worked

Kowloon cultural district we worked

Kowloon cultural district we worked really hard and conceived the idea of

really hard and conceived the idea of

really hard and conceived the idea of Empress Musa butyl on the one hand was

Empress Musa butyl on the one hand was

Empress Musa butyl on the one hand was so distinctive up our Empress when

so distinctive up our Empress when

so distinctive up our Empress when Empress was planted it was this it was

Empress was planted it was this it was

Empress was planted it was this it was the space devoted to Hong Kong culture

the space devoted to Hong Kong culture

the space devoted to Hong Kong culture and we highlight the pond we highlight

and we highlight the pond we highlight

and we highlight the pond we highlight the statement that it should be a Museum

the statement that it should be a Museum

the statement that it should be a Museum of Hong Kong focus with emphasis on

of Hong Kong focus with emphasis on

of Hong Kong focus with emphasis on popular cult culture and visual culture

popular cult culture and visual culture

popular cult culture and visual culture Hong Kong and fortunately my dream or

Hong Kong and fortunately my dream or

Hong Kong and fortunately my dream or our dream disappear really soon was the

our dream disappear really soon was the

our dream disappear really soon was the support of West Kowloon employs a whole

support of West Kowloon employs a whole

support of West Kowloon employs a whole team top Western experts and when I came

team top Western experts and when I came

team top Western experts and when I came in this town opening a lobster

in this town opening a lobster

in this town opening a lobster yes they did they do look in Haitian

yes they did they do look in Haitian

yes they did they do look in Haitian love but it’s not endorsed by the West

love but it’s not endorsed by the West

love but it’s not endorsed by the West so they haven’t made me the major

so they haven’t made me the major

so they haven’t made me the major collection with a collection of Chinese

collection with a collection of Chinese

collection with a collection of Chinese contemporary are those artists who were

contemporary are those artists who were

contemporary are those artists who were known in the West once again and this is

known in the West once again and this is

known in the West once again and this is what they really said is this kind of

what they really said is this kind of

what they really said is this kind of colonial mindset still retained and we

colonial mindset still retained and we

colonial mindset still retained and we still look for excellency from somewhere

still look for excellency from somewhere

still look for excellency from somewhere else is telling yourself of course I

else is telling yourself of course I

else is telling yourself of course I understand for museum like m+ of such a

understand for museum like m+ of such a

understand for museum like m+ of such a big scale we need expert but only

big scale we need expert but only

big scale we need expert but only someone expected they would set up some

someone expected they would set up some

someone expected they would set up some research team some sort of assess

research team some sort of assess

research team some sort of assess mechanism to get to know about how

mechanism to get to know about how

mechanism to get to know about how better unfortunately it didn’t happen

better unfortunately it didn’t happen

better unfortunately it didn’t happen very circle I have a palace with zoom

very circle I have a palace with zoom

very circle I have a palace with zoom from Beijing so what’s gonna happen is

from Beijing so what’s gonna happen is

from Beijing so what’s gonna happen is that we’re gonna have a micelle of

that we’re gonna have a micelle of

that we’re gonna have a micelle of Chinese Asian up but the other some have

Chinese Asian up but the other some have

Chinese Asian up but the other some have Museum of Chinese contemporary art where

Museum of Chinese contemporary art where

Museum of Chinese contemporary art where is Hong Kong

and everyday never the disappearing of

and everyday never the disappearing of local culture is even more alarming

local culture is even more alarming

local culture is even more alarming partly because of urban development but

partly because of urban development but

partly because of urban development but because of how indifference the fish

because of how indifference the fish

because of how indifference the fish border sell mine are quickly

border sell mine are quickly

border sell mine are quickly disappearing

disappearing

disappearing soon soon we can only see the change

soon soon we can only see the change

soon soon we can only see the change fast restore all food truck as his very

fast restore all food truck as his very

fast restore all food truck as his very best in financial school I remembered

best in financial school I remembered

best in financial school I remembered years ago as a primary section I can’t

years ago as a primary section I can’t

years ago as a primary section I can’t buy some fish boy survive and have a

buy some fish boy survive and have a

buy some fish boy survive and have a nice chili sauce and if we put on top of

nice chili sauce and if we put on top of

nice chili sauce and if we put on top of it I always enjoy those so my firstborn

it I always enjoy those so my firstborn

it I always enjoy those so my firstborn well my wife is gossiping with the I are

well my wife is gossiping with the I are

well my wife is gossiping with the I are the parents

the parents

the parents somehow the shop disappear as replaced

somehow the shop disappear as replaced

somehow the shop disappear as replaced by a typical fast-food place we need to

by a typical fast-food place we need to

by a typical fast-food place we need to reclaim respect and revitalize our

reclaim respect and revitalize our

reclaim respect and revitalize our disappearing culture and you don’t need

disappearing culture and you don’t need

disappearing culture and you don’t need to be an expert or scholar to do that

what you need to do is you start to look

what you need to do is you start to look seriously learn to appreciate the

seriously learn to appreciate the

seriously learn to appreciate the uniqueness of Hong Kong culture then you

uniqueness of Hong Kong culture then you

uniqueness of Hong Kong culture then you find at home at school industry try to

find at home at school industry try to

find at home at school industry try to think outside of the conventional and

think outside of the conventional and

think outside of the conventional and very limiting definition of culture and

very limiting definition of culture and

very limiting definition of culture and you’ll be surprised how it’s a culture

you’ll be surprised how it’s a culture

you’ll be surprised how it’s a culture we have it’s time to bring back that

we have it’s time to bring back that

we have it’s time to bring back that sensibility to be proud of what we have

sensibility to be proud of what we have

sensibility to be proud of what we have and to hoard something valuable that

and to hoard something valuable that

and to hoard something valuable that will disappear

will disappear

will disappear we’re Asuna me do not take action right

we’re Asuna me do not take action right

we’re Asuna me do not take action right away

Hong Kong is not a cultural desert he

Hong Kong is not a cultural desert he can stand only so proudly and it is up

can stand only so proudly and it is up

can stand only so proudly and it is up to you to prove it

to you to prove it

to you to prove it thank you

thank you

thank you [Applause]

”

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