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Fare per imparare, sbagliare per crescere | Andrea Signoretto | TEDxTrento


I’ve always had a very physical relationship

with things with all the objects that I have

I surround her since I was a child

the magic of colors and forms

feelings that gave me to the touch

on the other hand growing up with a father

artist and relationship with matter is

always been emphasized and valued

quickly develop a passion for

objects almost an obsession not for

any object but only for those

beautiful there was not a very specific reason

it’s a belly thing that came from

inside my relationship with objects

it was extremely intimate in a few seconds

I took them apart to see how they were

made inside but not always successful

to reassemble them once they have been dismantled

dissected analyzed I put the part

for me they were archived by now I knew

everything will have no secrets with time

this allowed me to create a certain of

database a personal knowledge

of the objects is quite extensive and

also to develop some skills

manuals related to the use of athens of

various tools and materials

another thing that always has me

fascinated is seeing people

work with your own hands

the craftsmen in particular the craftsman

he perfects his gesture

thanks to the repetition of the action

the choice of the right tool the hand

stopping the style on the other hand are skills

who train a bit like math

or drawing or languages but their own

because it’s a workout it is

fundamental to start as soon as possible

train their own hands

to feel the trust in their own hands

it’s something that we do as children

quite daily and in a manner

natural but growing up can often

pass into the background

and this can represent some

difficulty the little self-confidence

in transforming their ideas into

reality

especially newborn ideas are

fragile ephems need a lot

care in the firm hand to be

turned into reality is right there

that it is necessary to develop one’s own

knowledge of oneself and one’s own

confidence to proceed to transform the

ideas in physical objects

often the first materialization of a

object the first physical realization is

a prototype and not always prototypes

present in this order in order

logical cleanly ordered

it’s simply about trying

some assumptions to check them for later

proceed to the next

most of the time yes

they present more like a smattering of

things scotch wire and so much

patience but just in moments like

these that you can feel free

to think with your own hands

this you see little yellow in

lower right was the first

model my cart project

bicycle suitcase dates back to seven

years ago what you see behind is

the first prototype was two years more

young

I say prototype because the feature

of the prototype and to be at least

partially working I say at least

partially because actually

that develops quickly enough

but let’s say for a few meters

I do remember when shooting in this

pretty satisfied photo I was in the middle

of sweden with my friends

fellow travelers and finally a

working prototype

they had gone from a few feet to more than

one thousand kilometers actually remember

also good as when returning after a few

week

I realized how far I was

from my goal away from the object

that I wanted to accomplish and it was there that in

Following the umpteenth discussion because

my travel and project partners

and for himself a little confidence in mine

idea was a small failure in reality

but it is precisely in moments like that

it is even more necessary to continue to

really put your hands on it to feel

more and more free to make mistakes

quickly learn from your mistakes and

grow from these sooner or later over time

and with the passion results are obtained

they are always often different than how they are there

we were expected at the beginning by how

we were imagined

but this is part of the magic of

creative process

the real difficulty sometimes to

understand when a project has arrived at

goal when a project is finished

after a few years of experience like

sincerely designer my experience

that projects never end but

they abandon themselves a certain point is

necessary to do this to leave them

free to go to the world otherwise the

risk is to keep them only for themselves

continue to reiterate in trying to

perfecting an object and in the end not

present it but in the world

my challenge is to grow

passing to the next object passing

to the next ivan scinardo project

founders of patagonia is the entrepreneur

it is that has stimulated me most in founding

my start up and undertake this

work as an entrepreneur his approach

radical but sustainable to the product is

the project struck me and me

They have made it clear since the product and

the project themselves can benefit from the

entrepreneurial approach and vice versa

now I realize that talk about start

up and design can be passions

not shared by everyone here but it is right

there I challenge you to look for yours

passions to analyze them to look for them

your ideas treat them carefully

turn them into projects then into

prototypes and then in objects transforms

your ideas actually putting them there

hands really like these people do

daily getting your hands dirty

innovate in the world of cooking or how

someone climbs mountains and doing

companies at the limit of their capabilities

physical and mental or as they do

very brave of us looking for

to create a new future for their own

family

what really matters

and find your passions dedicate to us

at the right time and taking them there is not

better time than here and now for

make it your passions can be

the best excuse ever to create

of new projects by passions of

common people are born ideas that

they changed our world therefore

how they remind us of charles and ray eames

take your passions seriously

thank you

[Applause]

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