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Faire coeur | Jeanne Dambreville | TEDxAix


[Music]

choir leader I conduct choirs at

think it’s a job it’s finally not

no no I mean it’s it

amazing you live your passion me

I would have loved to sing in a choir

ah no no no no I’m crazy I’m singing

this is what I hear every day he

is true that just singing seems

to be a challenge maybe too

great that find the right words a

just but fair attitude compared to

cal reference today our

goal will be to grant us one

to others and for this I do you

proposes that in a few moments we

we were all standing together at

my gesture

so we will prepare for that

put a little light if you

please halfaya I see you and

bags coats business

maybe under the seats to be

more comfortably installed then

and wait wait, we’ll do it

together

prepare your feet well in front of the

seat

thank you very much the voice is carried by

expiration

a gesture that solicits the muscles of

all the trunk that must be at the

times stable and mobile in the manner of

anti-seismic constructions for example

too much no this state together let’s go on

tiptoes

still a little higher

help you with the look for the

balance and we will only go down

heels very slowly

the top of the skull remains at the same

height yes it’s possible we believe in it and

you stretch your back as much as possible and

keeping this basic tone can be

still found a look more

relaxed more natural and we install

immediately a double attention

on the other hand on the one hand to our

proprioception consciousness of our

feelings inside our back in

the occurrence on the other hand perception of

the outside are falling on the mac evening

with the weight of the arms there I can not the

do that on one side you can

do it from 2 voted for dessert the

gold teeth create a space between the

palate that stays very or with your back

stretched and tongue coming down

who drops into the jaw

looks very smart this is our

quest for resonance to our singers

it’s essential we can not go to

side so breathe in this space by

the mouth and what temperature you

feel when you inspire a few more

cooler how hot and air of

outside a little cooler yes

necessarily since the outside and more

fresh that inside our body

inspiring together the expense by the

mouth and try to feel that air

to make it as if we were going to

yawn if you want to

yawn besides go on it’s very

good for the way to the bottom we

enlarge the space and we will inspire all

together with this gesture with me fresh to

bottom of the mouth in the throat whose

will come out big has

and we will do it again this time with

a silent inspiration because this

are these the friction noise that makes

the air passing a string trio

vocal which means you have

tightened things unnecessarily in

your throat so open throat

silent inspiration not really

silent he still promises you a

times and to this consciousness of our

vocal instrument of water box of

resonance and listened to our

sound production we will add a

third vector the expressiveness the

communication of an emotion you

immediately offers a great

relief

no but really sincere with the eyes

as if we were on vacation all

together today

let’s go and that’s a lot

better and we negotiate between

parameters of the vocal technique and

expressiveness so let’s inspire if not

you’re cold to the bottom and then look

really relaxed relieved

Oh oh oh oh

we will not give in to the temptation to

express oneself by advancing the head what

we strive is the cost is serious there

would crush the diaphragm

we will instead keep our backs

find the lanaudois stretched out of everything

by the hour here but we can

to move while moving in all the rest

of the body the legs the arms

the bus orientation of the look no but

really not for me for all those who

are behind the wall breathe the franc

without water we will add a fourth

vector our synchronization our

listen to the group

when you open your fingers in re opens

our space to let in the air

between the palate the top tongue and one

try to really inspire all together

to have a great silence

Oh oh oh oh

oh and to give us even better

can in me I bet our color of

vowels so one with accents

circumflexes really very classy

oh that commits commissures

lips to you do not hear the

difference we are together this time

this one again and this time we

goes further

homogenize the volumes

check you hear your neighbors all

close neighbors and even a little bit more

far but you do not erase

because your neighbors will hear you

Hope together or very classy

[Music]

watch this again and at the

super high

[Laughs]

we breathe to the end with the

exhibitions

to you at

o o

oh oh oh oh

oh so here we completely lost

our third factor which is the

expressivity

I propose that we go this

time to great pride

how will you play a character

extremely proud already doing the picture

other without sound a statue 3 3

imagine now you are on a

scene and there are ten thousand people in

front of you we need to see you

last row do not hesitate to use

the rest of the body arms for example 1

2 as proud as possible 3 did a little

better already but we still do not forget

our back stretched so as not to tend

the other our shot so how can we

keep that pride without going to

the front 1 2 and 3 gorgeous to

sets with this attitude is

superb

[Applause]

very smart respiro

here I hope against all these

different parameters your brain

start smoking a little bit and that’s what

I like to call the choral sense this

how to balance our attention

between all these multiple goals and

different nature that are aimed at us

allow the end of all together

do heart then I propose that this

choral sense we will apply it to a

song extract a very well known tune of

bobby mcferrin who’s called and we

let’s go even further

let’s start with the bass line

and add the anchor parameter

rhythmic so

photo dom admit part right I’m

in mirror falls very soft but soft

again and like everything sweet all

sweet all sweet soft all sweet but

we start again at once very sweet

to sleep my cuddly

we are I remake myself alone I

do them all alone as sweet all

sweet all sweet sweet all sweet all

sweet soft mud water attention

I sing the following very sweet all sweet

all given it’s gone tommy all

sweet all sweet sweet all sweet all

sweet all sweet soft all sweet or

you in twilight be happy until the

end or or

the snap in thou country

ap all sweet soft all soft upright

all soft soft soft soft

all sweet

it’s a very sad song like

you know that need to be

concentrated a blanket or you in you

yes and the theme we all revolves around

or cuddly blanket that you never have

heard is not it and everything sweet

sweet gentle sweet repeats this

sentence of kodu doudou from us and we

finish all sweet comforter dorm ebe on

theme poutou Tourtoulou cuddly blanket

everything we tell us about us

we in twelve all we hold

until the end again still

still had everything up to the boulou and the one

there we cut it what was the line

from low to lose to m

I leave you alone so we were

on our fourth time singing

together the theme stay well together

because after I make you a

surprise or solidarity with all down jacket

or bass line all sweet all

all soft backpack 12-12

very soft blanket

very soft from where the theme dom tom

dodo dominates everything soft sweet all

sweet all sweet soft all sweet sweet

the low league all very sweet soft

sweet everything we us from us all

sweet soft all sweet soft and for

finish the theme all very sweet soft

very sweet autonomy all sweet all

sweet sweet world

all will have sweet sweet thank you bravo

[Applause]

”

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