[Music]
[Applause]
I do not deserve the name of I do not deserve anything
for the newcomer he regretted the expense of
applause they have had to lose throw
to the nothing itself
maybe he deserves it let’s see if it ‘s
possible because I really do not come with
great news
I come with the findings that have been
possible from encounters with
the misfortunes that I had with the
students who wanted to study something
learn already the final chorizo that is a
phrase that never to the end
cry when I tell you this relationship
that exists between failures and
hits
I am referring to what it is that
they believed that you had to learn when you
I learned photography, he dedicated me to
teaching in photographs and a lot of
years and I had the opportunity and the
great luck that great photographers of
chance have run into me and that
others as not great photographers who do not
so much because there are people who died
before I was born that being the thing
is that among all these people
I discovered that the initial idea
about what it was to learn photography
could be questioned in that
questioning a clue appears
fundamental that it’s worth reviewing
I have some pictures to show you
these photos are intended to encourage
defend the truth that many people who
he walks around saying he was learning and I
saying that he teaches
preciously cute curious what people
divine
now you are not in that while
who are viewing the photos with a
little bit not much because it promises me
I’m going to stay here in
you are not in that while you see
a photo run through their looks
scrutinize the images because you
they know that a photograph
if you see her trying to elucidate
decode its meaning
we see these pictures we do not stop in
the one who wants to take out the truth is that
made him finish when we came across
an image and we see it attack let see
for example look places to see what I
He is watching
after looking a while the photo looked
with a good face and if the time
it happened since you saw the
photo until they looked at me with a face
either good that is called time
said reading both in definition
Cursive letter
we could say that reading time
is the time that passes since
you come across an image until
they stop being so we could also
understand the time of reading as the
time that decoding demands
primary
the woman of whom is another great attraction
to the woman from whom decoding
primary the primary decoding is
extract the meaning stain what is
about
know what that is because we go after
it’s been so much second that we’re here
there is nothing to see or perhaps are
seeing what he’s doing,
I saw that he was looking at me when we see
these photos we believe free as he says
Some of my relatives are free
because we live in the West in the
Cuban West is not true
you not so that thanks to that
freedom that you say you can
exercise and carry 180,000 million
channels your eyes travel comfortably
this and you can see one thing see other
looks is deposited on the face of a
‘ace’ landscape but landscape if anything
you know someone there are many of those who
they are here that were some of those
Photos
I’m me and I’m the one that when
we observe we try to understand what is
about
and in that pretension of understanding of
meaning
we feel free until we can
start behaving like observers
conditioned to standing on the wall in
10 with you we are not free when
we observe we can behave look
down and 88
we are not free when we see we can
behave like observers
conditioned is conditioned observer
everyone who has a motivation
particular with respect to reality
who observes when I talk about motivations
particular what you want is what you
days what admires what not and so on
is life ahead of the relative
so
so if I can be conditioned what
who is telling me there is no
rule because they are establishing me
rules because I am leaving because I can
the book that does not live in Cuba 20 beloved
free us if you do not understand in the way
what they elucidate are meaning if you do not
realize that the movement of
look is what builds the
meaning that you think you build
look at the little girl as you look at my daughter
has threatened her as how mine are not
free
if we do not understand the way in which
we build meanings because in fact
every time we see these pictures
we extract a meaning you do not
you know from the previous photo how many
people had but they know what
about
let’s do a very exercise
welcome as my mother said
photo that we have just retouched
Lito Gonzalez are giving way to the
Photos of Juan Pablo Buseta Other
Photographer marplatense juan pablo buseta
photography and other things
that is, the photograph the video is the
Photography
let’s do the exercise try
imagine I will not give each one to
that they speak for that there are people who
pagans try to build a prayer that
let’s explain to a blind man with a
single prayer
let’s remember prayer remember the
capital letter such a point with a single sentence
what is each of these
images will not give me a title
I say if that’s what you say nostalgic Sunday
my life is not the same since not
you are by my side Juan Carlos no no for
to describe the blind man with good vibes
that who does not understand what it is
let’s try and prayer describe this
they think they feel and think they think
what they do and what sentence describes this
see if there is not a difference
between the prayer that describes this island
that describes noticing a movement
different from the look for the same or
be the least the same I think that what
same is not the same the movement of
the look makes you in stores like
subject to one thing or another and that you do to him
a predicate inside the subject outside
I can say Julián was
dress of little squares of rayitas or
say julián is standing in the circle
red on a stage or with the chat or
whatever it was but it has returned to certain
true affirmations with all truth
then I understood the truth because I did not
I live in Cuba, no matter how many things
true
no matter how true it is that my outfit is
how is it and what do I have the face that touched me
and that inside the julian bundle can
extract the information that you want
you could also say your image something that
is out my the predicate could be
inside or outside
that is to say, it has hairlines, it has a face
this of the other or stands on the
place counts to the other
that depends on the movement of the look
you not so that there’s an area that
give more time
they notice that in that movement of the look
there are areas that are visited for more
seconds and the other for less than
that closed those that look for more
time to make calls figure that
figure the edge area and he specified that
get more reading time what this
medium not the human figure the figure
human not
it does not have to be in the middle it does not have
that being a human figure has to be
big and small or nothing has to be
the area that dominates the most time so
both the observation of the photograph
separates the thing from its meaning the
meaning is built in the act
same from observation without observation
not because it’s a failure to fulfill the
Little boy it turns out that he will give me tenderness
Tenderness is going to give you now you will see the
movements of the gaze build that
figure and what background we are going to take as
background everything that is not figure
continue with photos of Juan Pablo Cepero
you notice that the same thing can
provoke different movements of the
look maybe in that movement the
prayer that you are thinking for the cycle
change with you the photos of raúl
just
Another photographer from the city of Mar del
silver
here we are going to try besides portrays be
because he does not bring me because I live in the sea
silver
chiquilín and because the outskirts already have
press
Daddy, you notice that persistence
Look in one sector or another
is affected by several times because they are
all the same thing
both to the same thing and in addition to the
same thing everything to me they do not kill me at
same place then they are all the same
not realize you do not
realize that in some you see
forced to consider the condition
climate and in others it is impossible
see how some are thinking
speak to the blind about the characteristics
of the bondi bondi colectivo casa rodante y
in others we can not ignore the situation
where you are but if I want
doing it the same if I want that is to be a
conditioned observer remember
Diego
that is to be a conditioned observer
have a particular motivation or arm
the prayer once you saw her but in
true the spectators when they bump into
with images observe
in the same way that the reality the photo
what we are seeing now are from esteban
ferreiro
in this way ferreiro that he had given in
call your series the reputation of
things you are not in that are things
different and that nevertheless provoke
very similar look movements
then for more than the meanings
were others where the subject is and
where is the predicate going to be equal to
God, dear, you do not live in Cuba
and they are not free and do not understand what
way a language that makes people believe that
something is true when it is not you
note that they are different things and that without
However, the movement is the same and that
so it makes the subject is such an area
and that the preacher has a place or
other
the last photo of this series corresponds
to a diptych made between esteban
ferreiro and griselda bontemps another of the
fotógrafas that accompanies us this same
absolutely different things and that
they see in the same way therefore
they build a subject that is related
as much or more with the background photographs of
laura mnac another photographer from Mar del Plata 3
they notice that these images could
correspond to those of any celebration
in his series the celebrations
that shows what in their opinion is
absurdity of the celebration since in everything
celebration we are as guests to the palace
for one night
the work is responsible for photographing what
maybe the client does not intend to
party and that’s the pillar of his work
commercial barça realize that those of
back they have little prominence because the
face of the brunette steals all the
action is not related to the fund
because that garment that is wearing
generated a movement that will rank and
you will want to start this construction
it is not chance it is not the power of the thing
talking about the thing looks way are not
the things
is the thing in its function
depending on the function designated the thing
made signs is loaded from a reading that
then it means what the author
pretend not to take pictures of the collective like this
your life goes
the clear voice then or not but and
really do it in what way we can
suppose that the capture of the thing is in
himself a merit
the photographers what we do is tell
what happens to us
we tell what does not happen what is
happening in this party that you can
caretear if in the family they are like this
what is your fault but what is
happening there there is an irresponsibility
huge not to tell because they all know
when that happens in a family you
it is not in that the movements of the
look allow to go through what happens with
the bride and with whom you saw her noticed that
the background does not have prominence but
when you see if I just want to see what I see
but you do not see others that you do not see are
these photos because they are made by a
blind lord juan bautista photographer
Slovenian wanted me to bring one of
outside brought them anything out photographer
contemporary Slovenian and blind in
bouchar is the photographer who says that
we photographed only what we know
and what we want to see that is the
fundamental point of this talk give
realize that we photograph what we want
and that maybe we ‘re getting lost in
create that what we are seeing are
things fight palpa takes distances and it
fixed in two night photos shot
distance knows how far
find where the thing is and know what
amount of light has to send you that
object for what combination of
times and we hope to get that photo
his work is not the paper, it is not the copy
and its construction and its photographic act
at the moment of doing it is the
projection of what he intends to
what is happening inside but
put out in times of me
I like how we are living and
of external acceptance by others
this man talks to us about the construction
internal of what we can get to see
what can mean the things that
we see it interested me to get someone going to
fight because it hits right in the center of
what I’m interested in telling for those
who are interested in photography when
we see pictures we see things the breasts
I’m going to discuss them but what
we are seeing is the desire of another of
tell that what eyes the other when
we are seeing pictures instead of
ask ourselves what is happening
with the things or what thing he got
we could get to wondering what is
passing that person because that person
he wants to photograph that
in this way we are moving the
universe of things of the
meanings revise the meanings
stop in the meanings is by
above all things
living in photography from here on is
very likely that your next pictures
stop in realizing that something
It happens to them when they see reality and it’s very
likely the next time they saw
pictures of others realize what
they are seeing not only things but what
that the other one wanted to tell you to understand
may not depend on the weaknesses
of the other in telling it or maybe in your
skills when decoding what
or in the wills that both have
for communicating
the will is not manufactured appears
only when we feel the need
to tell what we see because we understand
that what is and must be understood
as we want to tell the
the rest
I wish the photograph of who else would
change a little when you’re inside
you enjoy bocha bocha pass it well
thanks for coming for all
[Applause]
and
[Applause]
”
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