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“Come vediamo il mondo: il punto di vista del fisico” | Alessandro Farini | TEDxAlessandria


[Music]

thank you for what I want to talk about today

how we see the world the point of view

of the physique of what I speak I speak of the

relationship that exists between physical reality

that is outside us and perception

that we have inside us this is a

problem we have always dealt with

because maybe we all had

at least once a question of but that

red color that sees my friend is

same as my red color is the same

red color that I see because this

it’s the only thing that really does

we can ask all the way

and then this is a new question no

it’s a question that basically

many have had to think about the o part

of leopards of moral operettas says

the vulgar is deceived by thinking that i

colors are quality of objects

when they are light and it is a lot

deep leopards but is incomplete

because the reality around us then

we perceive does not depend only on the light and

from objects but from something more

it would be nice for the body if the

reality stopped here in a light that

affects the object is an object that the

reflects but to talk about perception

we need something more

what is missing in this figure for

talk about perception

missing a god who sees it takes a me that

see to be able to talk about perception

in fact I would say more it takes a mine of mine

see to be able to talk about knowledge

because knowledge is always

the encounter between an external object of us

it is a subject from this exchange born

what we call knowledge e

perhaps dante said it best of all

when he says why so sensible

he learns what makes pochade intellect

worthy what makes pochade intellect

worthy we learn it from the world

sensitive but

then we put on ours and this does not

it is subjectivism that is the beauty

of the human cognitive adventure we see

some examples let’s look, for example

this image you see if you are a physicist

I define a greatness that is called

luminance here is the luminance that

what is the quantity of light that comes from

surface comes to our eyes

and in this image created double 8

we see a dark gray image and below

a clear image

try to ask yourself how many times

the image below is brighter than

the one above two three four times more

bright ask yourself this question why

to make science you have to make yourself

questions and you have to try some answers

the experiment will be correct or not

attempting the answer is part of

face the problem

well you have replied I give you the answer

correct

how many times the part below and more

bright is exactly the same there

do you believe

it would be interesting to ask how many there

they believe but the most correct answer

probably do not believe it because it is

true but it is hard to believe it then

let’s try to convince ourselves that it’s true that

it is exactly the same luminance above

and below find now depending on where

you are sitting with two three four fingers

try to delete the central area

try to delete this area here and

tell me if the two images do not become

very much much more similar to each other

because and this is the beauty of this

image

our eye is not a detector

absolute light does not tell us the

amount of light that comes in that

moment always gives us another

information the contrast ours

eye also physiologically

inevitably always makes a comparison

between two areas

in this way it gives us information on the

contrast of the image

often when you see these images

we say our brain is wrong

wrong because interpreted bad but not

it’s true this is a force

brain that makes us see in this

Reality in this way for now

help us see it better to help us

see the contrast better, however, for whom

still not convinced we see if

I really convince myself with this

animation still there is difference

but now I’m really completely

the same is the beauty of our brain

do not stop here look at this

chessboard and adelson chessboard

look at point a at point b

the dark point and the light point of the

chessboard

now I simply what

I do is cut to and move it to b

look again I’m exactly there

same color is almost impossible

believe it but it is so

what’s happening right now

what is happening and what ours is

brain sees a shadow and then there

proposes physical reality as well as ma

he offers us his interpretation is

more correct because it tells us hey says

a shadow and if there is a shadow there

true color is a bit clearer than

what you’re really looking at

because there is a shadow then certain

in this situation created ad hoc

wrong but in the other thousand situations

that our reality every day

find dealing properly and there

show reality beautiful see how

it’s really always a meeting between one

object is a subject the next is a

very important experiment to understand

this you must follow then the

very good directions set the

black dot in the middle of the slide

and do not move the eye do not move

the eye until I’ll tell you ok

in a few seconds I will change

slide but you do not move the eye

move it only when I say it

move at that point you can but up to

that moment even if change is

positive do not move the eye ok there

we understood it myself

then I proceed fixed

fixed begins a countdown

10 9 8 7

well soon change baboi slide

please do not move the eye here I am

to change, do not move the eye

move the eye do not move the eye

move now well you have seen the colors

you have seen the blue sky the lawn

green all these beautiful things

Well, I’ll give you the green lawn

the blue sky are not present on the

My computers have never been

let’s try again so let’s see if

believe it

fix the dot when I change

if you keep the fixation you will see i

beautiful colors look bad

putting you are putting you

because you are seeing colors

complementary to those just yours

retina adapts to complementary colors

of the right one all the visual system

it fits and when I show you the

white you instead of white you see

white minus the color you are in

adapted also this weakness becomes

a force of our visual system

when then we find ourselves in environments

think of the south pole all white and there

we must adapt to that white of

ready background 5 4 3 2 1 way to what beautiful

blue sky that green lawn but it

you are putting this but you do not think about it

be subjectivism this is the beautiful

of the encounter is an object is a

subject

this is for those who are passionate and

he wanted to make an image of himself

kind with some knowledge of

photo editing can us at the institute

national optics we also do

research precisely on the relationship that

there is between light and visual perception

trying in some way to measure

the immeasurable because we really want

test the relationship that exists

and then for example we tried to

experiment to see the

subjective preference of the paintings

compared to the lights we use for

enlighten

you know that now there are new ones

LED lights that offer new

solutions and we have made a series

of experiments in a laboratory that

we have at the stone factory

hard and nice to have a laboratory

to the hard stone factory because

if you ask something for an experiment

said the need for a painting and theirs

they make raffaello can go and say

that can happen worse for one

experiment of visual perception that

raffaello and in this painting and also

we have chosen a painting by an artist

contemporary giovanna rasario we have

then seen how we are adapting today

new lighting sources a

innovative LED begins to be

really beautiful and appreciated and then

we begin to appreciate these very much

we are starting new sources

adapt to new forms of lighting

measure the immeasurable then a

try but look at that really

relationship between light object and perception

important visual look at this

movie in which taken by super quark e

when they came to ours

laboratory in which you see how it is to

foods both paintings change appearance to

change what the light sends up

of them but this really is

fascinating because then you understand

that also use in light

lighting also use light

the lighting as you see becomes one

sort of interpretation of what

we have before and one could say but

is correct it is correct to interpret the

reality is correct to offer

an interpretation , reality does not

we should philologically present only

what is there

I say well not only is it correct

inevitable when we look at the world

we can not do it except in a light

and therefore the work of those for example

illuminates a painting like the chapel of

eleonora di toledo in the old palazzo

so it was illuminated by the lamps

incandescent

so it is illuminated by the LEDs or for example

sant’agostino in the study

here it is illuminated by the lamps a

incandescence

illuminated by the LEDs becomes the work of

an interpretation that however can not be

do not do it because without the light

we can not see reality like this

as if you listen to mozart you can not

read the score but you must hear it

interpreted and which mozart you prefer

you prefer the requiem of his

philological interpretation with the voices

white the vintage instruments or later

I would have von’s interpretations

karajan was more romantic less

philological depends however there is no doubt

that this interpretation is a work

continuous is a continuous work that puts

what is and is at stake in reality

we and from this continuous exchange the

knowledge that is never fixed but goes

forward and always becomes something and of the

search one notices that what

it was a point of arrival it became a

starting point then to move forward

how much is really significant then

what one of the most important

scholars of science the visions receive

Gregory says in one of his volumes when he is there

he points out that putting pieces together

we do not have the definitive answer

we can not understand the clock is not the

simple sum of the pieces that lo

make up

so the reality and our perception

it is not the simple sum of the pieces

what’s back we find it’s not this one

sum of our perception and say

gregory the time the clock measures

it’s another thing even then this is it

really the challenge that we find ourselves at

face up to

sure one could say but then there is

still much to understand

in the relationship between visual perception la

reality, the light is still there

so much to understand and we are happy

it means that there is a lot of work to do

because scientific work and so is

a work that continually places us

in front of new questions the desire to

knowledge continues to be true

and continues to ask new new questions

challenges to be faced

and the beauty of a continuous relationship

of knowledge that is always something

which is not fixed but born of one

exchange between us and the reality in which

everyone has something to say about it

truly the charm of adventure with

which every one of us clashes with each other

day doing each of the things it does

thank you

[Applause]

[Music]

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