the first is that I am not the technical of the
video
the second is that they are a disaster with
the words and that’s probably why I have
sound design and music is preferred
subsequently the informatics at
Italian tells a little one
anecdote of my child’s story
I’m one of those lucky children a bit
geek a little nerd than at the end of the years
70 had an uncle available
physique and its calculators I remember
very good a beautiful calculator
sharp programmable in basic that he me
he delivered by saying you could do me
the accounting program for the aunt
and I to code written on a piece of paper
paper
I slowly started writing in
these small forks in the software for
the aunt has to leave the night with her uncle
to be able to make happy the fact
aunt miria I re – hooked to the memories
to my child memories because two
days ago I launched a small contest
asked for help from my facebook friends
and I asked him to describe them
first sound reminder normally all
we are used to having a memory
visual we are used to having a
I remember a dream something that is in the
black and white memory but few times
we focus on the sound question
on the question of awareness
of sound
I quote one of the comments because of
a friend of sandra my friend
maternal musician who sent me
this memory told me I felt from
little girl the bells of the three bell towers that
they would wake me up in the morning and describe me
a beautiful thing for me because
these are the sound feedbacks are the
things that are the information that are
in the sounds he also described me
who could understand if the night
they had indicated by the sound of the bells
saying that precisely they would last
less
today I gave myself a challenge is a bit
a little difficult because I try
because we have a few minutes and why
I’m also a little crazy as well
I would like to explain to you the challenger
starting from the first sound of history
of our universe from the big bang
I would like to explain to you what is sound and what
what becomes when the sound comes
digitized that is when the sound
it enters into something that can speak
with us through precisely the language
sonorous
welcome
I ask a question according to you the big one
bang that nature has a rhythmic nature
or to a melodic nature that is
a percussion or is a chant one
percussion
a song I will tell you a secret is
both because it depends on the
point of view of the listener the point
view of the big bang that happens in a
instant of planck is to be impulsive
for us who listen to it but in reality
the big bang is still playing now
I make you feel a representation
of we say a sound of the
radiometry of a say telescope that
listen to the radio waves and I’ll do it
hear how the big bang sounds
how can you feel is a glissando that
from the acute it descends towards the great
considered as an impulse in computer science
in sampling in theory of
sampling if analyzed
spectrally then it was analyzed
looking at the frequencies of which it is composed
represents all frequencies in a
instant
so much so that there are techniques
informatics are called answers
the impulse I can understand
how it works present to the reverberation of
this room using a shot of
a gun a shot of a gun is
the sum of all the special components
the big bang is the sum of all the
spectral components that from the acute
then from the d’albenga
it begins and descends towards the grave and us
we hear precisely the representation of
these waves now you see this thing me
they advised against putting it because
they told me this thing then it is
very difficult to understand
there are sinusoids there are more
greek that ugly thing that a
school drives crazy
I, however, or this other challenger I would like
explain about it and I do it with
the help of one of my assistant
this is called slinky you saw toy
I took the dog and took it off
the head and the legs and for this however
need an assistant needs
one can take an assistant I can
I always do it lesson also works
because it attracts my attention
students who are usually males
then I can with this slinky
explain a lot of things I can explain
for example the nature of the sound before
what the sound to exist needs
an elastic means this is a spring and
it is an elastic medium without means
elastic the sound does not spread all the
science fiction movie you have seen
they are huge fakes because there in the
space does not feel
nothing nothing as the sound is propagated
propagate through compression and
decompression of the attention area
see the cool excuse the term la
cool is that this slinky becomes
also magically a rope a philosopher
and theoretician of the vibration of him
that has open to what we say
it calls harmony of the spheres they have it
the Greeks studied very much at the time
that Pythagoras began to study the
motions of the ropes to describe the rom
uniqueness that exists in the universe and I have it
done precisely by taking a rope
I do not tell anecdotes why
they would be too long
at least four other interventions
but what I want to show you
within every harmonic sound
therefore the piano harp does not
of the voice there are infinite harmonics
who have a law of mathematics the law
mathematics and is to be multiples of
a fundamental one
this is the fundamental this la
fundamental vibration that the
more serious vibration than they are
more serious attention than if I
now I told you to clap a
rhythm we can understand that twice
of this rhythm is the second harmonic
that is this ok is that the third
harmonica is the triple no is a person
suitable for ta ta ta ta ta ta ta ta ta ta
So this thing is fundamental
thanks I can then stay with me program
it is the fundamental thing is that it is that it is
one of my of my must is that not
there is a difference between rhythm and sound for me
because everything is inside a question
linked to human transduction
the human betrayal that for me is
fundamental that is we live and
we listen to a perception
that I call technically filter passes
low because it makes us feel only things
that go slowly and slowly and that
linked to something that is linked to one
what we say atavistic, that is, precision
rhythm according to perception
of the melody we learn the rhythm
from the heart of our mother and I
we learn at three months of life
intrauterine is the first sense that it is
form the hearing and listen to the dance that
our mother makes us when she has us
conceived
now I do something else
this is the beat you recognize it
we are inside the uterus when we are
let’s take that single beat and do it
we will speed up listening to something that
[Music]
and it became a sound this thing is
linked to the next slide I show you
I know it is not read but it does not matter
linked thanks is linked to two concepts a
Dear friends and you will understand why I have
started making music and then I am
finished doing the interaction designer
that is, the designer of interaction
because I took this slide from a
beautiful book that is curtis the zsc
it is one of the pillars of what we call the
computer music
he does this scheme and divides i
musical times that are those things that
see above above half macro sound
object micro and samp ok divides them into three
everything that has to do with everything
with the period then the repetitions
think that we have ours
universe is dated more or less in 15
millions
visions of me its smallest
decomposition that of the time of
planck planck time is how much there
puts the light to make a constant the
planck constant
even here it would take at least 40 tel
but you can study at home there are
of wonderful things online no one
knows that 0.7 of yesterday 31 is the frequency of
a year a year at that frequency but
especially that 600 milliseconds are the
time we take for ourselves
realize that there is being in the
here I’m
this thing allows you to learn there
allows you to stop your instincts and then
to teach instinct animals not
animals have it and immediate for
animals and immediate the thing that the
key to reading everything at those 12 r
that’s the fast freight human jester’s
what it means is the gesture that man
it can repeat faster fatality
coincides with two things 15 hearts that is 15
frames per second are persistence
on the retina
the movies we do not see say let’s see
a continuous video instead of seeing many
slides because there’s this here
these are 12 f 20 hertz and the threshold
between the recognition of the rhythm and the
passage sound if we were a fly
watching a movie we will think we are a
the slideshow of the holidays because
why the fly to 200 hearts like
I’ve already said this faster gesture
I do a little experiment can
let’s go back to the primitive part to me
I am very interested in primitives
they involve archetypes and primitives
because my uncle taught me to do
reverse engineering and when one discovers
this methodology learns things like
they work in the most intimate part and
so he falls in love with drinking
engineers then I’m not trying the
first man does this to the first woman
then to then detach from this gesture
[Music]
that is, I see the gesture as a metaphor
sound as a metaphor of gesture for
playing an instrument you have to apply
of gestures and I see the gesture as a metaphor
there is no interaction without the gesture
interaction and without gesture we do not
we can command this thing
the gesture is the archetype is we say it
the archetype of communication with things
and it is precisely here that I wanted to introduce
the question related to the internet of things
of internet of everything all things
communicate with each other and communicate
probably with sounds
so the question arises spontaneously but we
we can communicate with things with i
sounds you can dc sound translation of a
gesture in are telecommunications first
telecommunication of history
bite code morse fingers beating e
that transform the gesture into impulses
electric that are recognized as
sound code from the young ladies
very nice that translate this is
it can be done in the bag I am enough
old to remember this thing
because as I said before
internet has arrived at my house e
so I remember this thing
wonderful brings me back to rai
alaba digital data
they pass through the phone with di
sounds ok is an important thing I have
brought into the talent
Marco says
no
1923
if I’m not wrong at pm 70 94 thanks to
matt matthews max matthews speaks for the
first time but I’m not just talking
[Music]
and it was what he digitized
what theorized the theory of
ancient musical sampling and has
worked in for laboratories on bell
known laboratories have created precisely
this little car quote from
kubrick
all ibm al ibm in the final when
it regresses with memory does this
you violate a lot or a little more
lesson in mingo and I have the car that the
before you spoke to me as to you
a siri voice is a cortana voice is one
voice we are going from paradigms of
gestural interaction with paradigms of
natural interaction that is precisely the
voice that are just natural for
the man
things speak sound I do not read
the other would be too long I will do
hear two examples of meanings of
data because this is one of the themes that
I’m interested in signifying this mine
former student a model student who has
made a specialist degree in design
of communication
andrea rauch and thank you for giving me
sent the example
this is the soap sanitization of the
solar wind because its unification
solar element because it happened that
in a year unlucky the solar wind yes
arrived a little too strong and skillful
destroyed power plants
NASA has decided to send open data
source in the world for attention
because when those data change
you have to switch off the control units if not
a disaster breaks what’s best
there is that to listen to the solar wind for
understand when the solar wind can
be dangerous
[Music]
the last I wanted to make of a project that
he loved me because it’s a project
who is carrying on with a colleague
lorenzo paglieri this project yes
he calls agicos and stands for a gesture from the other side
surfaces or jack straw at the controller
synthesis and are tools
musical of the future those that remake me
of star wars will be in the bar playing
what these tools do these
tools are able to pick up the
gestures with which touch of surfaces e
they are able to transform those gestures
learning from those gestures mapped on gods
physical models therefore of the simulations
of real instruments and allow
just play things that we play
just using one
mapping of gestures
I leave the comment to the video that is more
explanatory ciampolini is a
percussionist of the exam the inter
contemporaries playing agicos
[Music]
writers
[Music]
[Music]
this is the prototype was made
to the sound of paris which is one of the
bigger centers of electronic music
and it was done with
descriptors in fact from a friend e
modeling is this synthesis engine
for synthesis of physical models
I finished but I wanted to make you one
request especially to those who
they are about to have children or they will have them
do you study music because the
music opens to the universe
[Applause]
”
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