[Applause]
my name is the chestnut I’m passing
hospital and future thousand mom no longer
imagine how it moves at this moment
Pure emotion is my baby girl
I remember my first experience
as past hospital
the pure emotion to skin flower love
the gratitude the anguish for what
I saw and I lived all that gave me back some
barbarian anginas that left me lying
in bed until the next day
I still could not put into words what
I felt but my body of some or the other
way he was in charge of registering all
this experience at that time was
for the day of the child and for Christmas
that a group of crazy payazos
We embarked on a dizzying journey to
world of hospitalization
that day we are going to play
the hospitals
it was that world of hospitalization the
that captured me going myself to
magaly a girl in her twenties
that I was looking to connect with
people with their vocation of
service and with his artistic passions
discover with complete certainty that a
through the hospital clown understood
as a health agent and a
transformer of reality we could
contribute to the improvement of
living conditions of children
internships contributing new aspects to
his psychophysical recovery to health
of their family members and the
working conditions of
health workers that day after
day they put their bodies and their
knowledge at the service of other s
discover
I’ve been researching for a long time
meetings debates formalize them in a
ong
today we are ong the raisins in order to carry
forward the task that we wanted to take
to perform interventions in the hospital
mother and child of our city
visiting corridors waiting rooms
guards oncology services
inter to paint media therapy
intensive working with the corridors
before with his family and with all the
institution
that was our motivator
we felt and understood
artists put at the service of our
community in order to contribute to our
quality of life to everyone’s for
carry forward this organization
we replicated some experiences of
similar organizations which
they worked with two figures
the hospital clown and the civilian or
caretaker of game
then we put on a team
some of us are characterized as clowns
those of us who were trained in
clown art theater dance music
juggling and civilians or caregivers of
game
those who would be in charge of
framework of the intervention measures
of biosafety chat with the staff
time health
this last role was a challenge
for us because it is not something that
study in an art workshop or in
no institution but we
we copy a little bit of some
institutions of Peru and Uruguay but
mainly from day exploration
after day of our task caregivers
of the game, links between reality and
fantasy happens people who may have
the same level of perception and of
sensitivity that the artist has when
is in creative status for us
the state for sazo but that also
can have a wide record of everything
what happens in the intervention that
It happens in that room with that clown
it’s the child and his family member but also
what happens outside the room in
a corridor with doctors the
nurses the dynamics of the place
the times and the actual energy of the
intervention today our
organization we have a number
stable of clowns and civilians with
which work intimately as a team
in order to transform that reality
the area currently our
organization has a framing and a
methodology that is proper to us
characterize
we have ritual times that make
our task
today we have support
recognition and listening of
institution in which we work
family members and patients and all
our city after more than six
years of going to lost and every volunteer
go through several moments
we find with colleagues and
clowns we started to characterize and
civilians begin to travel the
hospital corridors to see where
we can intervene then we meet
we make a round our ritual of
noses and we went out to intervene for the
hallways the guards the different
services applying concepts
artistic works designed exclusively for
hospital areas
then we say goodbye and make a round
of resonances and affectations of the day
all these aspects have allowed us
give solidity to our task and
containment ourselves the
people
behind the mask and imagine
how we understand or feel
mainly that transformation of the
reality pitt to the area as we intervene
in that room with that child how
we get out of your routine assumes a
doctor or a nurse or as
we connect with your more human side
for us the clown state is the
nexus the way
the synthesis to achieve it the clown
manages to break reality as it is
present and take you by other ways
other worlds other meanings to
through laughter
the bubbles the look the music
everything can happen
everything can be transformed we can
forget that we are in a
room in a hospital bed or
that we are afraid or hurt and connect
with other paths that allows the
creativity from there get into
other emotions other feelings more
most sincere human the clown achieves
break also with prejudices or
barriers that sometimes as adults
members of a society and participants
of a culture sometimes we can not or do not
we encourage you to break
I remember an intervention that we
I told Sebastian a member of the
ong that I really enjoy when he did it
with its past of a saturn
a couple of years ago we went to the hospital
like all weekends it was
Saturday and we played the second floor
we had been a civilian and a trio of
two clowns and one square
everything was normal but when we arrived at
second besides the floor guard
there was an officer sitting outside
a room there was a policeman
uniformed and the civil told us that
I was guarding felt judicial hoisted
a clown friend always told me that
the mask of the clown runs through you
subjectivity it was understood something of what
I wanted to say but I never had
finished understanding never had
meaning in flesh and that day I can
bring that feeling of
sebastián with so many prejudices maybe
more does the police do to the
thieves at that time it was complicated
but since don saturn from the state
clown was much easier for me
I communicated about the game when I
I found the officer I was very
natural tell officer
anything that needs my visa
I was patrolling there are several shirts and
the star had a visa and I know
cops to my surprise told me how
I do not have it in both the notice by handy
things started to come in
the room and the guy we’re going to
call juan turned out to be a baby a
boy of 12 13 years who was a divine
that since we entered did not stop
play at first a little hostile a
little wanting charros making jokes
but somehow he was getting into
without realizing it in a maelstrom of
game that was not going to stop growing
we started playing the game ended up in
a kind of attempt to seduce the
square when I gave the different tests
silly and ridiculous that we had to
make worse and worse
is empowered fun and the moment
maximum of improvisation between
police inside to outside can not
enter clear when it enters we stay
frozen media we did not know what
do not know if he stops playing if
they put against the wall to the document
but it does not say already proposing more game
says that to seduce a lady there was
to be more romantic because not
I grabbed the guitar and sang a
song can not believe
the question is do the guitar
at that time as an organic impulse
and a kind of revenge
adolescence of revolt to the authority
I looked at him and he sings to the policeman and
I said you are not gray and huacho
subic and plante of the federal are a lot
there are not many told me and city
the policeman who watched chose me
the relevant inside but of some
way I realized that he was giving
I realized that I did it with mischief and
also with innocence
we are playing now with tenderness Juan
he was dying of laughter
the policeman kept playing he said that
I’m going to have to get out of the
room they agreed with
Juan and they took me out in handcuffs was the
first and last time they handcuffed me and
I said I was going to call my lawyer
that he was entitled to a call from
lot of nonsense more
the question is that while inside
Juan stayed doing the ceremony
marriage between the clowns between
martita in tung and I stayed outside
talking to the policeman who started
to talk about the family asked me to us
we took a picture and at one point he told me
I have several children one of Juan’s
this boy is here for the friends
for the meetings you have but you do not know
deserves to be here
this guy Gonzalo dresses would have to
be at school or with family
Juan would have to be playing
the state for sazo allows breaking
historical social political barriers
look for spontaneity and sincerity
above all and from there
breaks with reality is established
That day the police played with John
thrilled with the clowns connected with
his fatherhood enters into other emotions and
sensations and the clowns we went
vehicle for this purpose as the
discount in the hospital
our experience leads us to live
very intense moments
I remember another day we were in the
hospital we had intervened in several
rooms and hallways and we’re
we directed the changers when in
the ramp we find a
situation
a doctor and the parents of a child who
just left going down the same
ramp according to the image
the doctor carrying her shoulder to one of
dads and fathers grabbed the
hand and we the steps back in
silence breathing feeling this
situation
when we got to the ground floor the medical
goodbye to them for peace and between
same hall where we were
and there he sees us aware that
We were always there accompanying that
moment
slowly we approach and we look at it and
the doctor starts crying
we embraced in silence and we cried with
she
That day we learned the importance of
our work
being present and available sometimes
just to give a hug in silence
our task is necessary and responds to
a new paradigm that understands the
health from a more perspective
humanitarian
why do I say this with so much
conviction because luckily since
the 2015
It was approved in the province of good
aires law 14 thousand 726 that creates the
figure of the hospital clown
it must work in all
pediatric public hospitals of the
Province of Buenos Aires is a look
innovator of the law that seeks to integrate
art and health and thus allow the
respect and access to rights
humans
although this law has not yet been
applied concretely I feel it as
a support and a legal endorsement for with
that we continue with this our
draft
that’s a little bit of my story the
story of my chestnut house and the
mine magaly
I hope this experience can
serve to breathe
I hope this experience can
serve my daughter when the world comes
get into this world and enjoy
the wonderful thing about the encounter with
other people through delinquency
of the sincerity of the spontaneity of
game and the laughter of bubbles and
Looks at you or you’re not being a daughter
important is to connect as beings
humans but nothing of all this
experience of more than ten years
would have been possible if there were not
those my big road companions
revolutionaries history is a story
more next to that and together we are
ong raisins
as patch adams would say to the world
come to make the revolution of love
[Applause]
[Music]
our style and soy
our
With God
m
Madrid
management
dream about you
[Music]
[Music]
I am
[Music]
do not
dream about you all the condyle
[Applause]
[Music]
”
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