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Art and Identity | Catherine Wright | TEDxSouthampton


take in the moment you’re real my my

take in the moment you’re real my my life started here in Southampton but my

life started here in Southampton but my

life started here in Southampton but my parents are both northerners and I’m a

parents are both northerners and I’m a

parents are both northerners and I’m a southerner by accident my dad is from

southerner by accident my dad is from

southerner by accident my dad is from the Northeast my mum’s from the

the Northeast my mum’s from the

the Northeast my mum’s from the northwest

northwest

northwest and so I’ve always thought that maybe

and so I’ve always thought that maybe

and so I’ve always thought that maybe that was something to do with my slight

that was something to do with my slight

that was something to do with my slight lack of understanding of myself in this

lack of understanding of myself in this

lack of understanding of myself in this place I’m going to talk about how those

place I’m going to talk about how those

place I’m going to talk about how those reflections about myself and my journey

reflections about myself and my journey

reflections about myself and my journey exploring my own self-identity is I

exploring my own self-identity is I

exploring my own self-identity is I think running along parallel lines with

think running along parallel lines with

think running along parallel lines with my exploration with artistic colleagues

my exploration with artistic colleagues

my exploration with artistic colleagues into my city sense of self I think my

into my city sense of self I think my

into my city sense of self I think my city is very disconnected from its

city is very disconnected from its

city is very disconnected from its artists and I think that’s a problem

artists and I think that’s a problem

artists and I think that’s a problem that I want to address my mother was

that I want to address my mother was

that I want to address my mother was persuaded to leave her three children

persuaded to leave her three children

persuaded to leave her three children when I was about seven and make her way

when I was about seven and make her way

when I was about seven and make her way alone as an actor she never really

alone as an actor she never really

alone as an actor she never really recovered from the guilt of that choice

recovered from the guilt of that choice

recovered from the guilt of that choice was it a choice or was she persuaded by

was it a choice or was she persuaded by

was it a choice or was she persuaded by my father and the she then became an

my father and the she then became an

my father and the she then became an alcoholic through her life and basically

alcoholic through her life and basically

alcoholic through her life and basically committed the long slow suicide that

committed the long slow suicide that

committed the long slow suicide that alcoholics do until she died at the age

alcoholics do until she died at the age

alcoholics do until she died at the age of 57

of 57

of 57 my dad died four years ago my dad was a

my dad died four years ago my dad was a

my dad died four years ago my dad was a powerful and charismatic man who brought

powerful and charismatic man who brought

powerful and charismatic man who brought me up he was a very controlling man now

me up he was a very controlling man now

me up he was a very controlling man now I can see that now that he’s not here

I can see that now that he’s not here

I can see that now that he’s not here anymore he set up a very successful

anymore he set up a very successful

anymore he set up a very successful business here in Southampton and I

business here in Southampton and I

business here in Southampton and I worked alongside him in the world of

worked alongside him in the world of

worked alongside him in the world of entertainment for almost ten years he

entertainment for almost ten years he

entertainment for almost ten years he then sold that business and moved with

then sold that business and moved with

then sold that business and moved with his third wife to retirement in the

his third wife to retirement in the

his third wife to retirement in the South of France

South of France

South of France where he died on the operating table

where he died on the operating table

where he died on the operating table during a heart operation just four years

during a heart operation just four years

during a heart operation just four years ago it wasn’t until I became an orphan

ago it wasn’t until I became an orphan

ago it wasn’t until I became an orphan that I understood that the burden of

that I understood that the burden of

that I understood that the burden of these fractured relationships with these

these fractured relationships with these

these fractured relationships with these two people who were never meant to be

two people who were never meant to be

two people who were never meant to be parents it was a shotgun wedding

parents it was a shotgun wedding

parents it was a shotgun wedding had had on my life and that I really had

had had on my life and that I really had

had had on my life and that I really had no sense of who I was

no sense of who I was

no sense of who I was unless it was in relationship to these

unless it was in relationship to these

unless it was in relationship to these two people so about that time I sold the

two people so about that time I sold the

two people so about that time I sold the house I should have sold years before

house I should have sold years before

house I should have sold years before where I brought up two children

where I brought up two children

where I brought up two children single-handed I moved his houseboat and

single-handed I moved his houseboat and

single-handed I moved his houseboat and I started pursuing life as an artist

I started pursuing life as an artist

I started pursuing life as an artist alongside of this my city like many

alongside of this my city like many

alongside of this my city like many other cities is exploring culture as a

other cities is exploring culture as a

other cities is exploring culture as a means of Economic Development slightly

means of Economic Development slightly

means of Economic Development slightly sticks in my mouth so even there to even

sticks in my mouth so even there to even

sticks in my mouth so even there to even think about that but in those

think about that but in those

think about that but in those conversations I started hearing my city

conversations I started hearing my city

conversations I started hearing my city once again revisiting this idea that it

once again revisiting this idea that it

once again revisiting this idea that it doesn’t know who it is that it has no

doesn’t know who it is that it has no

doesn’t know who it is that it has no soul

soul

soul it has no sense of identity the cultural

it has no sense of identity the cultural

it has no sense of identity the cultural work that’s going on here is being

work that’s going on here is being

work that’s going on here is being described as a Renaissance as if this

described as a Renaissance as if this

described as a Renaissance as if this was some sort of barren land from which

was some sort of barren land from which

was some sort of barren land from which culture needed to be applied to us I

culture needed to be applied to us I

culture needed to be applied to us I felt very passionately that that wasn’t

felt very passionately that that wasn’t

felt very passionately that that wasn’t an accurate reflection of my city that

an accurate reflection of my city that

an accurate reflection of my city that wasn’t anything to do with the sense of

wasn’t anything to do with the sense of

wasn’t anything to do with the sense of my burgeoning sense of my city

my burgeoning sense of my city

my burgeoning sense of my city and so alongside applying my artistic

and so alongside applying my artistic

and so alongside applying my artistic gaze to myself I’ve been applying it to

gaze to myself I’ve been applying it to

gaze to myself I’ve been applying it to my city at the same time

my city at the same time

my city at the same time so what do artists do artists hold up

so what do artists do artists hold up

so what do artists do artists hold up the mirror don’t they that’s what we say

the mirror don’t they that’s what we say

the mirror don’t they that’s what we say I can probably count on the fingers of

I can probably count on the fingers of

I can probably count on the fingers of one hand the number of times I looked at

one hand the number of times I looked at

one hand the number of times I looked at myself in a mirror when I was grown up

myself in a mirror when I was grown up

myself in a mirror when I was grown up and it was only when I challenged myself

and it was only when I challenged myself

and it was only when I challenged myself to do that not that long ago that I

to do that not that long ago that I

to do that not that long ago that I realized that by not looking at myself I

realized that by not looking at myself I

realized that by not looking at myself I managed to deny a whole set of pain and

managed to deny a whole set of pain and

managed to deny a whole set of pain and frustration and confusion that I was

frustration and confusion that I was

frustration and confusion that I was going through I can remember that I lost

going through I can remember that I lost

going through I can remember that I lost the confidence to describe myself as a

the confidence to describe myself as a

the confidence to describe myself as a redhead

redhead

redhead despite the fact that I have freckles

despite the fact that I have freckles

despite the fact that I have freckles and sunburned and ginger hair because I

and sunburned and ginger hair because I

and sunburned and ginger hair because I didn’t look at it it faded for me I

didn’t look at it it faded for me I

didn’t look at it it faded for me I didn’t have a grasp of it anymore so

didn’t have a grasp of it anymore so

didn’t have a grasp of it anymore so when ginger Pride Day was announced

when ginger Pride Day was announced

when ginger Pride Day was announced didn’t occur to me that I should go and

didn’t occur to me that I should go and

didn’t occur to me that I should go and take part in that fund that that was my

take part in that fund that that was my

take part in that fund that that was my clan I wasn’t one of them but

clan I wasn’t one of them but

clan I wasn’t one of them but I am its so having thought that about

I am its so having thought that about

I am its so having thought that about literally looking in the mirror myself I

literally looking in the mirror myself I

literally looking in the mirror myself I thought so what sense does my city look

thought so what sense does my city look

thought so what sense does my city look at itself and I started to look at the

at itself and I started to look at the

at itself and I started to look at the art that has been made about my city and

art that has been made about my city and

art that has been made about my city and I think I may have uncovered something

I think I may have uncovered something

I think I may have uncovered something of course it’s a joy now because there

of course it’s a joy now because there

of course it’s a joy now because there are all these wonderful databases that

are all these wonderful databases that

are all these wonderful databases that we can look at of nationally important

we can look at of nationally important

we can look at of nationally important art which is all available to us online

art which is all available to us online

art which is all available to us online so it’s quite easy to search and see the

so it’s quite easy to search and see the

so it’s quite easy to search and see the important paintings about particular

important paintings about particular

important paintings about particular subjects are indeed places and in the

subjects are indeed places and in the

subjects are indeed places and in the nineteenth century there are tons of

nineteenth century there are tons of

nineteenth century there are tons of beautiful pictures of of our streets of

beautiful pictures of of our streets of

beautiful pictures of of our streets of our parks of ships of cranes and it all

our parks of ships of cranes and it all

our parks of ships of cranes and it all kind of stops and it stops I wonder if

kind of stops and it stops I wonder if

kind of stops and it stops I wonder if anybody who can guess the date about

anybody who can guess the date about

anybody who can guess the date about which it stops it stops around about

which it stops it stops around about

which it stops it stops around about 1912 local people will know the

1912 local people will know the

1912 local people will know the significance of that date that’s the

significance of that date that’s the

significance of that date that’s the date the Titanic went down it’s almost

date the Titanic went down it’s almost

date the Titanic went down it’s almost as if our artistic reflection upon

as if our artistic reflection upon

as if our artistic reflection upon ourselves kind of stopped at that moment

ourselves kind of stopped at that moment

ourselves kind of stopped at that moment the only picture as a as a as a

the only picture as a as a as a

the only picture as a as a as a interested engaged artistic person

interested engaged artistic person

interested engaged artistic person myself that I am aware of of my city is

myself that I am aware of of my city is

myself that I am aware of of my city is a painting by Lowry of the floating

a painting by Lowry of the floating

a painting by Lowry of the floating bridge which some of you may know but I

bridge which some of you may know but I

bridge which some of you may know but I think it’s very interesting that in a

think it’s very interesting that in a

think it’s very interesting that in a big thriving important city with an art

big thriving important city with an art

big thriving important city with an art gallery that’s considered to be

gallery that’s considered to be

gallery that’s considered to be nationally important that artists are

nationally important that artists are

nationally important that artists are not have not been reflecting on the city

not have not been reflecting on the city

not have not been reflecting on the city no wonder we don’t have a sense of who

no wonder we don’t have a sense of who

no wonder we don’t have a sense of who we are because artists are not making

we are because artists are not making

we are because artists are not making the contribution or perhaps artists are

the contribution or perhaps artists are

the contribution or perhaps artists are not being allowed to make that

not being allowed to make that

not being allowed to make that contribution what we had to do then

contribution what we had to do then

contribution what we had to do then instead of artists making this

instead of artists making this

instead of artists making this reflection for us we’ve had to cobble

reflection for us we’ve had to cobble

reflection for us we’ve had to cobble together an identity out of what we had

together an identity out of what we had

together an identity out of what we had and what we had largely was shipping

and what we had largely was shipping

and what we had largely was shipping posters now I will agree that there are

posters now I will agree that there are

posters now I will agree that there are fabulous pieces of graphic design and

fabulous pieces of graphic design and

fabulous pieces of graphic design and many of them are considered works of art

many of them are considered works of art

many of them are considered works of art but they are sailing they are selling

but they are sailing they are selling

but they are sailing they are selling designs this is not an artistic

designs this is not an artistic

designs this is not an artistic reflection this is Chumlee trying to

reflection this is Chumlee trying to

reflection this is Chumlee trying to flog you a cruise to the Bahamas or

flog you a cruise to the Bahamas or

flog you a cruise to the Bahamas or whatever it is but somehow this has fed

whatever it is but somehow this has fed

whatever it is but somehow this has fed into a sense of ourselves as being a

into a sense of ourselves as being a

into a sense of ourselves as being a maritime City this artist is here to

maritime City this artist is here to

maritime City this artist is here to tell you that I don’t believe we are

tell you that I don’t believe we are

tell you that I don’t believe we are a maritime City I could do a four-hour

a maritime City I could do a four-hour

a maritime City I could do a four-hour presentation about that thought and come

presentation about that thought and come

presentation about that thought and come and talk to me in the interval if you’re

and talk to me in the interval if you’re

and talk to me in the interval if you’re interested in it but I’m not the first

interested in it but I’m not the first

interested in it but I’m not the first person to have thought it there was some

person to have thought it there was some

person to have thought it there was some interesting work that went on into the

interesting work that went on into the

interesting work that went on into the labor movement in Southampton if you

labor movement in Southampton if you

labor movement in Southampton if you think about the thriving vibrant labor

think about the thriving vibrant labor

think about the thriving vibrant labor movement in the Liverpool docks and in

movement in the Liverpool docks and in

movement in the Liverpool docks and in the London Docks

the London Docks

the London Docks Southampton doesn’t have quite that

Southampton doesn’t have quite that

Southampton doesn’t have quite that sense of a of a Southampton docker in

sense of a of a Southampton docker in

sense of a of a Southampton docker in the docks and in that work they also

the docks and in that work they also

the docks and in that work they also described us as a port under sufferance

described us as a port under sufferance

described us as a port under sufferance the only reason we report is because the

the only reason we report is because the

the only reason we report is because the water happens to be here actually what

water happens to be here actually what

water happens to be here actually what Southampton is about is trade we don’t

Southampton is about is trade we don’t

Southampton is about is trade we don’t own the chips we don’t we aren’t the

own the chips we don’t we aren’t the

own the chips we don’t we aren’t the seafarers Jesus we don’t even own the

seafarers Jesus we don’t even own the

seafarers Jesus we don’t even own the docks anymore we gave away the docks in

docks anymore we gave away the docks in

docks anymore we gave away the docks in about I believe 1835 when we allowed the

about I believe 1835 when we allowed the

about I believe 1835 when we allowed the London and Southampton as it was called

London and Southampton as it was called

London and Southampton as it was called Railway Company to develop our docks

Railway Company to develop our docks

Railway Company to develop our docks there were voices at that time that said

there were voices at that time that said

there were voices at that time that said but we will lose control of our city but

but we will lose control of our city but

but we will lose control of our city but the money won the London and Southampton

the money won the London and Southampton

the money won the London and Southampton Railway Company was formed they made

Railway Company was formed they made

Railway Company was formed they made those docks and suddenly they’re not

those docks and suddenly they’re not

those docks and suddenly they’re not ours anymore

ours anymore

ours anymore now to the point where we can’t even see

now to the point where we can’t even see

now to the point where we can’t even see our water mostly and yet Southampton

our water mostly and yet Southampton

our water mostly and yet Southampton went on so in holding up a mirror

went on so in holding up a mirror

went on so in holding up a mirror I think the artistic the artists mind

I think the artistic the artists mind

I think the artistic the artists mind has something to contribute to these

has something to contribute to these

has something to contribute to these thoughts about identity together with

thoughts about identity together with

thoughts about identity together with other artists I’ve started a series of

other artists I’ve started a series of

other artists I’ve started a series of talks which were a little bit like this

talks which were a little bit like this

talks which were a little bit like this except there’s two of us on the stage

except there’s two of us on the stage

except there’s two of us on the stage where we are inviting interesting people

where we are inviting interesting people

where we are inviting interesting people from South Hamptons creative communities

from South Hamptons creative communities

from South Hamptons creative communities to come on stage and be interviewed by

to come on stage and be interviewed by

to come on stage and be interviewed by me to talk about their work no we did

me to talk about their work no we did

me to talk about their work no we did this is for two reasons this mirror

this is for two reasons this mirror

this is for two reasons this mirror holding up one is to call foul on the

holding up one is to call foul on the

holding up one is to call foul on the idea that this is a culture l’espace

idea that this is a culture l’espace

idea that this is a culture l’espace there is astonishing work

there is astonishing work

there is astonishing work I talked to Christian Drake recently who

I talked to Christian Drake recently who

I talked to Christian Drake recently who told me about amazing artistic work

told me about amazing artistic work

told me about amazing artistic work that’s going on with young offenders

that’s going on with young offenders

that’s going on with young offenders that’s being showcased it showcased at

that’s being showcased it showcased at

that’s being showcased it showcased at the Tate Gallery in early in the year

the Tate Gallery in early in the year

the Tate Gallery in early in the year this summer there was a pan-european

this summer there was a pan-european

this summer there was a pan-european project where artists all came together

project where artists all came together

project where artists all came together and made some astonishing work which was

and made some astonishing work which was

and made some astonishing work which was then in the showcase gallery there is

then in the showcase gallery there is

then in the showcase gallery there is work going on investing

work going on investing

work going on investing getting tools to draw with light and we

getting tools to draw with light and we

getting tools to draw with light and we saw an example of that in the city last

saw an example of that in the city last

saw an example of that in the city last week so these are not there is no need

week so these are not there is no need

week so these are not there is no need to pattern eyes ourselves about the

to pattern eyes ourselves about the

to pattern eyes ourselves about the quality and importance of the cultural

quality and importance of the cultural

quality and importance of the cultural work that’s going on here and so we hope

work that’s going on here and so we hope

work that’s going on here and so we hope to shine a light on that but secondly we

to shine a light on that but secondly we

to shine a light on that but secondly we are asking these creative people to try

are asking these creative people to try

are asking these creative people to try and describe for us the Southampton us

and describe for us the Southampton us

and describe for us the Southampton us of their work now that’s a delicate

of their work now that’s a delicate

of their work now that’s a delicate business those are delicate delicate

business those are delicate delicate

business those are delicate delicate threads that we are pulling out and

threads that we are pulling out and

threads that we are pulling out and trying to pull together and that may be

trying to pull together and that may be

trying to pull together and that may be tortured analogy we may be able to

tortured analogy we may be able to

tortured analogy we may be able to create some sort of tapestry of of what

create some sort of tapestry of of what

create some sort of tapestry of of what that point of view is I’ve had 11 of

that point of view is I’ve had 11 of

that point of view is I’ve had 11 of these conversations so far we’re hoping

these conversations so far we’re hoping

these conversations so far we’re hoping to make some of them available online as

to make some of them available online as

to make some of them available online as we go forward so if that sort of thing

we go forward so if that sort of thing

we go forward so if that sort of thing interests you you may be able to look at

interests you you may be able to look at

interests you you may be able to look at them so that is the artists contribution

them so that is the artists contribution

them so that is the artists contribution to holding up this mirror as those of

to holding up this mirror as those of

to holding up this mirror as those of you who’ve been through your own mix up

you who’ve been through your own mix up

you who’ve been through your own mix up midlife crisis will no exploration of

midlife crisis will no exploration of

midlife crisis will no exploration of self-identity sometimes it’s very

self-identity sometimes it’s very

self-identity sometimes it’s very painful and very slow but also sometimes

painful and very slow but also sometimes

painful and very slow but also sometimes happens in a flash I have one of those

happens in a flash I have one of those

happens in a flash I have one of those about coming here today I got into an

about coming here today I got into an

about coming here today I got into an existential panic about what I was going

existential panic about what I was going

existential panic about what I was going to wear to talk to you today who did you

to wear to talk to you today who did you

to wear to talk to you today who did you need me to be what persona did I need to

need me to be what persona did I need to

need me to be what persona did I need to adopt in order to be taken seriously by

adopt in order to be taken seriously by

adopt in order to be taken seriously by you in order to be worthy of being here

you in order to be worthy of being here

you in order to be worthy of being here and it was in a flash when I suddenly

and it was in a flash when I suddenly

and it was in a flash when I suddenly realized that what I should wear here’s

realized that what I should wear here’s

realized that what I should wear here’s what I always wear although in fact it’s

what I always wear although in fact it’s

what I always wear although in fact it’s my birthday today so I bought myself a

my birthday today so I bought myself a

my birthday today so I bought myself a new pair of dungarees

and so in that question of examining the

and so in that question of examining the self in some senses we just need to be

self in some senses we just need to be

self in some senses we just need to be still and listen to who we are I think

still and listen to who we are I think

still and listen to who we are I think possibly my sisters in the audience

possibly my sisters in the audience

possibly my sisters in the audience might have some sense of how challenging

might have some sense of how challenging

might have some sense of how challenging that can be for women particularly who

that can be for women particularly who

that can be for women particularly who are who the world wants us to be my

are who the world wants us to be my

are who the world wants us to be my flash of inspiration about our cities

flash of inspiration about our cities

flash of inspiration about our cities identity came when I was having a

identity came when I was having a

identity came when I was having a fascinating conversation with dr. Gerald

fascinating conversation with dr. Gerald

fascinating conversation with dr. Gerald Butler Jarrell amongst many other

Butler Jarrell amongst many other

Butler Jarrell amongst many other distinguished things is a city tour

distinguished things is a city tour

distinguished things is a city tour guide and she happened to mention that

guide and she happened to mention that

guide and she happened to mention that the the records and the detailed

the the records and the detailed

the the records and the detailed archives that Southampton has about life

archives that Southampton has about life

archives that Southampton has about life in our in the town as it was then in the

in our in the town as it was then in the

in our in the town as it was then in the medieval period are certainly the most

medieval period are certainly the most

medieval period are certainly the most detailed in England possibly the most

detailed in England possibly the most

detailed in England possibly the most significant in Europe and maybe even the

significant in Europe and maybe even the

significant in Europe and maybe even the world

world

world I’m 52 I had no idea absolutely no idea

I’m 52 I had no idea absolutely no idea

I’m 52 I had no idea absolutely no idea these documents are crumbling old papers

these documents are crumbling old papers

these documents are crumbling old papers they’re written in Latin and French and

they’re written in Latin and French and

they’re written in Latin and French and spidery writing it’s really hard to find

spidery writing it’s really hard to find

spidery writing it’s really hard to find them but and people have started to just

them but and people have started to just

them but and people have started to just scratch the surface and boom there it

scratch the surface and boom there it

scratch the surface and boom there it was my city talks about its walls

was my city talks about its walls

was my city talks about its walls who cares about walls unless you are

who cares about walls unless you are

who cares about walls unless you are somebody who studies stonework and I’m

somebody who studies stonework and I’m

somebody who studies stonework and I’m sure it’s important and interesting work

sure it’s important and interesting work

sure it’s important and interesting work if that floats your boat but I simply

if that floats your boat but I simply

if that floats your boat but I simply don’t care about walls what I’m

don’t care about walls what I’m

don’t care about walls what I’m interested in is the stories that Gerald

interested in is the stories that Gerald

interested in is the stories that Gerald told me of the guild of women and with a

told me of the guild of women and with a

told me of the guild of women and with a wall Packers in the city because they

wall Packers in the city because they

wall Packers in the city because they had the small hands that could put the

had the small hands that could put the

had the small hands that could put the wool into the bags that were called

wool into the bags that were called

wool into the bags that were called balanced representing our relationship

balanced representing our relationship

balanced representing our relationship with the French now in the French

with the French now in the French

with the French now in the French language that they were overseen by the

language that they were overseen by the

language that they were overseen by the warden who is called Elizabeth Burgess

warden who is called Elizabeth Burgess

warden who is called Elizabeth Burgess tiny little story and suddenly my

tiny little story and suddenly my

tiny little story and suddenly my medieval city is alive to me they reach

medieval city is alive to me they reach

medieval city is alive to me they reach out through time to me

out through time to me

out through time to me they are me and I am them that’s who we

they are me and I am them that’s who we

they are me and I am them that’s who we are

are

are we are an ancient city and although

we are an ancient city and although

we are an ancient city and although that’s something that gets talked about

that’s something that gets talked about

that’s something that gets talked about in the context of York

in the context of York

in the context of York perhaps London kept us on down in France

perhaps London kept us on down in France

perhaps London kept us on down in France which I know very well the ancientness

which I know very well the ancientness

which I know very well the ancientness is a it’s a vital part of who they are

is a it’s a vital part of who they are

is a it’s a vital part of who they are but it’s not something we ever talk

but it’s not something we ever talk

but it’s not something we ever talk about we talk about walls good you’re

about we talk about walls good you’re

about we talk about walls good you’re huffing yeah you think it’s ridiculous

huffing yeah you think it’s ridiculous

huffing yeah you think it’s ridiculous as well so sometimes that self analysis

as well so sometimes that self analysis

as well so sometimes that self analysis comes in flashes but sometimes it is

comes in flashes but sometimes it is

comes in flashes but sometimes it is slow and painful and torturous and it

slow and painful and torturous and it

slow and painful and torturous and it can involve letting go of ideas about

can involve letting go of ideas about

can involve letting go of ideas about ourselves that we’ve hung on to for a

ourselves that we’ve hung on to for a

ourselves that we’ve hung on to for a long time and it can involve recognizing

long time and it can involve recognizing

long time and it can involve recognizing some uncomfortable truths about

some uncomfortable truths about

some uncomfortable truths about ourselves I find it very frustrating

ourselves I find it very frustrating

ourselves I find it very frustrating that the depths of poverty that exists

that the depths of poverty that exists

that the depths of poverty that exists in our city are never really

in our city are never really

in our city are never really acknowledged the way I described it when

acknowledged the way I described it when

acknowledged the way I described it when I say it to people I say it’s London

I say it to people I say it’s London

I say it to people I say it’s London poverty London really here yes

poverty London really here yes

poverty London really here yes London poverty and yet that’s not

London poverty and yet that’s not

London poverty and yet that’s not something I think that’s well understood

something I think that’s well understood

something I think that’s well understood about ourselves I have many many more

about ourselves I have many many more

about ourselves I have many many more examples I could bang on for hours but I

examples I could bang on for hours but I

examples I could bang on for hours but I think it takes I think what artists

think it takes I think what artists

think it takes I think what artists bring to thinking this through is a is a

bring to thinking this through is a is a

bring to thinking this through is a is a way of looking at things that can help

way of looking at things that can help

way of looking at things that can help with this question of identity so the

with this question of identity so the

with this question of identity so the artists are getting their together

artists are getting their together

artists are getting their together I’m hoping I’m allowed to say that on a

I’m hoping I’m allowed to say that on a

I’m hoping I’m allowed to say that on a TED stage

TED stage

TED stage we are organizing and we are trying to

we are organizing and we are trying to

we are organizing and we are trying to come together to offer a hive mind to

come together to offer a hive mind to

come together to offer a hive mind to the city to help investigate these

the city to help investigate these

the city to help investigate these questions because otherwise culture

questions because otherwise culture

questions because otherwise culture which is something to do isn’t it with

which is something to do isn’t it with

which is something to do isn’t it with artists output contributes hugely to

artists output contributes hugely to

artists output contributes hugely to that otherwise it becomes what I keep

that otherwise it becomes what I keep

that otherwise it becomes what I keep hearing this term art wash that simply

hearing this term art wash that simply

hearing this term art wash that simply policymakers of all sorts can say yes we

policymakers of all sorts can say yes we

policymakers of all sorts can say yes we are very Pro culture yes art is really

are very Pro culture yes art is really

are very Pro culture yes art is really important look at this building we’ve

important look at this building we’ve

important look at this building we’ve built whereas actually no one talks

built whereas actually no one talks

built whereas actually no one talks about artists audiences or art and it

about artists audiences or art and it

about artists audiences or art and it takes artists to have those

takes artists to have those

takes artists to have those conversations which is why survive it’s

conversations which is why survive it’s

conversations which is why survive it’s so vital that we get involved so it is

so vital that we get involved so it is

so vital that we get involved so it is vital I believe for my health and

vital I believe for my health and

vital I believe for my health and happiness going forward as I continue

happiness going forward as I continue

happiness going forward as I continue this artistic exploration of my own

this artistic exploration of my own

this artistic exploration of my own sense of self identity relieved of

sense of self identity relieved of

sense of self identity relieved of parental pressure and believe me I’m a

parental pressure and believe me I’m a

parental pressure and believe me I’m a parent myself I know how it goes down

parent myself I know how it goes down

parent myself I know how it goes down the generations I was much more angry

the generations I was much more angry

the generations I was much more angry than I am now but I think it’s also

than I am now but I think it’s also

than I am now but I think it’s also really important that we carry on this

really important that we carry on this

really important that we carry on this exploration of our city identity because

exploration of our city identity because

exploration of our city identity because otherwise we simply have to become what

otherwise we simply have to become what

otherwise we simply have to become what we think other people want us to be and

we think other people want us to be and

we think other people want us to be and that’s no way to live a life

”

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