
I had a driver who used to call me teacher the Sun because well he used to
teacher the Sun because well he used to
teacher the Sun because well he used to get up with me at dawn every morning
get up with me at dawn every morning
get up with me at dawn every morning before dawn to photograph and he was
before dawn to photograph and he was
before dawn to photograph and he was also it was just accustomed to my
also it was just accustomed to my
also it was just accustomed to my obsession with how the light was falling
obsession with how the light was falling
obsession with how the light was falling so this is what he called me Oh Stassi
so this is what he called me Oh Stassi
so this is what he called me Oh Stassi a’tall chumps which means teacher of the
a’tall chumps which means teacher of the
a’tall chumps which means teacher of the Sun in Arabic
I’ve been taking pictures since I was a
I’ve been taking pictures since I was a little girl about really six and a half
little girl about really six and a half
little girl about really six and a half seven years old and then got a little
seven years old and then got a little
seven years old and then got a little more serious about it when I was not on
more serious about it when I was not on
more serious about it when I was not on your so hope my father really taught me
your so hope my father really taught me
your so hope my father really taught me a lot he was a movie director and a
a lot he was a movie director and a
a lot he was a movie director and a movie editor he would do things like
movie editor he would do things like
movie editor he would do things like when he was making a movie he would let
when he was making a movie he would let
when he was making a movie he would let me sit on his lap while he was editing
me sit on his lap while he was editing
me sit on his lap while he was editing it and let me make cuts and he’d tell me
it and let me make cuts and he’d tell me
it and let me make cuts and he’d tell me why this film was being cut in that
why this film was being cut in that
why this film was being cut in that place in order to tell a story in this
place in order to tell a story in this
place in order to tell a story in this way or that way and he also used to
way or that way and he also used to
way or that way and he also used to dissect wife magazine with me this
dissect wife magazine with me this
dissect wife magazine with me this pictures run large for this reason and
pictures run large for this reason and
pictures run large for this reason and this small for this reason here’s the
this small for this reason here’s the
this small for this reason here’s the establishing shot so he really
establishing shot so he really
establishing shot so he really influenced me very deeply very young
I’m primarily a journalist but in order
I’m primarily a journalist but in order to tell the stories I need to tell in
to tell the stories I need to tell in
to tell the stories I need to tell in order to touch people I need to be able
order to touch people I need to be able
order to touch people I need to be able to express myself and it expressed the
to express myself and it expressed the
to express myself and it expressed the stories I’m seeing in an artistic form
stories I’m seeing in an artistic form
stories I’m seeing in an artistic form and that’s nothing that you know
and that’s nothing that you know
and that’s nothing that you know necessarily thought out is specifically
necessarily thought out is specifically
necessarily thought out is specifically in that way it’s just something that I
in that way it’s just something that I
in that way it’s just something that I know how to do its just using the camera
know how to do its just using the camera
know how to do its just using the camera but it’s a very fluid thing for me it’s
but it’s a very fluid thing for me it’s
but it’s a very fluid thing for me it’s a very natural form of expression it’s
a very natural form of expression it’s
a very natural form of expression it’s not abstract to me people can jump right
not abstract to me people can jump right
not abstract to me people can jump right through that lens at me and I I can my
through that lens at me and I I can my
through that lens at me and I I can my heart goes out through that lens to them
heart goes out through that lens to them
heart goes out through that lens to them and hopefully that ends up on film and
and hopefully that ends up on film and
and hopefully that ends up on film and and that becomes something that somebody
and that becomes something that somebody
and that becomes something that somebody at their breakfast table opens and
at their breakfast table opens and
at their breakfast table opens and magazine and sees data and learn
magazine and sees data and learn
magazine and sees data and learn something about another part of the
something about another part of the
something about another part of the world and other people something that I
world and other people something that I
world and other people something that I really try to capture is everything
really try to capture is everything
really try to capture is everything that’s happening in life it’s not only
that’s happening in life it’s not only
that’s happening in life it’s not only the center of the photograph but it’s
the center of the photograph but it’s
the center of the photograph but it’s what’s coming in on the side and in some
what’s coming in on the side and in some
what’s coming in on the side and in some ways it’s very much like music you know
ways it’s very much like music you know
ways it’s very much like music you know it’s like there are different layers and
it’s like there are different layers and
it’s like there are different layers and paths that kind of tell a story with in
paths that kind of tell a story with in
paths that kind of tell a story with in one piece of music and I try to embed
one piece of music and I try to embed
one piece of music and I try to embed that in a photograph in a way so pure
that in a photograph in a way so pure
that in a photograph in a way so pure pleasure for me to make pictures I love
pleasure for me to make pictures I love
pleasure for me to make pictures I love making photographs and and getting to
making photographs and and getting to
making photographs and and getting to know people around the world just even
know people around the world just even
know people around the world just even shopping for your groceries it’s a
shopping for your groceries it’s a
shopping for your groceries it’s a wonderful thing because that’s your life
wonderful thing because that’s your life
wonderful thing because that’s your life you’re living in Moscow or you’re living
you’re living in Moscow or you’re living
you’re living in Moscow or you’re living in Gaza and your those shopkeepers are
in Gaza and your those shopkeepers are
in Gaza and your those shopkeepers are your shopkeepers and then those people
your shopkeepers and then those people
your shopkeepers and then those people on the front lines become your neighbors
on the front lines become your neighbors
on the front lines become your neighbors that’s a whole different way of relating
that’s a whole different way of relating
that’s a whole different way of relating to people than just dropping in on us
to people than just dropping in on us
to people than just dropping in on us Dori and seeing them for two weeks which
Dori and seeing them for two weeks which
Dori and seeing them for two weeks which you can also end up with profound
you can also end up with profound
you can also end up with profound pictures that way obviously because
pictures that way obviously because
pictures that way obviously because you’re trained to do it and that’s what
you’re trained to do it and that’s what
you’re trained to do it and that’s what you do and but it adds another personal
you do and but it adds another personal
you do and but it adds another personal level to it when you live there
if you work in conflict situations year
if you work in conflict situations year after year after year obviously you have
after year after year obviously you have
after year after year obviously you have to have the Constitution for it and it
to have the Constitution for it and it
to have the Constitution for it and it has to feel somewhat comfortable to you
has to feel somewhat comfortable to you
has to feel somewhat comfortable to you to be in those situations that doesn’t
to be in those situations that doesn’t
to be in those situations that doesn’t mean that I didn’t get scared of course
mean that I didn’t get scared of course
mean that I didn’t get scared of course I did I mean there were times when I got
I did I mean there were times when I got
I did I mean there were times when I got scared when I shouldn’t have been and
scared when I shouldn’t have been and
scared when I shouldn’t have been and sometimes I wasn’t afraid when I should
sometimes I wasn’t afraid when I should
sometimes I wasn’t afraid when I should have been and other times you know you
have been and other times you know you
have been and other times you know you know I just didn’t feel afraid most of
know I just didn’t feel afraid most of
know I just didn’t feel afraid most of the time I didn’t and usually you’re so
the time I didn’t and usually you’re so
the time I didn’t and usually you’re so busy trying to make a really good
busy trying to make a really good
busy trying to make a really good picture out of chaos and watching your
picture out of chaos and watching your
picture out of chaos and watching your back watching your partner’s back that
back watching your partner’s back that
back watching your partner’s back that it’s just it is it does become
it’s just it is it does become
it’s just it is it does become instinctive I don’t think about failure
instinctive I don’t think about failure
instinctive I don’t think about failure I don’t imagine failure I don’t that
I don’t imagine failure I don’t that
I don’t imagine failure I don’t that does work comes into the picture for me
does work comes into the picture for me
does work comes into the picture for me I take an assignment or give myself an
I take an assignment or give myself an
I take an assignment or give myself an assignment and I do it and I just if I
assignment and I do it and I just if I
assignment and I do it and I just if I encounter resistance I’m just very
encounter resistance I’m just very
encounter resistance I’m just very persistent
persistent
persistent I try to mix up my aesthetics you know I
I try to mix up my aesthetics you know I
I try to mix up my aesthetics you know I tried to react to what I’m seeing
tried to react to what I’m seeing
tried to react to what I’m seeing whether the situation calls for portrait
whether the situation calls for portrait
whether the situation calls for portrait or it calls for just being a fly on the
or it calls for just being a fly on the
or it calls for just being a fly on the wall letting things unfold I love to use
wall letting things unfold I love to use
wall letting things unfold I love to use a wide angle lens and i love the
a wide angle lens and i love the
a wide angle lens and i love the complexity of life just as it unfolds I
complexity of life just as it unfolds I
complexity of life just as it unfolds I don’t you know I’m not that crazy about
don’t you know I’m not that crazy about
don’t you know I’m not that crazy about studio photography and things like that
studio photography and things like that
studio photography and things like that I like reality you know it’s one of the
I like reality you know it’s one of the
I like reality you know it’s one of the great joys of photography it’s floating
great joys of photography it’s floating
great joys of photography it’s floating so you this day is just to street you
so you this day is just to street you
so you this day is just to street you and whatever comes toward me and I come
and whatever comes toward me and I come
and whatever comes toward me and I come toward it and what happens in that
toward it and what happens in that
toward it and what happens in that moment ends up being the picture and
moment ends up being the picture and
moment ends up being the picture and that’s a wonderful thing it’s not
that’s a wonderful thing it’s not
that’s a wonderful thing it’s not planned at all I had a very very very
planned at all I had a very very very
planned at all I had a very very very deep commitment to telling stories about
deep commitment to telling stories about
deep commitment to telling stories about people who were struggling for freedom
people who were struggling for freedom
people who were struggling for freedom basically I felt committed to to follow
basically I felt committed to to follow
basically I felt committed to to follow those stories and to capture them and I
those stories and to capture them and I
those stories and to capture them and I think there’s a personal satisfaction in
think there’s a personal satisfaction in
think there’s a personal satisfaction in being able to make a visually
being able to make a visually
being able to make a visually comprehensible document something that
comprehensible document something that
comprehensible document something that speaks to people in that kind of chaos
there’s another memoir me I think
there’s another memoir me I think because there are all those places that
because there are all those places that
because there are all those places that aren’t in the Muslim world the Muslim
aren’t in the Muslim world the Muslim
aren’t in the Muslim world the Muslim world that’s a path within my work but
world that’s a path within my work but
world that’s a path within my work but there are all those other places too and
there are all those other places too and
there are all those other places too and experiences to which I want to write
experiences to which I want to write
experiences to which I want to write about and share with people
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