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Cultural Fashion: Transform the Fashion Industry From Villain to Hero | Monica Boța-Moisin | TEDxTUM


[Music]

[Music] [Applause]

[Applause]

[Applause] [Music]

this was a bit unexpected wasn’t it for

this was a bit unexpected wasn’t it for many of us irrespective of age this be

many of us irrespective of age this be

many of us irrespective of age this be this can be a rather difficult question

this can be a rather difficult question

this can be a rather difficult question to answer my name is Monika

to answer my name is Monika

to answer my name is Monika I’m 27 years old and I’m a lawyer now I

I’m 27 years old and I’m a lawyer now I

I’m 27 years old and I’m a lawyer now I know this sounds rather conventional but

know this sounds rather conventional but

know this sounds rather conventional but there is a catch

there is a catch

there is a catch as a lawyer I focus on fascinating

as a lawyer I focus on fascinating

as a lawyer I focus on fascinating challenging a new field of law I call

challenging a new field of law I call

challenging a new field of law I call cultural intellectual property law this

cultural intellectual property law this

cultural intellectual property law this makes me the only one in Romania

makes me the only one in Romania

makes me the only one in Romania and one of maybe 2% of the worldwide

and one of maybe 2% of the worldwide

and one of maybe 2% of the worldwide supply of lawyers that focus on issues

supply of lawyers that focus on issues

supply of lawyers that focus on issues related to this field I don’t have a set

related to this field I don’t have a set

related to this field I don’t have a set in stone answer for what I want to be

in stone answer for what I want to be

in stone answer for what I want to be when I grow up but I know what I want to

when I grow up but I know what I want to

when I grow up but I know what I want to grow up doing and this is what I came to

grow up doing and this is what I came to

grow up doing and this is what I came to share how my passion for traditional

share how my passion for traditional

share how my passion for traditional textiles and design has led to a mission

textiles and design has led to a mission

textiles and design has led to a mission of building bridges between the fashion

of building bridges between the fashion

of building bridges between the fashion industry and traditional creative

industry and traditional creative

industry and traditional creative communities in 2015 while collaborating

communities in 2015 while collaborating

communities in 2015 while collaborating with a reputed law firm in Bucharest I

with a reputed law firm in Bucharest I

with a reputed law firm in Bucharest I started to seriously question the

started to seriously question the

started to seriously question the direction of my career path the field of

direction of my career path the field of

direction of my career path the field of law that always attracted me was

law that always attracted me was

law that always attracted me was intellectual property law you know

intellectual property law you know

intellectual property law you know patents copyright mucks register design

patents copyright mucks register design

patents copyright mucks register design but there was also fashion an industry I

but there was also fashion an industry I

but there was also fashion an industry I had long been attracted to both as a

had long been attracted to both as a

had long been attracted to both as a consumer and as a professional from

consumer and as a professional from

consumer and as a professional from conception of design production supply

conception of design production supply

conception of design production supply chain distribution marketing strategies

chain distribution marketing strategies

chain distribution marketing strategies or employment the fashion business is a

or employment the fashion business is a

or employment the fashion business is a prodigious source of legal challenges to

prodigious source of legal challenges to

prodigious source of legal challenges to figure things out I went to spend some

figure things out I went to spend some

figure things out I went to spend some time with my grandmother I wanted to

time with my grandmother I wanted to

time with my grandmother I wanted to find out more about our family history

find out more about our family history

find out more about our family history hoping that in the process I would find

hoping that in the process I would find

hoping that in the process I would find clarity as to which direction to take

clarity as to which direction to take

clarity as to which direction to take professionally this always works out

professionally this always works out

professionally this always works out well in the movies and somehow it worked

well in the movies and somehow it worked

well in the movies and somehow it worked out well for me too every time I go to

out well for me too every time I go to

out well for me too every time I go to visit my grandmother we opened the

visit my grandmother we opened the

visit my grandmother we opened the treasure chest

treasure chest

treasure chest this is a big old wooden handcrafted box

this is a big old wooden handcrafted box

this is a big old wooden handcrafted box full of traditional clothing that

full of traditional clothing that

full of traditional clothing that belonged

belonged

belonged my grandmother and her parents she likes

my grandmother and her parents she likes

my grandmother and her parents she likes me to dress up in these and as I do she

me to dress up in these and as I do she

me to dress up in these and as I do she inevitably starts sharing life stories

inevitably starts sharing life stories

inevitably starts sharing life stories it’s like a trip down memory lane only

it’s like a trip down memory lane only

it’s like a trip down memory lane only that this time I asked her to tell me

that this time I asked her to tell me

that this time I asked her to tell me more about the clothes I was wearing

more about the clothes I was wearing

more about the clothes I was wearing talk me through the embroidery

talk me through the embroidery

talk me through the embroidery techniques the symbols and their

techniques the symbols and their

techniques the symbols and their meanings the colors used she had to

meanings the colors used she had to

meanings the colors used she had to explain why some designs were more

explain why some designs were more

explain why some designs were more elaborate than others how long it took

elaborate than others how long it took

elaborate than others how long it took to create them when and how she learned

to create them when and how she learned

to create them when and how she learned these techniques and this art I realized

these techniques and this art I realized

these techniques and this art I realized that traditional dress making is an art

that traditional dress making is an art

that traditional dress making is an art that transcends aesthetics and it would

that transcends aesthetics and it would

that transcends aesthetics and it would be a huge mistake for us Millennials to

be a huge mistake for us Millennials to

be a huge mistake for us Millennials to ignore the source of knowledge this was

ignore the source of knowledge this was

ignore the source of knowledge this was an amazing realization but it only sold

an amazing realization but it only sold

an amazing realization but it only sold half of my puzzle for the other half and

half of my puzzle for the other half and

half of my puzzle for the other half and you maybe figured it out already I would

you maybe figured it out already I would

you maybe figured it out already I would always be grateful to Adele the singer

always be grateful to Adele the singer

always be grateful to Adele the singer it was this picture of her wearing a

it was this picture of her wearing a

it was this picture of her wearing a traditional house designed by Tom Ford

traditional house designed by Tom Ford

traditional house designed by Tom Ford that looked very much like a traditional

that looked very much like a traditional

that looked very much like a traditional Romanian blouse that made me realize and

Romanian blouse that made me realize and

Romanian blouse that made me realize and convince me that my mission was to help

convince me that my mission was to help

convince me that my mission was to help artisans and traditional creative

artisans and traditional creative

artisans and traditional creative communities to promote their traditional

communities to promote their traditional

communities to promote their traditional designs and legally protect these

designs and legally protect these

designs and legally protect these traditional designs against

traditional designs against

traditional designs against misappropriation and unfair commercial

misappropriation and unfair commercial

misappropriation and unfair commercial exploitation now let me explain what

exploitation now let me explain what

exploitation now let me explain what exactly triggered this Epiphany when

exactly triggered this Epiphany when

exactly triggered this Epiphany when this picture was featured in vogue

this picture was featured in vogue

this picture was featured in vogue everyone was discussing the similarity

everyone was discussing the similarity

everyone was discussing the similarity to the Romanian blouse and was of the

to the Romanian blouse and was of the

to the Romanian blouse and was of the opinion that we should be honored that

opinion that we should be honored that

opinion that we should be honored that that designer like Tom Ford found

that designer like Tom Ford found

that designer like Tom Ford found inspiration in our culture but I

inspiration in our culture but I

inspiration in our culture but I couldn’t understand two things

couldn’t understand two things

couldn’t understand two things why didn’t Tom Ford give proper credit

why didn’t Tom Ford give proper credit

why didn’t Tom Ford give proper credit to the Romanian culture as a source of

to the Romanian culture as a source of

to the Romanian culture as a source of inspiration and secondly how was it

inspiration and secondly how was it

inspiration and secondly how was it possible to commercialize a design that

possible to commercialize a design that

possible to commercialize a design that is so similar to an element of identity

is so similar to an element of identity

is so similar to an element of identity of a community and put a brand label on

of a community and put a brand label on

of a community and put a brand label on it to me it felt a bit like plagiarism

it to me it felt a bit like plagiarism

it to me it felt a bit like plagiarism which is the practice of taking someone

which is the practice of taking someone

which is the practice of taking someone else’s work or ideas and passing them

else’s work or ideas and passing them

else’s work or ideas and passing them off as your own and since plagiarism is

off as your own and since plagiarism is

off as your own and since plagiarism is a crime on the Romanian law and in fact

a crime on the Romanian law and in fact

a crime on the Romanian law and in fact in any other jurisdiction I couldn’t

in any other jurisdiction I couldn’t

in any other jurisdiction I couldn’t understand why was there no national

understand why was there no national

understand why was there no national policy dealing with such behavior when

policy dealing with such behavior when

policy dealing with such behavior when it come to when it comes to traditional

it come to when it comes to traditional

it come to when it comes to traditional textiles design that’s when I joined the

textiles design that’s when I joined the

textiles design that’s when I joined the online community lob loose roman lob

online community lob loose roman lob

online community lob loose roman lob loose Roman invites people all over the

loose Roman invites people all over the

loose Roman invites people all over the world to celebrate the universal day of

world to celebrate the universal day of

world to celebrate the universal day of the Romanian blouse every year on the

the Romanian blouse every year on the

the Romanian blouse every year on the 24th of June with over 180 thousand

24th of June with over 180 thousand

24th of June with over 180 thousand members on Facebook this year lob loose

members on Facebook this year lob loose

members on Facebook this year lob loose Roman initiated the give credit campaign

Roman initiated the give credit campaign

Roman initiated the give credit campaign asking contemporary designers to honor

asking contemporary designers to honor

asking contemporary designers to honor traditional design that inspires them

traditional design that inspires them

traditional design that inspires them this call for cultural empathy had a

this call for cultural empathy had a

this call for cultural empathy had a ripple effect people from all around the

ripple effect people from all around the

ripple effect people from all around the world joined this cause and on June 24th

world joined this cause and on June 24th

world joined this cause and on June 24th changed their profile picture with one

changed their profile picture with one

changed their profile picture with one in which they were wearing traditional

in which they were wearing traditional

in which they were wearing traditional clothing and a placard with the hashtag

clothing and a placard with the hashtag

clothing and a placard with the hashtag give credit give credit is the first

give credit give credit is the first

give credit give credit is the first step but I believe it isn’t enough in

step but I believe it isn’t enough in

step but I believe it isn’t enough in the absence of any form of economic

the absence of any form of economic

the absence of any form of economic compensation for the source community

compensation for the source community

compensation for the source community this is still cultural misappropriation

this is still cultural misappropriation

this is still cultural misappropriation a form of intellectual theft

a form of intellectual theft

a form of intellectual theft you might be thinking now why is it such

you might be thinking now why is it such

you might be thinking now why is it such a big deal at the end of the day fashion

a big deal at the end of the day fashion

a big deal at the end of the day fashion has become to a great extent a copycat

has become to a great extent a copycat

has become to a great extent a copycat industry far from being just a trend

industry far from being just a trend

industry far from being just a trend fashion inspired from traditional

fashion inspired from traditional

fashion inspired from traditional designs is present on the catwalk now

designs is present on the catwalk now

designs is present on the catwalk now every season in the past 10 years it has

every season in the past 10 years it has

every season in the past 10 years it has surpassed just inspiration status and

surpassed just inspiration status and

surpassed just inspiration status and has become predominantly exploited it

has become predominantly exploited it

has become predominantly exploited it when I say exploitive what I mean is

when I say exploitive what I mean is

when I say exploitive what I mean is that profits resulting from the sale of

that profits resulting from the sale of

that profits resulting from the sale of the copies of traditional designs

the copies of traditional designs

the copies of traditional designs returned exclusively to the fashion

returned exclusively to the fashion

returned exclusively to the fashion house and the case of Tom Ford and the

house and the case of Tom Ford and the

house and the case of Tom Ford and the Romanian blouse is not singular this

Romanian blouse is not singular this

Romanian blouse is not singular this Mexican blouse pertaining to the oaxaca

Mexican blouse pertaining to the oaxaca

Mexican blouse pertaining to the oaxaca community in mexico was misappropriated

community in mexico was misappropriated

community in mexico was misappropriated by french designer is a meringue so was

by french designer is a meringue so was

by french designer is a meringue so was this traditional shamanic innovate parka

this traditional shamanic innovate parka

this traditional shamanic innovate parka copied without permission by a UK

copied without permission by a UK

copied without permission by a UK fashion label in 2012 Louie Vito

fashion label in 2012 Louie Vito

fashion label in 2012 Louie Vito introduced in their spring summer’s

introduced in their spring summer’s

introduced in their spring summer’s man’s collection designs inspired by the

man’s collection designs inspired by the

man’s collection designs inspired by the Masai Ashoka

Masai Ashoka

Masai Ashoka and the summer was prolific in stolen

and the summer was prolific in stolen

and the summer was prolific in stolen Romanian designs tory burch introduced

Romanian designs tory burch introduced

Romanian designs tory burch introduced in her 2018 resort collection an

in her 2018 resort collection an

in her 2018 resort collection an identical copy of a twentieth-century

identical copy of a twentieth-century

identical copy of a twentieth-century romanian coat and my favorite example is

romanian coat and my favorite example is

romanian coat and my favorite example is the traditional Romanian sheepskin vest

the traditional Romanian sheepskin vest

the traditional Romanian sheepskin vest copied by Dior interestingly enough the

copied by Dior interestingly enough the

copied by Dior interestingly enough the vest comes from Bihar County which is

vest comes from Bihar County which is

vest comes from Bihar County which is the geographical region where I was born

the geographical region where I was born

the geographical region where I was born and where my family comes from and

and where my family comes from and

and where my family comes from and interestingly enough before you’re they

interestingly enough before you’re they

interestingly enough before you’re they somehow rhyme the fashion industry calls

somehow rhyme the fashion industry calls

somehow rhyme the fashion industry calls this inspiration from traditional design

this inspiration from traditional design

this inspiration from traditional design at no fashion or ethnic fashion but

at no fashion or ethnic fashion but

at no fashion or ethnic fashion but there’s a very fine line between finding

there’s a very fine line between finding

there’s a very fine line between finding inspiration and reinterpreting cultural

inspiration and reinterpreting cultural

inspiration and reinterpreting cultural symbolism and dilution of culture by

symbolism and dilution of culture by

symbolism and dilution of culture by losing track of the origin and the

losing track of the origin and the

losing track of the origin and the symbolism the magic of traditional

symbolism the magic of traditional

symbolism the magic of traditional textile designs is that they are bearers

textile designs is that they are bearers

textile designs is that they are bearers of a sacred language

of a sacred language

of a sacred language anthropologically traditional garments

anthropologically traditional garments

anthropologically traditional garments and clothing tell the story of a

and clothing tell the story of a

and clothing tell the story of a community they are representative of the

community they are representative of the

community they are representative of the identity of the community they tell the

identity of the community they tell the

identity of the community they tell the story of the people who wear them and of

story of the people who wear them and of

story of the people who wear them and of those who made them in legal terminology

those who made them in legal terminology

those who made them in legal terminology these elements of traditional design are

these elements of traditional design are

these elements of traditional design are known as traditional cultural

known as traditional cultural

known as traditional cultural expressions or expressions of folklore

expressions or expressions of folklore

expressions or expressions of folklore unlike other creations of the mind which

unlike other creations of the mind which

unlike other creations of the mind which are protected to intellectual property

are protected to intellectual property

are protected to intellectual property mechanisms such as copyright trademarks

mechanisms such as copyright trademarks

mechanisms such as copyright trademarks register design patents traditional

register design patents traditional

register design patents traditional cultural expressions are not protected

cultural expressions are not protected

cultural expressions are not protected by law today almost any good or service

by law today almost any good or service

by law today almost any good or service that is commercialized is protected by

that is commercialized is protected by

that is commercialized is protected by trademark even a sound or a hologram the

trademark even a sound or a hologram the

trademark even a sound or a hologram the appearance of a product its shape colors

appearance of a product its shape colors

appearance of a product its shape colors patterns can be registered as a design

patterns can be registered as a design

patterns can be registered as a design but not traditional cultural expressions

but not traditional cultural expressions

but not traditional cultural expressions they are open source this is not only a

they are open source this is not only a

they are open source this is not only a paradox but a highly unjust situation if

paradox but a highly unjust situation if

paradox but a highly unjust situation if we take European law for example we can

we take European law for example we can

we take European law for example we can conclude the following traditional

conclude the following traditional

conclude the following traditional design

design

design is not protected by law so anyone is

is not protected by law so anyone is

is not protected by law so anyone is free to copy it the designer can then

free to copy it the designer can then

free to copy it the designer can then commercially exploit the copy design the

commercially exploit the copy design the

commercially exploit the copy design the misappropriated design without

misappropriated design without

misappropriated design without restrictions the copy is protected

restrictions the copy is protected

restrictions the copy is protected through the designer trademark so

through the designer trademark so

through the designer trademark so hypothetically the designer could take

hypothetically the designer could take

hypothetically the designer could take legal action against anyone who is

legal action against anyone who is

legal action against anyone who is copying the copied design do you think

copying the copied design do you think

copying the copied design do you think this is culturally sustainable your

this is culturally sustainable your

this is culturally sustainable your belief is extremely important because it

belief is extremely important because it

belief is extremely important because it will influence our tomorrow this is not

will influence our tomorrow this is not

will influence our tomorrow this is not a topic for lawyers only personally

a topic for lawyers only personally

a topic for lawyers only personally looking at the facts I feel that the

looking at the facts I feel that the

looking at the facts I feel that the fashion industry is becoming the villain

fashion industry is becoming the villain

fashion industry is becoming the villain and not in a Robin Hood style taking

and not in a Robin Hood style taking

and not in a Robin Hood style taking from the rich and giving to the poor but

from the rich and giving to the poor but

from the rich and giving to the poor but doing exactly the opposite some of the

doing exactly the opposite some of the

doing exactly the opposite some of the communities whose designs were copied

communities whose designs were copied

communities whose designs were copied went to court but in all cases success

went to court but in all cases success

went to court but in all cases success depends solely on the ingenuity of the

depends solely on the ingenuity of the

depends solely on the ingenuity of the lawyers as there is no national or

lawyers as there is no national or

lawyers as there is no national or international framework designed to deal

international framework designed to deal

international framework designed to deal specifically with these cases the World

specifically with these cases the World

specifically with these cases the World Intellectual Property Organization has

Intellectual Property Organization has

Intellectual Property Organization has been struggling for the past 20 years to

been struggling for the past 20 years to

been struggling for the past 20 years to reach an international agreement for the

reach an international agreement for the

reach an international agreement for the protection of traditional cultural

protection of traditional cultural

protection of traditional cultural expressions and expressions of folklore

expressions and expressions of folklore

expressions and expressions of folklore but Western society in particular is

but Western society in particular is

but Western society in particular is hostile to the idea so I realized there

hostile to the idea so I realized there

hostile to the idea so I realized there would not be enough time to wait for

would not be enough time to wait for

would not be enough time to wait for what I want to grow up doing to be

what I want to grow up doing to be

what I want to grow up doing to be created

created

created I must contribute to creating it but how

I must contribute to creating it but how

I must contribute to creating it but how to create law this requires a paradigm

to create law this requires a paradigm

to create law this requires a paradigm change in the fashion industry start

change in the fashion industry start

change in the fashion industry start seeing the artisans as partners not as

seeing the artisans as partners not as

seeing the artisans as partners not as competitors what if a new mesh mission

competitors what if a new mesh mission

competitors what if a new mesh mission of the fashion industry would be to save

of the fashion industry would be to save

of the fashion industry would be to save traditional craftsmanship to prevent the

traditional craftsmanship to prevent the

traditional craftsmanship to prevent the loss of traditional cultural expressions

loss of traditional cultural expressions

loss of traditional cultural expressions and reduce or even eliminate culturally

and reduce or even eliminate culturally

and reduce or even eliminate culturally appropriate behavior I call this the

appropriate behavior I call this the

appropriate behavior I call this the approach from the other side stop being

approach from the other side stop being

approach from the other side stop being the one that takes advantage and instead

the one that takes advantage and instead

the one that takes advantage and instead be the one that offers advantages value

be the one that offers advantages value

be the one that offers advantages value today at almost three trillion dollars

today at almost three trillion dollars

today at almost three trillion dollars that is three thousand billion dollars

that is three thousand billion dollars

that is three thousand billion dollars if fashion was a country it

if fashion was a country it

if fashion was a country it be the fifth richest economy in the

be the fifth richest economy in the

be the fifth richest economy in the world this means there is money to

world this means there is money to

world this means there is money to invest what we should aim for is fashion

invest what we should aim for is fashion

invest what we should aim for is fashion collections that promote culture and

collections that promote culture and

collections that promote culture and ensure the transmission of traditional

ensure the transmission of traditional

ensure the transmission of traditional knowledge from generation to generation

knowledge from generation to generation

knowledge from generation to generation this concept can work both for the

this concept can work both for the

this concept can work both for the benefit of the fashion house as the

benefit of the fashion house as the

benefit of the fashion house as the initial investment investor and that of

initial investment investor and that of

initial investment investor and that of the local community the provider of the

the local community the provider of the

the local community the provider of the know-how instead of the plagiarism

know-how instead of the plagiarism

know-how instead of the plagiarism scenario imagine Isabel maroon had

scenario imagine Isabel maroon had

scenario imagine Isabel maroon had actually gone to the Oaxaca community in

actually gone to the Oaxaca community in

actually gone to the Oaxaca community in Mexico and together with the women

Mexico and together with the women

Mexico and together with the women artisans of the community had produced a

artisans of the community had produced a

artisans of the community had produced a new design inspired by the Mexican

new design inspired by the Mexican

new design inspired by the Mexican blouse following a contemporary design

blouse following a contemporary design

blouse following a contemporary design and traditional craftsmanship today the

and traditional craftsmanship today the

and traditional craftsmanship today the morrow Italia’s would be ambassadors of

morrow Italia’s would be ambassadors of

morrow Italia’s would be ambassadors of mexican embroidery techniques and part

mexican embroidery techniques and part

mexican embroidery techniques and part of the profits would be redistributed to

of the profits would be redistributed to

of the profits would be redistributed to the community to be invested in

the community to be invested in

the community to be invested in facilities cultural development

facilities cultural development

facilities cultural development opportunities or any other thing based

opportunities or any other thing based

opportunities or any other thing based on the needs of the respective community

on the needs of the respective community

on the needs of the respective community imagine fashion titans such as Maison do

imagine fashion titans such as Maison do

imagine fashion titans such as Maison do Valentino Prada Louie Vuitton

Valentino Prada Louie Vuitton

Valentino Prada Louie Vuitton introducing in their business

introducing in their business

introducing in their business development plans a new line dedicated

development plans a new line dedicated

development plans a new line dedicated specifically to cultural fashion each

specifically to cultural fashion each

specifically to cultural fashion each such collection would be based on a

such collection would be based on a

such collection would be based on a collaboration with an artisan a local

collaboration with an artisan a local

collaboration with an artisan a local community a tribe traditional techniques

community a tribe traditional techniques

community a tribe traditional techniques would be documented and passed on to

would be documented and passed on to

would be documented and passed on to young artisans and designers this would

young artisans and designers this would

young artisans and designers this would mean cultural and financial

mean cultural and financial

mean cultural and financial sustainability for a large number of

sustainability for a large number of

sustainability for a large number of traditional creative communities and a

traditional creative communities and a

traditional creative communities and a healthy direction for the fashion

healthy direction for the fashion

healthy direction for the fashion industry which would become a vital

industry which would become a vital

industry which would become a vital partner in supporting the survival of

partner in supporting the survival of

partner in supporting the survival of these communities and their skill the

these communities and their skill the

these communities and their skill the difference between cultural fashion and

difference between cultural fashion and

difference between cultural fashion and ethnic fashion is that ethnic fashion

ethnic fashion is that ethnic fashion

ethnic fashion is that ethnic fashion uses traditional design without the

uses traditional design without the

uses traditional design without the consent of the source community whilst

consent of the source community whilst

consent of the source community whilst cultural fashion uses the participation

cultural fashion uses the participation

cultural fashion uses the participation of the source community in developing

of the source community in developing

of the source community in developing new designs that promote that culture

new designs that promote that culture

new designs that promote that culture the good news is the

the good news is the

the good news is the a movement supporting artisan designer

a movement supporting artisan designer

a movement supporting artisan designer collaborations is taking contour many

collaborations is taking contour many

collaborations is taking contour many contemporary fashion startups truly

contemporary fashion startups truly

contemporary fashion startups truly embrace the concept of cultural fashion

embrace the concept of cultural fashion

embrace the concept of cultural fashion an inspiring the ample is indigo people

an inspiring the ample is indigo people

an inspiring the ample is indigo people and I’m actually wearing one of their

and I’m actually wearing one of their

and I’m actually wearing one of their creations today

creations today

creations today indigo people was founded to support

indigo people was founded to support

indigo people was founded to support artisans that are losing their cultural

artisans that are losing their cultural

artisans that are losing their cultural heritage they work with people from Asia

heritage they work with people from Asia

heritage they work with people from Asia India and they produce together

India and they produce together

India and they produce together contemporary design using using

contemporary design using using

contemporary design using using traditional craftsmanship their business

traditional craftsmanship their business

traditional craftsmanship their business model is based on a benefit sharing

model is based on a benefit sharing

model is based on a benefit sharing scheme that involves investment in the

scheme that involves investment in the

scheme that involves investment in the local community in the form of

local community in the form of

local community in the form of facilities and training opportunities

facilities and training opportunities

facilities and training opportunities this benefit sharing business model can

this benefit sharing business model can

this benefit sharing business model can be replicated on a larger scale to build

be replicated on a larger scale to build

be replicated on a larger scale to build these bridges between the fashion

these bridges between the fashion

these bridges between the fashion industry and the artisans we must act as

industry and the artisans we must act as

industry and the artisans we must act as mediators and help the communities of

mediators and help the communities of

mediators and help the communities of artisans organize we must go out there

artisans organize we must go out there

artisans organize we must go out there where the know-how is and the skills are

where the know-how is and the skills are

where the know-how is and the skills are and prevent their loss as lawyers and

and prevent their loss as lawyers and

and prevent their loss as lawyers and entrepreneurs we have to create

entrepreneurs we have to create

entrepreneurs we have to create contracts and benefit sharing schemes

contracts and benefit sharing schemes

contracts and benefit sharing schemes that ensure the fair distribution of

that ensure the fair distribution of

that ensure the fair distribution of intellectual property rights and

intellectual property rights and

intellectual property rights and cultural intellectual property rights as

cultural intellectual property rights as

cultural intellectual property rights as crazy as this may sound this is what I

crazy as this may sound this is what I

crazy as this may sound this is what I want to grow up doing I hope you’re

want to grow up doing I hope you’re

want to grow up doing I hope you’re asking yourselves now why is this

asking yourselves now why is this

asking yourselves now why is this relevant to me let me show you something

the Romanian blouse a very special gift

the Romanian blouse a very special gift I received on my 26th birthday take a

I received on my 26th birthday take a

I received on my 26th birthday take a moment to admire it the embroidery

moment to admire it the embroidery

moment to admire it the embroidery speaks to you before you can read its

speaks to you before you can read its

speaks to you before you can read its language it talks about life about love

language it talks about life about love

language it talks about life about love and trust about origin and belonging

and trust about origin and belonging

and trust about origin and belonging about community because it’s at the

about community because it’s at the

about community because it’s at the heart and the soul of the community that

heart and the soul of the community that

heart and the soul of the community that it was born I don’t know where you come

it was born I don’t know where you come

it was born I don’t know where you come from but no matter which corner of the

from but no matter which corner of the

from but no matter which corner of the world that is I respect your cultural

world that is I respect your cultural

world that is I respect your cultural heritage and so should you traditional

heritage and so should you traditional

heritage and so should you traditional textile designs are of extraordinary

textile designs are of extraordinary

textile designs are of extraordinary value

value

value it’s centuries of traditional knowledge

it’s centuries of traditional knowledge

it’s centuries of traditional knowledge months weeks years sometimes of work

months weeks years sometimes of work

months weeks years sometimes of work focus and mindfulness embodied in these

focus and mindfulness embodied in these

focus and mindfulness embodied in these can we imagine the word of tomorrow

can we imagine the word of tomorrow

can we imagine the word of tomorrow without them I don’t want to if you want

without them I don’t want to if you want

without them I don’t want to if you want to transmit this knowledge to future

to transmit this knowledge to future

to transmit this knowledge to future generations

generations

generations we must find solutions and here is where

we must find solutions and here is where

we must find solutions and here is where the fashion industry can act as our

the fashion industry can act as our

the fashion industry can act as our partner but for that it needs a reform

partner but for that it needs a reform

partner but for that it needs a reform as a consumer you have the power to

as a consumer you have the power to

as a consumer you have the power to reform the fashion industry and advocate

reform the fashion industry and advocate

reform the fashion industry and advocate for cultural sustainability by the

for cultural sustainability by the

for cultural sustainability by the choices you make and by the questions

choices you make and by the questions

choices you make and by the questions you ask changing the paradigm from

you ask changing the paradigm from

you ask changing the paradigm from competition to collaboration starts with

competition to collaboration starts with

competition to collaboration starts with you next time you have to make a choice

you next time you have to make a choice

you next time you have to make a choice between ethnic fashion and at no fashion

between ethnic fashion and at no fashion

between ethnic fashion and at no fashion which one will you choose choose to care

which one will you choose choose to care

which one will you choose choose to care about what you wear about how it’s made

about what you wear about how it’s made

about what you wear about how it’s made and what is the true cost of fashion

and what is the true cost of fashion

and what is the true cost of fashion rethink the way you look at traditional

rethink the way you look at traditional

rethink the way you look at traditional craftsmanship you will understand its

craftsmanship you will understand its

craftsmanship you will understand its meaning respect textile cultural

meaning respect textile cultural

meaning respect textile cultural heritage whether you have an interest in

heritage whether you have an interest in

heritage whether you have an interest in fashion or not traditional cultural

fashion or not traditional cultural

fashion or not traditional cultural expressions teaches about human

expressions teaches about human

expressions teaches about human creativity about human values there are

creativity about human values there are

creativity about human values there are symbols of individuality and belonging

symbols of individuality and belonging

symbols of individuality and belonging and

and

and finally next time someone asks you what

finally next time someone asks you what

finally next time someone asks you what you want to be when you grow up start

you want to be when you grow up start

you want to be when you grow up start telling them about what you want to grow

telling them about what you want to grow

telling them about what you want to grow up doing in my experience this is way

up doing in my experience this is way

up doing in my experience this is way more challenging thank you

”

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