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El futuro esta hecho a mano | Joanna Ruiz Galindo y Carmen Ortega Casanovas | TEDxCalzadaDeLosHéroes


[Music]

Carme and it works like this

well we are going to talk about

design is design design is

is this word that soon very

lately it has become very popular

everybody talks about the design all the

world wants to know knows it or has

listened

there are many designers but the design

who uses and why not us

like today

the design is a tool of change

social and I want to tell you a little bit

because we came to this conclusion

then good in 2010

I will not go far in the past

period in 2010

in 2010 the picture a bit was then

since many many designers do not

many people a lot of people already graduates of

races I’ll go right now

there but there was above all a

background very vague and very diffuse in the

on the subject because the coffers that

there were design designers

that existed had had some kind

of success in the 80s in the 90s but they were

very numbered there was not really like

marketing platforms I

there was also no real warnes

about design in Mexico but without

But there was a lot of

graduates of design careers not

there were 2010 70 thousand career graduates

of design in Mexico 70 thousand graduates

also that suddenly they did not have to

work or have they had then not

he worked in the company of the cousin not

doing the short or the best

the graphic designers as well as

most outstanding I worked in a

advertising agency

obviously advertising no no

as creative

or how I do not know people who develop

new ideas

the textile designers is not another

they had very difficult

or whoever he wanted to study fashion was a

subject as totally misunderstood and

they had to work forcefully in

Corporate huge large letters

who forgives nothing else for ahead

who want to study the design

industrial is good designers

industrialists usually end

working on the clearance effects or

making displays there was not really

someone who will develop furniture that

had then design brands

basically in the area of ​​those of the

silver

you had bazaars of profit not

things that I remember how

Chavitas there was a bazaar called

origin out there do not want to say how

go from ladies what happened in

December and then there there was

another one that was called gilberto that

it was also charitable bread

my other days not in another time of the

year and suddenly and it will be was

designer I am graduated from the Iberian my

life is the design sa all my life I ‘ve

dedicated to that but at that time it was

very frustrating then see what there was

as few alternatives not to perform

my dream and what there was always

wanted to do that was the design and of

soon he is preparing others for hockey and

well it was there in 2010 when I carmen

and two more friends that we started

talk about the subject and we wish there are no

these platforms there is no where

will know the Mexican designers to

these people that we know

who are doing incredible things not

you can consume them you can not

buy and then we sit down

we wrote a manifesto we said what

it seems to us beings to praise what has been done

in Mexico and we want to help them

brands to have a place to exhibit

your things and keep marketing

and we started with the first event the

mercantile market

we take the name of the old Spanish

because it was where they will meet

merchants and our idea was that

were the designers because what

better than them to tell their process

to involve people and tell them

how it was done and love them and also

We wanted this place to be a place

of exchange of many things we try

to implement the barter a little

difficult we did not achieve well it was employed in

otherwise it is not like exchange

of ideas the designers started to

collaborate with each other and the fish market was born

project as 28-20 Aug 2010

2010

does exactly and it’s my day

birthday so the project meets

just as I did is looking at me the

date

good started and the first event this one

it was very successful we did it during the

roma condesa cultural corridor with help

of Ana Elena Mallet who supported us from

the beginning and there’s the other side

and well the first edition we did not know

also how was I going to pull the event and

all that and we started with the second

there were not very good very good answers

the designers sold super well

they knew the people started to

collaborate with each other and we decide how

that we already get full and start as

this adventure

We decided that the fair was going to be

an itinerant fair then like that

we also wanted people to start

to know the city ​​of mexico we started

to grab iconic landmarks first

in the rome and in the countess later we

we went to the doctors after we left

to the center and so on and with these they started

to add designers to add marks and

they began to know each other and to give

to know their brands and also what

started to happen is that the event would be

four times a year and then these

designers had to produce four

times a year and what to sell and then

started as to move the gear and

get them to proceed

more than one line a year and start

move to the economy and start what is

that they could leave their jobs

that they did not like so much and start

dedicate fully to the design and generate

these brands

good here some designers pulled out

showing their products that is what

it started to happen

we do not come here to talk to you like

project and the market is not but what

what we have learned because today we can

say that design is a tool

of social change from what we

happened that it was like a very fortuitous thing

and very incredible the truth because no

we thought he was going to have the reach

who is having and who ended up having

we started to realize that these

designers as well said joanna that

suddenly they had the capacity to

produce they had platforms where

market had network between

they then start to spend a

confession or less as much more

great thing is that the designers

become entrepreneurs or is that

entrance there are designers there are

brands and these brands turn to

entrepreneurs then suddenly I’m going

to tell how some stories cases

of success we love to tell

we have for example this girl who is

here that has a jewelry brand

what is called Andean

It is a jewel of precious filigree

Yucatan Yucatan and good this girl

he arrived in the city of mexico

a little bit like to see if he could place his

jewelry somewhere to see what happened

He did not come to the fish market and not to the fish market

sell for the first time knows another

designer to carla fernández who is

exactly here ye

suddenly decides that she is

amazing this girl’s jewelry the

invite a parade and fight anything in

one week

this girl who is living in Yucatan who

they had no where to sell is in a

parade in the london fashion week

then this type of unions of this

kind of how of phenomenon and of the

network starts to happen but in a

scale is very large not

this example that I put to you is one of the

971 brands that today participate in

the auction then what happens that know

really an important movement

interesting in on the subject of pepper and

or social entrepreneurship because

finally you can go to the crisis by

the one that happens is not today after six

years we have more or less generated between

direct and indirect jobs to 10,000 and

it is not like all brands and to

designers participating in the fish market

and this is something that fills us with pride

and we love to talk is each of

these brands how do you use processes

artisanal employs more than 22 people and

twelve of those are craftsmen then

counting all the brands that have

participated in the platforms

if more than 10,000 jobs are combined

then and they are a generating industry

of course and that’s what we say to

finally it turns there are cooperatives

whole already in certain cities are

certain towns that are dedicated to

produce for brands that sell in

these platforms then the place

for example there’s an artisan

dedicates to silk silk

everything is made by hand and with methods

completely traditional

then they have their worms and

feed and do it is given annually

before they had two people from their

family doing like these

these businesses today the kids and the

children who had gone wet already

they returned to mexico are already

producing with them and selling in all

they have a place to sell during

all year is not is not a is not a

hook is not a not a subject that is

it returns as unique but on the contrary it is

a platform has growth that

has that has a future and a little

talking about that of the future whether it is

that suddenly we started thinking that

these processes arts

channels begin to be the future be very

on the contrary of what maybe

we were listening to all the technology

guides and the progress and how and

how true is not happening but

what is also happening is that there

craft processes and that what

it’s also happening is that if mexico

is good at something is in that mexico such

once has a lag in the subject

scientist maybe has a lag in

the industrial technological issue

industrial there is no industry in mexico

but what Mexico does have is

tradition and culture and processes

craft

so why are not we turning to

see as Mexicans

what there is and what can have

a future in mexico

that’s a bit like the vision that

we have as project and the vision that

that we are driving today we are going to

enhance these craft processes

let’s give Mexico a chance to

shine in the world for something unique that

he only has mexico

what is this and what is now

valued very much in the world there is no

the big brands and the big ones

markets are turning to see these

craft processes because that’s why

because they can not be replicated because they do not

you can make 10 thousand pieces of that

wax rebozo and you can only

do certain people then I think that

that is our

our goal to enhance that turn to

see the past and create new things

for the future

turn to see the past and exact and no no

forget about it but use it to

our favor

finally the events have been growing

not the family is that I tell them about

designers is already very big there is already a

very solid commercial platform that

sustains what I said sales

throughout the year and a little with him

with those sights towards the future because what

that we are what we are proposing

now it is that Mexico will become

this place in this one is in mirrors like

of international fairs that is

Mexico the place that attracts

international buyers so that

show the best of the best of the

Mexican crafts

and Latin American and the processes

Craft to have eye when he says

craft processes is very important

we do not want only to craft

as such there are no design brands

mexican like mazzina who makes clothes with

technology and that in the end in a

interview one of those from

entrepreneurs of the brand said no because

be technology does not mean that no

It is handmade at the end of our

things and all the circuits are

handmade by someone for a

Mexican who has to do that because

They are specified then the mean

handmade does not mean only

craftsmanship but that manufacture is in

your labor manpower

exactly and and above all that is

attend to what what we have here

what to do is to use technology to

our favor may not be this

machinery or these processes

modernize them but we work in

please the technology

that’s where a bit is

competitive advantage as a country

finally good with these fairs that

we are trying to organize we believe or

we think that we are already as above

of this movement of valuation

of lohan mail of the hand made and good

there is a lot there is a lot to do still

there are many challenges not because finally

there is still a little knowledgeable public

of what is done in Mexico and what does not value

necessarily very high what’s done in

mexico there’s a lot of malinchismo there’s a lot

people who prefer to buy something Italian

Italian American French when in

reality what Mexican has the same

quality and the same proposal and himself

designed then there is still a labor

important to do as in that sense

as to be able to reach the mind

of consumer and and

visitors in a way will impact

positively and good we like us

I really like to think that in the end the

future is hand-made little by this

that we just told you, I do not know what

which is the end

this future and this one is

thing as we see and glimpse

big and powerful technological maybe

we see it much simpler and

much more going back to the origins

much more appreciating what we have and what

that exists and there is no how many

things that we invite you to do

I mean

I wear a Mexican garment all

the days you act they would do

Thank you

[Applause]

the loas a

”

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