[Music]
Good Morning
good as they see with dry hands is the
guitar so much now with the guitar
impossible and also because I do not smoke I do not know
house with her and good and on the other hand
he thinks he would be a better friend
the lucena this does not become professional
giving his presentation and next to a musician
who is 80% of his life playing the
Callao guitar his friend but good house
the motto the theme reinvent for me is
a little loud even pretentious not the
of music and already inventing I see it very
very very complicated to reinvent yourself for the
milk house to grab something that
no professionals or five points that I
I see basic at least tried
believe me what does of my life that can
be any musician any
guitarist always led to music
flamenco music flamenco guitarist
the first thing that I feel that I hear
with flamenco guitar when I was
little one that would be six years old this
year and then there was only
Spanish television national radio and
some local radio station and the
music that was heard flamenco
Spanish song music and some
piece of an artist that makes
light music than what was said
Rafael who was always accompanied by
an important guitarist case of
Victor Monge Serranito Genius of the Century
past
fortunately he lives he was still the
collaborator of rafáh then
all that is feeding the child
apart from my father when they left or
came to the child with a neighbor in that
then virtually everyone
had a guitar the common house of
guitarist another world sang Seville
this kind of more folk thing
traditional in then good to that the
bad boy as a doctor said what
it brings to me not me children boys are
wicked evil does not shut me up or under
water and the only way that the mere with
a guitar that destroys the annex c
total that child is working
had the merits long before it
he said he was a prototype pianist
guitarist no case rock I’ll tell you
but that was how one is evolving to
through his father he was a private teacher
that starts to light the first
notions that I have always been
I do not know how to say it in Seville where
I live they say fatigue and fatigue head and
I always wondered why the
things not very flamenco that but I am
I’m like that then since I was little
I asked why is this sounded sounded
nice and because they told you how much
more hours will play better was he believes me
that it was like that but it was what
there was the only methodology that
there was the flamenco guitar
the more what touches the total better than
is happening
time goes by we could accustom
to get used to that and a stage arrives
young man also already in adolescence
where your professional rate quotes
where he participates in a contest where
represents your conservatory teacher
in cordoba that for classical music
It was good established for flamenco
started in the 70s and both the
teacher explained sound technique
fingering things that I did not know and
good one is lucky to compete and
win some contests young man not
then automatically the public
public flamenco habits
young guitarist back then
it was only paco de lucía manolo
sanlúcar and serranito then we come to
rafael riqueni I were the promises
from that time and good we hope to
morris to sincerely because we were the
later generation
then one begins to be done and I say
professional not in the broad sense of
the word but start doing your
first concert starts to be your
first disc starts to get used to
to tell him how well he plays and that takes
everybody the tier and I was bored
a little bit because I still do not
he knew why he was touching he knows that
that was nice and that what
composed sounded good but I did not feel
that was my time I was destroying
music of others doing like a puzzle
so that it was something different but not
I never felt like mine is the
music
what I did have luck in that
time to live
It was my first trip out of Spain
the flamenco guitar was developed
xàtiva the classical guitar
mainly that there was a lot in all
europe above all and I knew I knew I had
the luck of living with them people
that today 10 to a genius of music as
asturias or another web to bind
benitez john williams
julian bream yes something good good good
had that time that today would be
difficult to repeat that you trust only up
today consumption is eating a week and
recording the sound test of your
concert with orchestra will be those
conversations with these gentlemen that I
I did not understand neither dad nor dad of what
they are talking but I only keep a child
that the teenager was keeping all
this information
then when the time came that
had that he was already a professional the
people like what they played but
I had to be comfortable and there is no other
stage
inventing is about reinventing yourself by your
part to invent something then
try to invent something and paco de lucía
he had a well-defined personality and
manolo sanlúcar also tomás serrano
made an agreement good would not be bad and
I started trying to adapt everything good
I forgive my knowledge in that
time
both my classical music studio
classical guitar as my talks with
great teacher and my personal taste I
I want a record and they call me from the
conservatory library because
flamenco guitarist road and not
I was interested in the
scores and I read slowly for
give him to be a weirdo but all to
kind of thing to me they made it easy for me
the power to invent a character
in that sense music did not come out
sound for the flamingos sound
classic for the united classics
flamenco for jazz players touch
flamenco for flamenco played jazz
so good all static to me
it came great because I was
doing something different
the hand is doing it’s my taste
staff is the main thing for me the
music
I started as I say to invent a sound
make music
thankfully custom made for music
of dance or cinema
that fed a lot because I did not have
conditioned with a very very music
the rhythmic structure is made
tonality leaves us very little freedom
for the composition with which when
have something general with a script the
freedom
all that helped me a lot to look
sonoridad looks for another series of things that
they had made us the flamenco guitar
Well, well, he began to use the
concerts that people liked that
site is inventing and everyone
reacts favorable does not invent anything
how can it be that everybody will
like something that is being taught
head
the musicians are like that I do not like it
sincerely people liked and played for
the public but it gives me courage that everything
world like it because I do
well keep turning it around because
these also accommodate a status of
collaborations travel concert
even for my personal taste they collaborate
different music itself came to
collaborate with Alejandro soda that with
scorpion that with a whole rock band
american because I liked it
always one thing I could not say in
Cordoba and passion for rock but of course
that was not prototype rocker and what
I played it was flamenco then but I
love that music and until
I got to play and record with it
I thought it was great rock from the 80s
An atrocity
good all all these as I say is
comfortable it is very good but good
there comes a time that you what you want
is the topic that today we try to be
different interests me or I always like
to be different
good as an anecdote paco de lucía
he called me children of Cordoba not
he remembered my name was a
boy and the first said he likes it for
that said it did not play like year and
that is always removed the child is
it was not to continue posing as how
could I josé antonio choclán
overbearing that is known
fast with everything he has done is
music not only in music factories of
generated music could start a
almost comical way is to change the
finger layout but in plan
nothing profession to nothing
scholastic but randomly and the corde is
well but little is started playing with
that with the thick and if this one my
life studying behavior I do not
it sounds like they are and clean the note
to start hitting to use what
what was done before
what is called contemporary music
in my time I remembered certain works
classic that I saw as a ping
pong that eventually ends up getting side
that kind of thing great madness
I started not long ago to consider that
why it’s not flamenco and what it gave me
aa that was a lovely
córdoba to the gorgeous sissy
who recorded a record with 7 guitarist
it’s called eight guitars and a piano with
dorantes and another clark guitarist did
I am one of them and they loaded me
seguidilla that a flamenco genre
but how is it interpreted or india that is
very accelerated infumable and infumable
play that rhythm because it’s cut
traditional and I no longer feel that be it
that is good or bad but that I feel
the music another way it seems to me
It seems very vulgar to do that because I do not
I do not defend it well I do not sell it I saw
then being memory for me
musicians are from huelva huelva beyond
I did not know what to do because he said it was
nice is very well sung but what
I do with that I happened to call the
memory in the car is also thought
Great has fined carried by
that’s true and it occurred to me
use my part that I like about
bassist I love the bass
electric and percussion in the
guitar
previously a criminal playing percussion
but with chords and the truth that
curious and it was a bit the spark that
gave to try and change to
invent another character through that
series already had a sound mechanism
more or less personal sorry I was
inventing one or the other side remembering
remembering a series of mechanisms
because they own or own it with him alone
with the stirrup of the violin and towards a
uac sound in a way the
phyto guitar this kind of mechanisms
that they are creating they are inventing another
character and also the funny thing is that
there were many people who did not like
when it’s expensive I was there
delighted because most people
it seemed ordinary to sing because
I have always been very cautious was very
very balanced technical very maybe it’s
so for my way sa but what a
that people feel in a thought
so different from my great university
I love that he did not like it
guitarist who play with me the
shame to do as if this is true
which is an effect but good is not
understood and from there I am
doing this kind of music but if
I have to contribute a little more
title to today’s topic is something else
he came out recording my last record of
natural way because I recorded myself in the
moment that I should have recorded and
had the head for that maybe neither the
hand
maybe not my physical form but I do not know
why I have fancy football
aggravates and then one more point I say
that he called free guitarist
instrumentalist I talk about my instrument
that makes me know more
conscious and musicians we play with the
view whether or not it took nor consented nor
with him or with the ear or take away rhythm what
first one that looks at the hand is applying
a course something is not undermined hand
is understanding what it says today
cards or delinquent
so the point where I am now is
free myself from the instrument be I believe
that a way to reinvent yourself is no longer
I want to be the guitarist but in the
guitar is the means to get to
you with the impossible music in a
guitarist but certainly when I
he listened to what he had recorded he has
listened to as a guitarist with which
I have never done this kind of thing
I listened as a guitarist analyzing the
technique because this sector sound with
other things just music
so I think it’s a little bit more
like like anger if we do not go back to babies
with time and I may be
going back to the baby because now what
what am I talking about there is no
novelty what interests me the music of
you that only the beginning of everything is
the instrument is the language for
to arrive or the means to arrive but
after all life doing
instrumentalists in the guitarist with
tendinitis and with muscle pain in the
neck destroys only what
want them to understand a note and because
press it and how do you press it but in plan
sense sensory or emotional oo
how to call it in that
in that table I am and good and for
finish I remember a lot of I had
a big feli great friend
national writer relates to the
flamenco and felix was part of a speaker
tremendous condensed everything and he had me
illustrate many times a conference that
he said to define his vehicle what
defines flamenco more together with
a tear that can not no more
things about what flamenco means to
level of depression or that level
Overall, I think it’s a great phrase and
I believe that after a genius
a man who lives I have nothing
what speaks
so nothing many thanks a hundred
the hand movement because I was missing
guitar and good to be with
you and me and nothing
I’ll try to reinvent it
very complicated not to face them
[Applause]
”
Be First to Comment