Press "Enter" to skip to content

Art of the Zoetrope | Eric Dyer | TEDxCharlottesville


a long time ago I was a professional

a long time ago I was a professional animated

[Music]

[Music] and at night I would make my own

and at night I would make my own

and at night I would make my own experimental films and I was spending a

experimental films and I was spending a

experimental films and I was spending a lot of time way too much time in front

lot of time way too much time in front

lot of time way too much time in front of the screen for work that we will be

of the screen for work that we will be

of the screen for work that we will be presented on the screen I had this great

presented on the screen I had this great

presented on the screen I had this great need to get my fans back on the work

need to get my fans back on the work

need to get my fans back on the work together now before the Simpsons before

together now before the Simpsons before

together now before the Simpsons before Gumby before Betty Boop before there was

Gumby before Betty Boop before there was

Gumby before Betty Boop before there was such a thing as cinema and television

such a thing as cinema and television

such a thing as cinema and television animation was hugely popular in this

animation was hugely popular in this

animation was hugely popular in this form this is a zoetrope and you spin

form this is a zoetrope and you spin

form this is a zoetrope and you spin this drum and you look through the slits

this drum and you look through the slits

this drum and you look through the slits into the inside of the drum and you see

into the inside of the drum and you see

into the inside of the drum and you see the animation pop to life

the animation pop to life

the animation pop to life this is animation in physical form and

this is animation in physical form and

this is animation in physical form and it’s animation that could get my hands

it’s animation that could get my hands

it’s animation that could get my hands on again I took these ideas to Denmark I

on again I took these ideas to Denmark I

on again I took these ideas to Denmark I went there with my family on a Fulbright

went there with my family on a Fulbright

went there with my family on a Fulbright fellowship it’s my daughter Mia and I

fellowship it’s my daughter Mia and I

fellowship it’s my daughter Mia and I rode around the city on my bicycle and

rode around the city on my bicycle and

rode around the city on my bicycle and shot all the interesting moving elements

shot all the interesting moving elements

shot all the interesting moving elements of Copenhagen the boaters in the canals

of Copenhagen the boaters in the canals

of Copenhagen the boaters in the canals the colors that explode in spring the

the colors that explode in spring the

the colors that explode in spring the free youth city bikes love textures the

free youth city bikes love textures the

free youth city bikes love textures the healthy cuisine and I brought all that

healthy cuisine and I brought all that

healthy cuisine and I brought all that video back into the physical world by

video back into the physical world by

video back into the physical world by printing it out on these long strips of

printing it out on these long strips of

printing it out on these long strips of inkjet paper and cutting out the forms

inkjet paper and cutting out the forms

inkjet paper and cutting out the forms now I invented my own form of the

now I invented my own form of the

now I invented my own form of the zoetrope which remove the drum and

zoetrope which remove the drum and

zoetrope which remove the drum and replaced the slits with a video camera

replaced the slits with a video camera

replaced the slits with a video camera and this was very exciting for me

and this was very exciting for me

and this was very exciting for me because it meant that I could make these

because it meant that I could make these

because it meant that I could make these physical objects and I could make films

physical objects and I could make films

physical objects and I could make films from those objects

that’s me riding on my bicycle I made

that’s me riding on my bicycle I made about 25 paper sculptures each the size

about 25 paper sculptures each the size

about 25 paper sculptures each the size of the bicycle wheel

of the bicycle wheel

of the bicycle wheel and I brought them into the studio spun

and I brought them into the studio spun

and I brought them into the studio spun them and shot them to make the film

them and shot them to make the film

them and shot them to make the film Copenhagen cycles now this project not

Copenhagen cycles now this project not

Copenhagen cycles now this project not only allowed me to get my hands back on

only allowed me to get my hands back on

only allowed me to get my hands back on the work again but it helped me get my

the work again but it helped me get my

the work again but it helped me get my life back instead of spending 1215 hours

life back instead of spending 1215 hours

life back instead of spending 1215 hours a day with my face blaster to a screen I

a day with my face blaster to a screen I

a day with my face blaster to a screen I was having these little adventures with

was having these little adventures with

was having these little adventures with our new family and shooting video along

our new family and shooting video along

our new family and shooting video along the way and it was kind of a symbiosis

the way and it was kind of a symbiosis

the way and it was kind of a symbiosis of art and life and I think that it’s no

of art and life and I think that it’s no

of art and life and I think that it’s no mistake that zoetrope translates into a

mistake that zoetrope translates into a

mistake that zoetrope translates into a wheel of life

wheel of life

wheel of life [Music]

[Music]

[Music] but film and video does flatten

but film and video does flatten

but film and video does flatten sculpture so I tried to imagine a way

sculpture so I tried to imagine a way

sculpture so I tried to imagine a way that animated sculpture could be

that animated sculpture could be

that animated sculpture could be experienced as such and also a

experienced as such and also a

experienced as such and also a completely immersive kind of animated

completely immersive kind of animated

completely immersive kind of animated sculpture and that’s where I came up

sculpture and that’s where I came up

sculpture and that’s where I came up with the idea for the zoetrope tunnel

with the idea for the zoetrope tunnel

with the idea for the zoetrope tunnel you walk through with a handheld strobe

you walk through with a handheld strobe

you walk through with a handheld strobe and wherever you point the flashlight

and wherever you point the flashlight

and wherever you point the flashlight the animation pops to life I plan to

the animation pops to life I plan to

the animation pops to life I plan to finish this project in the next 30 to 40

finish this project in the next 30 to 40

finish this project in the next 30 to 40 years but I did build a half scale

years but I did build a half scale

years but I did build a half scale prototype it’s covered in Velcro and I

prototype it’s covered in Velcro and I

prototype it’s covered in Velcro and I could lay inside on this bridge and

could lay inside on this bridge and

could lay inside on this bridge and stick animated sequences to the walls

stick animated sequences to the walls

stick animated sequences to the walls and test stuff out people would comment

and test stuff out people would comment

and test stuff out people would comment that it reminded them of an MRI and that

that it reminded them of an MRI and that

that it reminded them of an MRI and that that medical connection spoke to me

that medical connection spoke to me

that medical connection spoke to me because at the age of 14 I was diagnosed

because at the age of 14 I was diagnosed

because at the age of 14 I was diagnosed with a degenerative retinal condition

with a degenerative retinal condition

with a degenerative retinal condition that’s slowly taking my vision away and

that’s slowly taking my vision away and

that’s slowly taking my vision away and I had never responded to that in my work

I had never responded to that in my work

I had never responded to that in my work so I responded to it this piece called

so I responded to it this piece called

so I responded to it this piece called implant

implant

implant it is an imaginary super magnified

it is an imaginary super magnified

it is an imaginary super magnified medical device that fits around the

medical device that fits around the

medical device that fits around the optic nerve and the public is in a sense

optic nerve and the public is in a sense

optic nerve and the public is in a sense miniaturised to experience it

with a handheld stroke that can explore

with a handheld stroke that can explore the sculpture and discover thousands of

the sculpture and discover thousands of

the sculpture and discover thousands of cell size robots hard at work leaping in

cell size robots hard at work leaping in

cell size robots hard at work leaping in and out of the optic nerve being

and out of the optic nerve being

and out of the optic nerve being deployed to the retina to repair it’s my

deployed to the retina to repair it’s my

deployed to the retina to repair it’s my science fiction/fantasy cure for my own

science fiction/fantasy cure for my own

science fiction/fantasy cure for my own image ergo disorder now in the real

image ergo disorder now in the real

image ergo disorder now in the real world gene therapy and gene therapy

world gene therapy and gene therapy

world gene therapy and gene therapy research healthy genes are being

research healthy genes are being

research healthy genes are being administered to unhealthy cells using

administered to unhealthy cells using

administered to unhealthy cells using viruses there’s a lot of colorful fluffy

viruses there’s a lot of colorful fluffy

viruses there’s a lot of colorful fluffy hope in this and there’s also some

hope in this and there’s also some

hope in this and there’s also some creepy threatening idea of viruses maybe

creepy threatening idea of viruses maybe

creepy threatening idea of viruses maybe becoming an invasive species in your

becoming an invasive species in your

becoming an invasive species in your body now vision loss has helped to take

body now vision loss has helped to take

body now vision loss has helped to take me away from the things that disconnect

me away from the things that disconnect

me away from the things that disconnect me from the world instead of being

me from the world instead of being

me from the world instead of being sealed off in an automobile I ride my

sealed off in an automobile I ride my

sealed off in an automobile I ride my bike take buses and trains and walk a

bike take buses and trains and walk a

bike take buses and trains and walk a lot and instead of a visually intensive

lot and instead of a visually intensive

lot and instead of a visually intensive process in the studio primarily I am

process in the studio primarily I am

process in the studio primarily I am also getting outdoors a lot more and

also getting outdoors a lot more and

also getting outdoors a lot more and using more of my senses this landscape

using more of my senses this landscape

using more of my senses this landscape is a couple hours east of San Diego

is a couple hours east of San Diego

is a couple hours east of San Diego California my brother lives out that way

California my brother lives out that way

California my brother lives out that way he and I went camping there for four

he and I went camping there for four

he and I went camping there for four days and I grabbed my camera and I

days and I grabbed my camera and I

days and I grabbed my camera and I walked through the canyons and I tried

walked through the canyons and I tried

walked through the canyons and I tried to imagine and figure out what kind of

to imagine and figure out what kind of

to imagine and figure out what kind of motion would be present in this place

motion would be present in this place

motion would be present in this place that was so still and so devoid of

that was so still and so devoid of

that was so still and so devoid of motion I think it’s the still this place

motion I think it’s the still this place

motion I think it’s the still this place I’ve ever been and I realized that it

I’ve ever been and I realized that it

I’ve ever been and I realized that it was the movement of my own body through

was the movement of my own body through

was the movement of my own body through the landscape that was creating the

the landscape that was creating the

the landscape that was creating the animation it was the motion of changing

animation it was the motion of changing

animation it was the motion of changing perspective so I created this piece

perspective so I created this piece

perspective so I created this piece called mud caves from those photographs

called mud caves from those photographs

called mud caves from those photographs it’s a multi-layered

it’s a multi-layered

it’s a multi-layered print piece and you can think of it as a

print piece and you can think of it as a

print piece and you can think of it as a zoetrope laid flat it’s kind of my

zoetrope laid flat it’s kind of my

zoetrope laid flat it’s kind of my western landscape panorama

western landscape panorama

western landscape panorama and next to the print piece there’s a

and next to the print piece there’s a

and next to the print piece there’s a video monitor that shows the animation

video monitor that shows the animation

video monitor that shows the animation hidden within the artwork I think one of

hidden within the artwork I think one of

hidden within the artwork I think one of the best parts about this project for me

the best parts about this project for me

the best parts about this project for me was that I got to hang out with my

was that I got to hang out with my

was that I got to hang out with my brother a lot he lives 2,500 miles away

brother a lot he lives 2,500 miles away

brother a lot he lives 2,500 miles away from me and we would just sit in this

from me and we would just sit in this

from me and we would just sit in this seemingly eternal landscape sculpted by

seemingly eternal landscape sculpted by

seemingly eternal landscape sculpted by water over millions of years and talked

water over millions of years and talked

water over millions of years and talked we talked about our kids growing up and

we talked about our kids growing up and

we talked about our kids growing up and the slowing pace of our parents and our

the slowing pace of our parents and our

the slowing pace of our parents and our dad who’s suffering from leukemia memory

dad who’s suffering from leukemia memory

dad who’s suffering from leukemia memory loss and infection and it struck me that

loss and infection and it struck me that

loss and infection and it struck me that as individuals were finite but as a

as individuals were finite but as a

as individuals were finite but as a family we are an ongoing cycle a kind of

family we are an ongoing cycle a kind of

family we are an ongoing cycle a kind of Wheel of Life now I want to leave you

Wheel of Life now I want to leave you

Wheel of Life now I want to leave you with a tribute to one of my mentors she

with a tribute to one of my mentors she

with a tribute to one of my mentors she reminds me that physical presence is

reminds me that physical presence is

reminds me that physical presence is important and that play is not a luxury

important and that play is not a luxury

important and that play is not a luxury but a necessity

she’s pixie and she’s our family dog and

she’s pixie and she’s our family dog and she loves to jump and this is a new kind

she loves to jump and this is a new kind

she loves to jump and this is a new kind of zoetrope that I developed at the

of zoetrope that I developed at the

of zoetrope that I developed at the Imaging Research Center at UMBC in

Imaging Research Center at UMBC in

Imaging Research Center at UMBC in Baltimore and I call it a real times

Baltimore and I call it a real times

Baltimore and I call it a real times okay thank you

okay thank you

okay thank you [Applause]

”

Be First to Comment

Leave a Reply

Your email address will not be published. Required fields are marked *