prepare to be charmed welcome to watchmojo.com and today we’ll be
watchmojo.com and today we’ll be
watchmojo.com and today we’ll be counting down our picks for the top 5
counting down our picks for the top 5
counting down our picks for the top 5 signs you’re watching a Wes Anderson
signs you’re watching a Wes Anderson
signs you’re watching a Wes Anderson movie that’s nice tape altitude why is
movie that’s nice tape altitude why is
movie that’s nice tape altitude why is it up so high someone falls from there
it up so high someone falls from there
it up so high someone falls from there that’s a guaranteed death well where
that’s a guaranteed death well where
that’s a guaranteed death well where would you built it lower
would you built it lower
would you built it lower before we begin we publish new videos
before we begin we publish new videos
before we begin we publish new videos every day so be sure to subscribe for
every day so be sure to subscribe for
every day so be sure to subscribe for more great content for this list we’ll
more great content for this list we’ll
more great content for this list we’ll be looking at the fastidious elements
be looking at the fastidious elements
be looking at the fastidious elements sure to be found in this aw towards work
sure to be found in this aw towards work
sure to be found in this aw towards work so let’s raise our boxes to our survival
so let’s raise our boxes to our survival
so let’s raise our boxes to our survival number 5 the framing is symmetrical I’ve
number 5 the framing is symmetrical I’ve
number 5 the framing is symmetrical I’ve summoned you all and arranged you in a
summoned you all and arranged you in a
summoned you all and arranged you in a perfectly symmetrical form in front of
perfectly symmetrical form in front of
perfectly symmetrical form in front of me to tell you some important news
me to tell you some important news
me to tell you some important news framing is an important element in any
framing is an important element in any
framing is an important element in any film adding necessary atmosphere to
film adding necessary atmosphere to
film adding necessary atmosphere to subtly draw the viewer into the world of
subtly draw the viewer into the world of
subtly draw the viewer into the world of the story there are many techniques
the story there are many techniques
the story there are many techniques employed by many directors closing in on
employed by many directors closing in on
employed by many directors closing in on characters to add an element of intimacy
characters to add an element of intimacy
characters to add an element of intimacy and urgency full-spectrum shots in tight
and urgency full-spectrum shots in tight
and urgency full-spectrum shots in tight area to give the audience a sense of
area to give the audience a sense of
area to give the audience a sense of claustrophobia or one-point perspective
claustrophobia or one-point perspective
claustrophobia or one-point perspective pulling the audience closer Anderson’s
pulling the audience closer Anderson’s
pulling the audience closer Anderson’s films are visual feasts with each shot
films are visual feasts with each shot
films are visual feasts with each shot meticulously planned and designed from
meticulously planned and designed from
meticulously planned and designed from color schemes notably striking
color schemes notably striking
color schemes notably striking combinations and pastels are good to use
combinations and pastels are good to use
combinations and pastels are good to use to alignment the symmetry in each shot
to alignment the symmetry in each shot
to alignment the symmetry in each shot gives each movie a storybook quality as
gives each movie a storybook quality as
gives each movie a storybook quality as though with every scene the audience
though with every scene the audience
though with every scene the audience turns a new page number four it’s really
turns a new page number four it’s really
turns a new page number four it’s really violent but in a way it’s somehow still
violent but in a way it’s somehow still
violent but in a way it’s somehow still funny one of the most notable aspects of
funny one of the most notable aspects of
funny one of the most notable aspects of any Wes Anderson film is their humanist
any Wes Anderson film is their humanist
any Wes Anderson film is their humanist fairy tale quality but just like any
fairy tale quality but just like any
fairy tale quality but just like any good fairy tale there is often something
good fairy tale there is often something
good fairy tale there is often something much darker lurking beneath the surface
much darker lurking beneath the surface
much darker lurking beneath the surface sometimes it is over at violence like
sometimes it is over at violence like
sometimes it is over at violence like unhinged megalomaniac shooting round
unhinged megalomaniac shooting round
unhinged megalomaniac shooting round sometimes it is personal struggles like
sometimes it is personal struggles like
sometimes it is personal struggles like attempted suicide other times it can be
attempted suicide other times it can be
attempted suicide other times it can be the way our childhood illusions can be
the way our childhood illusions can be
the way our childhood illusions can be shattered when those we love are
shattered when those we love are
shattered when those we love are careless however it manifests its subtle
careless however it manifests its subtle
careless however it manifests its subtle darkness and violence ensures that
darkness and violence ensures that
darkness and violence ensures that despite their whimsical tone and radiant
despite their whimsical tone and radiant
despite their whimsical tone and radiant colors no Anderson film could truly be
colors no Anderson film could truly be
colors no Anderson film could truly be called light-hearted why do you consider
called light-hearted why do you consider
called light-hearted why do you consider me your enemy because your girlfriend’s
me your enemy because your girlfriend’s
me your enemy because your girlfriend’s stab me in the back with lefty scissors
stab me in the back with lefty scissors
stab me in the back with lefty scissors he’s my life now congratulations number
he’s my life now congratulations number
he’s my life now congratulations number 3 convoluted but captivating well it’s
3 convoluted but captivating well it’s
3 convoluted but captivating well it’s real simple basically there’s three
real simple basically there’s three
real simple basically there’s three grabbers three taggers five twig runners
grabbers three taggers five twig runners
grabbers three taggers five twig runners and the player at whack-bat the plot of
and the player at whack-bat the plot of
and the player at whack-bat the plot of most Wes Anderson films cannot be summed
most Wes Anderson films cannot be summed
most Wes Anderson films cannot be summed up adequately in a sentence or two even
up adequately in a sentence or two even
up adequately in a sentence or two even those films which
those films which
those films which very first glance have a seemingly
very first glance have a seemingly
very first glance have a seemingly simple premise our sue revealed to be
simple premise our sue revealed to be
simple premise our sue revealed to be carefully constructed exercises in
carefully constructed exercises in
carefully constructed exercises in storytelling the plot usually driven by
storytelling the plot usually driven by
storytelling the plot usually driven by the characters themselves this is part
the characters themselves this is part
the characters themselves this is part of the appeal of Wes Anderson films he
of the appeal of Wes Anderson films he
of the appeal of Wes Anderson films he crafts character driven narratives in
crafts character driven narratives in
crafts character driven narratives in which seemingly random events are acted
which seemingly random events are acted
which seemingly random events are acted upon by our characters rather than the
upon by our characters rather than the
upon by our characters rather than the reverse as a result those plots get
reverse as a result those plots get
reverse as a result those plots get undeniably convoluted they are no less
undeniably convoluted they are no less
undeniably convoluted they are no less engaging ensuring that you remain
engaging ensuring that you remain
engaging ensuring that you remain engrossed throughout the film and walk
engrossed throughout the film and walk
engrossed throughout the film and walk away feeling satisfied any questions
away feeling satisfied any questions
away feeling satisfied any questions lazy eye
lazy eye
lazy eye what’s your real job sir Matthew Boyd
what’s your real job sir Matthew Boyd
what’s your real job sir Matthew Boyd great lady I know but you know what
great lady I know but you know what
great lady I know but you know what we’re actually in the middle of
we’re actually in the middle of
we’re actually in the middle of something here in case you didn’t notice
something here in case you didn’t notice
something here in case you didn’t notice one of our scouts is missing and that’s
one of our scouts is missing and that’s
one of our scouts is missing and that’s a crisis
a crisis
a crisis number two nostalgia and as long as you
number two nostalgia and as long as you
number two nostalgia and as long as you maintain your ability to look and to
maintain your ability to look and to
maintain your ability to look and to carefully listen these stories will
carefully listen these stories will
carefully listen these stories will continue – stop it stop it don’t don’t
continue – stop it stop it don’t don’t
continue – stop it stop it don’t don’t do it every wes anderson film is
do it every wes anderson film is
do it every wes anderson film is dripping with nostalgia be it his
dripping with nostalgia be it his
dripping with nostalgia be it his historical setting or the use of dated
historical setting or the use of dated
historical setting or the use of dated technology and fashion they are love
technology and fashion they are love
technology and fashion they are love letters to the past this highly
letters to the past this highly
letters to the past this highly nostalgic element helps to remove the
nostalgic element helps to remove the
nostalgic element helps to remove the audience from the immediate action in a
audience from the immediate action in a
audience from the immediate action in a way that is not too jarring showing them
way that is not too jarring showing them
way that is not too jarring showing them a world that is familiar but
a world that is familiar but
a world that is familiar but simultaneously surreal this quality of
simultaneously surreal this quality of
simultaneously surreal this quality of unreality gives the director of the
unreality gives the director of the
unreality gives the director of the ability to move around the world more
ability to move around the world more
ability to move around the world more freely with the viewers disbelief
freely with the viewers disbelief
freely with the viewers disbelief properly suspended by loosening the
properly suspended by loosening the
properly suspended by loosening the grips of time the films are given a
grips of time the films are given a
grips of time the films are given a timeless quality of course the heart at
timeless quality of course the heart at
timeless quality of course the heart at the core of every film plays into
the core of every film plays into
the core of every film plays into another thematic element frequently
another thematic element frequently
another thematic element frequently present the timelessness of love you see
present the timelessness of love you see
present the timelessness of love you see I never speak of Agatha because even as
I never speak of Agatha because even as
I never speak of Agatha because even as the sort of her name I’m unable to
the sort of her name I’m unable to
the sort of her name I’m unable to control my emotions well I suppose
control my emotions well I suppose
control my emotions well I suppose there’s no way around it
there’s no way around it
there’s no way around it number one quirky characters and quirky
number one quirky characters and quirky
number one quirky characters and quirky places let me tell you about my boat
places let me tell you about my boat
places let me tell you about my boat you can’t have an oddball and vaguely
you can’t have an oddball and vaguely
you can’t have an oddball and vaguely surreal film without oddball and vaguely
surreal film without oddball and vaguely
surreal film without oddball and vaguely surreal characters every character in a
surreal characters every character in a
surreal characters every character in a Wes Anderson movie would be in real life
Wes Anderson movie would be in real life
Wes Anderson movie would be in real life probably one of the most interesting
probably one of the most interesting
probably one of the most interesting people you have ever met even the boring
people you have ever met even the boring
people you have ever met even the boring ones are a hundred percent on-brand a
ones are a hundred percent on-brand a
ones are a hundred percent on-brand a hundred percent of the time and when put
hundred percent of the time and when put
hundred percent of the time and when put into the hands of talented character
into the hands of talented character
into the hands of talented character actors giving serious deadpan delivery
actors giving serious deadpan delivery
actors giving serious deadpan delivery to odd behavior the whole thing comes
to odd behavior the whole thing comes
to odd behavior the whole thing comes alive while there is never any literal
alive while there is never any literal
alive while there is never any literal magic in an Anderson film grounded as
magic in an Anderson film grounded as
magic in an Anderson film grounded as they are in human hopes struggles fears
they are in human hopes struggles fears
they are in human hopes struggles fears and joys with their quirkiness whimsy
and joys with their quirkiness whimsy
and joys with their quirkiness whimsy and charm they are nonetheless enchant
and charm they are nonetheless enchant
and charm they are nonetheless enchant I’ll be safe in here I doubt it you
I’ll be safe in here I doubt it you
I’ll be safe in here I doubt it you still want to blow him up
still want to blow him up
still want to blow him up no we’re out of dynamite anyway do you
no we’re out of dynamite anyway do you
no we’re out of dynamite anyway do you agree with our picks check out these
agree with our picks check out these
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