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Top 5 Reasons Madea Movies Are Still Coming Out


whether you’re a fan of this Tyler Perry

whether you’re a fan of this Tyler Perry character or not you got to admit Medea

character or not you got to admit Medea

character or not you got to admit Medea has got some serious staying power

has got some serious staying power

has got some serious staying power welcome to watchmojo.com and today we’re

welcome to watchmojo.com and today we’re

welcome to watchmojo.com and today we’re counting down our picks for the top five

counting down our picks for the top five

counting down our picks for the top five reasons Madea movies are still coming

reasons Madea movies are still coming

reasons Madea movies are still coming out before we begin we publish new

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so be sure to subscribe for more great

so be sure to subscribe for more great content for this list we’re taking a

content for this list we’re taking a

content for this list we’re taking a look at this popular but often maligned

look at this popular but often maligned

look at this popular but often maligned film franchise to see what has given it

film franchise to see what has given it

film franchise to see what has given it such longevity number five the boom

such longevity number five the boom

such longevity number five the boom movies have been winning Halloween in

movies have been winning Halloween in

movies have been winning Halloween in Chris Rock’s critically acclaimed film

Chris Rock’s critically acclaimed film

Chris Rock’s critically acclaimed film top five he took a jab at the Medea

top five he took a jab at the Medea

top five he took a jab at the Medea franchise by parroting the long-running

franchise by parroting the long-running

franchise by parroting the long-running series with the suggestion of a

series with the suggestion of a

series with the suggestion of a seemingly too ridiculous to be true

seemingly too ridiculous to be true

seemingly too ridiculous to be true holiday film he even gave it a name boo

holiday film he even gave it a name boo

holiday film he even gave it a name boo I was the new Tyler Perry with his

I was the new Tyler Perry with his

I was the new Tyler Perry with his friend Madea gets trapped in the haunted

friend Madea gets trapped in the haunted

friend Madea gets trapped in the haunted house perhaps to his chagrin the idea

house perhaps to his chagrin the idea

house perhaps to his chagrin the idea actually resonated with Lionsgate studio

actually resonated with Lionsgate studio

actually resonated with Lionsgate studio though Perry was reportedly initially

though Perry was reportedly initially

though Perry was reportedly initially resistant he eventually came around and

resistant he eventually came around and

resistant he eventually came around and wouldn’t you know it

wouldn’t you know it

wouldn’t you know it madea’s first Halloween outing made a

madea’s first Halloween outing made a

madea’s first Halloween outing made a whopping seventy four point eight

whopping seventy four point eight

whopping seventy four point eight million dollars nearly three times the

million dollars nearly three times the

million dollars nearly three times the haul of top five

both boo and its sequel boo to have

both boo and its sequel boo to have opened as number one at the box office

opened as number one at the box office

opened as number one at the box office beating out more conventional horror

beating out more conventional horror

beating out more conventional horror films a disaster film Tom Hanks and Tom

films a disaster film Tom Hanks and Tom

films a disaster film Tom Hanks and Tom Cruise in the process if Madea can own

Cruise in the process if Madea can own

Cruise in the process if Madea can own Halloween why stop number four Tyler

Halloween why stop number four Tyler

Halloween why stop number four Tyler Perry has built a brand but knows how to

Perry has built a brand but knows how to

Perry has built a brand but knows how to avoid repeating himself these days it’s

avoid repeating himself these days it’s

avoid repeating himself these days it’s a lot easier to attract audiences if

a lot easier to attract audiences if

a lot easier to attract audiences if you’re operating under a familiar banner

you’re operating under a familiar banner

you’re operating under a familiar banner with this zany grandmother character

with this zany grandmother character

with this zany grandmother character Tyler Perry has created a recognizable

Tyler Perry has created a recognizable

Tyler Perry has created a recognizable figure with real draw of course for any

figure with real draw of course for any

figure with real draw of course for any long-running franchise box-office

long-running franchise box-office

long-running franchise box-office burnout is a significant risk if you

burnout is a significant risk if you

burnout is a significant risk if you keep churning out the same film people

keep churning out the same film people

keep churning out the same film people might stop coming as we’ve seen with the

might stop coming as we’ve seen with the

might stop coming as we’ve seen with the Buu films however Tyler Perry knows how

Buu films however Tyler Perry knows how

Buu films however Tyler Perry knows how to switch up the formula if I call the

to switch up the formula if I call the

to switch up the formula if I call the police they’re gonna be here in ten

police they’re gonna be here in ten

police they’re gonna be here in ten minutes okay then that leave me mine the

minutes okay then that leave me mine the

minutes okay then that leave me mine the big guy a lot of you though each film is

big guy a lot of you though each film is

big guy a lot of you though each film is comedic some leans significantly further

comedic some leans significantly further

comedic some leans significantly further into drama than others he also does a

into drama than others he also does a

into drama than others he also does a good job of using Madea as either a

good job of using Madea as either a

good job of using Madea as either a leading lady or a secondary character

leading lady or a secondary character

leading lady or a secondary character depending on the narrative though you’ll

depending on the narrative though you’ll

depending on the narrative though you’ll always get Madea you’ll rarely get the

always get Madea you’ll rarely get the

always get Madea you’ll rarely get the same film twice you’ve got to be nice to

same film twice you’ve got to be nice to

same film twice you’ve got to be nice to people number three

people number three

people number three Madea is an appealing familiar and

Madea is an appealing familiar and

Madea is an appealing familiar and relatable character like Big Momma and

relatable character like Big Momma and

relatable character like Big Momma and mrs. Doubtfire before her Madea gets a

mrs. Doubtfire before her Madea gets a

mrs. Doubtfire before her Madea gets a base level of interest because of the

base level of interest because of the

base level of interest because of the cross-dressing angle though Madea is

cross-dressing angle though Madea is

cross-dressing angle though Madea is actually female within her cinematic

actually female within her cinematic

actually female within her cinematic world more importantly for the audience

world more importantly for the audience

world more importantly for the audience however is that while Madea Simmons is

however is that while Madea Simmons is

however is that while Madea Simmons is certainly over the top and our antics

certainly over the top and our antics

certainly over the top and our antics the reality is that most of us have a

the reality is that most of us have a

the reality is that most of us have a relative like that whether an aunt great

relative like that whether an aunt great

relative like that whether an aunt great aunt or grandmother she’s silly caring

aunt or grandmother she’s silly caring

aunt or grandmother she’s silly caring crass and loving all at once no and I’m

crass and loving all at once no and I’m

crass and loving all at once no and I’m not changing my mind though she might

not changing my mind though she might

not changing my mind though she might feel like a caricature

feel like a caricature

feel like a caricature she’s undeniably endearing in that sorta

she’s undeniably endearing in that sorta

she’s undeniably endearing in that sorta shake your head and smile Conaway and in

shake your head and smile Conaway and in

shake your head and smile Conaway and in this modern age of gross-out humor that

this modern age of gross-out humor that

this modern age of gross-out humor that sort of old-fashioned fun is actually

sort of old-fashioned fun is actually

sort of old-fashioned fun is actually refreshing I’ll sit there talking to

refreshing I’ll sit there talking to

refreshing I’ll sit there talking to each other like y’all ain’t got no sense

each other like y’all ain’t got no sense

each other like y’all ain’t got no sense number two these african-american

number two these african-american

number two these african-american characters get too

characters get too

characters get too more than stereotypes there’s simply no

more than stereotypes there’s simply no

more than stereotypes there’s simply no denying the reality of racial inequality

denying the reality of racial inequality

denying the reality of racial inequality in the film industry according to a

in the film industry according to a

in the film industry according to a University of Southern California study

University of Southern California study

University of Southern California study over 73 percent of rolls in the 100

over 73 percent of rolls in the 100

over 73 percent of rolls in the 100 biggest films of 2014 were played by

biggest films of 2014 were played by

biggest films of 2014 were played by Caucasian actors black actor’s made up

Caucasian actors black actor’s made up

Caucasian actors black actor’s made up just 12 and a half percent of that pie

just 12 and a half percent of that pie

just 12 and a half percent of that pie chart and even within that 12 and a half

chart and even within that 12 and a half

chart and even within that 12 and a half percent a major problem remains in the

percent a major problem remains in the

percent a major problem remains in the types of roles given to black actors and

types of roles given to black actors and

types of roles given to black actors and as of 2016

as of 2016

as of 2016 55 % of Oscar winners won for playing

55 % of Oscar winners won for playing

55 % of Oscar winners won for playing stereotypical black roles Tyler Perry’s

stereotypical black roles Tyler Perry’s

stereotypical black roles Tyler Perry’s movies have often been described as

movies have often been described as

movies have often been described as black film and if that means a primarily

black film and if that means a primarily

black film and if that means a primarily black cast playing nuanced diverse and

black cast playing nuanced diverse and

black cast playing nuanced diverse and realistic roles that move beyond labels

realistic roles that move beyond labels

realistic roles that move beyond labels no wonder people want to keep them

no wonder people want to keep them

no wonder people want to keep them getting made Jim can we just have a

getting made Jim can we just have a

getting made Jim can we just have a moment alone in my house hey Mel number

moment alone in my house hey Mel number

moment alone in my house hey Mel number one they cost little but make a lot

one they cost little but make a lot

one they cost little but make a lot halleluja halleluja though the majority

halleluja halleluja though the majority

halleluja halleluja though the majority of them have been badly reviewed not a

of them have been badly reviewed not a

of them have been badly reviewed not a single one of Tyler Perry’s Madea films

single one of Tyler Perry’s Madea films

single one of Tyler Perry’s Madea films has performed poorly at the box office

has performed poorly at the box office

has performed poorly at the box office that’s ten movies to date and Counting

that’s ten movies to date and Counting

that’s ten movies to date and Counting for Lionsgate that is a strong motivator

for Lionsgate that is a strong motivator

for Lionsgate that is a strong motivator to keep churning these films out as long

to keep churning these films out as long

to keep churning these films out as long as Tyler Perry is willing and even if a

as Tyler Perry is willing and even if a

as Tyler Perry is willing and even if a Madea film were finally to tank it

Madea film were finally to tank it

Madea film were finally to tank it wouldn’t be that big of a deal for the

wouldn’t be that big of a deal for the

wouldn’t be that big of a deal for the company over the years Madea films have

company over the years Madea films have

company over the years Madea films have cost anywhere between five and twenty

cost anywhere between five and twenty

cost anywhere between five and twenty five million dollars to produce and they

five million dollars to produce and they

five million dollars to produce and they have without fail made fifty to ninety

have without fail made fifty to ninety

have without fail made fifty to ninety million dollars at the box office with

million dollars at the box office with

million dollars at the box office with numbers like that

numbers like that

numbers like that Madea isn’t likely to leave theaters

Madea isn’t likely to leave theaters

Madea isn’t likely to leave theaters anytime soon or ever I guess nobody told

anytime soon or ever I guess nobody told

anytime soon or ever I guess nobody told you that not much

you that not much

you that not much mud to the dam be8 you want to spam it

mud to the dam be8 you want to spam it

mud to the dam be8 you want to spam it do you agree with our picks check out

do you agree with our picks check out

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