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Top 10 Underrated Drake Songs


no you mean one thing even acclaimed

no you mean one thing even acclaimed hip-hop superstar like some of his

hip-hop superstar like some of his

hip-hop superstar like some of his tracks are still being kept on welcome

tracks are still being kept on welcome

tracks are still being kept on welcome to watchmojo.com and today we’ll be

to watchmojo.com and today we’ll be

to watchmojo.com and today we’ll be coming down our picks for the top 10

coming down our picks for the top 10

coming down our picks for the top 10 underrated Drake song before we begin we

underrated Drake song before we begin we

underrated Drake song before we begin we publish new videos every day

publish new videos every day

publish new videos every day so be sure to subscribe for more great

so be sure to subscribe for more great

so be sure to subscribe for more great content for this Lizzie we’re focusing

content for this Lizzie we’re focusing

content for this Lizzie we’re focusing on lesser-known drivi tracks that have

on lesser-known drivi tracks that have

on lesser-known drivi tracks that have tremendous value even if they’re not his

tremendous value even if they’re not his

tremendous value even if they’re not his most successful commercial release the

most successful commercial release the

most successful commercial release the money can’t buy happiness jelly talking

money can’t buy happiness jelly talking

money can’t buy happiness jelly talking truthful but I’m happiest when I bow

number 10 fear this is me still the same

number 10 fear this is me still the same in what the head I played a game

in what the head I played a game

in what the head I played a game produced and co-written by Khalil Raman

produced and co-written by Khalil Raman

produced and co-written by Khalil Raman aka DJ Khalil this track examines the

aka DJ Khalil this track examines the

aka DJ Khalil this track examines the personal anxiety that comes with Fame

personal anxiety that comes with Fame

personal anxiety that comes with Fame with each passing burst straight becomes

with each passing burst straight becomes

with each passing burst straight becomes a little more rattled detailing the cost

a little more rattled detailing the cost

a little more rattled detailing the cost of his growing Fame and reputation he

of his growing Fame and reputation he

of his growing Fame and reputation he lays down some fundamental truth but the

lays down some fundamental truth but the

lays down some fundamental truth but the fear persist as he tries to deal with

fear persist as he tries to deal with

fear persist as he tries to deal with being misrepresented and

being misrepresented and

being misrepresented and underappreciated and no applause battles

underappreciated and no applause battles

underappreciated and no applause battles because I bottle my emotions at least I

because I bottle my emotions at least I

because I bottle my emotions at least I put it on and it’s a little more

put it on and it’s a little more

put it on and it’s a little more personal than the typical existential

personal than the typical existential

personal than the typical existential hip-hop track and Drake insightfully

hip-hop track and Drake insightfully

hip-hop track and Drake insightfully chronicles his industry journey with the

chronicles his industry journey with the

chronicles his industry journey with the support of DJ kahlil’s Laird and

support of DJ kahlil’s Laird and

support of DJ kahlil’s Laird and meditative production hope this isn’t

meditative production hope this isn’t

meditative production hope this isn’t one of those to ever say it’s funny how

one of those to ever say it’s funny how

one of those to ever say it’s funny how money has changed everything

money has changed everything

money has changed everything [Applause]

[Applause]

[Applause] [Music]

[Music]

[Music] the number nine Grammys featuring future

the number nine Grammys featuring future

the number nine Grammys featuring future tell me how you really felt

tell me how you really felt

tell me how you really felt tell me how you really feel I would ask

tell me how you really feel I would ask

tell me how you really feel I would ask you what to do don’t even Pat it down

you what to do don’t even Pat it down

you what to do don’t even Pat it down for this snarky track Drake and his

for this snarky track Drake and his

for this snarky track Drake and his featured guests take aim at hosers

featured guests take aim at hosers

featured guests take aim at hosers rhyming over and grimy beat Drake

rhyming over and grimy beat Drake

rhyming over and grimy beat Drake reminds that he’s the real deal in more

reminds that he’s the real deal in more

reminds that he’s the real deal in more ways than one Sam run all day a lot of

ways than one Sam run all day a lot of

ways than one Sam run all day a lot of times on the same side oh yeah weird oh

times on the same side oh yeah weird oh

times on the same side oh yeah weird oh my but I’m gone going outside and if

my but I’m gone going outside and if

my but I’m gone going outside and if he’s less than clear with his message

he’s less than clear with his message

he’s less than clear with his message feature drives home the hook while

feature drives home the hook while

feature drives home the hook while elaborating on the diapers array of

elaborating on the diapers array of

elaborating on the diapers array of uppers and downers currently in his

uppers and downers currently in his

uppers and downers currently in his system they want me to go to the vet go

system they want me to go to the vet go

system they want me to go to the vet go I want to prove to them again they’re

I want to prove to them again they’re

I want to prove to them again they’re out the trash Drake and future insinuate

out the trash Drake and future insinuate

out the trash Drake and future insinuate that they’re more about keeping it real

that they’re more about keeping it real

that they’re more about keeping it real than posturing for others making Grammys

than posturing for others making Grammys

than posturing for others making Grammys and entertaining and prod provoking

and entertaining and prod provoking

and entertaining and prod provoking commentary on rappers and loved with the

commentary on rappers and loved with the

commentary on rappers and loved with the spotlight they go it’s like I wanna

spotlight they go it’s like I wanna

spotlight they go it’s like I wanna Cammie

Cammie

Cammie they go it’s like I wanna Grammy yeah uh

number eight cameras word on road is to

number eight cameras word on road is to click about the blow you ain’t gotta run

click about the blow you ain’t gotta run

click about the blow you ain’t gotta run instead nobody they already know

instead nobody they already know

instead nobody they already know produced by Noah 40 Shebib this track

produced by Noah 40 Shebib this track

produced by Noah 40 Shebib this track isn’t necessarily a love song per se but

isn’t necessarily a love song per se but

isn’t necessarily a love song per se but it’s driven by honesty and truth with a

it’s driven by honesty and truth with a

it’s driven by honesty and truth with a drawn-out lyrical delivery drink

drawn-out lyrical delivery drink

drawn-out lyrical delivery drink explains his glamorous lifestyle adding

explains his glamorous lifestyle adding

explains his glamorous lifestyle adding that real life is different than a

that real life is different than a

that real life is different than a paparazzi perspective in classic Drizzy

paparazzi perspective in classic Drizzy

paparazzi perspective in classic Drizzy fashion he attempts to qualm the

fashion he attempts to qualm the

fashion he attempts to qualm the concerns of a certain female yet he

concerns of a certain female yet he

concerns of a certain female yet he doesn’t quite apologize for any

doesn’t quite apologize for any

doesn’t quite apologize for any questionable behavior named baby seal

questionable behavior named baby seal

questionable behavior named baby seal Atlanta but only on camera

Atlanta but only on camera

Atlanta but only on camera only gem only cameras is a stripped-down

only gem only cameras is a stripped-down

only gem only cameras is a stripped-down take on what it means to date a

take on what it means to date a

take on what it means to date a high-profile hip-hop star in other words

high-profile hip-hop star in other words

high-profile hip-hop star in other words the cameras don’t always reveal the

the cameras don’t always reveal the

the cameras don’t always reveal the truth but rather a brief snapshot about

truth but rather a brief snapshot about

truth but rather a brief snapshot about a specific place and time for hip hop’s

a specific place and time for hip hop’s

a specific place and time for hip hop’s underground Kingz I know I didn’t know

underground Kingz I know I didn’t know

underground Kingz I know I didn’t know much damn prime number 7 closer

much damn prime number 7 closer

much damn prime number 7 closer featuring at Drina mill miss the big

featuring at Drina mill miss the big

featuring at Drina mill miss the big dreams no Taliban country web album

dreams no Taliban country web album

dreams no Taliban country web album palaces give it mid-tempo beat an

palaces give it mid-tempo beat an

palaces give it mid-tempo beat an inspirational narrative this track

inspirational narrative this track

inspirational narrative this track features a younger Drake on the cusp of

features a younger Drake on the cusp of

features a younger Drake on the cusp of achieving his dream musically the

achieving his dream musically the

achieving his dream musically the production has a slow jam feel certainly

production has a slow jam feel certainly

production has a slow jam feel certainly when paired with ndrina Mills vocals but

when paired with ndrina Mills vocals but

when paired with ndrina Mills vocals but closer thrives with Drake’s lyrical

closer thrives with Drake’s lyrical

closer thrives with Drake’s lyrical acumen and precise phrasing there’s no

acumen and precise phrasing there’s no

acumen and precise phrasing there’s no mumble rap going on here and although

mumble rap going on here and although

mumble rap going on here and although Drake keeps blues there’s a sense of

Drake keeps blues there’s a sense of

Drake keeps blues there’s a sense of urgency that shines through our folks

urgency that shines through our folks

urgency that shines through our folks awesome race ensues back streets on

awesome race ensues back streets on

awesome race ensues back streets on Craig Davis it the awful dodge back in

Craig Davis it the awful dodge back in

Craig Davis it the awful dodge back in 2007 a mixtape track like this showcased

2007 a mixtape track like this showcased

2007 a mixtape track like this showcased with Drake could accomplish and he

with Drake could accomplish and he

with Drake could accomplish and he clearly felt that he was on the right

clearly felt that he was on the right

clearly felt that he was on the right track looking back it’s most definitely

track looking back it’s most definitely

track looking back it’s most definitely one of the Toronto MCS were

one of the Toronto MCS were

one of the Toronto MCS were underappreciated song anticipated like

underappreciated song anticipated like

underappreciated song anticipated like the I fall expecting at any City to have

the I fall expecting at any City to have

the I fall expecting at any City to have wrong summertime when a times in a time

wrong summertime when a times in a time

wrong summertime when a times in a time any time I invested in myself when I

any time I invested in myself when I

any time I invested in myself when I subscribe oh yeah number 6 9 a.m. in

subscribe oh yeah number 6 9 a.m. in

subscribe oh yeah number 6 9 a.m. in dollars these are my 1 st. Thomas low me

dollars these are my 1 st. Thomas low me

dollars these are my 1 st. Thomas low me – Oh Madonna ho it looks just like

– Oh Madonna ho it looks just like

– Oh Madonna ho it looks just like Barbie for trusting down ago while this

Barbie for trusting down ago while this

Barbie for trusting down ago while this joint didn’t make the American version

joint didn’t make the American version

joint didn’t make the American version of Drake’s studio album if nonetheless

of Drake’s studio album if nonetheless

of Drake’s studio album if nonetheless had success on the Billboard charts even

had success on the Billboard charts even

had success on the Billboard charts even so people tend to forget about 9:00 a.m.

so people tend to forget about 9:00 a.m.

so people tend to forget about 9:00 a.m. in Dallas a track in which Drake

in Dallas a track in which Drake

in Dallas a track in which Drake essentially talk smack to all the haters

essentially talk smack to all the haters

essentially talk smack to all the haters it’s filled with Chris Thile zingers and

it’s filled with Chris Thile zingers and

it’s filled with Chris Thile zingers and features all the drink privado that fans

features all the drink privado that fans

features all the drink privado that fans have come to love this one is hardened

have come to love this one is hardened

have come to love this one is hardened from our city trying to dance without a

from our city trying to dance without a

from our city trying to dance without a response for me you really feel it

response for me you really feel it

response for me you really feel it exists and I’d love to see you fare that

exists and I’d love to see you fare that

exists and I’d love to see you fare that feeling man to see

feeling man to see

feeling man to see I swear but it’s neither a deeply

I swear but it’s neither a deeply

I swear but it’s neither a deeply philosophical track nor a club banger

philosophical track nor a club banger

philosophical track nor a club banger more of a meditation on swatting down

more of a meditation on swatting down

more of a meditation on swatting down the trolls and knowing one’s place in

the trolls and knowing one’s place in

the trolls and knowing one’s place in the game in that regard it steeped in

the game in that regard it steeped in

the game in that regard it steeped in traditional hip-hop roots a song that’s

traditional hip-hop roots a song that’s

traditional hip-hop roots a song that’s often overlooked given its absence on

often overlooked given its absence on

often overlooked given its absence on the domestic album release people clean

the domestic album release people clean

the domestic album release people clean it all straight we started to miss it

it all straight we started to miss it

it all straight we started to miss it but they need to be a little more

but they need to be a little more

but they need to be a little more specific management switch down Wow

specific management switch down Wow

specific management switch down Wow number five jungle these days I’m

number five jungle these days I’m

number five jungle these days I’m letting Guyana law things above built on

letting Guyana law things above built on

letting Guyana law things above built on a jazzy stripped-down beat courtesy of

a jazzy stripped-down beat courtesy of

a jazzy stripped-down beat courtesy of Drake’s right-hand man Noah 40 Shebib

Drake’s right-hand man Noah 40 Shebib

Drake’s right-hand man Noah 40 Shebib this late album track is one of Drake’s

this late album track is one of Drake’s

this late album track is one of Drake’s more chilled out production starting

more chilled out production starting

more chilled out production starting with a sample of Gabriel Garzon Montano

with a sample of Gabriel Garzon Montano

with a sample of Gabriel Garzon Montano Drake doubles up with vocals of his own

Drake doubles up with vocals of his own

Drake doubles up with vocals of his own in the first two verses Drizzy shift

in the first two verses Drizzy shift

in the first two verses Drizzy shift gears from confident to skeptical lover

gears from confident to skeptical lover

gears from confident to skeptical lover questioning whether he’s lost

questioning whether he’s lost

questioning whether he’s lost credibility painted at treated I guess

credibility painted at treated I guess

credibility painted at treated I guess so whatever thing trust me girl shit is

so whatever thing trust me girl shit is

so whatever thing trust me girl shit is everything but rather than spiraling

everything but rather than spiraling

everything but rather than spiraling into the madness drink refocuses by the

into the madness drink refocuses by the

into the madness drink refocuses by the final verse now dropping rhymes with

final verse now dropping rhymes with

final verse now dropping rhymes with confidence however there’s still some

confidence however there’s still some

confidence however there’s still some underlying anxiety about the future what

underlying anxiety about the future what

underlying anxiety about the future what am I supposed to do after we’ve done

am I supposed to do after we’ve done

am I supposed to do after we’ve done everything that we’ve done who is sho

everything that we’ve done who is sho

everything that we’ve done who is sho replaced it’s the subtext that makes

replaced it’s the subtext that makes

replaced it’s the subtext that makes jungle such a gem as Drake looks inward

jungle such a gem as Drake looks inward

jungle such a gem as Drake looks inward rather than boasting about trivial

rather than boasting about trivial

rather than boasting about trivial matters

matters

matters [Music]

number four now and forever itself it’s

number four now and forever itself it’s elbow down leave it I’m gone I can’t

elbow down leave it I’m gone I can’t

elbow down leave it I’m gone I can’t stay here no more in the opening seconds

stay here no more in the opening seconds

stay here no more in the opening seconds of this song a dreamlike vibe sets the

of this song a dreamlike vibe sets the

of this song a dreamlike vibe sets the tone

tone

tone produced by Erica dingus and Jimmy prime

produced by Erica dingus and Jimmy prime

produced by Erica dingus and Jimmy prime Johnson now and forever has Drake caught

Johnson now and forever has Drake caught

Johnson now and forever has Drake caught up on his thoughts caught up in all his

up on his thoughts caught up in all his

up on his thoughts caught up in all his hopes and fears I’m afraid that I’m

hopes and fears I’m afraid that I’m

hopes and fears I’m afraid that I’m gonna die before I do I’m gone Oh imma

gonna die before I do I’m gone Oh imma

gonna die before I do I’m gone Oh imma be alone it’s a moody existential track

be alone it’s a moody existential track

be alone it’s a moody existential track about breaking free from what’s holding

about breaking free from what’s holding

about breaking free from what’s holding you back with many people interpreting

you back with many people interpreting

you back with many people interpreting the lyrics as a nod to the ongoing drama

the lyrics as a nod to the ongoing drama

the lyrics as a nod to the ongoing drama between Drizzy and Cash Money Records

between Drizzy and Cash Money Records

between Drizzy and Cash Money Records there’s no rap cliches hip-hop

there’s no rap cliches hip-hop

there’s no rap cliches hip-hop references or name-dropping to be found

references or name-dropping to be found

references or name-dropping to be found just the repeated statement of no more

just the repeated statement of no more

just the repeated statement of no more making now and forever an accessible

making now and forever an accessible

making now and forever an accessible track for any listener anywhere

track for any listener anywhere

track for any listener anywhere [Music]

[Music]

[Music] give but you cannot take nerve number

give but you cannot take nerve number

give but you cannot take nerve number three from time featuring jhene aiko I

three from time featuring jhene aiko I

three from time featuring jhene aiko I needed to hear that shit I hate when

needed to hear that shit I hate when

needed to hear that shit I hate when just submissive passive-aggressive one

just submissive passive-aggressive one

just submissive passive-aggressive one with text and I filled a distance poetic

with text and I filled a distance poetic

with text and I filled a distance poetic and minimal is this love ballad plays

and minimal is this love ballad plays

and minimal is this love ballad plays like a conversation between drapes and

like a conversation between drapes and

like a conversation between drapes and an old planner with a soft piano

an old planner with a soft piano

an old planner with a soft piano backdrop and jhene aiko is hushed vocals

backdrop and jhene aiko is hushed vocals

backdrop and jhene aiko is hushed vocals setting the mood from time feels

setting the mood from time feels

setting the mood from time feels completely harmonious once Drake begins

completely harmonious once Drake begins

completely harmonious once Drake begins his first verse

his first verse

his first verse with this song he’s not afraid to open

with this song he’s not afraid to open

with this song he’s not afraid to open up but doesn’t come across as soft I’ve

up but doesn’t come across as soft I’ve

up but doesn’t come across as soft I’ve been dealing with my dad speaking alack

been dealing with my dad speaking alack

been dealing with my dad speaking alack patience

patience

patience just me and my old man getting back to

just me and my old man getting back to

just me and my old man getting back to basics through this approach he

basics through this approach he

basics through this approach he addresses issues with his father as

addresses issues with his father as

addresses issues with his father as romantic stress acknowledging all the

romantic stress acknowledging all the

romantic stress acknowledging all the little things that make a difference I

little things that make a difference I

little things that make a difference I don’t even know what you want from to

don’t even know what you want from to

don’t even know what you want from to have any more answers for some missing

have any more answers for some missing

have any more answers for some missing and disappear when I’m full it’s about

and disappear when I’m full it’s about

and disappear when I’m full it’s about communication with Drake becoming even

communication with Drake becoming even

communication with Drake becoming even more raw by the end all in all it’s the

more raw by the end all in all it’s the

more raw by the end all in all it’s the slight production tweaks that give from

slight production tweaks that give from

slight production tweaks that give from Times in depth just as Drake makes his

Times in depth just as Drake makes his

Times in depth just as Drake makes his own personal tweaks and progresses as a

own personal tweaks and progresses as a

own personal tweaks and progresses as a songwriter

songwriter

songwriter making out in our open and talk to

making out in our open and talk to

making out in our open and talk to ignore what qualities without looking

ignore what qualities without looking

ignore what qualities without looking for the boss you settling for better

for the boss you settling for better

for the boss you settling for better food and a boy

food and a boy

food and a boy [Music]

[Music]

[Music] number two Weston Road flows flows I did

number two Weston Road flows flows I did

number two Weston Road flows flows I did his shin for my ready bed when he

his shin for my ready bed when he

his shin for my ready bed when he couldn’t buy pizzas as we went down a

couldn’t buy pizzas as we went down a

couldn’t buy pizzas as we went down a penny for this track

penny for this track

penny for this track Drake uses one extensive verse to pay

Drake uses one extensive verse to pay

Drake uses one extensive verse to pay homage to his roots at times there are

homage to his roots at times there are

homage to his roots at times there are subtle references to friends and even

subtle references to friends and even

subtle references to friends and even close yet Drake live-ins up Weston Road

close yet Drake live-ins up Weston Road

close yet Drake live-ins up Weston Road flows by dropping pop-culture references

flows by dropping pop-culture references

flows by dropping pop-culture references throughout a lot of people just hit me

throughout a lot of people just hit me

throughout a lot of people just hit me on what my name is mentioned

on what my name is mentioned

on what my name is mentioned Shattuck ad we were saying we get the

Shattuck ad we were saying we get the

Shattuck ad we were saying we get the same attention even if listeners can’t

same attention even if listeners can’t

same attention even if listeners can’t necessarily relate to Drake’s experience

necessarily relate to Drake’s experience

necessarily relate to Drake’s experience they can at least appreciate the content

they can at least appreciate the content

they can at least appreciate the content as he paints a full portrait of his life

as he paints a full portrait of his life

as he paints a full portrait of his life past and present

past and present

past and present incidentally when Drake ultimately

incidentally when Drake ultimately

incidentally when Drake ultimately references Weston Road the Toronto

references Weston Road the Toronto

references Weston Road the Toronto Street where he grew up one can

Street where he grew up one can

Street where he grew up one can understand Drake just a little bit more

understand Drake just a little bit more

understand Drake just a little bit more where he’s been and how he sees the

where he’s been and how he sees the

where he’s been and how he sees the world Western Road flows my confidence

world Western Road flows my confidence

world Western Road flows my confidence level getting settled don’t get height

level getting settled don’t get height

level getting settled don’t get height for the moment it started back pedal

for the moment it started back pedal

for the moment it started back pedal don’t let your newfound fame fool you a

don’t let your newfound fame fool you a

don’t let your newfound fame fool you a cloud of your judgment and salt loosely

cloud of your judgment and salt loosely

cloud of your judgment and salt loosely I really do this when flowing stupid

I really do this when flowing stupid

I really do this when flowing stupid since Vince Carter was on some through

since Vince Carter was on some through

since Vince Carter was on some through the legs are mean old shit before we

the legs are mean old shit before we

the legs are mean old shit before we unveil our topic here are a few

unveil our topic here are a few

unveil our topic here are a few honorable mentions she’s working with a

honorable mentions she’s working with a

honorable mentions she’s working with a special I know she loves to the shit off

special I know she loves to the shit off

special I know she loves to the shit off on me how to pilot hoods become a

on me how to pilot hoods become a

on me how to pilot hoods become a mountain the truth is how to bottle a

mountain the truth is how to bottle a

mountain the truth is how to bottle a why we kind of found into bingo new

why we kind of found into bingo new

why we kind of found into bingo new trade I got money and Mike I did I’m uh

trade I got money and Mike I did I’m uh

trade I got money and Mike I did I’m uh now that this is more than just a new

now that this is more than just a new

now that this is more than just a new loves for you

loves for you

loves for you number one too much featuring Samba done

number one too much featuring Samba done

number one too much featuring Samba done saying I’m jumping there last time is on

saying I’m jumping there last time is on

saying I’m jumping there last time is on an outro stuck in a house need to get

an outro stuck in a house need to get

an outro stuck in a house need to get out more I’ve been standing nothing on

out more I’ve been standing nothing on

out more I’ve been standing nothing on swamp races thanks to the opening vocals

swamp races thanks to the opening vocals

swamp races thanks to the opening vocals by British singer Samba there’s

by British singer Samba there’s

by British singer Samba there’s immediately a nun Semak quality to this

immediately a nun Semak quality to this

immediately a nun Semak quality to this Drake production but rather than keeping

Drake production but rather than keeping

Drake production but rather than keeping it light drink revs things up with a

it light drink revs things up with a

it light drink revs things up with a couple of strong verses on the cost of

couple of strong verses on the cost of

couple of strong verses on the cost of success and its impact on family money

success and its impact on family money

success and its impact on family money got my whole family backwards

got my whole family backwards

got my whole family backwards no bin is no holidays no nothing doing

no bin is no holidays no nothing doing

no bin is no holidays no nothing doing away with a usual hip-hop fare your

away with a usual hip-hop fare your

away with a usual hip-hop fare your drink addresses his own family that’s

drink addresses his own family that’s

drink addresses his own family that’s what for some type of resolution by

what for some type of resolution by

what for some type of resolution by allowing himself to be so vulnerable

allowing himself to be so vulnerable

allowing himself to be so vulnerable it’s clear that some aspects of Drake’s

it’s clear that some aspects of Drake’s

it’s clear that some aspects of Drake’s life has become too much to handle with

life has become too much to handle with

life has become too much to handle with Drake’s introspective lyrics combined

Drake’s introspective lyrics combined

Drake’s introspective lyrics combined with the soulful and heartfelt

with the soulful and heartfelt

with the soulful and heartfelt contributions in Samba too much will

contributions in Samba too much will

contributions in Samba too much will surely be remembered as one of the best

surely be remembered as one of the best

surely be remembered as one of the best deep cuts from Drake’s discographies now

deep cuts from Drake’s discographies now

deep cuts from Drake’s discographies now it got me feeling pinned down pick up

it got me feeling pinned down pick up

it got me feeling pinned down pick up n-nothing put a pin down writing to you

n-nothing put a pin down writing to you

n-nothing put a pin down writing to you from a distance like a pimp app we’ve

from a distance like a pimp app we’ve

from a distance like a pimp app we’ve been down do you agree with our picks

been down do you agree with our picks

been down do you agree with our picks check out these other great clips from

check out these other great clips from

check out these other great clips from WatchMojo and subscribe for new videos

WatchMojo and subscribe for new videos

WatchMojo and subscribe for new videos every day

every day

every day [Music]

”

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