these classics of cinema are muy bien tempo welcome to watchmojo.com and today
tempo welcome to watchmojo.com and today
tempo welcome to watchmojo.com and today we’re counting down our picks for the
we’re counting down our picks for the
we’re counting down our picks for the top 10 spanish-language movies yeah
top 10 spanish-language movies yeah
top 10 spanish-language movies yeah for this list we’re looking at
for this list we’re looking at
for this list we’re looking at spanish-language films whether they were
spanish-language films whether they were
spanish-language films whether they were released over in Spain Mexico or
released over in Spain Mexico or
released over in Spain Mexico or anywhere else where Spanish is the first
anywhere else where Spanish is the first
anywhere else where Spanish is the first language kept I see a nice couch a
language kept I see a nice couch a
language kept I see a nice couch a better number 10 the secret in their
better number 10 the secret in their
better number 10 the secret in their eyes yonago gonna Cassandra chorus I
eyes yonago gonna Cassandra chorus I
eyes yonago gonna Cassandra chorus I mean okay Celina here’s a movie tip for
mean okay Celina here’s a movie tip for
mean okay Celina here’s a movie tip for the casual english-speaking movie goer
the casual english-speaking movie goer
the casual english-speaking movie goer check out this Argentine thriller before
check out this Argentine thriller before
check out this Argentine thriller before you waste time on the subpar 2015
you waste time on the subpar 2015
you waste time on the subpar 2015 American version starring Julia Roberts
directed by Juan J Campanella and
directed by Juan J Campanella and featuring a young carla cave a doe from
featuring a young carla cave a doe from
featuring a young carla cave a doe from HBO’s show me a hero the secret in their
HBO’s show me a hero the secret in their
HBO’s show me a hero the secret in their eyes demonstrated how to efficiently
eyes demonstrated how to efficiently
eyes demonstrated how to efficiently deliver a truly unforgettable hook
deliver a truly unforgettable hook
deliver a truly unforgettable hook complemented by the overall symbolic
complemented by the overall symbolic
complemented by the overall symbolic take on Argentine politics
take on Argentine politics
take on Argentine politics no matter days no matter less Amin oh my
no matter days no matter less Amin oh my
no matter days no matter less Amin oh my god ay que no so me chief eka yo Magus
god ay que no so me chief eka yo Magus
god ay que no so me chief eka yo Magus más Alta Mira Nair Dante Mesa Miyoshi
más Alta Mira Nair Dante Mesa Miyoshi
más Alta Mira Nair Dante Mesa Miyoshi Atomos it’s best to go into this one
Atomos it’s best to go into this one
Atomos it’s best to go into this one cold and by the end of the Academy
cold and by the end of the Academy
cold and by the end of the Academy award-winning film you’ll probably want
award-winning film you’ll probably want
award-winning film you’ll probably want to further explore the filmography of
to further explore the filmography of
to further explore the filmography of its director beginning with another
its director beginning with another
its director beginning with another Argentine classic mm one’s son of the
Argentine classic mm one’s son of the
Argentine classic mm one’s son of the bride no just signor Contino know where
bride no just signor Contino know where
bride no just signor Contino know where vicki lewis and i Karina luttrell
vicki lewis and i Karina luttrell
vicki lewis and i Karina luttrell acquainted only know she already
acquainted only know she already
acquainted only know she already Argentinian away number 9 cell 211 is
Argentinian away number 9 cell 211 is
Argentinian away number 9 cell 211 is the son gonna know stating in here
the son gonna know stating in here
the son gonna know stating in here everybody loves a good Prison flick but
everybody loves a good Prison flick but
everybody loves a good Prison flick but of course nobody enjoys being locked up
of course nobody enjoys being locked up
of course nobody enjoys being locked up in a literal slammer is it total thought
in a literal slammer is it total thought
in a literal slammer is it total thought I feel ya know as the winner of eight
I feel ya know as the winner of eight
I feel ya know as the winner of eight Koya Awards
Koya Awards
Koya Awards Danielle maan Stone’s film details the
Danielle maan Stone’s film details the
Danielle maan Stone’s film details the plights of a prison guard turned
plights of a prison guard turned
plights of a prison guard turned accidental inmate and spoiler alert
accidental inmate and spoiler alert
accidental inmate and spoiler alert Kwan Olli bear has a few difficult
Kwan Olli bear has a few difficult
Kwan Olli bear has a few difficult decisions to make why no death it’ll be
decisions to make why no death it’ll be
decisions to make why no death it’ll be said whether however
said whether however
said whether however while many films of the genre will
while many films of the genre will
while many films of the genre will deliver the usual clichés the director
deliver the usual clichés the director
deliver the usual clichés the director capitalized on the opportunity to
capitalized on the opportunity to
capitalized on the opportunity to comment on both the Basque Country of
comment on both the Basque Country of
comment on both the Basque Country of Spain as well as the country’s terrorism
Spain as well as the country’s terrorism
Spain as well as the country’s terrorism Cristiano saffiano la bocca que no
Cristiano saffiano la bocca que no
Cristiano saffiano la bocca que no queremos nada se que todo lo senior s
queremos nada se que todo lo senior s
queremos nada se que todo lo senior s top áfourá number 8 very Dianna by the
top áfourá number 8 very Dianna by the
top áfourá number 8 very Dianna by the time of this film’s release
time of this film’s release
time of this film’s release director Luis buñuel had already
director Luis buñuel had already
director Luis buñuel had already established himself as a legend both
established himself as a legend both
established himself as a legend both within the landscapes of Spanish and
within the landscapes of Spanish and
within the landscapes of Spanish and Mexican cinema
however Vinny Dianna didn’t necessarily
however Vinny Dianna didn’t necessarily please the Italians over at the Vatican
please the Italians over at the Vatican
please the Italians over at the Vatican but for a story about the loss of
but for a story about the loss of
but for a story about the loss of innocence and misunderstandings there
innocence and misunderstandings there
innocence and misunderstandings there was no one better than buñuel to
was no one better than buñuel to
was no one better than buñuel to figuratively dress up vide Dianna under
figuratively dress up vide Dianna under
figuratively dress up vide Dianna under a tubby Josefa the case of father okay
a tubby Josefa the case of father okay
a tubby Josefa the case of father okay in a time when the French New Wave
in a time when the French New Wave
in a time when the French New Wave presented new cinematic ideals this film
presented new cinematic ideals this film
presented new cinematic ideals this film showcased a master at his best and won
showcased a master at his best and won
showcased a master at his best and won the Palme d’Or at can over a full decade
the Palme d’Or at can over a full decade
the Palme d’Or at can over a full decade after he won Best Director at the
after he won Best Director at the
after he won Best Director at the festival for his Mexican production loss
festival for his Mexican production loss
festival for his Mexican production loss avocados Oh Konami Vega on daily 10 de
avocados Oh Konami Vega on daily 10 de
avocados Oh Konami Vega on daily 10 de carro aqui
carro aqui
carro aqui Oh No Yaya Caleb win number seven the
Oh No Yaya Caleb win number seven the
Oh No Yaya Caleb win number seven the orphanage Mayweather secreto co-produced
orphanage Mayweather secreto co-produced
orphanage Mayweather secreto co-produced by the iconic Mexican filmmaker
by the iconic Mexican filmmaker
by the iconic Mexican filmmaker guillermo del toro and starring the
guillermo del toro and starring the
guillermo del toro and starring the daughter of Charlie Chaplin himself this
daughter of Charlie Chaplin himself this
daughter of Charlie Chaplin himself this throwback horror flick marked the
throwback horror flick marked the
throwback horror flick marked the directorial debut of Jay a Bayona
directorial debut of Jay a Bayona
directorial debut of Jay a Bayona who injected a healthy dose of artistry
who injected a healthy dose of artistry
who injected a healthy dose of artistry into a genre typically known for cheap
into a genre typically known for cheap
into a genre typically known for cheap tricks
tricks
tricks give us how did he say me that I come
based on the story of a woman flipping
based on the story of a woman flipping her childhood home into the titular
her childhood home into the titular
her childhood home into the titular orphanage the narrative requires a
orphanage the narrative requires a
orphanage the narrative requires a certain amount of patience as each page
certain amount of patience as each page
certain amount of patience as each page of the script comes to life by way of
of the script comes to life by way of
of the script comes to life by way of the superb direction and Jen
the superb direction and Jen
the superb direction and Jen if frightening performances in this
if frightening performances in this
if frightening performances in this place then let me know
number six open your eyes before
number six open your eyes before Penelope Cruz was a household name in
Penelope Cruz was a household name in
Penelope Cruz was a household name in America
America
America she was already well known in her native
she was already well known in her native
she was already well known in her native Spain for starring in this original
Spain for starring in this original
Spain for starring in this original sci-fi production
directed by Alejandro Amenabar open your
directed by Alejandro Amenabar open your eyes investigates the perceived
eyes investigates the perceived
eyes investigates the perceived realities of a disfigured man and the
realities of a disfigured man and the
realities of a disfigured man and the dreams that would ultimately become his
dreams that would ultimately become his
dreams that would ultimately become his nightmares Nicole de cuidado de que
nightmares Nicole de cuidado de que
nightmares Nicole de cuidado de que tengo la moto la dirección de hombre
tengo la moto la dirección de hombre
tengo la moto la dirección de hombre taking vengeance no no the ideas yes it
taking vengeance no no the ideas yes it
taking vengeance no no the ideas yes it discusses by not forcing easy answers
discusses by not forcing easy answers
discusses by not forcing easy answers upon the viewer and fueled by the
upon the viewer and fueled by the
upon the viewer and fueled by the performances of Eduardo Noriega and Cruz
performances of Eduardo Noriega and Cruz
performances of Eduardo Noriega and Cruz the psychological thriller combines
the psychological thriller combines
the psychological thriller combines realism and fantasy to deliver a
realism and fantasy to deliver a
realism and fantasy to deliver a narrative that will find a permanent
narrative that will find a permanent
narrative that will find a permanent home within your psyche
young woman crews would reprise her role
young woman crews would reprise her role in the American remake Vanilla Sky but
in the American remake Vanilla Sky but
in the American remake Vanilla Sky but we suggest you seek out the original
we suggest you seek out the original
we suggest you seek out the original masterpiece first every passing minute
masterpiece first every passing minute
masterpiece first every passing minute is another chance to turn it all around
number five wreck muy buenas noches less
number five wreck muy buenas noches less table Angela Vidal hoy como cada noche
table Angela Vidal hoy como cada noche
table Angela Vidal hoy como cada noche vamos a compartir restores minutos knock
vamos a compartir restores minutos knock
vamos a compartir restores minutos knock to nosecone Spanish zombie horror
to nosecone Spanish zombie horror
to nosecone Spanish zombie horror today the found-footage genre has
today the found-footage genre has
today the found-footage genre has produced its share of surprise hits but
produced its share of surprise hits but
produced its share of surprise hits but no other international thriller made an
no other international thriller made an
no other international thriller made an impact quite like this barcelona shot
impact quite like this barcelona shot
impact quite like this barcelona shot film a quien algo mas Elmo vino funciona
film a quien algo mas Elmo vino funciona
film a quien algo mas Elmo vino funciona yaa television Miele radio estamos
yaa television Miele radio estamos
yaa television Miele radio estamos incommunicado porque based on the
incommunicado porque based on the
incommunicado porque based on the concept of a new story gone horribly
concept of a new story gone horribly
concept of a new story gone horribly wrong wreck found its place in history
wrong wreck found its place in history
wrong wreck found its place in history through an understanding of auditory and
through an understanding of auditory and
through an understanding of auditory and visual timing and by that we mean the
visual timing and by that we mean the
visual timing and by that we mean the film masterfully balances the narrative
film masterfully balances the narrative
film masterfully balances the narrative tension with a sense of genuine terror
tension with a sense of genuine terror
tension with a sense of genuine terror as the technical side of the production
as the technical side of the production
as the technical side of the production showcases what can be achieved with
showcases what can be achieved with
showcases what can be achieved with framing timing and of course screams
Pedro almodóvar has long been
Pedro almodóvar has long been recognized as one of the preeminent
recognized as one of the preeminent
recognized as one of the preeminent filmmakers of not only his country but
filmmakers of not only his country but
filmmakers of not only his country but in general notice from said Amanda Luna
in general notice from said Amanda Luna
in general notice from said Amanda Luna Edison epidemia by the close of the 20th
Edison epidemia by the close of the 20th
Edison epidemia by the close of the 20th century he made a film truly ahead of
century he made a film truly ahead of
century he made a film truly ahead of its time as all about my mother
its time as all about my mother
its time as all about my mother deconstructed social taboos while
deconstructed social taboos while
deconstructed social taboos while presenting an otherwise deeply serious
presenting an otherwise deeply serious
presenting an otherwise deeply serious narrative with stylistic references to a
narrative with stylistic references to a
narrative with stylistic references to a bygone era of filmmaking mr. Saurez
bygone era of filmmaking mr. Saurez
bygone era of filmmaking mr. Saurez actor cement Olivia
actor cement Olivia
actor cement Olivia yes dear customer include Assad it’s
yes dear customer include Assad it’s
yes dear customer include Assad it’s also an ode to all the mothers and women
also an ode to all the mothers and women
also an ode to all the mothers and women of the world be matt.taryn Amanda I took
of the world be matt.taryn Amanda I took
of the world be matt.taryn Amanda I took one of us just a few years later
one of us just a few years later
one of us just a few years later Almodovar once again floored moviegoers
Almodovar once again floored moviegoers
Almodovar once again floored moviegoers with another psychological study in talk
with another psychological study in talk
with another psychological study in talk to her many know a siesta prácticamente
to her many know a siesta prácticamente
to her many know a siesta prácticamente Muerta no puede senti nada por nada
Muerta no puede senti nada por nada
Muerta no puede senti nada por nada important for me
important for me
important for me la pareja meant a tale of en la cabeza
la pareja meant a tale of en la cabeza
la pareja meant a tale of en la cabeza number-three Amore’s perros kicking off
number-three Amore’s perros kicking off
number-three Amore’s perros kicking off the so called
the so called
the so called trilogy of death alejandro gonzalez in
trilogy of death alejandro gonzalez in
trilogy of death alejandro gonzalez in yadi twos drama thriller is a film that
yadi twos drama thriller is a film that
yadi twos drama thriller is a film that would change the modern landscape of
would change the modern landscape of
would change the modern landscape of mexican cinema que esto por supuesto
mexican cinema que esto por supuesto
mexican cinema que esto por supuesto Westerley tamale – Vida cabron amid the
Westerley tamale – Vida cabron amid the
Westerley tamale – Vida cabron amid the three chaotic narratives of Amore’s
three chaotic narratives of Amore’s
three chaotic narratives of Amore’s perros emerges a frenetic energy
perros emerges a frenetic energy
perros emerges a frenetic energy heightened by the pacing of its director
heightened by the pacing of its director
heightened by the pacing of its director the Mexico City setting and the
the Mexico City setting and the
the Mexico City setting and the collective ensemble of actors including
collective ensemble of actors including
collective ensemble of actors including future star guy al Garcia Bernal ok
future star guy al Garcia Bernal ok
future star guy al Garcia Bernal ok scream – Camila Tomczyk with dogs
scream – Camila Tomczyk with dogs
scream – Camila Tomczyk with dogs functioning as the symbolic
functioning as the symbolic
functioning as the symbolic representation of loyalty in Y attitude
representation of loyalty in Y attitude
representation of loyalty in Y attitude digs deep into the essence of what makes
digs deep into the essence of what makes
digs deep into the essence of what makes us all tick and the cruel realities of
us all tick and the cruel realities of
us all tick and the cruel realities of the world in which we live locos Pella
the world in which we live locos Pella
the world in which we live locos Pella prena del fuego que la mota ya Kofi
prena del fuego que la mota ya Kofi
prena del fuego que la mota ya Kofi sista number 2 e tu mama tambien la vida
sista number 2 e tu mama tambien la vida
sista number 2 e tu mama tambien la vida es como les Puma por ESO a quedar say
es como les Puma por ESO a quedar say
es como les Puma por ESO a quedar say como amar rising to the immensely high
como amar rising to the immensely high
como amar rising to the immensely high standards set by in yachty – the year
standards set by in yachty – the year
standards set by in yachty – the year before director Alfonso Cuaron unveiled
before director Alfonso Cuaron unveiled
before director Alfonso Cuaron unveiled one of the most controversial films of
one of the most controversial films of
one of the most controversial films of the day by tackling sexuality the
the day by tackling sexuality the
the day by tackling sexuality the political spectrum of his country and
political spectrum of his country and
political spectrum of his country and the spirit of Mexican youths 7 la force
the spirit of Mexican youths 7 la force
the spirit of Mexican youths 7 la force HR Alaska educators yeah we go what it
HR Alaska educators yeah we go what it
HR Alaska educators yeah we go what it is hit with the affer mentioned guile
is hit with the affer mentioned guile
is hit with the affer mentioned guile gup-c about now starring opposite Diego
gup-c about now starring opposite Diego
gup-c about now starring opposite Diego Luna e tu mama tambien hits the road
Luna e tu mama tambien hits the road
Luna e tu mama tambien hits the road driving by way of a devilish sense of
driving by way of a devilish sense of
driving by way of a devilish sense of humor and a willingness to challenge a
humor and a willingness to challenge a
humor and a willingness to challenge a rating system more accepting of overt
rating system more accepting of overt
rating system more accepting of overt violence than natural human desires
maybe busy
maybe busy following the success of this film that
following the success of this film that
following the success of this film that now became a worldwide star after
now became a worldwide star after
now became a worldwide star after portraying a young chick evaru in 2004’s
portraying a young chick evaru in 2004’s
portraying a young chick evaru in 2004’s The Motorcycle Diaries como se flick
The Motorcycle Diaries como se flick
The Motorcycle Diaries como se flick Aquino civilization capaz de construir
Aquino civilization capaz de construir
Aquino civilization capaz de construir esto CA rosada para construir esto
esto CA rosada para construir esto
esto CA rosada para construir esto before we unveil our number one pick
before we unveil our number one pick
before we unveil our number one pick here are a few honorable mentions
here are a few honorable mentions
here are a few honorable mentions technique Amenti estas muerto
technique Amenti estas muerto
technique Amenti estas muerto ah ah quiero hablar con el muerto ESO
ah ah quiero hablar con el muerto ESO
ah ah quiero hablar con el muerto ESO que es el buffeted a abogados más
que es el buffeted a abogados más
que es el buffeted a abogados más importante de nueva york Oh Mme porque
importante de nueva york Oh Mme porque
importante de nueva york Oh Mme porque no a very go es como se nos elefantes
no a very go es como se nos elefantes
no a very go es como se nos elefantes okay yeah me no me bar felicidad si como
okay yeah me no me bar felicidad si como
okay yeah me no me bar felicidad si como no Casey ah muy Feliz estoy seguro de
no Casey ah muy Feliz estoy seguro de
no Casey ah muy Feliz estoy seguro de casa Sarah OS la gray con esta modal
casa Sarah OS la gray con esta modal
casa Sarah OS la gray con esta modal okay tanto an L Abba estar ser que usted
okay tanto an L Abba estar ser que usted
okay tanto an L Abba estar ser que usted que verdadera meant a amo
con la frente marcheeta tequila diente
con la frente marcheeta tequila diente porque no quieres que velocity say por
porque no quieres que velocity say por
porque no quieres que velocity say por favor
favor
favor tienes ctod go fonseca be number one
tienes ctod go fonseca be number one
tienes ctod go fonseca be number one Pan’s Labyrinth gonna pizza gesture a
Pan’s Labyrinth gonna pizza gesture a
Pan’s Labyrinth gonna pizza gesture a circle internal dona port inculcate
circle internal dona port inculcate
circle internal dona port inculcate parte reverse strategy on countless
parte reverse strategy on countless
parte reverse strategy on countless filmmakers have given us temporary
filmmakers have given us temporary
filmmakers have given us temporary escapes from reality through cinema but
escapes from reality through cinema but
escapes from reality through cinema but not many have been able to succeed on
not many have been able to succeed on
not many have been able to succeed on the level of Guillermo del Toro who take
the level of Guillermo del Toro who take
the level of Guillermo del Toro who take a look at me fishes read that Oh Gaby
a look at me fishes read that Oh Gaby
a look at me fishes read that Oh Gaby I’m in tears
I’m in tears
I’m in tears hmm sorrow oh you’re with the Spanish
hmm sorrow oh you’re with the Spanish
hmm sorrow oh you’re with the Spanish Civil War as a backdrop this film
Civil War as a backdrop this film
Civil War as a backdrop this film engulfs viewers in a spectacular fantasy
engulfs viewers in a spectacular fantasy
engulfs viewers in a spectacular fantasy world as young Fe Leah encounters
world as young Fe Leah encounters
world as young Fe Leah encounters creatures that live and breathe through
creatures that live and breathe through
creatures that live and breathe through the visual poetry of the imaginative
the visual poetry of the imaginative
the visual poetry of the imaginative director Lisa Luder muy peligroso
director Lisa Luder muy peligroso
director Lisa Luder muy peligroso Vanessa Lazaro hands labyrinths
Vanessa Lazaro hands labyrinths
Vanessa Lazaro hands labyrinths represents artistic filmmaking in the
represents artistic filmmaking in the
represents artistic filmmaking in the most grandiose of ways thus setting
most grandiose of ways thus setting
most grandiose of ways thus setting itself apart from the rest of the pack
itself apart from the rest of the pack
itself apart from the rest of the pack when Alex have you been a poofter can
when Alex have you been a poofter can
when Alex have you been a poofter can you see anything though The Devil’s
you see anything though The Devil’s
you see anything though The Devil’s Backbone might have initially been
Backbone might have initially been
Backbone might have initially been considered a masterpiece it’s now clear
considered a masterpiece it’s now clear
considered a masterpiece it’s now clear that del Toro was just getting warmed up
do you agree with our list what’s your
do you agree with our list what’s your favorite spanish-language movie for more
favorite spanish-language movie for more
favorite spanish-language movie for more mind-blowing top 10s published every day
mind-blowing top 10s published every day
mind-blowing top 10s published every day be sure to subscribe to watchmojo.com
be sure to subscribe to watchmojo.com
be sure to subscribe to watchmojo.com despues de todo lo que hecho hace es
despues de todo lo que hecho hace es
despues de todo lo que hecho hace es como me tates nunca te pedo nada oi oi
”
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