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Top 10 Opera Songs


prepare yourself to become an aficionado

prepare yourself to become an aficionado of the aria

of the aria

of the aria [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] welcome to watchmojo.com and today we’ll

welcome to watchmojo.com and today we’ll

welcome to watchmojo.com and today we’ll be counting down our picks for the top

be counting down our picks for the top

be counting down our picks for the top 10 opera songs for this list we’re

10 opera songs for this list we’re

10 opera songs for this list we’re looking at the songs that are most

looking at the songs that are most

looking at the songs that are most associated with opera music and the best

associated with opera music and the best

associated with opera music and the best songs that have come out of the art form

number ten flower duet from lack May Leo

number ten flower duet from lack May Leo dilib this aromatic production allows

dilib this aromatic production allows

dilib this aromatic production allows the world’s best Sopranos to pair up for

the world’s best Sopranos to pair up for

the world’s best Sopranos to pair up for a story of Oriental love as part of the

a story of Oriental love as part of the

a story of Oriental love as part of the first act of deliberate lack may flower

first act of deliberate lack may flower

first act of deliberate lack may flower duet features the title character and

duet features the title character and

duet features the title character and Pal Mallika as they jaunt off to pick a

Pal Mallika as they jaunt off to pick a

Pal Mallika as they jaunt off to pick a few flowers while you may not be

few flowers while you may not be

few flowers while you may not be familiar with the French title duo de

familiar with the French title duo de

familiar with the French title duo de Fleur you may recognize a song from

Fleur you may recognize a song from

Fleur you may recognize a song from films such as 2008 s Bronson

films such as 2008 s Bronson

films such as 2008 s Bronson [Music]

[Music]

[Music] the song has become a staple of pop

the song has become a staple of pop

the song has become a staple of pop culture and has become the perfect

culture and has become the perfect

culture and has become the perfect soundtrack for a blossoming love number

soundtrack for a blossoming love number

soundtrack for a blossoming love number nine queen of the Nights aria from The

nine queen of the Nights aria from The

nine queen of the Nights aria from The Magic Flute wolfgang amadeus mozart it’s

Magic Flute wolfgang amadeus mozart it’s

Magic Flute wolfgang amadeus mozart it’s the second aria from Mozart’s Queen of

the second aria from Mozart’s Queen of

the second aria from Mozart’s Queen of the Night aria and a high mountain to

the Night aria and a high mountain to

the Night aria and a high mountain to climb for even the best vocalists of the

climb for even the best vocalists of the

climb for even the best vocalists of the world the actual German title their

world the actual German title their

world the actual German title their whole Rock means hell’s vengeance boils

whole Rock means hell’s vengeance boils

whole Rock means hell’s vengeance boils in my heart so you might say it’s not

in my heart so you might say it’s not

in my heart so you might say it’s not exactly a tune you’ll want for your

exactly a tune you’ll want for your

exactly a tune you’ll want for your wedding the Queen of the Night actually

wedding the Queen of the Night actually

wedding the Queen of the Night actually pushes her daughter to murder a rival

pushes her daughter to murder a rival

pushes her daughter to murder a rival and the vocal range of this hectic

and the vocal range of this hectic

and the vocal range of this hectic number allows one to process such

number allows one to process such

number allows one to process such information in a state of grace

[Music]

[Music] mozart’s own sister-in-law was the first

mozart’s own sister-in-law was the first

mozart’s own sister-in-law was the first to belt out the piece and it’s been a

to belt out the piece and it’s been a

to belt out the piece and it’s been a popular production ever since number 8

popular production ever since number 8

popular production ever since number 8 Libya Monali ethically chi from La

Libya Monali ethically chi from La

Libya Monali ethically chi from La Traviata Giuseppe Verdi

Traviata Giuseppe Verdi

Traviata Giuseppe Verdi [Music]

[Music]

[Music] drink from the joyful cup that’s the

drink from the joyful cup that’s the

drink from the joyful cup that’s the message of this drinking song about a

message of this drinking song about a

message of this drinking song about a man who sings to his love after a

man who sings to his love after a

man who sings to his love after a lengthy illness people send based on a

lengthy illness people send based on a

lengthy illness people send based on a play by Alexandre Dumas Lybia Moe comes

play by Alexandre Dumas Lybia Moe comes

play by Alexandre Dumas Lybia Moe comes in the first act of birdies famous

in the first act of birdies famous

in the first act of birdies famous production and sets the stage for jolly

production and sets the stage for jolly

production and sets the stage for jolly times and pure romance Pavarotti used to

times and pure romance Pavarotti used to

times and pure romance Pavarotti used to own the song like few others and the

own the song like few others and the

own the song like few others and the Brindisi was once featured on The

Brindisi was once featured on The

Brindisi was once featured on The Simpsons did I say any moment that’s

Simpsons did I say any moment that’s

Simpsons did I say any moment that’s when you know it’s made the big time

when you know it’s made the big time

when you know it’s made the big time Congrats mr. Verdi

Congrats mr. Verdi

Congrats mr. Verdi [Music]

number seven watch is a pity from the

number seven watch is a pity from the marriage of figaro Wolfgang Amadeus

marriage of figaro Wolfgang Amadeus

marriage of figaro Wolfgang Amadeus Mozart a composition by the late Mozart

Mozart a composition by the late Mozart

Mozart a composition by the late Mozart this aria conveys all the intensity of

this aria conveys all the intensity of

this aria conveys all the intensity of new love and a time when young lovers

new love and a time when young lovers

new love and a time when young lovers didn’t have the radio this was the jam

didn’t have the radio this was the jam

didn’t have the radio this was the jam they turned to in order to ease their

they turned to in order to ease their

they turned to in order to ease their pain an Italian opera the full title of

pain an Italian opera the full title of

pain an Italian opera the full title of this song translates to you ladies who

this song translates to you ladies who

this song translates to you ladies who know what love is is it what I’m

know what love is is it what I’m

know what love is is it what I’m suffering from and can be found in the

suffering from and can be found in the

suffering from and can be found in the Opera second act

Opera second act

Opera second act [Music]

what jiseop SA is incredibly pleasant

what jiseop SA is incredibly pleasant and often results in opera goers finding

and often results in opera goers finding

and often results in opera goers finding themselves drenched in their own tears

[Music]

[Music] number six quando man vo from LeBeau hem

number six quando man vo from LeBeau hem

number six quando man vo from LeBeau hem giacomo puccini in Puccini’s famous play

giacomo puccini in Puccini’s famous play

giacomo puccini in Puccini’s famous play about Parisien hippies Musetta belts out

about Parisien hippies Musetta belts out

about Parisien hippies Musetta belts out this number at a cafe with hopes of

this number at a cafe with hopes of

this number at a cafe with hopes of making a painter jealous with lyrics

making a painter jealous with lyrics

making a painter jealous with lyrics highlighting the singers remarkable swag

highlighting the singers remarkable swag

highlighting the singers remarkable swag it’s the ultimate performance number for

it’s the ultimate performance number for

it’s the ultimate performance number for sassy female characters also known as

sassy female characters also known as

sassy female characters also known as musetta’s waltz this aria remains one of

musetta’s waltz this aria remains one of

musetta’s waltz this aria remains one of the highlights for stage productions of

the highlights for stage productions of

the highlights for stage productions of La bohème

La bohème

La bohème [Applause]

[Applause]

[Applause] [Music]

you might not see modern bohemian

you might not see modern bohemian singing this song in the streets but the

singing this song in the streets but the

singing this song in the streets but the world would be a better place if they

world would be a better place if they

world would be a better place if they did number 5 la donna e mobile a from

did number 5 la donna e mobile a from

did number 5 la donna e mobile a from Rigoletto Giuseppe Verdi doesn’t it

Rigoletto Giuseppe Verdi doesn’t it

Rigoletto Giuseppe Verdi doesn’t it sound beautiful ladies the English

sound beautiful ladies the English

sound beautiful ladies the English translation of this number is the woman

translation of this number is the woman

translation of this number is the woman is fickle but Verdes spectacular opera

is fickle but Verdes spectacular opera

is fickle but Verdes spectacular opera ultimately proves otherwise

ultimately proves otherwise

ultimately proves otherwise hey ya

luciano pavarotti once delivered a

luciano pavarotti once delivered a memorable 1964 performance of la donna e

memorable 1964 performance of la donna e

memorable 1964 performance of la donna e mobile a in moscow and almost twenty

mobile a in moscow and almost twenty

mobile a in moscow and almost twenty years later he starred as the Duke of

years later he starred as the Duke of

years later he starred as the Duke of Mantua in jean-pierre pinellas film its

Mantua in jean-pierre pinellas film its

Mantua in jean-pierre pinellas film its comedic in nature and an operatic

comedic in nature and an operatic

comedic in nature and an operatic essential for aspiring tenors of the

essential for aspiring tenors of the

essential for aspiring tenors of the world

number four o mio babbino Caro from

number four o mio babbino Caro from Gianni ski key Giacomo Puccini this

Gianni ski key Giacomo Puccini this

Gianni ski key Giacomo Puccini this tearjerker is the ultimate song for when

tearjerker is the ultimate song for when

tearjerker is the ultimate song for when Daddy doesn’t approve of your boyfriend

Daddy doesn’t approve of your boyfriend

Daddy doesn’t approve of your boyfriend as part of Puccini’s opera Gianni ski

as part of Puccini’s opera Gianni ski

as part of Puccini’s opera Gianni ski key the Aria was designed for ladies

key the Aria was designed for ladies

key the Aria was designed for ladies Kiki to express her love even if her

Kiki to express her love even if her

Kiki to express her love even if her father gets in the way

father gets in the way

father gets in the way [Music]

Marya Callas remains the unofficial

Marya Callas remains the unofficial queen of o mio babbino Caro although

queen of o mio babbino Caro although

queen of o mio babbino Caro although some younger singers of today have

some younger singers of today have

some younger singers of today have shocked the world with their ability to

shocked the world with their ability to

shocked the world with their ability to channel Loretta

[Music]

[Music] as a gentle transition for Puccini’s

as a gentle transition for Puccini’s

as a gentle transition for Puccini’s play o mio babbino Caro has gently made

play o mio babbino Caro has gently made

play o mio babbino Caro has gently made grown men weep for almost a hundred

grown men weep for almost a hundred

grown men weep for almost a hundred years

years

years [Music]

[Applause]

[Applause] number three o Fortuna from Carmina

number three o Fortuna from Carmina

number three o Fortuna from Carmina Burana Carl Orff

Burana Carl Orff

Burana Carl Orff [Music]

[Music]

[Music] fortune and fate is at the heart of this

fortune and fate is at the heart of this

fortune and fate is at the heart of this powerful cantata and although it only

powerful cantata and although it only

powerful cantata and although it only takes a couple of minutes to perform it

takes a couple of minutes to perform it

takes a couple of minutes to perform it will stay with you long after perfect

will stay with you long after perfect

will stay with you long after perfect for any kind of epic film o Fortuna sets

for any kind of epic film o Fortuna sets

for any kind of epic film o Fortuna sets the stage for a clash with destiny based

the stage for a clash with destiny based

the stage for a clash with destiny based on the collection of medieval poems

on the collection of medieval poems

on the collection of medieval poems known as Carmina Burana this mood setter

known as Carmina Burana this mood setter

known as Carmina Burana this mood setter has also become a staple of pop culture

has also become a staple of pop culture

has also become a staple of pop culture often being used in battle sequences

often being used in battle sequences

often being used in battle sequences [Applause]

I bet you never saw that coming Carl

I bet you never saw that coming Carl Orff

number two Nessun Dorma from Turandot

number two Nessun Dorma from Turandot giacomo puccini encore

giacomo puccini encore

giacomo puccini encore Puccini returns originally introduced at

Puccini returns originally introduced at

Puccini returns originally introduced at Milan’s Teatro alla Scala in 1926

Milan’s Teatro alla Scala in 1926

Milan’s Teatro alla Scala in 1926 Nessun Dorma was made famous by

Nessun Dorma was made famous by

Nessun Dorma was made famous by Pavarotti and has become an iconic

Pavarotti and has become an iconic

Pavarotti and has become an iconic number for dramatic productions

[Applause]

[Applause] [Music]

[Music]

[Music] Nessun Dorma which translates to none

Nessun Dorma which translates to none

Nessun Dorma which translates to none shall sleep made its debut along with

shall sleep made its debut along with

shall sleep made its debut along with the operator Nadeau after Giacomo

the operator Nadeau after Giacomo

the operator Nadeau after Giacomo Puccini’s death

Puccini’s death

Puccini’s death [Music]

[Music]

[Music] and what a send-off it was as the song

and what a send-off it was as the song

and what a send-off it was as the song is considered one of the best of the art

is considered one of the best of the art

is considered one of the best of the art form an aria fits for a tenor Aretha

form an aria fits for a tenor Aretha

form an aria fits for a tenor Aretha Franklin stunned audiences when she

Franklin stunned audiences when she

Franklin stunned audiences when she stepped in to sing the song for

stepped in to sing the song for

stepped in to sing the song for Pavarotti at the Grammys when he was

Pavarotti at the Grammys when he was

Pavarotti at the Grammys when he was struck with last-second vocal problems

and shelah

and shelah [Music]

before we unveil our top pick here are a

before we unveil our top pick here are a few honorable mentions

my

my to

yeo-hwa

yeo-hwa [Music]

[Music]

[Music] urge your thoughts on the life you knew

urge your thoughts on the life you knew

urge your thoughts on the life you knew before

[Music]

[Music] number one Habanera from Carmen georges

number one Habanera from Carmen georges

number one Habanera from Carmen georges bizet otherwise known as la mujer eaten

bizet otherwise known as la mujer eaten

bizet otherwise known as la mujer eaten was or Abell or love is a rebellious

was or Abell or love is a rebellious

was or Abell or love is a rebellious bird this aria gently arrived into pop

bird this aria gently arrived into pop

bird this aria gently arrived into pop culture with grace as the entrance theme

culture with grace as the entrance theme

culture with grace as the entrance theme for the titular Carmen the lyrics

for the titular Carmen the lyrics

for the titular Carmen the lyrics express loves inherent madness that can

express loves inherent madness that can

express loves inherent madness that can take a beautiful turn or simply ruin

take a beautiful turn or simply ruin

take a beautiful turn or simply ruin everything each and every year Habanera

everything each and every year Habanera

everything each and every year Habanera can be found in television and film and

can be found in television and film and

can be found in television and film and now that it’s our number one opera song

now that it’s our number one opera song

now that it’s our number one opera song of all time

of all time

of all time Habanera is a rebellious tune that few

Habanera is a rebellious tune that few

Habanera is a rebellious tune that few contain

contain

contain [Music]

[Music]

[Music] so do you agree with our selections what

so do you agree with our selections what

so do you agree with our selections what is your favorite opera song for more

is your favorite opera song for more

is your favorite opera song for more mind-blowing top 10s published every day

mind-blowing top 10s published every day

mind-blowing top 10s published every day be sure to subscribe to watchmojo.com

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