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Top 10 Film Noirs


a good detective never sleeps Oh some

a good detective never sleeps Oh some guys looking for you asking a lot of

guys looking for you asking a lot of

guys looking for you asking a lot of questions what kind of guys tough guys

questions what kind of guys tough guys

questions what kind of guys tough guys very tough guys Mike welcome to

very tough guys Mike welcome to

very tough guys Mike welcome to watchmojo.com and today we’re counting

watchmojo.com and today we’re counting

watchmojo.com and today we’re counting down our picks for the top ten film noir

for this list since experts fail to

for this list since experts fail to agree on a standard definition for the

agree on a standard definition for the

agree on a standard definition for the genre we’re limiting our choices to

genre we’re limiting our choices to

genre we’re limiting our choices to gritty cynical thrillers and crime

gritty cynical thrillers and crime

gritty cynical thrillers and crime dramas from the early 40s to late 50s

dramas from the early 40s to late 50s

dramas from the early 40s to late 50s that are shot in black and white sorry

that are shot in black and white sorry

that are shot in black and white sorry Jimmy

you never know when you’re gonna bump

you never know when you’re gonna bump wingtips with the wrong fella let’s say

wingtips with the wrong fella let’s say

wingtips with the wrong fella let’s say that you’d like to get rid of your wife

that you’d like to get rid of your wife

that you’d like to get rid of your wife it’s a morbid thought oh no no no no no

it’s a morbid thought oh no no no no no

it’s a morbid thought oh no no no no no just suppose let’s say that you had a

just suppose let’s say that you had a

just suppose let’s say that you had a very good reason and then don’t you know

very good reason and then don’t you know

very good reason and then don’t you know it

it

it a little chitchat and a few wild

a little chitchat and a few wild

a little chitchat and a few wild assumptions later he’s murdering your

assumptions later he’s murdering your

assumptions later he’s murdering your wife and blackmailing you into taking

wife and blackmailing you into taking

wife and blackmailing you into taking out his rich father I may be

out his rich father I may be

out his rich father I may be old-fashioned but I thought murder was

old-fashioned but I thought murder was

old-fashioned but I thought murder was against the law my theory is that

against the law my theory is that

against the law my theory is that everybody is a potential murderer Alfred

everybody is a potential murderer Alfred

everybody is a potential murderer Alfred Hitchcock’s plays in film noir history

Hitchcock’s plays in film noir history

Hitchcock’s plays in film noir history is the subject of debate but this is one

is the subject of debate but this is one

is the subject of debate but this is one of the few that meets the criteria

of the few that meets the criteria

of the few that meets the criteria according to most with its sinister

according to most with its sinister

according to most with its sinister story amoral characters and unspoken

story amoral characters and unspoken

story amoral characters and unspoken secrets strangers on a train as a

secrets strangers on a train as a

secrets strangers on a train as a thriller for the ages

number nine in a lonely place squeeze

number nine in a lonely place squeeze harder it’s wonderful to feel a throat

harder it’s wonderful to feel a throat

harder it’s wonderful to feel a throat crush on Iran perhaps stop it I didn’t

crush on Iran perhaps stop it I didn’t

crush on Iran perhaps stop it I didn’t hurt you tonight you’ve never seen

hurt you tonight you’ve never seen

hurt you tonight you’ve never seen Humphrey Bogart this creepy as

Humphrey Bogart this creepy as

Humphrey Bogart this creepy as misanthropic screenwriter dick steel a

misanthropic screenwriter dick steel a

misanthropic screenwriter dick steel a man who never saw a problem he couldn’t

man who never saw a problem he couldn’t

man who never saw a problem he couldn’t punch her drink his way out of he finds

punch her drink his way out of he finds

punch her drink his way out of he finds himself at the center of a murder

himself at the center of a murder

himself at the center of a murder investigation and his beautiful

investigation and his beautiful

investigation and his beautiful bride-to-be must decide whether he’s the

bride-to-be must decide whether he’s the

bride-to-be must decide whether he’s the real killer or just kind of a jerk

real killer or just kind of a jerk

real killer or just kind of a jerk you unsure of him either a new knowing

you unsure of him either a new knowing

you unsure of him either a new knowing better than anybody else why can’t he be

better than anybody else why can’t he be

better than anybody else why can’t he be like other people though the murder

like other people though the murder

like other people though the murder mystery is at this film’s core the love

mystery is at this film’s core the love

mystery is at this film’s core the love story between Bogaerts flawed hero and

story between Bogaerts flawed hero and

story between Bogaerts flawed hero and his equally damaged lady is the true

his equally damaged lady is the true

his equally damaged lady is the true star-making there’s a doomed

star-making there’s a doomed

star-making there’s a doomed moire romance you’re a horrible

moire romance you’re a horrible

moire romance you’re a horrible conceited good-for-nothing and I don’t

conceited good-for-nothing and I don’t

conceited good-for-nothing and I don’t love you it’s your money I met you can

love you it’s your money I met you can

love you it’s your money I met you can offer a deal will you get some music

offer a deal will you get some music

offer a deal will you get some music number eight Kiss Me Deadly sorry I

number eight Kiss Me Deadly sorry I

number eight Kiss Me Deadly sorry I nearly wrecked your pretty little car

nearly wrecked your pretty little car

nearly wrecked your pretty little car whether you consider it a classic or a

whether you consider it a classic or a

whether you consider it a classic or a campy b-movie

campy b-movie

campy b-movie Kiss Me Deadly influence is undeniable

Kiss Me Deadly influence is undeniable

Kiss Me Deadly influence is undeniable she’s passed out I’ll bring her too if

she’s passed out I’ll bring her too if

she’s passed out I’ll bring her too if you revive her do you know what that

you revive her do you know what that

you revive her do you know what that would be resurrection that’s what it

would be resurrection that’s what it

would be resurrection that’s what it would be and do you know what

would be and do you know what

would be and do you know what resurrection means it means raise the

resurrection means it means raise the

resurrection means it means raise the dead quintessential tough guy Ralph

dead quintessential tough guy Ralph

dead quintessential tough guy Ralph Meeker plays Mike Hammer a hardened

Meeker plays Mike Hammer a hardened

Meeker plays Mike Hammer a hardened Private Eye who picks up the wrong

Private Eye who picks up the wrong

Private Eye who picks up the wrong hitchhiker Cloris Leachman wearing not

hitchhiker Cloris Leachman wearing not

hitchhiker Cloris Leachman wearing not but a trench coat with a classic movie

but a trench coat with a classic movie

but a trench coat with a classic movie MacGuffin driving the plot and inspiring

MacGuffin driving the plot and inspiring

MacGuffin driving the plot and inspiring the likes of repo man and pulp fiction

the likes of repo man and pulp fiction

the likes of repo man and pulp fiction this late addition to the Norrish onra

this late addition to the Norrish onra

this late addition to the Norrish onra blends elements of sci-fi and Neil ISM

blends elements of sci-fi and Neil ISM

blends elements of sci-fi and Neil ISM to produce a genre defining effort

number seven notorious I’m not afraid to

number seven notorious I’m not afraid to die you’ve got your chance here and now

die you’ve got your chance here and now

die you’ve got your chance here and now in one of the most subtle romantic films

in one of the most subtle romantic films

in one of the most subtle romantic films of his career Alfred Hitchcock pairs

of his career Alfred Hitchcock pairs

of his career Alfred Hitchcock pairs Cary Grant with Ingrid Bergman as a

Cary Grant with Ingrid Bergman as a

Cary Grant with Ingrid Bergman as a couple trying to root out Nazis from

couple trying to root out Nazis from

couple trying to root out Nazis from Brazil while it combines many of the

Brazil while it combines many of the

Brazil while it combines many of the visual and storytelling aspects central

visual and storytelling aspects central

visual and storytelling aspects central to film noir experts cannot agree if

to film noir experts cannot agree if

to film noir experts cannot agree if this spy thriller truly belongs to the

this spy thriller truly belongs to the

this spy thriller truly belongs to the genre father jolly dill College let me

genre father jolly dill College let me

genre father jolly dill College let me show you around place later his nipson

show you around place later his nipson

show you around place later his nipson on the trail one reason for this

on the trail one reason for this

on the trail one reason for this discrepancy is the film’s notorious kiss

discrepancy is the film’s notorious kiss

discrepancy is the film’s notorious kiss while many noir films romanced in the

while many noir films romanced in the

while many noir films romanced in the shadows this one plays out for audiences

shadows this one plays out for audiences

shadows this one plays out for audiences to enjoy this is a very strange maybe

to enjoy this is a very strange maybe

to enjoy this is a very strange maybe the fact that you don’t love me number

the fact that you don’t love me number

the fact that you don’t love me number six the third man old man you never

six the third man old man you never

six the third man old man you never should have gone to the police you know

should have gone to the police you know

should have gone to the police you know you ought to leave this thing alone one

you ought to leave this thing alone one

you ought to leave this thing alone one of the all-time classics of the genre

of the all-time classics of the genre

of the all-time classics of the genre the third man has a style all its own

the third man has a style all its own

the third man has a style all its own Harry get away the police are outside

Harry get away the police are outside

Harry get away the police are outside quick Anna

with the winding plot twisting its way

with the winding plot twisting its way through Allied occupied Vienna the story

through Allied occupied Vienna the story

through Allied occupied Vienna the story follows the standard more characters the

follows the standard more characters the

follows the standard more characters the rough-hewn plain speaking good guy the

rough-hewn plain speaking good guy the

rough-hewn plain speaking good guy the shadowy bad guy and the beautiful femme

shadowy bad guy and the beautiful femme

shadowy bad guy and the beautiful femme fatale plus with elements like a

fatale plus with elements like a

fatale plus with elements like a mustachioed Inspector Clouseau esque

mustachioed Inspector Clouseau esque

mustachioed Inspector Clouseau esque villain a grinning orson welles and

villain a grinning orson welles and

villain a grinning orson welles and comical but unforgettable score carol

comical but unforgettable score carol

comical but unforgettable score carol reads intricate mystery blends comedy

reads intricate mystery blends comedy

reads intricate mystery blends comedy suspense and ultimately tragedy with

suspense and ultimately tragedy with

suspense and ultimately tragedy with seamless ease mentally for 30 years

seamless ease mentally for 30 years

seamless ease mentally for 30 years under the Borgias they had warfare

under the Borgias they had warfare

under the Borgias they had warfare terror murder and bloodshed but they

terror murder and bloodshed but they

terror murder and bloodshed but they produced Michelangelo Leonardo da Vinci

produced Michelangelo Leonardo da Vinci

produced Michelangelo Leonardo da Vinci and the Renaissance in Switzerland they

and the Renaissance in Switzerland they

and the Renaissance in Switzerland they had brotherly love and 500 years of

had brotherly love and 500 years of

had brotherly love and 500 years of democracy and peace and what did that

democracy and peace and what did that

democracy and peace and what did that produce the cuckoo clock number 5 touch

produce the cuckoo clock number 5 touch

produce the cuckoo clock number 5 touch of evil you realize I haven’t kissed you

of evil you realize I haven’t kissed you

of evil you realize I haven’t kissed you over an hour less than a decade after

over an hour less than a decade after

over an hour less than a decade after our previous entry audiences witnessed

our previous entry audiences witnessed

our previous entry audiences witnessed the handsomely charming Welles

the handsomely charming Welles

the handsomely charming Welles transformed into the ruthlessly corrupt

transformed into the ruthlessly corrupt

transformed into the ruthlessly corrupt and seemingly twice as large police

and seemingly twice as large police

and seemingly twice as large police captain Hank Quinlan you are a policeman

captain Hank Quinlan you are a policeman

captain Hank Quinlan you are a policeman March you he squares off with Charlton

March you he squares off with Charlton

March you he squares off with Charlton Heston who is evidently supposed to be

Heston who is evidently supposed to be

Heston who is evidently supposed to be Mexican in what is considered one of the

Mexican in what is considered one of the

Mexican in what is considered one of the final films in the film noir genre what

final films in the film noir genre what

final films in the film noir genre what do I do get back to embrace him right

do I do get back to embrace him right

do I do get back to embrace him right it’s also one of the best with its

it’s also one of the best with its

it’s also one of the best with its brilliantly directed serpentine story

brilliantly directed serpentine story

brilliantly directed serpentine story rich supporting characters and ominous

rich supporting characters and ominous

rich supporting characters and ominous Jarra appropriate atmosphere too bad

Jarra appropriate atmosphere too bad

Jarra appropriate atmosphere too bad Welles never directed another Hollywood

Welles never directed another Hollywood

Welles never directed another Hollywood film again at halo yeah looks real

film again at halo yeah looks real

film again at halo yeah looks real pretty I Pete

soon you’ll be flapping your wings like

soon you’ll be flapping your wings like an angel number 4 Sunset Boulevard tour

an angel number 4 Sunset Boulevard tour

an angel number 4 Sunset Boulevard tour dope he always wanted to pool well in

dope he always wanted to pool well in

dope he always wanted to pool well in the end he got himself a pool Hollywood

the end he got himself a pool Hollywood

the end he got himself a pool Hollywood dreams die hard in one of the greatest

dreams die hard in one of the greatest

dreams die hard in one of the greatest and most meta films ever Billy Wilder’s

and most meta films ever Billy Wilder’s

and most meta films ever Billy Wilder’s Sunset Boulevard features aging former

Sunset Boulevard features aging former

Sunset Boulevard features aging former silent movie star Gloria Swanson as

silent movie star Gloria Swanson as

silent movie star Gloria Swanson as agent silent movie star Norma Desmond an

agent silent movie star Norma Desmond an

agent silent movie star Norma Desmond an assortment of other Hollywood greats

assortment of other Hollywood greats

assortment of other Hollywood greats from director Cecil B DeMille to Buster

from director Cecil B DeMille to Buster

from director Cecil B DeMille to Buster Keaton play themselves or versions of as

Keaton play themselves or versions of as

Keaton play themselves or versions of as William Holden navigates the perks and

William Holden navigates the perks and

William Holden navigates the perks and pitfalls of rubbing elbows with the rich

pitfalls of rubbing elbows with the rich

pitfalls of rubbing elbows with the rich famous and insane are you doing

famous and insane are you doing

famous and insane are you doing I’m packing good leaving me yes I am

I’m packing good leaving me yes I am

I’m packing good leaving me yes I am Norma no you’re not and somehow throwing

Norma no you’re not and somehow throwing

Norma no you’re not and somehow throwing film noir elements into that mix makes

film noir elements into that mix makes

film noir elements into that mix makes this classic bizarrely comical in a

this classic bizarrely comical in a

this classic bizarrely comical in a camera and those wonderful people up

camera and those wonderful people up

camera and those wonderful people up there in the dark all right mr. DeMille

there in the dark all right mr. DeMille

there in the dark all right mr. DeMille I’m ready for my close-up number three

I’m ready for my close-up number three

I’m ready for my close-up number three Double Indemnity

Double Indemnity

Double Indemnity is there anything I can do the insurance

is there anything I can do the insurance

is there anything I can do the insurance right out on the 15th I’d hate to think

right out on the 15th I’d hate to think

right out on the 15th I’d hate to think of you’re having a smash fender or

of you’re having a smash fender or

of you’re having a smash fender or something while you’re not too high

something while you’re not too high

something while you’re not too high probably covered oh how we longed for

probably covered oh how we longed for

probably covered oh how we longed for the era when the insurance man came

the era when the insurance man came

the era when the insurance man came right to your door and tried to seduce

right to your door and tried to seduce

right to your door and tried to seduce your wife and possibly plotted to kill

your wife and possibly plotted to kill

your wife and possibly plotted to kill you well maybe the good old days weren’t

you well maybe the good old days weren’t

you well maybe the good old days weren’t so perfect there’s something wrong with

so perfect there’s something wrong with

so perfect there’s something wrong with the dietrichson case all right because

the dietrichson case all right because

the dietrichson case all right because it didn’t file a claim maybe he just

it didn’t file a claim maybe he just

it didn’t file a claim maybe he just didn’t have time maybe he just didn’t

didn’t have time maybe he just didn’t

didn’t have time maybe he just didn’t know that he was insured the product of

know that he was insured the product of

know that he was insured the product of a collaboration between noir Titans

a collaboration between noir Titans

a collaboration between noir Titans writer Raymond Chandler and director

writer Raymond Chandler and director

writer Raymond Chandler and director Billy Wilder and based on a James M Cain

Billy Wilder and based on a James M Cain

Billy Wilder and based on a James M Cain story double indemnity is perhaps the

story double indemnity is perhaps the

story double indemnity is perhaps the most quintessential moiré ever with its

most quintessential moiré ever with its

most quintessential moiré ever with its rough language and strong sexual

rough language and strong sexual

rough language and strong sexual undertones it’s also a reminder to

undertones it’s also a reminder to

undertones it’s also a reminder to always read the fine print it isn’t my

always read the fine print it isn’t my

always read the fine print it isn’t my money anymore

money anymore

money anymore it’s our necks we’re pulling out you

it’s our necks we’re pulling out you

it’s our necks we’re pulling out you understand because of what Keyes can do

understand because of what Keyes can do

understand because of what Keyes can do you’re not fooling me Walter it’s

you’re not fooling me Walter it’s

you’re not fooling me Walter it’s because of Lola what you did to a father

because of Lola what you did to a father

because of Lola what you did to a father you’re afraid she might find out someday

you’re afraid she might find out someday

you’re afraid she might find out someday you can’t take it can you

you can’t take it can you

you can’t take it can you I said leave her out of this number two

I said leave her out of this number two

I said leave her out of this number two The Big Sleep remember I told you I was

The Big Sleep remember I told you I was

The Big Sleep remember I told you I was beginning to like another one of the

beginning to like another one of the

beginning to like another one of the stern words

stern words

stern words we should shot I should be awfully easy

we should shot I should be awfully easy

we should shot I should be awfully easy based on Chandler’s first book to

based on Chandler’s first book to

based on Chandler’s first book to feature the great noir detective Philip

feature the great noir detective Philip

feature the great noir detective Philip Marlowe and future inspiration for The

Marlowe and future inspiration for The

Marlowe and future inspiration for The Big Lebowski

Big Lebowski

Big Lebowski this black and white Howard Hawks

this black and white Howard Hawks

this black and white Howard Hawks masterwork sees Humphrey Bogart and

masterwork sees Humphrey Bogart and

masterwork sees Humphrey Bogart and Lauren Bacall in the roles they were

Lauren Bacall in the roles they were

Lauren Bacall in the roles they were quote-unquote

quote-unquote

quote-unquote born to play as they navigate a

born to play as they navigate a

born to play as they navigate a convoluted criminal investigation with

convoluted criminal investigation with

convoluted criminal investigation with more moving parts than a Swiss watch

more moving parts than a Swiss watch

more moving parts than a Swiss watch Marlowe tries to set the record for

Marlowe tries to set the record for

Marlowe tries to set the record for having the most guns pointed at him

having the most guns pointed at him

having the most guns pointed at him without getting shot you take chances

without getting shot you take chances

without getting shot you take chances master and you know he saves the day by

master and you know he saves the day by

master and you know he saves the day by staying cool through impossibly

staying cool through impossibly

staying cool through impossibly stressful situations over here can Ino

before we unveil our top pick here are a

before we unveil our top pick here are a few honorable mentions tell me all about

few honorable mentions tell me all about

few honorable mentions tell me all about it

it

it crap cheap little no-good trend he said

crap cheap little no-good trend he said

crap cheap little no-good trend he said mr. Emmerich was here in this house with

mr. Emmerich was here in this house with

mr. Emmerich was here in this house with her from 11:30 p.m. to 3:00 a.m. last

her from 11:30 p.m. to 3:00 a.m. last

her from 11:30 p.m. to 3:00 a.m. last Friday night is that the statement you

Friday night is that the statement you

Friday night is that the statement you made yes

made yes

made yes was it the truth Jeff you ought to have

was it the truth Jeff you ought to have

was it the truth Jeff you ought to have killed me for what I did a moment ago

killed me for what I did a moment ago

killed me for what I did a moment ago there’s time yeah you I’ve never stopped

there’s time yeah you I’ve never stopped

there’s time yeah you I’ve never stopped loving you what forget the heat on

loving you what forget the heat on

loving you what forget the heat on plenty face the wall

plenty face the wall

plenty face the wall put your mitts up all of it number one

put your mitts up all of it number one

put your mitts up all of it number one The Maltese Falcon

not only is our top pick widely

not only is our top pick widely considered the best film noir it’s also

considered the best film noir it’s also

considered the best film noir it’s also considered by many to be the first

most amazing of all it was legendary

most amazing of all it was legendary director John Huston’s first feature

director John Huston’s first feature

director John Huston’s first feature made on a b-movie sized budget and based

made on a b-movie sized budget and based

made on a b-movie sized budget and based on a book that had already failed twice

on a book that had already failed twice

on a book that had already failed twice on the screen starring Humphrey Bogart

on the screen starring Humphrey Bogart

on the screen starring Humphrey Bogart as get this a private detective

as get this a private detective

as get this a private detective okay well the premise might not seem

okay well the premise might not seem

okay well the premise might not seem revolutionary but virtually every aspect

revolutionary but virtually every aspect

revolutionary but virtually every aspect of filmmaking was setting bogey up for

of filmmaking was setting bogey up for

of filmmaking was setting bogey up for his future successes and setting the

his future successes and setting the

his future successes and setting the standard for film noir what is it

the stuff that dreams are made of

the stuff that dreams are made of do you agree with our list what Noirs

do you agree with our list what Noirs

do you agree with our list what Noirs make you wish all films could be in

make you wish all films could be in

make you wish all films could be in black and white keep it tuned to

black and white keep it tuned to

black and white keep it tuned to watchmojo.com for more top 10s published

watchmojo.com for more top 10s published

watchmojo.com for more top 10s published every day

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