
whenever these colleagues pair up they make cinematic magic welcome to
make cinematic magic welcome to
make cinematic magic welcome to watchmojo.com and today we’re counting
watchmojo.com and today we’re counting
watchmojo.com and today we’re counting down our picks for the top ten director
down our picks for the top ten director
down our picks for the top ten director actor partnerships we’ve progressed
actor partnerships we’ve progressed
actor partnerships we’ve progressed emotionally for this list we’ve chosen
emotionally for this list we’ve chosen
emotionally for this list we’ve chosen some of the most iconic long-running and
some of the most iconic long-running and
some of the most iconic long-running and fruitful pairings of directors and
fruitful pairings of directors and
fruitful pairings of directors and actors in cinema history which have
actors in cinema history which have
actors in cinema history which have produced some of our favorite films
produced some of our favorite films
produced some of our favorite films Anderson living good living number 10
Anderson living good living number 10
Anderson living good living number 10 Wes Anderson and Bill Murray John to
Wes Anderson and Bill Murray John to
Wes Anderson and Bill Murray John to carrot yeah I’ll have one of those all
carrot yeah I’ll have one of those all
carrot yeah I’ll have one of those all kinds of wacky awkwardness ensues when
kinds of wacky awkwardness ensues when
kinds of wacky awkwardness ensues when these two get together you want to play
these two get together you want to play
these two get together you want to play some word games or do some experiments
some word games or do some experiments
some word games or do some experiments on me or anything well as seen in flicks
on me or anything well as seen in flicks
on me or anything well as seen in flicks like The Royal Tenenbaums Anderson’s
like The Royal Tenenbaums Anderson’s
like The Royal Tenenbaums Anderson’s films are often familial pieces that
films are often familial pieces that
films are often familial pieces that aren’t too sure whether they’re comedies
aren’t too sure whether they’re comedies
aren’t too sure whether they’re comedies dramas or some quirky genre in between
dramas or some quirky genre in between
dramas or some quirky genre in between throw Bill Murray into the mix and
throw Bill Murray into the mix and
throw Bill Murray into the mix and you’ve got a self-sustained
you’ve got a self-sustained
you’ve got a self-sustained jar of ending piece of cinema about
jar of ending piece of cinema about
jar of ending piece of cinema about family failure and success that speaks
family failure and success that speaks
family failure and success that speaks to the uncomfortable uncertainty of our
to the uncomfortable uncertainty of our
to the uncomfortable uncertainty of our generation number 9 John Ford and John
generation number 9 John Ford and John
generation number 9 John Ford and John Wayne dad blaster watch it it’s loaded
this pair is the stuff that westerns are
this pair is the stuff that westerns are made of together they pumped out many a
made of together they pumped out many a
made of together they pumped out many a classic cowboy flick and effectively
classic cowboy flick and effectively
classic cowboy flick and effectively spawned an entire genre while also
spawned an entire genre while also
spawned an entire genre while also inspiring and informing a subsequent
inspiring and informing a subsequent
inspiring and informing a subsequent generation of spaghetti westerns with
generation of spaghetti westerns with
generation of spaghetti westerns with classics like stagecoach and The
classics like stagecoach and The
classics like stagecoach and The Searchers time to think of it I didn’t
Searchers time to think of it I didn’t
Searchers time to think of it I didn’t see you at the surrender don’t believe
see you at the surrender don’t believe
see you at the surrender don’t believe in surrenders no I still got my saber
in surrenders no I still got my saber
in surrenders no I still got my saber Reverend didn’t turn it into no
Reverend didn’t turn it into no
Reverend didn’t turn it into no plowshare neither Wayne has become
plowshare neither Wayne has become
plowshare neither Wayne has become infamous for his distinctly affected
infamous for his distinctly affected
infamous for his distinctly affected drawl and together with Ford he cemented
drawl and together with Ford he cemented
drawl and together with Ford he cemented what we now know as the heroic cowboy
what we now know as the heroic cowboy
what we now know as the heroic cowboy trophy my success says it makes you
trophy my success says it makes you
trophy my success says it makes you break it head number eight Elia Kazan
break it head number eight Elia Kazan
break it head number eight Elia Kazan and Marlon Brando lash other than
and Marlon Brando lash other than
and Marlon Brando lash other than Napoleonic Code a man has gotta take
Napoleonic Code a man has gotta take
Napoleonic Code a man has gotta take interest and his wife’s affairs Kazan
interest and his wife’s affairs Kazan
interest and his wife’s affairs Kazan was known for introducing a lot of young
was known for introducing a lot of young
was known for introducing a lot of young talent in his time and one of these
talent in his time and one of these
talent in his time and one of these notable fresh faces was Marlon Brando Oh
notable fresh faces was Marlon Brando Oh
notable fresh faces was Marlon Brando Oh Brando was notoriously difficult at the
Brando was notoriously difficult at the
Brando was notoriously difficult at the best of times but that’s what makes this
best of times but that’s what makes this
best of times but that’s what makes this pairing so legendary I could have been a
pairing so legendary I could have been a
pairing so legendary I could have been a contender I could have been somebody
contender I could have been somebody
contender I could have been somebody Kazan was one of a few directors who
Kazan was one of a few directors who
Kazan was one of a few directors who could adjust to the actors moods in
could adjust to the actors moods in
could adjust to the actors moods in order to extract some of the best
order to extract some of the best
order to extract some of the best performances of his life in films like
performances of his life in films like
performances of his life in films like on the waterfront and a streetcar named
on the waterfront and a streetcar named
on the waterfront and a streetcar named desire
desire
desire hey number 7 burner Hertzog and Klaus
hey number 7 burner Hertzog and Klaus
hey number 7 burner Hertzog and Klaus Kinski he been dead some ghattas
liaisons this make me even more
liaisons this make me even more difficult to work with than Brando was
difficult to work with than Brando was
difficult to work with than Brando was Klaus Kinski in fact he was such a
Klaus Kinski in fact he was such a
Klaus Kinski in fact he was such a hothead he allegedly pulled a gun on
hothead he allegedly pulled a gun on
hothead he allegedly pulled a gun on Hertzog while filming a giddy finish I
Hertzog while filming a giddy finish I
Hertzog while filming a giddy finish I gave her the dusty Foubert old phony
gave her the dusty Foubert old phony
gave her the dusty Foubert old phony environment fire and finally figured
environment fire and finally figured
environment fire and finally figured toward funny environment I wonder but
toward funny environment I wonder but
toward funny environment I wonder but thankfully it didn’t go further than
thankfully it didn’t go further than
thankfully it didn’t go further than that intense obsessive and at times
that intense obsessive and at times
that intense obsessive and at times bordering on the psychotic
bordering on the psychotic
bordering on the psychotic Kinski was the perfect block of clay
Kinski was the perfect block of clay
Kinski was the perfect block of clay from which Hertzog could sculpt
from which Hertzog could sculpt
from which Hertzog could sculpt performances of perfectly calculated
performances of perfectly calculated
performances of perfectly calculated passion in movies like Fitzcarraldo hey
passion in movies like Fitzcarraldo hey
passion in movies like Fitzcarraldo hey watch my opera heart I
number six Mel Brooks and Gene Wilder
number six Mel Brooks and Gene Wilder where is that a happy but nothing that’s
where is that a happy but nothing that’s
where is that a happy but nothing that’s nothing
nothing
nothing no nothing like a nice my blanket my new
no nothing like a nice my blanket my new
no nothing like a nice my blanket my new blanket give me Mary all right while
blanket give me Mary all right while
blanket give me Mary all right while both of these comedic legends are
both of these comedic legends are
both of these comedic legends are rumoured to be difficult working
rumoured to be difficult working
rumoured to be difficult working partners they struck gold together with
partners they struck gold together with
partners they struck gold together with their hilarious comedy classics like
their hilarious comedy classics like
their hilarious comedy classics like Blazing Saddles and Young Frankenstein
Blazing Saddles and Young Frankenstein
Blazing Saddles and Young Frankenstein that’s frank enstein infamously the pair
that’s frank enstein infamously the pair
that’s frank enstein infamously the pair engaged in screaming matches only to
engaged in screaming matches only to
engaged in screaming matches only to reconcile minutes later and come to a
reconcile minutes later and come to a
reconcile minutes later and come to a mutual understanding what makes this
mutual understanding what makes this
mutual understanding what makes this matchup so legendary is their ability to
matchup so legendary is their ability to
matchup so legendary is their ability to come together to create truly funny
come together to create truly funny
come together to create truly funny movies that everyone can understand and
movies that everyone can understand and
movies that everyone can understand and enjoy class is dismissed
enjoy class is dismissed
enjoy class is dismissed number five Akira Kurosawa and Toshiro
number five Akira Kurosawa and Toshiro
number five Akira Kurosawa and Toshiro Mifune journey although it up we can oh
Mifune journey although it up we can oh
Mifune journey although it up we can oh no no Cole renowned as the fathers of
no no Cole renowned as the fathers of
no no Cole renowned as the fathers of samurais cinema this partnership indoors
samurais cinema this partnership indoors
samurais cinema this partnership indoors thanks to classics like Yojimbo and
thanks to classics like Yojimbo and
thanks to classics like Yojimbo and Seven Samurai
Seven Samurai
Seven Samurai though both worked independently
though both worked independently
though both worked independently Kurosawa and Mifune were at their best
Kurosawa and Mifune were at their best
Kurosawa and Mifune were at their best as a pair Horace aawaz meticulously
as a pair Horace aawaz meticulously
as a pair Horace aawaz meticulously created films are known for their
created films are known for their
created films are known for their complex she experienced storylines
complex she experienced storylines
complex she experienced storylines with some samurai swashbuckling thrown
with some samurai swashbuckling thrown
with some samurai swashbuckling thrown in for good measure
third – Shira Monet’s exaggerated facial
third – Shira Monet’s exaggerated facial and vocal performances into the mix and
and vocal performances into the mix and
and vocal performances into the mix and you have yourself three hours worth of
you have yourself three hours worth of
you have yourself three hours worth of period epicness
number four Alfred Hitchcock and Jimmy
number four Alfred Hitchcock and Jimmy Stewart when the British master of
Stewart when the British master of
Stewart when the British master of suspense meets a mainstay of American
suspense meets a mainstay of American
suspense meets a mainstay of American cinema the result is highly strung and
cinema the result is highly strung and
cinema the result is highly strung and emotionally involving character pieces
emotionally involving character pieces
emotionally involving character pieces that revived both men’s careers thank
that revived both men’s careers thank
that revived both men’s careers thank you thank you
you thank you
you thank you Hitchcock films are always grounds for
Hitchcock films are always grounds for
Hitchcock films are always grounds for some tenseness or a good scare but when
some tenseness or a good scare but when
some tenseness or a good scare but when you add Stewart to the equation you get
you add Stewart to the equation you get
you add Stewart to the equation you get a movie about a man at the mercy of
a movie about a man at the mercy of
a movie about a man at the mercy of events unsure what will come next
events unsure what will come next
events unsure what will come next but eager to take charge what are you
but eager to take charge what are you
but eager to take charge what are you going to do I don’t want to but I’m
going to do I don’t want to but I’m
going to do I don’t want to but I’m gonna look inside that chest are you
gonna look inside that chest are you
gonna look inside that chest are you crazy
crazy
crazy I hope so with all my heart I hope I’m
I hope so with all my heart I hope I’m
I hope so with all my heart I hope I’m crazy
crazy
crazy number three Quentin Tarantino and
number three Quentin Tarantino and
number three Quentin Tarantino and samuel l.jackson we got into this thing
samuel l.jackson we got into this thing
samuel l.jackson we got into this thing with the best intentions really I never
with the best intentions really I never
with the best intentions really I never oh I’m sorry did I break your
oh I’m sorry did I break your
oh I’m sorry did I break your concentration Tarantino has many
concentration Tarantino has many
concentration Tarantino has many fruitful partnerships with luma Thurman
fruitful partnerships with luma Thurman
fruitful partnerships with luma Thurman acting as one of his most frequent muses
acting as one of his most frequent muses
acting as one of his most frequent muses but you’d be hard-pressed to find an
but you’d be hard-pressed to find an
but you’d be hard-pressed to find an endeavor in which Tarantino hasn’t cast
endeavor in which Tarantino hasn’t cast
endeavor in which Tarantino hasn’t cast the baddest mofo in Hollywood a Kaif
the baddest mofo in Hollywood a Kaif
the baddest mofo in Hollywood a Kaif artists sell the very best day is when
artists sell the very best day is when
artists sell the very best day is when you absolutely positively got to kill
you absolutely positively got to kill
you absolutely positively got to kill every mother in the room accept no
every mother in the room accept no
every mother in the room accept no substitutes
substitutes
substitutes whether it’s a tiny cameo or uncredited
whether it’s a tiny cameo or uncredited
whether it’s a tiny cameo or uncredited narration Sam Jackson is often lurking
narration Sam Jackson is often lurking
narration Sam Jackson is often lurking in the background
in the background
in the background y’all got a song about Love Me Tender
y’all got a song about Love Me Tender
y’all got a song about Love Me Tender I’d play that the actors obvious
I’d play that the actors obvious
I’d play that the actors obvious on-screen charisma coupled with
on-screen charisma coupled with
on-screen charisma coupled with Tarantino skill at creating complex
Tarantino skill at creating complex
Tarantino skill at creating complex characters makes for ultra violent ultra
characters makes for ultra violent ultra
characters makes for ultra violent ultra entertaining films like Pulp Fiction and
entertaining films like Pulp Fiction and
entertaining films like Pulp Fiction and Django Unchained when Mitchell can to
Django Unchained when Mitchell can to
Django Unchained when Mitchell can to talk to you you asses number 2 Tim
talk to you you asses number 2 Tim
talk to you you asses number 2 Tim Burton and Johnny Depp we are dealing
Burton and Johnny Depp we are dealing
Burton and Johnny Depp we are dealing with a madman Tim Burton is very much a
with a madman Tim Burton is very much a
with a madman Tim Burton is very much a genre based director unwilling to stray
genre based director unwilling to stray
genre based director unwilling to stray too far from his creepy gothic subject
too far from his creepy gothic subject
too far from his creepy gothic subject matter
matter
matter whipped cream precisely oh but that
whipped cream precisely oh but that
whipped cream precisely oh but that reticence to bend has translated to
reticence to bend has translated to
reticence to bend has translated to success with the director using
success with the director using
success with the director using recurring themes and elements in his
recurring themes and elements in his
recurring themes and elements in his films one of these elements is the
films one of these elements is the
films one of these elements is the omnipresent Johnny Depp with whom Burton
omnipresent Johnny Depp with whom Burton
omnipresent Johnny Depp with whom Burton has produced and directed many zany
has produced and directed many zany
has produced and directed many zany movies from Edward Scissorhands onward
movies from Edward Scissorhands onward
movies from Edward Scissorhands onward they don’t have a permit run before we
they don’t have a permit run before we
they don’t have a permit run before we find out which partnership topped our
find out which partnership topped our
find out which partnership topped our list here are a few honorable mentions
list here are a few honorable mentions
list here are a few honorable mentions aliens Oh is it major Lovins sir I want
aliens Oh is it major Lovins sir I want
aliens Oh is it major Lovins sir I want you to hit me as hard as you can you you
you to hit me as hard as you can you you
you to hit me as hard as you can you you play very well oh yeah so do you
play very well oh yeah so do you
play very well oh yeah so do you you’re not gonna give me the same
you’re not gonna give me the same
you’re not gonna give me the same treatment number one Martin Scorsese and
treatment number one Martin Scorsese and
treatment number one Martin Scorsese and Robert De Niro those Scorsese may have
Robert De Niro those Scorsese may have
Robert De Niro those Scorsese may have found himself another Muse in Leo
found himself another Muse in Leo
found himself another Muse in Leo DiCaprio
DiCaprio
DiCaprio he and DeNiro were once the hottest
he and DeNiro were once the hottest
he and DeNiro were once the hottest couple in Hollywood so to speak and I
couple in Hollywood so to speak and I
couple in Hollywood so to speak and I felt when I walked in that there was
felt when I walked in that there was
felt when I walked in that there was something between us
something between us
something between us there was an impulse that we were both
there was an impulse that we were both
there was an impulse that we were both following through their shared love of
following through their shared love of
following through their shared love of ad-libbing and the psychoanalysis of
ad-libbing and the psychoanalysis of
ad-libbing and the psychoanalysis of dark characters Scorsese and De Niro
dark characters Scorsese and De Niro
dark characters Scorsese and De Niro used their more contemporary stories not
used their more contemporary stories not
used their more contemporary stories not only to redefine the gangster genre but
only to redefine the gangster genre but
only to redefine the gangster genre but also cinema itself talking to me well
also cinema itself talking to me well
also cinema itself talking to me well I’m the only one here while both had
I’m the only one here while both had
I’m the only one here while both had successful careers independently they
successful careers independently they
successful careers independently they were never as good as when they were
were never as good as when they were
were never as good as when they were together dance entertainment do you
together dance entertainment do you
together dance entertainment do you agree with our list which director actor
agree with our list which director actor
agree with our list which director actor partnerships do you think of yield at
partnerships do you think of yield at
partnerships do you think of yield at the best movies anything for more of
the best movies anything for more of
the best movies anything for more of your favorite top 10s published every
your favorite top 10s published every
your favorite top 10s published every day be sure to subscribe to
day be sure to subscribe to
day be sure to subscribe to watchmojo.com is it all over I am afraid
watchmojo.com is it all over I am afraid
watchmojo.com is it all over I am afraid so Rupert oh what a pity
”
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