Oh [Music]
[Music]
[Music] in June 2017 these music videos had our
in June 2017 these music videos had our
in June 2017 these music videos had our office and the world abuzz welcome to
office and the world abuzz welcome to
office and the world abuzz welcome to watchmojo.com and today we’ll be
watchmojo.com and today we’ll be
watchmojo.com and today we’ll be counting down our picks for the top 10
counting down our picks for the top 10
counting down our picks for the top 10 music videos of June 2017
music videos of June 2017
music videos of June 2017 [Music]
before we begin we publish new videos
before we begin we publish new videos every day so be sure to subscribe for
every day so be sure to subscribe for
every day so be sure to subscribe for more great content for this list we’ve
more great content for this list we’ve
more great content for this list we’ve selected our favorite recent videos of
selected our favorite recent videos of
selected our favorite recent videos of the past month productions that stand
the past month productions that stand
the past month productions that stand out in both style and substance
out in both style and substance
out in both style and substance [Music]
[Music]
[Music] [Applause]
[Applause]
[Applause] [Music]
[Music]
[Music] number ten
number ten
number ten glory bastille he did a corner of the
glory bastille he did a corner of the
glory bastille he did a corner of the night we were lying in the middle of the
night we were lying in the middle of the
night we were lying in the middle of the road directed by Daniel Brereton this
road directed by Daniel Brereton this
road directed by Daniel Brereton this video captures those little moments in
video captures those little moments in
video captures those little moments in life events that may seem
life events that may seem
life events that may seem inconsequential but as glory suggests
inconsequential but as glory suggests
inconsequential but as glory suggests spontaneous acts often create timeless
spontaneous acts often create timeless
spontaneous acts often create timeless memories
through a road trip narrative Bastille
through a road trip narrative Bastille offers a portrait of American life as to
offers a portrait of American life as to
offers a portrait of American life as to dreamers reflect on their experiences
dreamers reflect on their experiences
dreamers reflect on their experiences the character framing creates an
the character framing creates an
the character framing creates an intimate feel while the more expansive
intimate feel while the more expansive
intimate feel while the more expansive shots shed light on the subjects point
shots shed light on the subjects point
shots shed light on the subjects point of view glory celebrates the journey of
of view glory celebrates the journey of
of view glory celebrates the journey of life and the bonds that are formed along
life and the bonds that are formed along
life and the bonds that are formed along the way
the way
the way [Music]
number nine revolution Radio Green Day
number nine revolution Radio Green Day [Music]
[Music]
[Music] for this thrashing video Green Day
for this thrashing video Green Day
for this thrashing video Green Day brings their musical narrative full
brings their musical narrative full
brings their musical narrative full circle performing at the same Berklee
circle performing at the same Berklee
circle performing at the same Berklee Club where they started Billie Joe
Club where they started Billie Joe
Club where they started Billie Joe Armstrong & Company provides their usual
Armstrong & Company provides their usual
Armstrong & Company provides their usual performance player complemented by retro
performance player complemented by retro
performance player complemented by retro clips for a hint of nostalgia Green Day
clips for a hint of nostalgia Green Day
clips for a hint of nostalgia Green Day directed the video and the visceral
directed the video and the visceral
directed the video and the visceral cinematography explores the venue in
cinematography explores the venue in
cinematography explores the venue in full revolution radio features the same
full revolution radio features the same
full revolution radio features the same intensity that captivated fans way back
intensity that captivated fans way back
intensity that captivated fans way back when and the production works on various
when and the production works on various
when and the production works on various levels as it successfully reminds us
levels as it successfully reminds us
levels as it successfully reminds us just how far Green Day has come
just how far Green Day has come
just how far Green Day has come [Music]
[Music]
[Music] number eight bad liar Selena Gomez I was
number eight bad liar Selena Gomez I was
number eight bad liar Selena Gomez I was walking down the street the other day
walking down the street the other day
walking down the street the other day trying to distract myself in this
trying to distract myself in this
trying to distract myself in this comedic video director Jesse Perez takes
comedic video director Jesse Perez takes
comedic video director Jesse Perez takes a retro approach inspired by the 1993
a retro approach inspired by the 1993
a retro approach inspired by the 1993 film Dazed and Confused for some extra
film Dazed and Confused for some extra
film Dazed and Confused for some extra Flair Selena Gomez plays various
Flair Selena Gomez plays various
Flair Selena Gomez plays various characters all of which are feeling a
characters all of which are feeling a
characters all of which are feeling a little frisky bad liar present a
little frisky bad liar present a
little frisky bad liar present a meta-narrative placing Selena in typical
meta-narrative placing Selena in typical
meta-narrative placing Selena in typical high school scenarios with her
high school scenarios with her
high school scenarios with her doppelgangers always on her mind and
doppelgangers always on her mind and
doppelgangers always on her mind and vice-versa
vice-versa
vice-versa it’s one of Gomez’s more unique videos
it’s one of Gomez’s more unique videos
it’s one of Gomez’s more unique videos demonstrating that she doesn’t take
demonstrating that she doesn’t take
demonstrating that she doesn’t take herself too seriously and is willing to
herself too seriously and is willing to
herself too seriously and is willing to rock a fake mustache from time to time
rock a fake mustache from time to time
rock a fake mustache from time to time [Music]
[Music]
[Music] guess I’m a bad liar
guess I’m a bad liar
guess I’m a bad liar [Music]
[Music]
[Music] number seven kill Jill big boy featuring
number seven kill Jill big boy featuring
number seven kill Jill big boy featuring killer Mike and Jeezy hello so the photo
killer Mike and Jeezy hello so the photo
killer Mike and Jeezy hello so the photo I already know you can always count on
I already know you can always count on
I already know you can always count on big boy for unique music videos with
big boy for unique music videos with
big boy for unique music videos with kale Jill he teams up with director
kale Jill he teams up with director
kale Jill he teams up with director Brian barber for a majestic visual aided
Brian barber for a majestic visual aided
Brian barber for a majestic visual aided by moody lighting and Eastern theme the
by moody lighting and Eastern theme the
by moody lighting and Eastern theme the title itself pays homage to a Quentin
title itself pays homage to a Quentin
title itself pays homage to a Quentin Tarantino classic and the camerawork and
Tarantino classic and the camerawork and
Tarantino classic and the camerawork and set design established a similar mood
set design established a similar mood
set design established a similar mood and atmosphere on the sample that’s what
and atmosphere on the sample that’s what
and atmosphere on the sample that’s what I went after there we were shown a thick
I went after there we were shown a thick
I went after there we were shown a thick stony wet they’re mounted well killer
stony wet they’re mounted well killer
stony wet they’re mounted well killer Mike GZ and big boy we all get a chance
Mike GZ and big boy we all get a chance
Mike GZ and big boy we all get a chance to flex in the video kill Jill is more
to flex in the video kill Jill is more
to flex in the video kill Jill is more about the cinematic experience and the
about the cinematic experience and the
about the cinematic experience and the visual poetry the video fuses big boys
visual poetry the video fuses big boys
visual poetry the video fuses big boys creative influences with his original
creative influences with his original
creative influences with his original style creating a surreal aesthetic
style creating a surreal aesthetic
style creating a surreal aesthetic usually I don’t do it damn it now goes
usually I don’t do it damn it now goes
usually I don’t do it damn it now goes to FIFA 17 been counting against my bank
to FIFA 17 been counting against my bank
to FIFA 17 been counting against my bank account on Google pitch another one
account on Google pitch another one
account on Google pitch another one number six wild cross DJ Khaled
number six wild cross DJ Khaled
number six wild cross DJ Khaled featuring Rihanna and Bryson tiller I
featuring Rihanna and Bryson tiller I
featuring Rihanna and Bryson tiller I don’t know if you could take it no you
don’t know if you could take it no you
don’t know if you could take it no you want to see me naked naked naked in this
want to see me naked naked naked in this
want to see me naked naked naked in this we the best production sensuality reigns
we the best production sensuality reigns
we the best production sensuality reigns supreme assisted by a seductive Rihanna
supreme assisted by a seductive Rihanna
supreme assisted by a seductive Rihanna record call until he creates a fever
record call until he creates a fever
record call until he creates a fever dream atmosphere through warm red and
dream atmosphere through warm red and
dream atmosphere through warm red and neon lights some visuals match the
neon lights some visuals match the
neon lights some visuals match the tracks laid-back vibe with each subject
tracks laid-back vibe with each subject
tracks laid-back vibe with each subject moving naturally within the frame damn
moving naturally within the frame damn
moving naturally within the frame damn is another when dracolich
is another when dracolich
is another when dracolich dam is and nothing when Shannon which
dam is and nothing when Shannon which
dam is and nothing when Shannon which this is a Southern gothic influence to
this is a Southern gothic influence to
this is a Southern gothic influence to which further accentuates Rihanna’s
which further accentuates Rihanna’s
which further accentuates Rihanna’s present while thoughts inspires exactly
present while thoughts inspires exactly
present while thoughts inspires exactly that with its provocative imagery
that with its provocative imagery
that with its provocative imagery there’s an outdoor party element to
there’s an outdoor party element to
there’s an outdoor party element to enjoy while the interior shots highlight
enjoy while the interior shots highlight
enjoy while the interior shots highlight chillies Mac for stylish staging and
chillies Mac for stylish staging and
chillies Mac for stylish staging and framing all in all the hypnotic
framing all in all the hypnotic
framing all in all the hypnotic production with a bold visual scene
production with a bold visual scene
production with a bold visual scene [Music]
[Music]
[Music] number five the promise Chris Cornell if
number five the promise Chris Cornell if
number five the promise Chris Cornell if I had loved things to my name given the
I had loved things to my name given the
I had loved things to my name given the sudden passing of Chris Cornell in May
sudden passing of Chris Cornell in May
sudden passing of Chris Cornell in May 2017
2017
2017 this video has special pop-culture
this video has special pop-culture
this video has special pop-culture significance directed by Mayor Davis and
significance directed by Mayor Davis and
significance directed by Mayor Davis and Stefan Smith the promise addresses heavy
Stefan Smith the promise addresses heavy
Stefan Smith the promise addresses heavy feet focusing on the plight of worldwide
feet focusing on the plight of worldwide
feet focusing on the plight of worldwide refugee
Ronna chling the physical and emotional
Ronna chling the physical and emotional hardships of being uprooted and left to
hardships of being uprooted and left to
hardships of being uprooted and left to fend for yourself the promise stands out
fend for yourself the promise stands out
fend for yourself the promise stands out with its raw and visceral cinematography
with its raw and visceral cinematography
with its raw and visceral cinematography the video will surely become part of
the video will surely become part of
the video will surely become part of Cornell’s legacy both as an artist and
Cornell’s legacy both as an artist and
Cornell’s legacy both as an artist and activist but it will also live on as an
activist but it will also live on as an
activist but it will also live on as an important and moving production
important and moving production
important and moving production [Music]
[Music]
[Music] number four secrets the weekend
number four secrets the weekend
number four secrets the weekend [Music]
[Music]
[Music] symmetrical and stylish this video
symmetrical and stylish this video
symmetrical and stylish this video places heavy emphasis on directorial
places heavy emphasis on directorial
places heavy emphasis on directorial form the weekend enlists petrol Martin
form the weekend enlists petrol Martin
form the weekend enlists petrol Martin Calero for secrets a minimalistic
Calero for secrets a minimalistic
Calero for secrets a minimalistic production that values designed over a
production that values designed over a
production that values designed over a clear narrative that’s quite alright
clear narrative that’s quite alright
clear narrative that’s quite alright as each image stands on its own with the
as each image stands on its own with the
as each image stands on its own with the director utilizing shapes and a red and
director utilizing shapes and a red and
director utilizing shapes and a red and white color palette to contrast the
white color palette to contrast the
white color palette to contrast the great setting to conclude the visual
great setting to conclude the visual
great setting to conclude the visual Martin Calero takes full advantage of
Martin Calero takes full advantage of
Martin Calero takes full advantage of physical space as the weekend is
physical space as the weekend is
physical space as the weekend is confronted with something much bigger
confronted with something much bigger
confronted with something much bigger than himself from beginning to end
than himself from beginning to end
than himself from beginning to end secret keeps the eye roaming with all
secret keeps the eye roaming with all
secret keeps the eye roaming with all its Kubrick II and flare
its Kubrick II and flare
its Kubrick II and flare [Music]
the Foo Fighters have a reputation for
the Foo Fighters have a reputation for making overtly comedic music videos
making overtly comedic music videos
making overtly comedic music videos directed by Dave Grohl run begins slow
directed by Dave Grohl run begins slow
directed by Dave Grohl run begins slow and escalates quickly as the grizzled
and escalates quickly as the grizzled
and escalates quickly as the grizzled band kicks out the jams and starts a
band kicks out the jams and starts a
band kicks out the jams and starts a riot it’s a corporate premise suggesting
riot it’s a corporate premise suggesting
riot it’s a corporate premise suggesting that age ain’t nothing but a number the
that age ain’t nothing but a number the
that age ain’t nothing but a number the Foo Fighters break free literally and
Foo Fighters break free literally and
Foo Fighters break free literally and figuratively while delivering a
figuratively while delivering a
figuratively while delivering a hard-hitting message to a car full of
hard-hitting message to a car full of
hard-hitting message to a car full of Millennials if that moment doesn’t get
Millennials if that moment doesn’t get
Millennials if that moment doesn’t get your attention then the final dance
your attention then the final dance
your attention then the final dance sequence most certainly will the Morro
sequence most certainly will the Morro
sequence most certainly will the Morro Foo Fighters can still rock
Foo Fighters can still rock
Foo Fighters can still rock [Music]
[Music]
[Music] I’m willing to die for this shit I don’t
I’m willing to die for this shit I don’t
I’m willing to die for this shit I don’t cry for this shit my take a life for
cry for this shit my take a life for
cry for this shit my take a life for this shit number two what Hendrix Lamar
this shit number two what Hendrix Lamar
this shit number two what Hendrix Lamar my enemy will catch a vibe by the che I
my enemy will catch a vibe by the che I
my enemy will catch a vibe by the che I never one to disappoint
never one to disappoint
never one to disappoint Kendrick Lamar is back this month with
Kendrick Lamar is back this month with
Kendrick Lamar is back this month with the third visual from his new album
the third visual from his new album
the third visual from his new album element director Jonas Lindstrom and
element director Jonas Lindstrom and
element director Jonas Lindstrom and company paint a chilling portrait of
company paint a chilling portrait of
company paint a chilling portrait of violence in America opening with a
violence in America opening with a
violence in America opening with a single hand emerging out of water
single hand emerging out of water
single hand emerging out of water the imagery throughout the video is not
the imagery throughout the video is not
the imagery throughout the video is not unlike Kendrick humble with a strong
unlike Kendrick humble with a strong
unlike Kendrick humble with a strong emphasis on framing lights and use of
emphasis on framing lights and use of
emphasis on framing lights and use of slow motion damn damn damn it’s a
slow motion damn damn damn it’s a
slow motion damn damn damn it’s a goddamn shame me fret not get at the
goddamn shame me fret not get at the
goddamn shame me fret not get at the goddamn way stringing together sequences
goddamn way stringing together sequences
goddamn way stringing together sequences of brawls a police chase and a severely
of brawls a police chase and a severely
of brawls a police chase and a severely injured man the video is contrasted with
injured man the video is contrasted with
injured man the video is contrasted with Fela beauty base and unity in classic
Fela beauty base and unity in classic
Fela beauty base and unity in classic Hendricks fashion element serves as a
Hendricks fashion element serves as a
Hendricks fashion element serves as a stunning yet deeply disturbing depiction
stunning yet deeply disturbing depiction
stunning yet deeply disturbing depiction of American life my element before we
of American life my element before we
of American life my element before we unveil our number one pick here are a
unveil our number one pick here are a
unveil our number one pick here are a few honorable mentions bro that’s it red
few honorable mentions bro that’s it red
few honorable mentions bro that’s it red wine loving don’t watch afar probably oh
wine loving don’t watch afar probably oh
wine loving don’t watch afar probably oh Michael could never die if I slip it
Michael could never die if I slip it
Michael could never die if I slip it like a prize I Know Who I am
like a prize I Know Who I am
like a prize I Know Who I am who knows who I are people pretty sketch
who knows who I are people pretty sketch
who knows who I are people pretty sketch like an IT tech okay
directed by the sacred egg this
directed by the sacred egg this production is both a visual statement
production is both a visual statement
production is both a visual statement and a return to form
and a return to form
and a return to form given the band’s knack for conceptual
given the band’s knack for conceptual
given the band’s knack for conceptual albums everything now seems to be one
albums everything now seems to be one
albums everything now seems to be one piece of a larger puzzle even though the
piece of a larger puzzle even though the
piece of a larger puzzle even though the video alone speaks volumes with its bold
video alone speaks volumes with its bold
video alone speaks volumes with its bold Proclamation and earthly feed everything
Proclamation and earthly feed everything
Proclamation and earthly feed everything now is both a celebration and send off
now is both a celebration and send off
now is both a celebration and send off as Arcade Fire once again embark on a
as Arcade Fire once again embark on a
as Arcade Fire once again embark on a new journey given the looks of their
new journey given the looks of their
new journey given the looks of their follow-up June video creature comforts
follow-up June video creature comforts
follow-up June video creature comforts they seem to be on the right path
hundreds
hundreds do you agree with our picks check out
do you agree with our picks check out
do you agree with our picks check out these other great clips from watch mojo
these other great clips from watch mojo
these other great clips from watch mojo and subscribe for new videos every day
and just make it painless
and just make it painless [Music]
”
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