
this Norwegian singer-songwriter has a chameleon-like ability to showcase
chameleon-like ability to showcase
chameleon-like ability to showcase different musical styles hi I’m Rebecca
different musical styles hi I’m Rebecca
different musical styles hi I’m Rebecca Brayton and welcome to watchmojo.com and
Brayton and welcome to watchmojo.com and
Brayton and welcome to watchmojo.com and today we’re speaking with Sundra lurches
so you’re known for it you know
so you’re known for it you know straddling different genres or changing
straddling different genres or changing
straddling different genres or changing musical styles is this something you try
musical styles is this something you try
musical styles is this something you try to do consciously I don’t set out to
to do consciously I don’t set out to
to do consciously I don’t set out to like change it up as maybe as much as I
like change it up as maybe as much as I
like change it up as maybe as much as I get credit for I just want to try
get credit for I just want to try
get credit for I just want to try something different when I’ve done
something different when I’ve done
something different when I’ve done something you know you know all the
something you know you know all the
something you know you know all the stuff I do is you know pretty melodic
stuff I do is you know pretty melodic
stuff I do is you know pretty melodic pop singer-songwriter stuff you know you
pop singer-songwriter stuff you know you
pop singer-songwriter stuff you know you just employ different instruments and
just employ different instruments and
just employ different instruments and different productions aesthetics or and
different productions aesthetics or and
different productions aesthetics or and you know of course because the
you know of course because the
you know of course because the songwriting is influenced by all sorts
songwriting is influenced by all sorts
songwriting is influenced by all sorts of different things but I like the idea
of different things but I like the idea
of different things but I like the idea that if you have a good song you can do
that if you have a good song you can do
that if you have a good song you can do all sorts of things with it you know try
all sorts of things with it you know try
all sorts of things with it you know try to convince me
bodies help stop the border who did you
bodies help stop the border who did you grow up listening to and has it
grow up listening to and has it
grow up listening to and has it influenced you along the way when I was
influenced you along the way when I was
influenced you along the way when I was a kid a big deal for me was moved into
a kid a big deal for me was moved into
a kid a big deal for me was moved into this tiny tiny apartment she’s my mom
this tiny tiny apartment she’s my mom
this tiny tiny apartment she’s my mom and my sister and I and there was one
and my sister and I and there was one
and my sister and I and there was one good thing there came of it and that was
good thing there came of it and that was
good thing there came of it and that was that in this building there was cable TV
that in this building there was cable TV
that in this building there was cable TV and we didn’t have that before so
and we didn’t have that before so
and we didn’t have that before so finally I had access to MTV and I would
finally I had access to MTV and I would
finally I had access to MTV and I would watch it all day long and I thought it
watch it all day long and I thought it
watch it all day long and I thought it was so cool even the songs I didn’t care
was so cool even the songs I didn’t care
was so cool even the songs I didn’t care for it was just so fun to hear it and
for it was just so fun to hear it and
for it was just so fun to hear it and see the videos I took guitar lessons and
see the videos I took guitar lessons and
see the videos I took guitar lessons and I learned different things there from a
I learned different things there from a
I learned different things there from a guitar teacher a lot of Brazilian stuff
guitar teacher a lot of Brazilian stuff
guitar teacher a lot of Brazilian stuff that sort of appealed to me strangely
that sort of appealed to me strangely
that sort of appealed to me strangely you know so I was lucky I was exposed to
you know so I was lucky I was exposed to
you know so I was lucky I was exposed to a lot of different music that I I picked
a lot of different music that I I picked
a lot of different music that I I picked up on and really liked from an early age
up on and really liked from an early age
up on and really liked from an early age which I think you know is really healthy
which I think you know is really healthy
which I think you know is really healthy to be exposed to all sorts of music you
to be exposed to all sorts of music you
to be exposed to all sorts of music you know you tend to move around quite a bit
know you tend to move around quite a bit
know you tend to move around quite a bit so I was gonna ask do you find that your
so I was gonna ask do you find that your
so I was gonna ask do you find that your surroundings influence your writing I
surroundings influence your writing I
surroundings influence your writing I guess it does but it’s difficult to
guess it does but it’s difficult to
guess it does but it’s difficult to trace exactly what it is you know to me
trace exactly what it is you know to me
trace exactly what it is you know to me it’s very inspiring to be in different
it’s very inspiring to be in different
it’s very inspiring to be in different communities and see different people of
communities and see different people of
communities and see different people of course and also in a big city like New
course and also in a big city like New
course and also in a big city like New York you can sort of shut down as well
York you can sort of shut down as well
York you can sort of shut down as well and feel that you were sort of isolated
and feel that you were sort of isolated
and feel that you were sort of isolated and not I think a really cool way
and not I think a really cool way
and not I think a really cool way because you know everything is happening
because you know everything is happening
because you know everything is happening around you but you can still choose to
around you but you can still choose to
around you but you can still choose to sort of not be a part of it when when
sort of not be a part of it when when
sort of not be a part of it when when that’s what you need and in in my
that’s what you need and in in my
that’s what you need and in in my songwriting that’s often what I need is
songwriting that’s often what I need is
songwriting that’s often what I need is that sort of isolation
now you did the soundtrack for Dan in
now you did the soundtrack for Dan in real life and I wanted to know how is it
real life and I wanted to know how is it
real life and I wanted to know how is it different composing a soundtrack than
different composing a soundtrack than
different composing a soundtrack than doing an album the singer-songwriter
perspective is often quite narcissistic
perspective is often quite narcissistic and you know I’m now no exception I
and you know I’m now no exception I
and you know I’m now no exception I guess so it was refreshing to me to sort
guess so it was refreshing to me to sort
guess so it was refreshing to me to sort of step out of my own sort of stories
of step out of my own sort of stories
of step out of my own sort of stories and my own motivations and try to think
and my own motivations and try to think
and my own motivations and try to think about other characters and also how the
about other characters and also how the
about other characters and also how the music is one small part of a bigger
music is one small part of a bigger
music is one small part of a bigger picture in a film you know it’s a
picture in a film you know it’s a
picture in a film you know it’s a creative thing but it gets to be also
creative thing but it gets to be also
creative thing but it gets to be also much more of a practical thing in the
much more of a practical thing in the
much more of a practical thing in the sense that you just got to find
sense that you just got to find
sense that you just got to find something that fits in the context of
something that fits in the context of
something that fits in the context of something else
how do you think your music translates
how do you think your music translates live it’s all just about approaching it
live it’s all just about approaching it
live it’s all just about approaching it with openness you know don’t don’t be
with openness you know don’t don’t be
with openness you know don’t don’t be afraid of making mistakes it’s gonna
afraid of making mistakes it’s gonna
afraid of making mistakes it’s gonna happen but like embrace all the
happen but like embrace all the
happen but like embrace all the imperfections and in live performance
imperfections and in live performance
imperfections and in live performance and sort of make something out of it for
and sort of make something out of it for
and sort of make something out of it for have it you know and when you’re a solo
have it you know and when you’re a solo
have it you know and when you’re a solo performer like I have very very often
performer like I have very very often
performer like I have very very often then that’s that’s the best energy you
then that’s that’s the best energy you
then that’s that’s the best energy you can get you know because you don’t have
can get you know because you don’t have
can get you know because you don’t have the string section you don’t have any of
the string section you don’t have any of
the string section you don’t have any of the stuff that you get used to hearing
the stuff that you get used to hearing
the stuff that you get used to hearing on the record but what you do have is
on the record but what you do have is
on the record but what you do have is something that you don’t have in the
something that you don’t have in the
something that you don’t have in the studio when you record something that’s
studio when you record something that’s
studio when you record something that’s spontaneity of of just live performance
spontaneity of of just live performance
spontaneity of of just live performance and if you can sort of capture that and
and if you can sort of capture that and
and if you can sort of capture that and share it with the audience and
share it with the audience and
share it with the audience and communicate that that’s that’s all
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