
this opera tells the timeless story of a man who makes a deal with the devil
hi I’m Rebecca Brayton and welcome to
hi I’m Rebecca Brayton and welcome to watchmojo.com and today we’ll be
watchmojo.com and today we’ll be
watchmojo.com and today we’ll be learning more about the shell Grinnell
learning more about the shell Grinnell
learning more about the shell Grinnell Opera Faust you wouldn’t mind explaining
Opera Faust you wouldn’t mind explaining
Opera Faust you wouldn’t mind explaining us the story of Faust it’s really a tale
us the story of Faust it’s really a tale
us the story of Faust it’s really a tale of ultimate corruption right and so
of ultimate corruption right and so
of ultimate corruption right and so Mustafa Lee is going to play his magic
Mustafa Lee is going to play his magic
Mustafa Lee is going to play his magic his horrible evil unfold it’s an all
his horrible evil unfold it’s an all
his horrible evil unfold it’s an all scientists he is at the end of his life
scientists he is at the end of his life
scientists he is at the end of his life in a sort of moment of without karate he
in a sort of moment of without karate he
in a sort of moment of without karate he decided to he don’t want to live he want
decided to he don’t want to live he want
decided to he don’t want to live he want to to assisted suicide himself but
to to assisted suicide himself but
to to assisted suicide himself but before to do the action he asked to the
before to do the action he asked to the
before to do the action he asked to the devil to give him goodness
yes yes but you have to give me your
yes yes but you have to give me your soul laughter it’s a sort of terrible
soul laughter it’s a sort of terrible
soul laughter it’s a sort of terrible fact why is it do you think that this
fact why is it do you think that this
fact why is it do you think that this story is so timeless that idea that
story is so timeless that idea that
story is so timeless that idea that first love and having all the energy and
first love and having all the energy and
first love and having all the energy and love of youth and springtime and then if
love of youth and springtime and then if
love of youth and springtime and then if you could just go back what would you do
you could just go back what would you do
you could just go back what would you do normally Falls designed by one dinner at
normally Falls designed by one dinner at
normally Falls designed by one dinner at the very beginning but the challenge is
the very beginning but the challenge is
the very beginning but the challenge is we must be young in one second
we must be young in one second
we must be young in one second normally and still there is a lot of
normally and still there is a lot of
normally and still there is a lot of small and the actor as a sort of Cape on
small and the actor as a sort of Cape on
small and the actor as a sort of Cape on the approach is very interesting because
the approach is very interesting because
the approach is very interesting because I can be on stage and see myself young
I can be on stage and see myself young
I can be on stage and see myself young and in the real life it is it’s my song
we will do the same for me as the old at
we will do the same for me as the old at the very beginning and we it will be the
the very beginning and we it will be the
the very beginning and we it will be the transformation of yourselves this is a
transformation of yourselves this is a
transformation of yourselves this is a particularity and it’s a premiere not
particularity and it’s a premiere not
particularity and it’s a premiere not only in Montreal in the world because
only in Montreal in the world because
only in Montreal in the world because first you need to have two tenors to be
first you need to have two tenors to be
first you need to have two tenors to be with the same looking that’s the case
with the same looking that’s the case
with the same looking that’s the case the same type of voice it’s the same and
the same type of voice it’s the same and
the same type of voice it’s the same and I think it will be a very interesting
I think it will be a very interesting
I think it will be a very interesting approach for the stage director Monsieur
approach for the stage director Monsieur
approach for the stage director Monsieur la boutique
my part Marguerite is really kind of the
my part Marguerite is really kind of the crux because she is the one who gets
crux because she is the one who gets
crux because she is the one who gets corrupted and termed the story is
corrupted and termed the story is
corrupted and termed the story is charming and and also just the
charming and and also just the
charming and and also just the heartbreaking because there’s this
heartbreaking because there’s this
heartbreaking because there’s this incredible youth and vitality and love
incredible youth and vitality and love
incredible youth and vitality and love and all of us want to be back in that
and all of us want to be back in that
and all of us want to be back in that moment when you first fall in love and
moment when you first fall in love and
moment when you first fall in love and everything is innocent and pure and then
everything is innocent and pure and then
everything is innocent and pure and then you see this horrible turn in this girl
you see this horrible turn in this girl
you see this horrible turn in this girl who is ultimately corrupted by Faust in
who is ultimately corrupted by Faust in
who is ultimately corrupted by Faust in the devil she becomes pregnant she had
the devil she becomes pregnant she had
the devil she becomes pregnant she had the child he’s abandoned her and then
the child he’s abandoned her and then
the child he’s abandoned her and then her brother abandons her and whole town
her brother abandons her and whole town
her brother abandons her and whole town turns on her for the French Riviera is
turns on her for the French Riviera is
turns on her for the French Riviera is probably with Carmen the most played
probably with Carmen the most played
probably with Carmen the most played opera in all the world every opera
opera in all the world every opera
opera in all the world every opera companies without exception as present
companies without exception as present
companies without exception as present in folks thank you very much you’re
in folks thank you very much you’re
in folks thank you very much you’re welcome
”
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