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Why don’t I like the sound of my own voice? | Rébecca Kleinberger | TEDxBeaconStreet


if you ask evolutionary biologists when

if you ask evolutionary biologists when did humans became humans some of them

did humans became humans some of them

did humans became humans some of them will say that well at some point we

will say that well at some point we

will say that well at some point we started standing on our feet became

started standing on our feet became

started standing on our feet became biped and became the masters of our

biped and became the masters of our

biped and became the masters of our environment others will say that because

environment others will say that because

environment others will say that because our brain started growing much bigger

our brain started growing much bigger

our brain started growing much bigger that were able to have much more complex

that were able to have much more complex

that were able to have much more complex cognitive processes and others might

cognitive processes and others might

cognitive processes and others might argue that it’s because we developed a

argue that it’s because we developed a

argue that it’s because we developed a language that allowed us to evolve as a

language that allowed us to evolve as a

language that allowed us to evolve as a species interestingly those three

species interestingly those three

species interestingly those three phenomena are all connected we’re not

phenomena are all connected we’re not

phenomena are all connected we’re not sure how or in which order but they are

sure how or in which order but they are

sure how or in which order but they are all linked with the change of shape of

all linked with the change of shape of

all linked with the change of shape of little bone in the back of your neck

little bone in the back of your neck

little bone in the back of your neck that change the angle between our head

that change the angle between our head

that change the angle between our head and our body that made that we were able

and our body that made that we were able

and our body that made that we were able to stand upright but also for a brain to

to stand upright but also for a brain to

to stand upright but also for a brain to evolve in the back and for Voicebox to

evolve in the back and for Voicebox to

evolve in the back and for Voicebox to grow from 7 centimeters for primates to

grow from 7 centimeters for primates to

grow from 7 centimeters for primates to 11 and up to 17 centimeters for humans

11 and up to 17 centimeters for humans

11 and up to 17 centimeters for humans and this is called add essence of the

and this is called add essence of the

and this is called add essence of the land and the larynx is a site of your

land and the larynx is a site of your

land and the larynx is a site of your voice when baby humans are born today

voice when baby humans are born today

voice when baby humans are born today their larynx is not descended yet that

their larynx is not descended yet that

their larynx is not descended yet that only happens at about 3 months old so

only happens at about 3 months old so

only happens at about 3 months old so metaphorically each of us here I’ve

metaphorically each of us here I’ve

metaphorically each of us here I’ve relived the evolution of our whole

relived the evolution of our whole

relived the evolution of our whole specie and talking about babies when you

specie and talking about babies when you

specie and talking about babies when you were starting to develop in your

were starting to develop in your

were starting to develop in your mother’s womb the first sensation that

mother’s womb the first sensation that

mother’s womb the first sensation that you had coming from the outside world

you had coming from the outside world

you had coming from the outside world and only 3 weeks old when you’re about

and only 3 weeks old when you’re about

and only 3 weeks old when you’re about the size of a shrimp we’re through the

the size of a shrimp we’re through the

the size of a shrimp we’re through the tactile sensation coming from the

tactile sensation coming from the

tactile sensation coming from the vibrations of your mother’s voice so as

vibrations of your mother’s voice so as

vibrations of your mother’s voice so as we can see the human voice is quite

we can see the human voice is quite

we can see the human voice is quite meaningful and important at the species

meaningful and important at the species

meaningful and important at the species at the level of the species

at the level of the species

at the level of the species at the level of the society this is how

at the level of the society this is how

at the level of the society this is how we communicate and create bonds and at

we communicate and create bonds and at

we communicate and create bonds and at the personal and interpersonal levels

the personal and interpersonal levels

the personal and interpersonal levels with our voice which are much more than

with our voice which are much more than

with our voice which are much more than words and data this is which we shall

words and data this is which we shall

words and data this is which we shall basically who we are and our voice is

basically who we are and our voice is

basically who we are and our voice is indiscernible from how other people see

indiscernible from how other people see

indiscernible from how other people see us it is a mask that we were in society

us it is a mask that we were in society

us it is a mask that we were in society but our relationship with our own voice

but our relationship with our own voice

but our relationship with our own voice is far from obvious we rarely use our

is far from obvious we rarely use our

is far from obvious we rarely use our voice for our self we use it as a gift

voice for our self we use it as a gift

voice for our self we use it as a gift to give to others it is a how we touch

to give to others it is a how we touch

to give to others it is a how we touch each other

each other

each other it’s a dialectical grooming but what do

it’s a dialectical grooming but what do

it’s a dialectical grooming but what do we think about our own voice so please

we think about our own voice so please

we think about our own voice so please raise your hand if you don’t like the

raise your hand if you don’t like the

raise your hand if you don’t like the sound of your voice when you hear it on

sound of your voice when you hear it on

sound of your voice when you hear it on recording machine yeah thank you indeed

recording machine yeah thank you indeed

recording machine yeah thank you indeed most people report not liking the sound

most people report not liking the sound

most people report not liking the sound of their of their voice recording so

of their of their voice recording so

of their of their voice recording so what does that mean let’s try to

what does that mean let’s try to

what does that mean let’s try to understand that in the next 10 minutes

understand that in the next 10 minutes

understand that in the next 10 minutes I’m a researcher at the MIT Media Lab

I’m a researcher at the MIT Media Lab

I’m a researcher at the MIT Media Lab part of the Opera the Future group and

part of the Opera the Future group and

part of the Opera the Future group and my my research focus is on the

my my research focus is on the

my my research focus is on the relationship people have with their own

relationship people have with their own

relationship people have with their own voice and with the voices of others I

voice and with the voices of others I

voice and with the voices of others I study what we can learn from listening

study what we can learn from listening

study what we can learn from listening to voices from the advice field from

to voices from the advice field from

to voices from the advice field from neurology to biology cognitive sciences

neurology to biology cognitive sciences

neurology to biology cognitive sciences linguistic and in our group we create

linguistic and in our group we create

linguistic and in our group we create tools and experiences to help people

tools and experiences to help people

tools and experiences to help people gain a better applied understanding of

gain a better applied understanding of

gain a better applied understanding of their voice in order to reduce the

their voice in order to reduce the

their voice in order to reduce the biases to become better listeners to

biases to become better listeners to

biases to become better listeners to create more healthy relationship or just

create more healthy relationship or just

create more healthy relationship or just to understand themselves better and this

to understand themselves better and this

to understand themselves better and this really has to come with a holistic

really has to come with a holistic

really has to come with a holistic approach on the voice because think

approach on the voice because think

approach on the voice because think about all the applications and

about all the applications and

about all the applications and implications that the voice might have

implications that the voice might have

implications that the voice might have as we discover more about it your voice

as we discover more about it your voice

as we discover more about it your voice is a very complex phenomena it it

is a very complex phenomena it it

is a very complex phenomena it it requires a synchronization of more than

requires a synchronization of more than

requires a synchronization of more than 100 muscles in your body and by

100 muscles in your body and by

100 muscles in your body and by listening to the voice we can understand

listening to the voice we can understand

listening to the voice we can understand possible failures of what happens inside

possible failures of what happens inside

possible failures of what happens inside for example listening to very specific

for example listening to very specific

for example listening to very specific type of turbulences and

type of turbulences and

type of turbulences and linearity of the voice can help predict

linearity of the voice can help predict

linearity of the voice can help predict very early stages of Parkinson just your

very early stages of Parkinson just your

very early stages of Parkinson just your phone called listening to the brazenness

phone called listening to the brazenness

phone called listening to the brazenness of the voice can help detect heart

of the voice can help detect heart

of the voice can help detect heart disease and we also know that the

disease and we also know that the

disease and we also know that the changes of tempo inside individual words

changes of tempo inside individual words

changes of tempo inside individual words is a very good marker of depression your

is a very good marker of depression your

is a very good marker of depression your voice is also very linked with your

voice is also very linked with your

voice is also very linked with your hormone levels third part is listening

hormone levels third part is listening

hormone levels third part is listening to female voices were able to very

to female voices were able to very

to female voices were able to very accurately place the speaker on their

accurately place the speaker on their

accurately place the speaker on their menstrual cycle just with acoustic

menstrual cycle just with acoustic

menstrual cycle just with acoustic informations and now with technologies

informations and now with technologies

informations and now with technologies listening to us all the time

listening to us all the time

listening to us all the time Amazon Alexa from Amazon echo might be

Amazon Alexa from Amazon echo might be

Amazon Alexa from Amazon echo might be able to predict if you’re pregnant even

able to predict if you’re pregnant even

able to predict if you’re pregnant even before you know it so think about it

before you know it so think about it

before you know it so think about it think about the ethical application of

think about the ethical application of

think about the ethical application of that your voice is also very linked to

that your voice is also very linked to

that your voice is also very linked to how you create relationship you have a

how you create relationship you have a

how you create relationship you have a different voice for every person you

different voice for every person you

different voice for every person you talk to if I take a little snippet of

talk to if I take a little snippet of

talk to if I take a little snippet of your voice and I analyze it I can know

your voice and I analyze it I can know

your voice and I analyze it I can know whether you’re talking to your mother to

whether you’re talking to your mother to

whether you’re talking to your mother to your brother your friend or your boss so

your brother your friend or your boss so

your brother your friend or your boss so in we can also use as a predictors of

in we can also use as a predictors of

in we can also use as a predictors of the vocal posture

the vocal posture

the vocal posture meaning how you decide to place your

meaning how you decide to place your

meaning how you decide to place your voice when you talk to someone and you

voice when you talk to someone and you

voice when you talk to someone and you vocal posture when you talk to your

vocal posture when you talk to your

vocal posture when you talk to your spouse can help predict not only if but

spouse can help predict not only if but

spouse can help predict not only if but also when you will divorce so there’s a

also when you will divorce so there’s a

also when you will divorce so there’s a lot to learn from listening to voices

lot to learn from listening to voices

lot to learn from listening to voices and I believe that this has to start

and I believe that this has to start

and I believe that this has to start with understanding that we have more

with understanding that we have more

with understanding that we have more than one voice so I’m going to talk

than one voice so I’m going to talk

than one voice so I’m going to talk about three voices that most of us

about three voices that most of us

about three voices that most of us possess in a model of what I call the

possess in a model of what I call the

possess in a model of what I call the mask so when you look at a mask what you

mask so when you look at a mask what you

mask so when you look at a mask what you see is a projection of a character let’s

see is a projection of a character let’s

see is a projection of a character let’s call that your outward voice this is

call that your outward voice this is

call that your outward voice this is also the most classic way to think about

also the most classic way to think about

also the most classic way to think about the voice it’s so we’re projecting

the voice it’s so we’re projecting

the voice it’s so we’re projecting yourself in the world the mechanism for

yourself in the world the mechanism for

yourself in the world the mechanism for this projection is well understood your

this projection is well understood your

this projection is well understood your lung contract your diaphragm and that

lung contract your diaphragm and that

lung contract your diaphragm and that creates a self-sustained vibration of

creates a self-sustained vibration of

creates a self-sustained vibration of your vocal fold that creates a sound and

your vocal fold that creates a sound and

your vocal fold that creates a sound and then the way you open and close the

then the way you open and close the

then the way you open and close the cavities in your mouth

cavities in your mouth

cavities in your mouth your vocal tract is going to transform

your vocal tract is going to transform

your vocal tract is going to transform the sound so everyone has the same

the sound so everyone has the same

the sound so everyone has the same mechanism but voices are quite unique

mechanism but voices are quite unique

mechanism but voices are quite unique it’s because very subtle differences in

it’s because very subtle differences in

it’s because very subtle differences in size in physiology in hormone levels are

size in physiology in hormone levels are

size in physiology in hormone levels are gonna change it’s gonna make very subtle

gonna change it’s gonna make very subtle

gonna change it’s gonna make very subtle differences in your outward voice a new

differences in your outward voice a new

differences in your outward voice a new brain is very good at picking up those

brain is very good at picking up those

brain is very good at picking up those subtle differences from other people’s

subtle differences from other people’s

subtle differences from other people’s outward voices in our lab we’re working

outward voices in our lab we’re working

outward voices in our lab we’re working on teaching machines to understand those

on teaching machines to understand those

on teaching machines to understand those subtle differences and we we use deep

subtle differences and we we use deep

subtle differences and we we use deep learning to create a real-time speaker

learning to create a real-time speaker

learning to create a real-time speaker identification system to help raise

identification system to help raise

identification system to help raise awareness on the shared of on the use of

awareness on the shared of on the use of

awareness on the shared of on the use of the shared vocal space so who talks and

the shared vocal space so who talks and

the shared vocal space so who talks and who never talks during meetings to

who never talks during meetings to

who never talks during meetings to increase group intelligence and one of

increase group intelligence and one of

increase group intelligence and one of the difficulties with that is that your

the difficulties with that is that your

the difficulties with that is that your voice is also not static we already said

voice is also not static we already said

voice is also not static we already said that it changes with every person you

that it changes with every person you

that it changes with every person you talk to but it also changes generally

talk to but it also changes generally

talk to but it also changes generally throughout your life at the beginning

throughout your life at the beginning

throughout your life at the beginning and at the end of the journey male and

and at the end of the journey male and

and at the end of the journey male and female voices are very similar it’s very

female voices are very similar it’s very

female voices are very similar it’s very hard to distinguish the voice of a very

hard to distinguish the voice of a very

hard to distinguish the voice of a very young girl from the voice of a very

young girl from the voice of a very

young girl from the voice of a very young boy but in the between your voice

young boy but in the between your voice

young boy but in the between your voice become a marker of your fluid identity

become a marker of your fluid identity

become a marker of your fluid identity and generally for male voices there is a

and generally for male voices there is a

and generally for male voices there is a big change at puberty and then for

big change at puberty and then for

big change at puberty and then for female voices there is a change at each

female voices there is a change at each

female voices there is a change at each pregnancy and a big change at menopause

pregnancy and a big change at menopause

pregnancy and a big change at menopause so all of that is the voice other people

so all of that is the voice other people

so all of that is the voice other people hear when you talk so why is it that we

hear when you talk so why is it that we

hear when you talk so why is it that we are so unfamiliar with it why is it that

are so unfamiliar with it why is it that

are so unfamiliar with it why is it that it’s not the voice that we hear so let’s

it’s not the voice that we hear so let’s

it’s not the voice that we hear so let’s think about it when you wear a mask you

think about it when you wear a mask you

think about it when you wear a mask you actually don’t see the mask and when you

actually don’t see the mask and when you

actually don’t see the mask and when you try to observe it what you will see is

try to observe it what you will see is

try to observe it what you will see is inside of the mask and that’s your

inside of the mask and that’s your

inside of the mask and that’s your inward voice so to understand why it’s

inward voice so to understand why it’s

inward voice so to understand why it’s different let’s try to understand the

different let’s try to understand the

different let’s try to understand the mechanism of perception of this inward

mechanism of perception of this inward

mechanism of perception of this inward voice because your body has many ways of

voice because your body has many ways of

voice because your body has many ways of filtering it differently from the

filtering it differently from the

filtering it differently from the outward voice so to perceive this voice

outward voice so to perceive this voice

outward voice so to perceive this voice it first has to travel to your ears and

it first has to travel to your ears and

it first has to travel to your ears and your outward voice travels through the

your outward voice travels through the

your outward voice travels through the air while your inward voice travels

air while your inward voice travels

air while your inward voice travels through your bones this is called bone

through your bones this is called bone

through your bones this is called bone conduction and because of this

conduction and because of this

conduction and because of this your inner voice is gonna sound in a

your inner voice is gonna sound in a

your inner voice is gonna sound in a lower register and also more musically

lower register and also more musically

lower register and also more musically harmonically harmonically than your

harmonically harmonically than your

harmonically harmonically than your outward voice once it travels there it

outward voice once it travels there it

outward voice once it travels there it has to access your inner ear and there

has to access your inner ear and there

has to access your inner ear and there is a subtle mechanism taking place here

is a subtle mechanism taking place here

is a subtle mechanism taking place here it’s a it’s a mechanical filter it’s a

it’s a it’s a mechanical filter it’s a

it’s a it’s a mechanical filter it’s a little partition that comes and protects

little partition that comes and protects

little partition that comes and protects your inner ear each time you produces a

your inner ear each time you produces a

your inner ear each time you produces a sound so that also reduces what you hear

sound so that also reduces what you hear

sound so that also reduces what you hear and then there is a third filter it’s a

and then there is a third filter it’s a

and then there is a third filter it’s a biological filter you’re in your cochlea

biological filter you’re in your cochlea

biological filter you’re in your cochlea it’s a part of your inner ear that

it’s a part of your inner ear that

it’s a part of your inner ear that processes the sound is made out of

processes the sound is made out of

processes the sound is made out of living cells and those living cells are

living cells and those living cells are

living cells and those living cells are going to trigger it differently

going to trigger it differently

going to trigger it differently according to how often they hear the

according to how often they hear the

according to how often they hear the sound it’s an arbitration effect so

sound it’s an arbitration effect so

sound it’s an arbitration effect so because of this as your voice is the

because of this as your voice is the

because of this as your voice is the sound you hear the most in your life you

sound you hear the most in your life you

sound you hear the most in your life you actually hear it less than all the

actually hear it less than all the

actually hear it less than all the sounds finally we have a force filter

sounds finally we have a force filter

sounds finally we have a force filter it’s a neurological filter neurologist

it’s a neurological filter neurologist

it’s a neurological filter neurologist found out recently that when you open

found out recently that when you open

found out recently that when you open your mouth to create a sound your own

your mouth to create a sound your own

your mouth to create a sound your own auditory cortex shuts down so you hear

auditory cortex shuts down so you hear

auditory cortex shuts down so you hear your voice but your brain actually never

your voice but your brain actually never

your voice but your brain actually never listens to the sound of your voice

listens to the sound of your voice

listens to the sound of your voice well if occasionally that might make

well if occasionally that might make

well if occasionally that might make sense because we know Coakley’s even

sense because we know Coakley’s even

sense because we know Coakley’s even what you’re gonna sound like so maybe we

what you’re gonna sound like so maybe we

what you’re gonna sound like so maybe we don’t need to spend energy analyzing the

don’t need to spend energy analyzing the

don’t need to spend energy analyzing the signal and this is called a corollary

signal and this is called a corollary

signal and this is called a corollary discharge and this happened for every

discharge and this happened for every

discharge and this happened for every motion that your body does the exact

motion that your body does the exact

motion that your body does the exact definition of a corollary discharge is a

definition of a corollary discharge is a

definition of a corollary discharge is a copy of a motor command that is sent by

copy of a motor command that is sent by

copy of a motor command that is sent by the brain this copy doesn’t create any

the brain this copy doesn’t create any

the brain this copy doesn’t create any motion itself but instead is sent to

motion itself but instead is sent to

motion itself but instead is sent to other regions of the brain to inform

other regions of the brain to inform

other regions of the brain to inform them of the impending motion and for the

them of the impending motion and for the

them of the impending motion and for the voice this corollary discharge also has

voice this corollary discharge also has

voice this corollary discharge also has a different name it is your inner voice

a different name it is your inner voice

a different name it is your inner voice so let’s recapitulate we have the masks

so let’s recapitulate we have the masks

so let’s recapitulate we have the masks outward voice the inside of the mask you

outward voice the inside of the mask you

outward voice the inside of the mask you enoyed voice and then you have your

enoyed voice and then you have your

enoyed voice and then you have your inner voice and I like to see this one

inner voice and I like to see this one

inner voice and I like to see this one as the puppeteer that holds the strings

as the puppeteer that holds the strings

as the puppeteer that holds the strings of the whole system

of the whole system

of the whole system and your inner voice is so when you hear

and your inner voice is so when you hear

and your inner voice is so when you hear when you read the text silently when you

when you read the text silently when you

when you read the text silently when you rehearse for an important conversation

rehearse for an important conversation

rehearse for an important conversation sometime it’s hard to turn it off right

sometime it’s hard to turn it off right

sometime it’s hard to turn it off right is really hard to look at the text

is really hard to look at the text

is really hard to look at the text written in your native language without

written in your native language without

written in your native language without having this inner voice read it it also

having this inner voice read it it also

having this inner voice read it it also the voice that refuses to stop singing

the voice that refuses to stop singing

the voice that refuses to stop singing this stupid song you have in your head

and for some people it’s actually

and for some people it’s actually impossible to control it and that the

impossible to control it and that the

impossible to control it and that the case of schizophrenic patients who have

case of schizophrenic patients who have

case of schizophrenic patients who have auditory hallucinations who can’t

auditory hallucinations who can’t

auditory hallucinations who can’t distinguish at all between voices coming

distinguish at all between voices coming

distinguish at all between voices coming from inside and outside the head so in

from inside and outside the head so in

from inside and outside the head so in our lab we are also working on small

our lab we are also working on small

our lab we are also working on small devices to help those people make those

devices to help those people make those

devices to help those people make those distinction and know if the voice is

distinction and know if the voice is

distinction and know if the voice is internal or external you can also think

internal or external you can also think

internal or external you can also think about the inner voice as a voice that

about the inner voice as a voice that

about the inner voice as a voice that speak in your dream this universe can

speak in your dream this universe can

speak in your dream this universe can take many forms and in your dreams you

take many forms and in your dreams you

take many forms and in your dreams you actually unleash the potential of this

actually unleash the potential of this

actually unleash the potential of this inner voice that’s another work we are

inner voice that’s another work we are

inner voice that’s another work we are doing in our lab trying to access this

doing in our lab trying to access this

doing in our lab trying to access this inner voice in dreams so even if you

inner voice in dreams so even if you

inner voice in dreams so even if you can’t always control it the inner voice

can’t always control it the inner voice

can’t always control it the inner voice you can always engage with it through

you can always engage with it through

you can always engage with it through dialogue from inner dialogues and you

dialogue from inner dialogues and you

dialogue from inner dialogues and you can even see this inner voice as the

can even see this inner voice as the

can even see this inner voice as the missing link between salt and actions so

missing link between salt and actions so

missing link between salt and actions so I hope I’ve left you with a better

I hope I’ve left you with a better

I hope I’ve left you with a better appreciation a new appreciation of all

appreciation a new appreciation of all

appreciation a new appreciation of all of you voices and the roles it plays

of you voices and the roles it plays

of you voices and the roles it plays inside and outside of you as for your

inside and outside of you as for your

inside and outside of you as for your voice is a very critical determinant of

voice is a very critical determinant of

voice is a very critical determinant of what makes you humans and of how you

what makes you humans and of how you

what makes you humans and of how you interact with the world

”

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