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The Lost Songs and Dance of the Courtesean | Manjari Chaturvedi | TEDxSRMUWomen


[Music]

[Music] yeah

[Music]

[Music] [Applause]

I’ve a shovel was monkey Donna

I’ve a shovel was monkey Donna [Music]

No

No I wish were lucky Donna

I wish were lucky Donna

I wish were lucky Donna show me buddy

[Music]

[Music] I’ve a shovel

[Music]

[Music] mashallah

mashallah

mashallah [Music]

[Music]

[Music] would engage anyone

you okay kissing is away

you okay kissing is away but more some evening

but more some evening

but more some evening [Music]

[Music]

[Music] [Applause]

would be number seaboard a do you Jenna

would be number seaboard a do you Jenna ha

see bother do each other

see bother do each other [Music]

Oh

Oh [Applause]

[Music]

[Music] hard the same wound that

hard the same wound that

hard the same wound that Hey

Hey

Hey [Music]

ha

ha [Music]

[Music]

[Music] boobers mother

love romance amour at all was part of a

love romance amour at all was part of a performance

the art of a woman disc one composition

the art of a woman disc one composition talked about a romance a night of

talked about a romance a night of

talked about a romance a night of Italians between a man and a woman they

Italians between a man and a woman they

Italians between a man and a woman they were a section of women artists and I’m

were a section of women artists and I’m

were a section of women artists and I’m talking about almost 200 years back

which were largely known as the derives

which were largely known as the derives or the courtesans they performed the art

or the courtesans they performed the art

or the courtesans they performed the art of amore love romance and we in a way

of amore love romance and we in a way

of amore love romance and we in a way shamed them for doing that what is our

shamed them for doing that what is our

shamed them for doing that what is our indie film industry today

indie film industry today

indie film industry today Bollywood sells romance Bollywood sells

Bollywood sells romance Bollywood sells

Bollywood sells romance Bollywood sells amore we are comfortable with the idea

amore we are comfortable with the idea

amore we are comfortable with the idea of a film actress depicting that but we

of a film actress depicting that but we

of a film actress depicting that but we are not comfortable with the idea

are not comfortable with the idea

are not comfortable with the idea offered the way of depicting that we

offered the way of depicting that we

offered the way of depicting that we today have created two different

today have created two different

today have created two different standards for

now when I talk about the art of this

now when I talk about the art of this woman the courtesan this is a

woman the courtesan this is a

woman the courtesan this is a deliberately dead performing that we

deliberately dead performing that we

deliberately dead performing that we have killed it now what happened during

have killed it now what happened during

have killed it now what happened during the generations we liked the Anarkali

the generations we liked the Anarkali

the generations we liked the Anarkali that the courtesan wore so the market is

that the courtesan wore so the market is

that the courtesan wore so the market is flooded with the Anarkali s we liked the

flooded with the Anarkali s we liked the

flooded with the Anarkali s we liked the rumor that the courtesans wore

rumor that the courtesans wore

rumor that the courtesans wore the weddings flooded with the you know

the weddings flooded with the you know

the weddings flooded with the you know the jewelry we light certain you know

the jewelry we light certain you know

the jewelry we light certain you know the freshy pajamas that they wore you

the freshy pajamas that they wore you

the freshy pajamas that they wore you see India is flooded with furry pajamas

see India is flooded with furry pajamas

see India is flooded with furry pajamas we light Gaza what they performed today

we light Gaza what they performed today

we light Gaza what they performed today you have innumerable gazelle artists and

you have innumerable gazelle artists and

you have innumerable gazelle artists and you have dazzles in Bollywood foods they

you have dazzles in Bollywood foods they

you have dazzles in Bollywood foods they performed to marry we like to marry so

performed to marry we like to marry so

performed to marry we like to marry so we took that so from that one woman that

we took that so from that one woman that

we took that so from that one woman that one woman who performed a certain art we

one woman who performed a certain art we

one woman who performed a certain art we took this bit that bit that bit that bit

took this bit that bit that bit that bit

took this bit that bit that bit that bit that bit we’ve taken everything snatched

that bit we’ve taken everything snatched

that bit we’ve taken everything snatched it from her and never given the credit

it from her and never given the credit

it from her and never given the credit to her we’ve always said oh they are the

to her we’ve always said oh they are the

to her we’ve always said oh they are the fallen women we’re in this framework

fallen women we’re in this framework

fallen women we’re in this framework does that aspect come from when we talk

does that aspect come from when we talk

does that aspect come from when we talk about art the first thing that you know

about art the first thing that you know

about art the first thing that you know comes to the mind is that art is –

comes to the mind is that art is –

comes to the mind is that art is – gender the art should be first the

gender the art should be first the

gender the art should be first the performer who’s performing that whether

performer who’s performing that whether

performer who’s performing that whether it’s a man and a woman should be the

it’s a man and a woman should be the

it’s a man and a woman should be the secondary aspect that cannot be the

secondary aspect that cannot be the

secondary aspect that cannot be the first aspect because art is art itself

first aspect because art is art itself

first aspect because art is art itself it is open to both genders equally

it is open to both genders equally

it is open to both genders equally somewhere in our own mindset will not

somewhere in our own mindset will not

somewhere in our own mindset will not question those things

question those things

question those things has been a huge you know discrimination

has been a huge you know discrimination

has been a huge you know discrimination in terms of gender for the artists so

in terms of gender for the artists so

in terms of gender for the artists so what happened when we look back to those

what happened when we look back to those

what happened when we look back to those times and I’m not looking back very back

times and I’m not looking back very back

times and I’m not looking back very back I’m just looking back about 100 200

I’m just looking back about 100 200

I’m just looking back about 100 200 years back which which is a well

years back which which is a well

years back which which is a well memorized history what did we do the

memorized history what did we do the

memorized history what did we do the society we did not have concert halls

society we did not have concert halls

society we did not have concert halls where you know the performances could be

where you know the performances could be

where you know the performances could be held we did not have films we did not

held we did not have films we did not

held we did not have films we did not have multimedia barely hundred years

have multimedia barely hundred years

have multimedia barely hundred years back we had you know the recordings the

back we had you know the recordings the

back we had you know the recordings the gramophone recordings before that we did

gramophone recordings before that we did

gramophone recordings before that we did not have that either so what was

not have that either so what was

not have that either so what was entertainment it was an actual live

entertainment it was an actual live

entertainment it was an actual live singing and dancing now when we look

singing and dancing now when we look

singing and dancing now when we look back at that time there was no

back at that time there was no

back at that time there was no government patronage there were no

government patronage there were no

government patronage there were no concert halls where would a performance

concert halls where would a performance

concert halls where would a performance happen it would the special performances

happen it would the special performances

happen it would the special performances like we have today that I would proudly

like we have today that I would proudly

like we have today that I would proudly say oh I performed at the president’s

say oh I performed at the president’s

say oh I performed at the president’s house I performed at the Parliament

house I performed at the Parliament

house I performed at the Parliament House now it’s a sense of pride for me

House now it’s a sense of pride for me

House now it’s a sense of pride for me today to say that the similar was then

today to say that the similar was then

today to say that the similar was then the patronage was the my Raja or the

the patronage was the my Raja or the

the patronage was the my Raja or the Nawab so the artist would actually

Nawab so the artist would actually

Nawab so the artist would actually perform in that space and that was a

perform in that space and that was a

perform in that space and that was a sense of pride when I say a two hundred

sense of pride when I say a two hundred

sense of pride when I say a two hundred years back or during that time even

years back or during that time even

years back or during that time even hundred years back both men and women

hundred years back both men and women

hundred years back both men and women were perceiving arts so when we had

were perceiving arts so when we had

were perceiving arts so when we had women singing to Murray Dada gazelle we

women singing to Murray Dada gazelle we

women singing to Murray Dada gazelle we had men singing that too we had women

had men singing that too we had women

had men singing that too we had women sing dancing katuk we had men I’m not

sing dancing katuk we had men I’m not

sing dancing katuk we had men I’m not touching the South the southern India my

touching the South the southern India my

touching the South the southern India my subject is more northern India so we had

subject is more northern India so we had

subject is more northern India so we had women doing kata but we had men doing

women doing kata but we had men doing

women doing kata but we had men doing got her to similar spaces

got her to similar spaces

got her to similar spaces the men were dancing in the courts have

the men were dancing in the courts have

the men were dancing in the courts have dinner parts the women were dancing in

dinner parts the women were dancing in

dinner parts the women were dancing in the courts

the courts

the courts what did we do we made the men into

what did we do we made the men into

what did we do we made the men into those thoughts and the women into the

those thoughts and the women into the

those thoughts and the women into the notch girls what a notch neighborly here

notch girls what a notch neighborly here

notch girls what a notch neighborly here I’ve almost are there they are doing

I’ve almost are there they are doing

I’ve almost are there they are doing exactly the same thing so now when we

exactly the same thing so now when we

exactly the same thing so now when we look at how even our recent history has

look at how even our recent history has

look at how even our recent history has shaped up it has shaped it very

shaped up it has shaped it very

shaped up it has shaped it very differently because if you see it has

differently because if you see it has

differently because if you see it has been written by patriarchy women were

been written by patriarchy women were

been written by patriarchy women were not writing histories it was usually the

not writing histories it was usually the

not writing histories it was usually the men who were writing the Chronicles so

men who were writing the Chronicles so

men who were writing the Chronicles so obviously it was a male perspective

obviously it was a male perspective

obviously it was a male perspective there are instances where you know in my

there are instances where you know in my

there are instances where you know in my research I found that a very celebrated

research I found that a very celebrated

research I found that a very celebrated united by Dara Valley she was a people

united by Dara Valley she was a people

united by Dara Valley she was a people don’t even know her name

don’t even know her name

don’t even know her name very celebrated the life of her times

very celebrated the life of her times

very celebrated the life of her times her accompanist was stalked by columella

her accompanist was stalked by columella

her accompanist was stalked by columella Casa now from my mind if you see that

Casa now from my mind if you see that

Casa now from my mind if you see that woman must have been such a brilliant

woman must have been such a brilliant

woman must have been such a brilliant artist to have irregular Malik Hassad as

artist to have irregular Malik Hassad as

artist to have irregular Malik Hassad as her accompanist see if I am performing

her accompanist see if I am performing

her accompanist see if I am performing today I do not have sake rosin as my

today I do not have sake rosin as my

today I do not have sake rosin as my accompanist there’s a certain caliber of

accompanist there’s a certain caliber of

accompanist there’s a certain caliber of artists that you have so I openly say I

artists that you have so I openly say I

artists that you have so I openly say I as a concern cannot be my accompanist

as a concern cannot be my accompanist

as a concern cannot be my accompanist you know he’s way ahead than what I am

you know he’s way ahead than what I am

you know he’s way ahead than what I am now so to have that but do we know the

now so to have that but do we know the

now so to have that but do we know the name of that woman

name of that woman

name of that woman we do not we’ve wiped her out from the

we do not we’ve wiped her out from the

we do not we’ve wiped her out from the performing arts history because there

performing arts history because there

performing arts history because there was a sudden change of the time you know

was a sudden change of the time you know

was a sudden change of the time you know the the these princely states were

the the these princely states were

the the these princely states were annexed so the patronage went off they

annexed so the patronage went off they

annexed so the patronage went off they did not know where to go there was

did not know where to go there was

did not know where to go there was nobody who made a bridge for these women

nobody who made a bridge for these women

nobody who made a bridge for these women because they did not count but we did

because they did not count but we did

because they did not count but we did not have agencies or you know

not have agencies or you know

not have agencies or you know support systems that could have made

support systems that could have made

support systems that could have made those in roads and bridges to get these

those in roads and bridges to get these

those in roads and bridges to get these people into the same format so what

people into the same format so what

people into the same format so what happens is now what you saw performance

happens is now what you saw performance

happens is now what you saw performance it was a very intimate performance you

it was a very intimate performance you

it was a very intimate performance you know so the the words the the rod the

know so the the words the the rod the

know so the the words the the rod the movements everything is structured to

movements everything is structured to

movements everything is structured to create a certain impact now that impact

create a certain impact now that impact

create a certain impact now that impact was largely when which was the

was largely when which was the

was largely when which was the courtesans or the derailleurs was around

courtesans or the derailleurs was around

courtesans or the derailleurs was around romance so somewhere we have put

romance so somewhere we have put

romance so somewhere we have put different standards for a men performers

different standards for a men performers

different standards for a men performers and women performers secondly for

and women performers secondly for

and women performers secondly for certain performers whose art we were not

certain performers whose art we were not

certain performers whose art we were not able to understand when Bollywood showed

able to understand when Bollywood showed

able to understand when Bollywood showed it we understood but when they performed

it we understood but when they performed

it we understood but when they performed live we did not understand because it

live we did not understand because it

live we did not understand because it was an intimate performance now that

was an intimate performance now that

was an intimate performance now that intimate performance you put that artist

intimate performance you put that artist

intimate performance you put that artist on a huge stage of 2,000 people that

on a huge stage of 2,000 people that

on a huge stage of 2,000 people that artist doesn’t know how to connect they

artist doesn’t know how to connect they

artist doesn’t know how to connect they were used to doing a performance in her

were used to doing a performance in her

were used to doing a performance in her method where they could see the reaction

method where they could see the reaction

method where they could see the reaction of people so supposing if somebody is

of people so supposing if somebody is

of people so supposing if somebody is nodding their head at a certain gutter

nodding their head at a certain gutter

nodding their head at a certain gutter they would continue it for a little

they would continue it for a little

they would continue it for a little longer time now juxtapose this artist

longer time now juxtapose this artist

longer time now juxtapose this artist into a big concert hall where the

into a big concert hall where the

into a big concert hall where the audience is dark and the artist is lost

audience is dark and the artist is lost

audience is dark and the artist is lost so even few performers who continued

so even few performers who continued

so even few performers who continued performing and gradually became lost

performing and gradually became lost

performing and gradually became lost because they couldn’t see the audience

because they couldn’t see the audience

because they couldn’t see the audience if you go in a concert hall today the

if you go in a concert hall today the

if you go in a concert hall today the audience is pitch dark but nobody

audience is pitch dark but nobody

audience is pitch dark but nobody thought of that small thing but light in

thought of that small thing but light in

thought of that small thing but light in the audience let them sing small things

the audience let them sing small things

the audience let them sing small things which would have made them comfortable

which would have made them comfortable

which would have made them comfortable which would have led the artform survive

which would have led the artform survive

which would have led the artform survive even today how am I able to say that if

even today how am I able to say that if

even today how am I able to say that if somebody has had not kept it a life of

somebody has had not kept it a life of

somebody has had not kept it a life of 500 years for me to be able to perform

500 years for me to be able to perform

500 years for me to be able to perform I feel that somewhere that other

I feel that somewhere that other

I feel that somewhere that other narrative is very important it’s it’s

narrative is very important it’s it’s

narrative is very important it’s it’s not that arts is just a hobby art is the

not that arts is just a hobby art is the

not that arts is just a hobby art is the only thing that touches your whole life

only thing that touches your whole life

only thing that touches your whole life it has that power sit in a concert hall

it has that power sit in a concert hall

it has that power sit in a concert hall lights are dim an artist is performing

lights are dim an artist is performing

lights are dim an artist is performing you’re defenseless at that point of time

you’re defenseless at that point of time

you’re defenseless at that point of time that artist can actually do anything to

that artist can actually do anything to

that artist can actually do anything to you that is the power of art and that is

you that is the power of art and that is

you that is the power of art and that is the power that we need to keep alive I

the power that we need to keep alive I

the power that we need to keep alive I may say that I’m in Lucknow which

may say that I’m in Lucknow which

may say that I’m in Lucknow which actually was the hallmark City for art

actually was the hallmark City for art

actually was the hallmark City for art and culture and this was where you know

and culture and this was where you know

and culture and this was where you know the great finesse came up which every

the great finesse came up which every

the great finesse came up which every fashion designer today is copying and

fashion designer today is copying and

fashion designer today is copying and minting money was because of these

minting money was because of these

minting money was because of these survives who were fashionistas of their

survives who were fashionistas of their

survives who were fashionistas of their times they were film stars they were

times they were film stars they were

times they were film stars they were fashion ear stars they were performers

fashion ear stars they were performers

fashion ear stars they were performers artists and most of the time poets all

artists and most of the time poets all

artists and most of the time poets all rolled into one woman that was their

rolled into one woman that was their

rolled into one woman that was their credibility that was how incredible

credibility that was how incredible

credibility that was how incredible these women were nabobs harem poor who

these women were nabobs harem poor who

these women were nabobs harem poor who had written compositions

had written compositions

had written compositions so there are headings in that so one is

so there are headings in that so one is

so there are headings in that so one is titled Leith one is titled gazelle

titled Leith one is titled gazelle

titled Leith one is titled gazelle one is to marry one is Jabara one is

one is to marry one is Jabara one is

one is to marry one is Jabara one is mudra so there’s a set of poetry which

mudra so there’s a set of poetry which

mudra so there’s a set of poetry which was performed but today because we do

was performed but today because we do

was performed but today because we do not know that meaning we only know a

not know that meaning we only know a

not know that meaning we only know a certain meaning which we also see it

certain meaning which we also see it

certain meaning which we also see it with a certain stigma and we have not

with a certain stigma and we have not

with a certain stigma and we have not let it go we have not even tried to talk

let it go we have not even tried to talk

let it go we have not even tried to talk about it

about it

about it because again it becomes you know a lot

because again it becomes you know a lot

because again it becomes you know a lot of gender issue into it agreed it is

of gender issue into it agreed it is

of gender issue into it agreed it is there I openly said that it’s very easy

there I openly said that it’s very easy

there I openly said that it’s very easy to say that a person is house thought

to say that a person is house thought

to say that a person is house thought but this is only a dancer Assad or a

but this is only a dancer Assad or a

but this is only a dancer Assad or a guru so you know we have that male

guru so you know we have that male

guru so you know we have that male dominance and we are not

dominance and we are not

dominance and we are not it go I have no clue why because when we

it go I have no clue why because when we

it go I have no clue why because when we talk about you know empowerment and

talk about you know empowerment and

talk about you know empowerment and women going here and there

women going here and there

women going here and there we’re not even looking into it we still

we’re not even looking into it we still

we’re not even looking into it we still go back and say oh guru ji or estado

go back and say oh guru ji or estado

go back and say oh guru ji or estado would be only me you know men women

would be only me you know men women

would be only me you know men women cannot be guru tienes that why they will

cannot be guru tienes that why they will

cannot be guru tienes that why they will equal performers and at times better

equal performers and at times better

equal performers and at times better than their male counterparts so these

than their male counterparts so these

than their male counterparts so these are our own histories not very old that

are our own histories not very old that

are our own histories not very old that you cannot find there very recent

you cannot find there very recent

you cannot find there very recent histories where we we have sort of

histories where we we have sort of

histories where we we have sort of deliberately let an art form die not for

deliberately let an art form die not for

deliberately let an art form die not for want of patronage but for want of a

want of patronage but for want of a

want of patronage but for want of a social standing stigmatizing those women

social standing stigmatizing those women

social standing stigmatizing those women not letting them perform telling them

not letting them perform telling them

not letting them perform telling them they were not worth it it is a horrible

they were not worth it it is a horrible

they were not worth it it is a horrible life for an artist to live to be told

life for an artist to live to be told

life for an artist to live to be told that your art is not worth it and then

that your art is not worth it and then

that your art is not worth it and then people like me take it to some 30

people like me take it to some 30

people like me take it to some 30 countries and say oh it’s very worth it

countries and say oh it’s very worth it

countries and say oh it’s very worth it it so we must find ways to bridge or

it so we must find ways to bridge or

it so we must find ways to bridge or today’s dancer with the erstwhile

today’s dancer with the erstwhile

today’s dancer with the erstwhile courtesan and bring them on a similar

courtesan and bring them on a similar

courtesan and bring them on a similar platform of respectability why question

platform of respectability why question

platform of respectability why question why we are thinking this question

why we are thinking this question

why we are thinking this question question question question and you will

question question question and you will

question question question and you will realize that you were thinking was wrong

realize that you were thinking was wrong

realize that you were thinking was wrong you were not right in what you were

you were not right in what you were

you were not right in what you were thinking so I leave with this

”

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