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The Journey of a Photograph | Ketaki Sheth | TEDxMAIS


before I present a selection of my

before I present a selection of my pictures I would like to share with you

pictures I would like to share with you

pictures I would like to share with you something about the process I have

something about the process I have

something about the process I have developed all these years one from all

developed all these years one from all

developed all these years one from all these the processes I have developed

these the processes I have developed

these the processes I have developed while working from the birth of an idea

while working from the birth of an idea

while working from the birth of an idea to its desired end which generally is a

to its desired end which generally is a

to its desired end which generally is a book followed by an exhibition so where

book followed by an exhibition so where

book followed by an exhibition so where do my ideas come from the triggers that

do my ideas come from the triggers that

do my ideas come from the triggers that inform my ideas are varied and numerous

inform my ideas are varied and numerous

inform my ideas are varied and numerous some ideas I fall into by chance

some ideas I fall into by chance

some ideas I fall into by chance others are generated from memory of a

others are generated from memory of a

others are generated from memory of a place a person a thing a time or by

place a person a thing a time or by

place a person a thing a time or by space or even an object or a particular

space or even an object or a particular

space or even an object or a particular situation my most recent project which I

situation my most recent project which I

situation my most recent project which I have just completed was inspired by one

have just completed was inspired by one

have just completed was inspired by one single village photography studio that

single village photography studio that

single village photography studio that led me to find 70 more in the country

led me to find 70 more in the country

led me to find 70 more in the country but more about that later

but more about that later

but more about that later I have learnt the hard way that most

I have learnt the hard way that most

I have learnt the hard way that most ideas that for me just don’t work the

ideas that for me just don’t work the

ideas that for me just don’t work the few that do are the result of very hard

few that do are the result of very hard

few that do are the result of very hard work I also learned that thoughts and

work I also learned that thoughts and

work I also learned that thoughts and ideas need to be explored before

ideas need to be explored before

ideas need to be explored before embarking on a project or after a

embarking on a project or after a

embarking on a project or after a project but not during the actual act of

project but not during the actual act of

project but not during the actual act of photography that act needs to be

photography that act needs to be

photography that act needs to be spontaneous and fluid as I’m not a

spontaneous and fluid as I’m not a

spontaneous and fluid as I’m not a commercial photographer working in

commercial photographer working in

commercial photographer working in accordance with the brief my work

accordance with the brief my work

accordance with the brief my work generates many surprises and experience

generates many surprises and experience

generates many surprises and experience teaches you which surprise to go with

teaches you which surprise to go with

teaches you which surprise to go with and so it is quite often that good

and so it is quite often that good

and so it is quite often that good pictures are somewhat intuitive today

pictures are somewhat intuitive today

pictures are somewhat intuitive today I’m going to share with you the ideas

I’m going to share with you the ideas

I’m going to share with you the ideas that have helped me in my work I will

that have helped me in my work I will

that have helped me in my work I will begin with examples from my earliest

begin with examples from my earliest

begin with examples from my earliest work and end with my most recent first

work and end with my most recent first

work and end with my most recent first what makes a good picture

what makes a good picture

what makes a good picture you do need some key ingredients and

you do need some key ingredients and

you do need some key ingredients and these the basic ones are light form

these the basic ones are light form

these the basic ones are light form timing and luck the perfect picture

timing and luck the perfect picture

timing and luck the perfect picture according to the great French

according to the great French

according to the great French photographer Orry Cartier Bresson is a

photographer Orry Cartier Bresson is a

photographer Orry Cartier Bresson is a combination of all of these as

combination of all of these as

combination of all of these as happen in a fraction of a second and

happen in a fraction of a second and

happen in a fraction of a second and these require the heart the mind and the

these require the heart the mind and the

these require the heart the mind and the eye to work in sync he called it the

eye to work in sync he called it the

eye to work in sync he called it the decisive moment on the process of

decisive moment on the process of

decisive moment on the process of photography he said it is seldom you

photography he said it is seldom you

photography he said it is seldom you make a great picture you have to milk

make a great picture you have to milk

make a great picture you have to milk the cow a lot to get plenty of milk to

the cow a lot to get plenty of milk to

the cow a lot to get plenty of milk to make a little cheese i milked a lot of

make a little cheese i milked a lot of

make a little cheese i milked a lot of cows to produce my first book title

cows to produce my first book title

cows to produce my first book title Bombay mix which was a compendium of

Bombay mix which was a compendium of

Bombay mix which was a compendium of street pictures taken over 20 years now

street pictures taken over 20 years now

street pictures taken over 20 years now when I look back at my contact sheets I

when I look back at my contact sheets I

when I look back at my contact sheets I can recognize in them my training ground

can recognize in them my training ground

can recognize in them my training ground as a photographer there were some hits

as a photographer there were some hits

as a photographer there were some hits but there were a lot of misses from this

but there were a lot of misses from this

but there were a lot of misses from this work I have chosen five images to show

work I have chosen five images to show

work I have chosen five images to show you for their recognition of a moment

you for their recognition of a moment

you for their recognition of a moment one of the first lessons I booked to

one of the first lessons I booked to

one of the first lessons I booked to practice as I started as a photographer

here we see the moment that a child

here we see the moment that a child performer is hurled into an unending sky

performer is hurled into an unending sky

performer is hurled into an unending sky I feel we are more fearful for her than

I feel we are more fearful for her than

I feel we are more fearful for her than she seems to be for herself

next we catch a moment of three moods

next we catch a moment of three moods and gestures the pencil pensive richly

and gestures the pencil pensive richly

and gestures the pencil pensive richly attired phallic her furry clad sister

attired phallic her furry clad sister

attired phallic her furry clad sister who’s jumped into the frame as she seen

who’s jumped into the frame as she seen

who’s jumped into the frame as she seen me and her board rather distracted

me and her board rather distracted

me and her board rather distracted grandmother they’re all going somewhere

grandmother they’re all going somewhere

grandmother they’re all going somewhere we don’t know where they’re going and

we don’t know where they’re going and

we don’t know where they’re going and when they’re going but this was a moment

when they’re going but this was a moment

when they’re going but this was a moment that I was able to catch the next is a

that I was able to catch the next is a

that I was able to catch the next is a more dense picture a more crowded

more dense picture a more crowded

more dense picture a more crowded picture it’s off a street wedding in a

picture it’s off a street wedding in a

picture it’s off a street wedding in a Muslim neighborhood in Bombay where

Muslim neighborhood in Bombay where

Muslim neighborhood in Bombay where there are singers who live in cotys and

there are singers who live in cotys and

there are singers who live in cotys and the groom has just come in he shouted

the groom has just come in he shouted

the groom has just come in he shouted he’s being welcomed by a failed member

he’s being welcomed by a failed member

he’s being welcomed by a failed member of the bride’s family and neither of

of the bride’s family and neither of

of the bride’s family and neither of them can see what I’m seeing through my

them can see what I’m seeing through my

them can see what I’m seeing through my camera which is the various mood

camera which is the various mood

camera which is the various mood and gestures of the wedding party around

and gestures of the wedding party around

and gestures of the wedding party around them here here are you can see a woman

them here here are you can see a woman

them here here are you can see a woman smeared with ash on her face and she

smeared with ash on her face and she

smeared with ash on her face and she looks as if she’s in a trance she seems

looks as if she’s in a trance she seems

looks as if she’s in a trance she seems unaware of the festive crowd around her

unaware of the festive crowd around her

unaware of the festive crowd around her while the goddess gallery behind her

while the goddess gallery behind her

while the goddess gallery behind her seems to protect her and here we see a

seems to protect her and here we see a

seems to protect her and here we see a moment of a sleeping man it’s as if his

moment of a sleeping man it’s as if his

moment of a sleeping man it’s as if his fatigue has seeped into the basket of

fatigue has seeped into the basket of

fatigue has seeped into the basket of coals behind him and he’s in a dream and

coals behind him and he’s in a dream and

coals behind him and he’s in a dream and we just don’t know when he will wake up

we just don’t know when he will wake up

we just don’t know when he will wake up so we all benefit from an inspirational

so we all benefit from an inspirational

so we all benefit from an inspirational teacher my mentor was Raghubir Singh the

teacher my mentor was Raghubir Singh the

teacher my mentor was Raghubir Singh the great Indian photographer who passed

great Indian photographer who passed

great Indian photographer who passed away in 1999 when he was only 57 he

away in 1999 when he was only 57 he

away in 1999 when he was only 57 he helped me not just foster my visual and

helped me not just foster my visual and

helped me not just foster my visual and technical skills but he taught me really

technical skills but he taught me really

technical skills but he taught me really importantly how easy it is to miss a

importantly how easy it is to miss a

importantly how easy it is to miss a good picture and how easy it is to make

good picture and how easy it is to make

good picture and how easy it is to make bad pictures as cartier-bresson said on

bad pictures as cartier-bresson said on

bad pictures as cartier-bresson said on the process because by the time you

the process because by the time you

the process because by the time you press your arm the shutter once more and

press your arm the shutter once more and

press your arm the shutter once more and maybe the picture was in between

maybe the picture was in between

maybe the picture was in between Raghubir also made me aware of my

Raghubir also made me aware of my

Raghubir also made me aware of my strengths and my weaknesses I was better

strengths and my weaknesses I was better

strengths and my weaknesses I was better upfront and personal when taking

upfront and personal when taking

upfront and personal when taking photographs I was more daunted in large

photographs I was more daunted in large

photographs I was more daunted in large crowds it was a weakness he helped me

crowds it was a weakness he helped me

crowds it was a weakness he helped me overcome and the only way I could

overcome and the only way I could

overcome and the only way I could overcome it was to go out everyday into

overcome it was to go out everyday into

overcome it was to go out everyday into the crowd and take pictures in those

the crowd and take pictures in those

the crowd and take pictures in those days there was no internet so he

days there was no internet so he

days there was no internet so he introduced me to the great masters

introduced me to the great masters

introduced me to the great masters through books so I had all the hundred

through books so I had all the hundred

through books so I had all the hundred books of all the great masters of

books of all the great masters of

books of all the great masters of photography from Eugene Archie to Gary

photography from Eugene Archie to Gary

photography from Eugene Archie to Gary Wayne Oh grand and he also privileged me

Wayne Oh grand and he also privileged me

Wayne Oh grand and he also privileged me by introducing me to some great American

by introducing me to some great American

by introducing me to some great American photographers who has friends Lee

photographers who has friends Lee

photographers who has friends Lee Friedlander William get me and Bill

Friedlander William get me and Bill

Friedlander William get me and Bill christenbury all of whose dark rooms I

christenbury all of whose dark rooms I

christenbury all of whose dark rooms I had the good fortune of seeing in person

had the good fortune of seeing in person

had the good fortune of seeing in person I began to see what made them such

I began to see what made them such

I began to see what made them such pioneers each a master with a unique

pioneers each a master with a unique

pioneers each a master with a unique vision for cartier-bresson aw it was the

vision for cartier-bresson aw it was the

vision for cartier-bresson aw it was the moment for Gary winner grand it was the

moment for Gary winner grand it was the

moment for Gary winner grand it was the tilt for Robert Frank

tilt for Robert Frank

tilt for Robert Frank it was the poetry of America and for

it was the poetry of America and for

it was the poetry of America and for Diane Arbus the often controversial

Diane Arbus the often controversial

Diane Arbus the often controversial sometimes grotesque

sometimes grotesque

sometimes grotesque but always haunting portraits of

but always haunting portraits of

but always haunting portraits of marginalized people I started my career

marginalized people I started my career

marginalized people I started my career using the fast and magical Leica m6

using the fast and magical Leica m6

using the fast and magical Leica m6 camera ideally suited to street

camera ideally suited to street

camera ideally suited to street photography later I graduated to the

photography later I graduated to the

photography later I graduated to the Mamiya m6 a medium format camera which

Mamiya m6 a medium format camera which

Mamiya m6 a medium format camera which was slower and better suited to

was slower and better suited to

was slower and better suited to portraiture i dwelt in this square

portraiture i dwelt in this square

portraiture i dwelt in this square format for the next two years to produce

format for the next two years to produce

format for the next two years to produce two more books – in spotting in a

two more books – in spotting in a

two more books – in spotting in a certain grace the story of twin spotting

certain grace the story of twin spotting

certain grace the story of twin spotting goes like this

goes like this

goes like this after my marriage I moved to London

after my marriage I moved to London

after my marriage I moved to London where in 1995 at a Diwali party hosted

where in 1995 at a Diwali party hosted

where in 1995 at a Diwali party hosted by the Patel community my husband is a

by the Patel community my husband is a

by the Patel community my husband is a Patel I chanced upon a Patel community

Patel I chanced upon a Patel community

Patel I chanced upon a Patel community directory an exhaustive record of every

directory an exhaustive record of every

directory an exhaustive record of every Patel settled in the UK and they were

Patel settled in the UK and they were

Patel settled in the UK and they were more than there were Smith’s listing

more than there were Smith’s listing

more than there were Smith’s listing names addresses birth dates and village

names addresses birth dates and village

names addresses birth dates and village origins in Gujarat and so on browsing

origins in Gujarat and so on browsing

origins in Gujarat and so on browsing through the directory I noticed many

through the directory I noticed many

through the directory I noticed many repeated birth dates which was

repeated birth dates which was

repeated birth dates which was indicative of twins in families and then

indicative of twins in families and then

indicative of twins in families and then reminded of the iconic Diane Arbus

reminded of the iconic Diane Arbus

reminded of the iconic Diane Arbus picture of twins that was the idea that

picture of twins that was the idea that

picture of twins that was the idea that just sort of spurred me at that moment I

just sort of spurred me at that moment I

just sort of spurred me at that moment I just thought bizarre as this sounds let

just thought bizarre as this sounds let

just thought bizarre as this sounds let me find all the twins of the Patels in

me find all the twins of the Patels in

me find all the twins of the Patels in the UK and I even went to India later

the UK and I even went to India later

the UK and I even went to India later and see if I can do a portrait of this

and see if I can do a portrait of this

and see if I can do a portrait of this community through their twins so I found

community through their twins so I found

community through their twins so I found a hundred sets of twins from the age of

a hundred sets of twins from the age of

a hundred sets of twins from the age of 17 months to 70 years and my search took

17 months to 70 years and my search took

17 months to 70 years and my search took me beyond London all over the UK and

me beyond London all over the UK and

me beyond London all over the UK and finally to 40 villages in the chera the

finally to 40 villages in the chera the

finally to 40 villages in the chera the district of Gujarat which was the Patel

district of Gujarat which was the Patel

district of Gujarat which was the Patel homeland so I’ll show you a few pictures

homeland so I’ll show you a few pictures

homeland so I’ll show you a few pictures from this so this was the book

so here are Rhydian CD age 7 their

so here are Rhydian CD age 7 their parents migrated from East Africa and

parents migrated from East Africa and

parents migrated from East Africa and they live in Norbury they run a

they live in Norbury they run a

they live in Norbury they run a dry-cleaning business and here is millon

dry-cleaning business and here is millon

dry-cleaning business and here is millon and Mayu a TV salesman and a bank

and Mayu a TV salesman and a bank

and Mayu a TV salesman and a bank accountant in the bedroom that they

accountant in the bedroom that they

accountant in the bedroom that they share in Anand Gujarat and then we have

share in Anand Gujarat and then we have

share in Anand Gujarat and then we have shopkeepers Ramesh and Suresh in

shopkeepers Ramesh and Suresh in

shopkeepers Ramesh and Suresh in Ramesh’s house in Wembley and I call

Ramesh’s house in Wembley and I call

Ramesh’s house in Wembley and I call them my danny davito twins and they were

them my danny davito twins and they were

them my danny davito twins and they were wonderful people and they had a great

wonderful people and they had a great

wonderful people and they had a great story to tell me so they came if they

story to tell me so they came if they

story to tell me so they came if they migrated from Uganda

migrated from Uganda

migrated from Uganda they were both post masters in the UK

they were both post masters in the UK

they were both post masters in the UK before they became shopkeepers and

before they became shopkeepers and

before they became shopkeepers and wanting to save every rupee that they

wanting to save every rupee that they

wanting to save every rupee that they had every pound that they had they

had every pound that they had they

had every pound that they had they didn’t insure their first shop well it

didn’t insure their first shop well it

didn’t insure their first shop well it caught fire and they lost everything

caught fire and they lost everything

caught fire and they lost everything they had already lost everything in

they had already lost everything in

they had already lost everything in Uganda but by the time I photograph them

Uganda but by the time I photograph them

Uganda but by the time I photograph them they were now running three shops they

they were now running three shops they

they were now running three shops they were prosperous and they didn’t look

were prosperous and they didn’t look

were prosperous and they didn’t look back at all they just said if you can

back at all they just said if you can

back at all they just said if you can work hard and have a sense of humor you

work hard and have a sense of humor you

work hard and have a sense of humor you will always go ahead so from the Patel

will always go ahead so from the Patel

will always go ahead so from the Patel journey I learned that at the turn of

journey I learned that at the turn of

journey I learned that at the turn of the century two consecutive monsoon

the century two consecutive monsoon

the century two consecutive monsoon failures in India prodded some young

failures in India prodded some young

failures in India prodded some young Patel farmers to seek their fortunes

Patel farmers to seek their fortunes

Patel farmers to seek their fortunes elsewhere in East Africa like the

elsewhere in East Africa like the

elsewhere in East Africa like the forefathers of Ramesh and Suresh and

forefathers of Ramesh and Suresh and

forefathers of Ramesh and Suresh and here are Shilpa and Sheetal the first

here are Shilpa and Sheetal the first

here are Shilpa and Sheetal the first set of twins I photographed in their

set of twins I photographed in their

set of twins I photographed in their father’s gleaming first car so their

father’s gleaming first car so their

father’s gleaming first car so their forefathers should be moved to the next

forefathers should be moved to the next

forefathers should be moved to the next slide and this is luv and Kush in

slide and this is luv and Kush in

slide and this is luv and Kush in Thermage Gujarat and I photograph them

Thermage Gujarat and I photograph them

Thermage Gujarat and I photograph them from outside their classroom and I tried

from outside their classroom and I tried

from outside their classroom and I tried to use the window pane as a kind of

to use the window pane as a kind of

to use the window pane as a kind of divider to show them as twins but also

divider to show them as twins but also

divider to show them as twins but also to show their difference as well as

to show their difference as well as

to show their difference as well as their sameness so so so their ancestors

their sameness so so so their ancestors

their sameness so so so their ancestors not theirs but the ones in the UK were

not theirs but the ones in the UK were

not theirs but the ones in the UK were their forefathers were dislocated by Idi

their forefathers were dislocated by Idi

their forefathers were dislocated by Idi Amin in Uganda and homeless they ended

Amin in Uganda and homeless they ended

Amin in Uganda and homeless they ended up predominantly

up predominantly

up predominantly shopkeepers in England thousands of

shopkeepers in England thousands of

shopkeepers in England thousands of miles from their country of origin

miles from their country of origin

miles from their country of origin so my Patel twins then became a visual

so my Patel twins then became a visual

so my Patel twins then became a visual record of the sameness and difference of

record of the sameness and difference of

record of the sameness and difference of an enterprising migratory diaspora in

an enterprising migratory diaspora in

an enterprising migratory diaspora in two very different landscapes and

two very different landscapes and

two very different landscapes and settings in India and the UK and I had

settings in India and the UK and I had

settings in India and the UK and I had and I had Raghubir in my life who took

and I had Raghubir in my life who took

and I had Raghubir in my life who took this work all over the world to find me

this work all over the world to find me

this work all over the world to find me my first publisher and I don’t think I

my first publisher and I don’t think I

my first publisher and I don’t think I would have had the guts to do it by

would have had the guts to do it by

would have had the guts to do it by myself so I really thank him for that

it was also by accident that I

it was also by accident that I encountered the Sydney community driving

encountered the Sydney community driving

encountered the Sydney community driving through a village in the gear forest on

through a village in the gear forest on

through a village in the gear forest on a family holiday curious how a community

a family holiday curious how a community

a family holiday curious how a community of African origin came to settle in

of African origin came to settle in

of African origin came to settle in Gujarat I later discovered their roots

Gujarat I later discovered their roots

Gujarat I later discovered their roots date back to almost thousand years when

date back to almost thousand years when

date back to almost thousand years when they came in three waves as traders

they came in three waves as traders

they came in three waves as traders mercenaries Mariners and slaves in

mercenaries Mariners and slaves in

mercenaries Mariners and slaves in Gujarat they found home and patronage

Gujarat they found home and patronage

Gujarat they found home and patronage from a local king who was so impressed

from a local king who was so impressed

from a local king who was so impressed by their line tracking skills and their

by their line tracking skills and their

by their line tracking skills and their loyalty that he gave them two villages

loyalty that he gave them two villages

loyalty that he gave them two villages Jambu and Sylvan in the middle of the

Jambu and Sylvan in the middle of the

Jambu and Sylvan in the middle of the gear forest so if you go to the guild

gear forest so if you go to the guild

gear forest so if you go to the guild forest you will find two villages of

forest you will find two villages of

forest you will find two villages of Sidney’s in in the middle of the forest

Sidney’s in in the middle of the forest

Sidney’s in in the middle of the forest others dispersed to Hyderabad Goa and

others dispersed to Hyderabad Goa and

others dispersed to Hyderabad Goa and Karnataka unlike my earlier projects

Karnataka unlike my earlier projects

Karnataka unlike my earlier projects where I had unfettered access first as a

where I had unfettered access first as a

where I had unfettered access first as a Bombay native and next because I was

Bombay native and next because I was

Bombay native and next because I was married to a Patel access to the city

married to a Patel access to the city

married to a Patel access to the city was difficult as the community tends to

was difficult as the community tends to

was difficult as the community tends to remain exclusive and not exactly

remain exclusive and not exactly

remain exclusive and not exactly welcoming of outsiders I had to earn

welcoming of outsiders I had to earn

welcoming of outsiders I had to earn acceptance and this took time and it

acceptance and this took time and it

acceptance and this took time and it took going and meeting various members

took going and meeting various members

took going and meeting various members of the community without a camera this

of the community without a camera this

of the community without a camera this task took a few months and also it meant

task took a few months and also it meant

task took a few months and also it meant journeying to different parts of the

journeying to different parts of the

journeying to different parts of the country some quite remote my efforts to

country some quite remote my efforts to

country some quite remote my efforts to gain their trust would get greatly

gain their trust would get greatly

gain their trust would get greatly abetted by here by been a dynamic

abetted by here by been a dynamic

abetted by here by been a dynamic elder who took me under her wings and

elder who took me under her wings and

elder who took me under her wings and helped Prime many closed

helped Prime many closed

helped Prime many closed my book is dedicated to her and I’d be

my book is dedicated to her and I’d be

my book is dedicated to her and I’d be happy to show you some pictures so this

happy to show you some pictures so this

happy to show you some pictures so this is Margie then Hussein they were the

is Margie then Hussein they were the

is Margie then Hussein they were the first people I met and I did not

first people I met and I did not

first people I met and I did not photograph as I entered the village they

photograph as I entered the village they

photograph as I entered the village they were playing carom they had baseball

were playing carom they had baseball

were playing carom they had baseball caps and they looked at me as if to say

caps and they looked at me as if to say

caps and they looked at me as if to say just get out of here you know and I

just get out of here you know and I

just get out of here you know and I tried to say well I had come there to

tried to say well I had come there to

tried to say well I had come there to meet here by then and all that and they

meet here by then and all that and they

meet here by then and all that and they said well you’ll have to call her you

said well you’ll have to call her you

said well you’ll have to call her you know she has a phone you know and this

know she has a phone you know and this

know she has a phone you know and this by the time I got to photograph them and

by the time I got to photograph them and

by the time I got to photograph them and they got to like me it took it took a

they got to like me it took it took a

they got to like me it took it took a couple of months they were uncertain and

couple of months they were uncertain and

couple of months they were uncertain and suspicious of my motives one of them

suspicious of my motives one of them

suspicious of my motives one of them asked me are you photographing in black

asked me are you photographing in black

asked me are you photographing in black and white because we’re black another

and white because we’re black another

and white because we’re black another wanted to know what exactly I was going

wanted to know what exactly I was going

wanted to know what exactly I was going to do with these photographs and

to do with these photographs and

to do with these photographs and photograph photographing the city over

photograph photographing the city over

photograph photographing the city over the many years that I did although

the many years that I did although

the many years that I did although enormous ly rewarding for me and made me

enormous ly rewarding for me and made me

enormous ly rewarding for me and made me privy to the enormous problems affecting

privy to the enormous problems affecting

privy to the enormous problems affecting this much neglected community a lot

this much neglected community a lot

this much neglected community a lot needs to be done and I hope my pictures

needs to be done and I hope my pictures

needs to be done and I hope my pictures can reach the places to people who can

can reach the places to people who can

can reach the places to people who can actually be in a position to do

actually be in a position to do

actually be in a position to do something can show the next few pictures

something can show the next few pictures

something can show the next few pictures next next next Thanks yeah

next next next Thanks yeah

next next next Thanks yeah yet I’m acutely aware that a

yet I’m acutely aware that a

yet I’m acutely aware that a photographer’s mission cannot be that of

photographer’s mission cannot be that of

photographer’s mission cannot be that of an anthropologists or a social workers

an anthropologists or a social workers

an anthropologists or a social workers photographers work to quote the

photographers work to quote the

photographers work to quote the photographer and writer rod rod Robert

photographer and writer rod rod Robert

photographer and writer rod rod Robert Adams is to affirm life without lying

Adams is to affirm life without lying

Adams is to affirm life without lying about it and then to behave in a chord

about it and then to behave in a chord

about it and then to behave in a chord with our vision next in conclusion I

with our vision next in conclusion I

with our vision next in conclusion I wish to touch upon how shifts in

wish to touch upon how shifts in

wish to touch upon how shifts in technology can can force a change in how

technology can can force a change in how

technology can can force a change in how one works

one works

one works I was wedded to conventional photography

I was wedded to conventional photography

I was wedded to conventional photography using film and chemistry and working

using film and chemistry and working

using film and chemistry and working exclusively in black and white for over

exclusively in black and white for over

exclusively in black and white for over 20 years

20 years

20 years remarkably late in 2015 I embraced color

remarkably late in 2015 I embraced color

remarkably late in 2015 I embraced color and digital photography forced to do so

and digital photography forced to do so

and digital photography forced to do so by dwindling supply of conventional film

by dwindling supply of conventional film

by dwindling supply of conventional film and chemistry finally accepting the new

and chemistry finally accepting the new

and chemistry finally accepting the new I set out to test my skills and start

I set out to test my skills and start

I set out to test my skills and start where I had once been 25 years ago back

where I had once been 25 years ago back

where I had once been 25 years ago back on the street and back with the magical

on the street and back with the magical

on the street and back with the magical Leica this time a digital one the m9 and

Leica this time a digital one the m9 and

Leica this time a digital one the m9 and I walked the streets of a village called

I walked the streets of a village called

I walked the streets of a village called Minori and I’m showing you some pictures

Minori and I’m showing you some pictures

Minori and I’m showing you some pictures this was my entry into color and it was

this was my entry into color and it was

this was my entry into color and it was here on the streets of Minori that I

here on the streets of Minori that I

here on the streets of Minori that I stumbled upon a rundown and neglected

stumbled upon a rundown and neglected

stumbled upon a rundown and neglected photo studio where the germ of a new

photo studio where the germ of a new

photo studio where the germ of a new idea was then sewn so a year and a half

idea was then sewn so a year and a half

idea was then sewn so a year and a half later I went on to find 70 more Studios

later I went on to find 70 more Studios

later I went on to find 70 more Studios around the country which gave birth to

around the country which gave birth to

around the country which gave birth to my newest work title still lives so this

my newest work title still lives so this

my newest work title still lives so this is in Jaipur so I found these old

is in Jaipur so I found these old

is in Jaipur so I found these old studios that are all on the brink of

studios that are all on the brink of

studios that are all on the brink of closing down this is Jaipur this is Bob

closing down this is Jaipur this is Bob

closing down this is Jaipur this is Bob Nagar Gujarat and this was if you can go

Nagar Gujarat and this was if you can go

Nagar Gujarat and this was if you can go back this was a model of Gandhi that was

back this was a model of Gandhi that was

back this was a model of Gandhi that was a hundred years old because the studio

a hundred years old because the studio

a hundred years old because the studio was a hundred years old and the grandson

was a hundred years old and the grandson

was a hundred years old and the grandson who now runs print studio said in those

who now runs print studio said in those

who now runs print studio said in those days children would come to sit

days children would come to sit

days children would come to sit I Gandhi and get themselves photographed

I Gandhi and get themselves photographed

I Gandhi and get themselves photographed and so I thought it was a very

and so I thought it was a very

and so I thought it was a very interesting prop which is of course now

interesting prop which is of course now

interesting prop which is of course now not used that much next this was in

not used that much next this was in

not used that much next this was in Trivandrum a young Malala boy had come

Trivandrum a young Malala boy had come

Trivandrum a young Malala boy had come in to be photographed for something and

in to be photographed for something and

in to be photographed for something and I asked him if I could take a picture of

I asked him if I could take a picture of

I asked him if I could take a picture of him and this is in my menorah studio

him and this is in my menorah studio

him and this is in my menorah studio which was called Jagdish photo studio

which was called Jagdish photo studio

which was called Jagdish photo studio and it was either so it was a lucky day

and it was either so it was a lucky day

and it was either so it was a lucky day for me so the children were all coming

for me so the children were all coming

for me so the children were all coming in and the parents and all really

in and the parents and all really

in and the parents and all really beautifully dressed up and so I had a

beautifully dressed up and so I had a

beautifully dressed up and so I had a very lucky day that day and got some

very lucky day that day and got some

very lucky day that day and got some good pictures this is a village in

good pictures this is a village in

good pictures this is a village in Orissa and this is also in Orissa where

Orissa and this is also in Orissa where

Orissa and this is also in Orissa where the studio owner actually paints his

the studio owner actually paints his

the studio owner actually paints his backdrops and now his trade is coming to

backdrops and now his trade is coming to

backdrops and now his trade is coming to an end because he doesn’t have any

an end because he doesn’t have any

an end because he doesn’t have any business so I would like to end with a

business so I would like to end with a

business so I would like to end with a quote by Robert Adams again on why

quote by Robert Adams again on why

quote by Robert Adams again on why people photograph when photograph when

people photograph when photograph when

people photograph when photograph when photographers get beyond copying the

photographers get beyond copying the

photographers get beyond copying the achievements of others or just repeating

achievements of others or just repeating

achievements of others or just repeating their own first accidental successes

their own first accidental successes

their own first accidental successes they learn that they do not know where

they learn that they do not know where

they learn that they do not know where in the world they will find pictures so

in the world they will find pictures so

in the world they will find pictures so if you had asked me while I was doing

if you had asked me while I was doing

if you had asked me while I was doing portraits of Patel twins in the UK

portraits of Patel twins in the UK

portraits of Patel twins in the UK whether I would photograph a Gujarati

whether I would photograph a Gujarati

whether I would photograph a Gujarati speaking African tribe that came

speaking African tribe that came

speaking African tribe that came centuries ago to India or whether I

centuries ago to India or whether I

centuries ago to India or whether I would find 70 village photography

would find 70 village photography

would find 70 village photography studios at the brink of change mirroring

studios at the brink of change mirroring

studios at the brink of change mirroring my own brink of change I would never

my own brink of change I would never

my own brink of change I would never even have remotely guessed thank you

even have remotely guessed thank you

even have remotely guessed thank you [Applause]

”

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