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Stories Don’t End | Asha Siad | TEDxVienna


five years ago I found myself standing

five years ago I found myself standing inside of a narrow hallway in the chant

inside of a narrow hallway in the chant

inside of a narrow hallway in the chant roast alle soup kitchen for Refugees

roast alle soup kitchen for Refugees

roast alle soup kitchen for Refugees located near the center of Rome an

located near the center of Rome an

located near the center of Rome an Afghan man with a small carry-on luggage

Afghan man with a small carry-on luggage

Afghan man with a small carry-on luggage in hand approached me he was wearing a

in hand approached me he was wearing a

in hand approached me he was wearing a light green dress shirts beige pants and

light green dress shirts beige pants and

light green dress shirts beige pants and could have easily been mistaken for a

could have easily been mistaken for a

could have easily been mistaken for a tourist you are a journalist he said

tourist you are a journalist he said

tourist you are a journalist he said almost in relief and certainty he began

almost in relief and certainty he began

almost in relief and certainty he began to share his story in search for a

to share his story in search for a

to share his story in search for a better life this man had left

better life this man had left

better life this man had left Afghanistan four years ago to join

Afghanistan four years ago to join

Afghanistan four years ago to join countless Afghan asylum seekers setting

countless Afghan asylum seekers setting

countless Afghan asylum seekers setting sail for Europe after reaching Greece he

sail for Europe after reaching Greece he

sail for Europe after reaching Greece he traveled to Norway to seek asylum during

traveled to Norway to seek asylum during

traveled to Norway to seek asylum during that period of time he managed to find

that period of time he managed to find

that period of time he managed to find work and go to school he became a

work and go to school he became a

work and go to school he became a nursing attendants a computer technician

nursing attendants a computer technician

nursing attendants a computer technician a DJ and a pianist whose music made the

a DJ and a pianist whose music made the

a DJ and a pianist whose music made the front page of the paper in his local

front page of the paper in his local

front page of the paper in his local City he pulled out the educational

City he pulled out the educational

City he pulled out the educational certificates and newspaper clippings

certificates and newspaper clippings

certificates and newspaper clippings from his luggage to show me by any

from his luggage to show me by any

from his luggage to show me by any standard he is a success story however

standard he is a success story however

standard he is a success story however what I learned next was anything but

what I learned next was anything but

what I learned next was anything but despite all of these achievements his

despite all of these achievements his

despite all of these achievements his asylum application was denied he ended

asylum application was denied he ended

asylum application was denied he ended up in Italy and it was only a second day

up in Italy and it was only a second day

up in Italy and it was only a second day when I met him at the time my sister and

when I met him at the time my sister and

when I met him at the time my sister and I were documenting the stories of

I were documenting the stories of

I were documenting the stories of refugees and asylum seekers in southern

refugees and asylum seekers in southern

refugees and asylum seekers in southern Europe for our project called

Europe for our project called

Europe for our project called living at the border I asked him if I

living at the border I asked him if I

living at the border I asked him if I could share his story there was a pause

could share his story there was a pause

could share his story there was a pause and he became more anxious when he

and he became more anxious when he

and he became more anxious when he answered you are like every other

answered you are like every other

answered you are like every other journalist you’ll come for my story

journalist you’ll come for my story

journalist you’ll come for my story today and disappear tomorrow to work on

today and disappear tomorrow to work on

today and disappear tomorrow to work on your next story well it’s still my

your next story well it’s still my

your next story well it’s still my reality he added that unless I could

reality he added that unless I could

reality he added that unless I could guarantee em the help he needed he was

guarantee em the help he needed he was

guarantee em the help he needed he was not going to share I was not in a

not going to share I was not in a

not going to share I was not in a position to make that promise

position to make that promise

position to make that promise I left the soup kitchen that day without

I left the soup kitchen that day without

I left the soup kitchen that day without his story and a feeling that I’d never

his story and a feeling that I’d never

his story and a feeling that I’d never experienced before

although I heard similar comments from

although I heard similar comments from other refugees questioning the impacts

other refugees questioning the impacts

other refugees questioning the impacts of their personal stories the encounter

of their personal stories the encounter

of their personal stories the encounter I had with this man was unexpected for

I had with this man was unexpected for

I had with this man was unexpected for me I was beginning to realize that

me I was beginning to realize that

me I was beginning to realize that oftentimes in the West many people are

oftentimes in the West many people are

oftentimes in the West many people are desensitized to news however these

desensitized to news however these

desensitized to news however these refugees were desensitized to

refugees were desensitized to

refugees were desensitized to journalists and the work that we do on

journalists and the work that we do on

journalists and the work that we do on that day I learned an important lesson

that day I learned an important lesson

that day I learned an important lesson that we as storytellers often forgets

that we as storytellers often forgets

that we as storytellers often forgets stories don’t end I believe that it is

stories don’t end I believe that it is

stories don’t end I believe that it is vital to explore narratives in a way

vital to explore narratives in a way

vital to explore narratives in a way that generates understanding and creates

that generates understanding and creates

that generates understanding and creates hope for one another’s journeys through

hope for one another’s journeys through

hope for one another’s journeys through storytelling our task is to expand the

storytelling our task is to expand the

storytelling our task is to expand the dialogue we have the opportunity to

dialogue we have the opportunity to

dialogue we have the opportunity to introduce our friends families

introduce our friends families

introduce our friends families communities audiences into different

communities audiences into different

communities audiences into different worlds and ideas that are often untold

worlds and ideas that are often untold

worlds and ideas that are often untold or misunderstood since that day I’ve

or misunderstood since that day I’ve

or misunderstood since that day I’ve spent the past few years documenting the

spent the past few years documenting the

spent the past few years documenting the stories of people who live on the edge

stories of people who live on the edge

stories of people who live on the edge the margins of society in 2012 I

the margins of society in 2012 I

the margins of society in 2012 I co-founded an independent production

co-founded an independent production

co-founded an independent production company called borderless films with a

company called borderless films with a

company called borderless films with a goal to create impact through

goal to create impact through

goal to create impact through storytelling my focus on the stories of

storytelling my focus on the stories of

storytelling my focus on the stories of refugees stems from a personal place my

refugees stems from a personal place my

refugees stems from a personal place my family came to Canada as refugees from

family came to Canada as refugees from

family came to Canada as refugees from Somalia in the early 90s stories have

Somalia in the early 90s stories have

Somalia in the early 90s stories have the ability to impact the way people see

the ability to impact the way people see

the ability to impact the way people see the world and themselves in the case of

the world and themselves in the case of

the world and themselves in the case of refugees there are often grouped in

refugees there are often grouped in

refugees there are often grouped in statistics and defined in numbers in

statistics and defined in numbers in

statistics and defined in numbers in mainstream media and today they’ve

mainstream media and today they’ve

mainstream media and today they’ve become a symbol of tragedy while the

become a symbol of tragedy while the

become a symbol of tragedy while the numbers are meant to show the large

numbers are meant to show the large

numbers are meant to show the large scale impact of forced migration

scale impact of forced migration

scale impact of forced migration it can also dehumanize refugees and

it can also dehumanize refugees and

it can also dehumanize refugees and desensitize audience responses to their

desensitize audience responses to their

desensitize audience responses to their suffering that’s why it is our duty as

suffering that’s why it is our duty as

suffering that’s why it is our duty as storytellers to dig deeper look for

storytellers to dig deeper look for

storytellers to dig deeper look for different perspectives and highlight the

different perspectives and highlight the

different perspectives and highlight the multiple narratives of

multiple narratives of

multiple narratives of Fuji’s so what happens when storytellers

Fuji’s so what happens when storytellers

Fuji’s so what happens when storytellers take that initiative you will find

take that initiative you will find

take that initiative you will find stories of hope in the darkest of places

stories of hope in the darkest of places

stories of hope in the darkest of places you’ll find stories that remind us we’re

you’ll find stories that remind us we’re

you’ll find stories that remind us we’re more similar than we think

more similar than we think

more similar than we think stories like Bari , yogurts housed in a

stories like Bari , yogurts housed in a

stories like Bari , yogurts housed in a former abandoned textile factory is very

former abandoned textile factory is very

former abandoned textile factory is very common yoghurt a micro income project

common yoghurt a micro income project

common yoghurt a micro income project that was created by five young refugees

that was created by five young refugees

that was created by five young refugees from Senegal Mali and Ivory Coast they

from Senegal Mali and Ivory Coast they

from Senegal Mali and Ivory Coast they sell and produce organic yogurt in Rome

sell and produce organic yogurt in Rome

sell and produce organic yogurt in Rome I spent time documenting their stories

I spent time documenting their stories

I spent time documenting their stories and I learned that these young men were

and I learned that these young men were

and I learned that these young men were part of the 2010 revolt in the farming

part of the 2010 revolt in the farming

part of the 2010 revolt in the farming fields of Rosano they were illegally

fields of Rosano they were illegally

fields of Rosano they were illegally employed as farm laborers in the town

employed as farm laborers in the town

employed as farm laborers in the town they were exploited and harassed after

they were exploited and harassed after

they were exploited and harassed after three African men were shot on the way

three African men were shot on the way

three African men were shot on the way home from work the refugees took to the

home from work the refugees took to the

home from work the refugees took to the streets these five young men ended up

streets these five young men ended up

streets these five young men ended up going to Rome and from there the founder

going to Rome and from there the founder

going to Rome and from there the founder Suleiman connected with a social hub to

Suleiman connected with a social hub to

Suleiman connected with a social hub to create bari cameo Gertz which means

create bari cameo Gertz which means

create bari cameo Gertz which means resistance in his native language of

resistance in his native language of

resistance in his native language of Bambara three years later I followed up

Bambara three years later I followed up

Bambara three years later I followed up with Suleyman and today they’re

with Suleyman and today they’re

with Suleyman and today they’re operating in a commercial building and

operating in a commercial building and

operating in a commercial building and have created more jobs for refugees

have created more jobs for refugees

have created more jobs for refugees they’ve integrated into the fabric of

they’ve integrated into the fabric of

they’ve integrated into the fabric of Italian society this is a story about

Italian society this is a story about

Italian society this is a story about what happens when refugees create their

what happens when refugees create their

what happens when refugees create their own opportunities

own opportunities

own opportunities my recent observational documentary film

my recent observational documentary film

my recent observational documentary film called 19 days that was produced by the

called 19 days that was produced by the

called 19 days that was produced by the National Film Board of Canada is a

National Film Board of Canada is a

National Film Board of Canada is a window into the lives of refugee

window into the lives of refugee

window into the lives of refugee families first few weeks in Canada over

families first few weeks in Canada over

families first few weeks in Canada over 11,000 refugees have walked through the

11,000 refugees have walked through the

11,000 refugees have walked through the doors of the Margaret Chisholm

doors of the Margaret Chisholm

doors of the Margaret Chisholm resettlement center in Calgary Alberta

resettlement center in Calgary Alberta

resettlement center in Calgary Alberta since 1994 this unique facility was

since 1994 this unique facility was

since 1994 this unique facility was designed in the form of a house to ease

designed in the form of a house to ease

designed in the form of a house to ease the transition of refugees up to 70

the transition of refugees up to 70

the transition of refugees up to 70 refugee families lived there for 19 days

refugee families lived there for 19 days

refugee families lived there for 19 days and during that time they’re given a

and during that time they’re given a

and during that time they’re given a crash course into Canadian society from

crash course into Canadian society from

crash course into Canadian society from learning about education to how to open

learning about education to how to open

learning about education to how to open a bank accounts and healthcare

from a Burundian family that has spent

from a Burundian family that has spent their entire lives in a refugee camp to

their entire lives in a refugee camp to

their entire lives in a refugee camp to an urban refugee family from Syria this

an urban refugee family from Syria this

an urban refugee family from Syria this film shows you the human side of the

film shows you the human side of the

film shows you the human side of the refugee resettlement process and the

refugee resettlement process and the

refugee resettlement process and the many phases of the global migration

many phases of the global migration

many phases of the global migration crisis our goal for this documentary was

crisis our goal for this documentary was

crisis our goal for this documentary was to advance the dialogue on how we can

to advance the dialogue on how we can

to advance the dialogue on how we can create more inclusive societies for

create more inclusive societies for

create more inclusive societies for refugees in our world like the Afghan

refugees in our world like the Afghan

refugees in our world like the Afghan refugee the young men from Bari common

refugee the young men from Bari common

refugee the young men from Bari common yogurts and the refugee families on

yogurts and the refugee families on

yogurts and the refugee families on their new journey in Canada as you can

their new journey in Canada as you can

their new journey in Canada as you can see everyone has a unique story and

see everyone has a unique story and

see everyone has a unique story and everyone evolves and that should be

everyone evolves and that should be

everyone evolves and that should be respected when documenting their stories

respected when documenting their stories

respected when documenting their stories as storytellers and media consumers we

as storytellers and media consumers we

as storytellers and media consumers we must realize that stories do not end

must realize that stories do not end

must realize that stories do not end when the camera is turned off and the

when the camera is turned off and the

when the camera is turned off and the interview is finished stories have the

interview is finished stories have the

interview is finished stories have the ability to shape who we are they can

ability to shape who we are they can

ability to shape who we are they can inspire us rebuild us or in some cases

inspire us rebuild us or in some cases

inspire us rebuild us or in some cases as we all know stories have the

as we all know stories have the

as we all know stories have the potential to harm and if we’re lucky

potential to harm and if we’re lucky

potential to harm and if we’re lucky some stories can leave a lasting impact

some stories can leave a lasting impact

some stories can leave a lasting impact on our own lives thank you

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