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Sampling myself | Sebastian Kornelius Coucheron Gautier Teigen | TEDxYouth@Oslo


I was seven years old when I first set

I was seven years old when I first set foot into a record store it was a sunny

foot into a record store it was a sunny

foot into a record store it was a sunny day in South of France and me and my

day in South of France and me and my

day in South of France and me and my brother were to pick out any album would

brother were to pick out any album would

brother were to pick out any album would like and I did so purely based on the

like and I did so purely based on the

like and I did so purely based on the aesthetics of the album cover as you do

aesthetics of the album cover as you do

aesthetics of the album cover as you do when you’re seven years old this album

when you’re seven years old this album

when you’re seven years old this album cover in particular was all black except

cover in particular was all black except

cover in particular was all black except for eight big shining silver letters

for eight big shining silver letters

for eight big shining silver letters that said Daft Punk I was intrigued and

that said Daft Punk I was intrigued and

that said Daft Punk I was intrigued and so I walked out with a fresh copy of

so I walked out with a fresh copy of

so I walked out with a fresh copy of Daft Punk’s discovery in my hands and

Daft Punk’s discovery in my hands and

Daft Punk’s discovery in my hands and even though my next few years were spent

even though my next few years were spent

even though my next few years were spent playing very aggressive punk rock music

playing very aggressive punk rock music

playing very aggressive punk rock music discovery would stick with me and later

discovery would stick with me and later

discovery would stick with me and later play a vital role in the way that I make

play a vital role in the way that I make

play a vital role in the way that I make music now I suppose many of you don’t

music now I suppose many of you don’t

music now I suppose many of you don’t know me my name is Sebastien I make

know me my name is Sebastien I make

know me my name is Sebastien I make music I produce write and perform

music I produce write and perform

music I produce write and perform usually under the moniker of cooter on

usually under the moniker of cooter on

usually under the moniker of cooter on and have been doing so for the last

and have been doing so for the last

and have been doing so for the last seven years so so why did Daft Punk’s

seven years so so why did Daft Punk’s

seven years so so why did Daft Punk’s discovery stick with me through those

discovery stick with me through those

discovery stick with me through those angry rock’n’roll days I’m pretty sure

angry rock’n’roll days I’m pretty sure

angry rock’n’roll days I’m pretty sure it has to do with the way they sampled

it has to do with the way they sampled

it has to do with the way they sampled music it didn’t sound like electronic

music it didn’t sound like electronic

music it didn’t sound like electronic dance music the way I was used to I used

dance music the way I was used to I used

dance music the way I was used to I used to hate dance music back then but the

to hate dance music back then but the

to hate dance music back then but the sounds of discovery they didn’t sound

sounds of discovery they didn’t sound

sounds of discovery they didn’t sound harsh or really electronic at all in

harsh or really electronic at all in

harsh or really electronic at all in discovery you could hear brass sections

discovery you could hear brass sections

discovery you could hear brass sections you hear

you hear

you hear funky tars and vocal chops but Daft Punk

funky tars and vocal chops but Daft Punk

funky tars and vocal chops but Daft Punk didn’t play all these instruments

didn’t play all these instruments

didn’t play all these instruments themselves they sampled older records

themselves they sampled older records

themselves they sampled older records they sampled their idols songs from pop

they sampled their idols songs from pop

they sampled their idols songs from pop funk soul and rock they pieced them all

funk soul and rock they pieced them all

funk soul and rock they pieced them all together and form sort of a collage of

together and form sort of a collage of

together and form sort of a collage of all the things they loved so sampling is

all the things they loved so sampling is

all the things they loved so sampling is when you take a piece of audio recording

when you take a piece of audio recording

when you take a piece of audio recording and

and

and use it in another audio recording you

use it in another audio recording you

use it in another audio recording you can think of it as recycling almost and

can think of it as recycling almost and

can think of it as recycling almost and what’s always fascinated me about it

what’s always fascinated me about it

what’s always fascinated me about it isn’t the ability to steal someone’s

isn’t the ability to steal someone’s

isn’t the ability to steal someone’s idea or another ones melody but the

idea or another ones melody but the

idea or another ones melody but the ability to capture an atmosphere from a

ability to capture an atmosphere from a

ability to capture an atmosphere from a different time in a different place and

different time in a different place and

different time in a different place and place it into our own into something

place it into our own into something

place it into our own into something unperformed a bowl I’m gonna play you a

unperformed a bowl I’m gonna play you a

unperformed a bowl I’m gonna play you a song by Eddie Jones this is more spell

song by Eddie Jones this is more spell

song by Eddie Jones this is more spell on you and it was released in 1979

on you and it was released in 1979

on you and it was released in 1979 [Music]

[Music]

[Music] as cool as cool as it sounds it does

as cool as cool as it sounds it does

as cool as cool as it sounds it does sort of sound like an average song of

sort of sound like an average song of

sort of sound like an average song of your mother’s old disco record but two

your mother’s old disco record but two

your mother’s old disco record but two French guys managed to find three very

French guys managed to find three very

French guys managed to find three very important brass tabs within this very

important brass tabs within this very

important brass tabs within this very short snippet this one this one and this

short snippet this one this one and this

short snippet this one this one and this one they slow them down and lift them

one they slow them down and lift them

one they slow them down and lift them and eventually came up with one of the

and eventually came up with one of the

and eventually came up with one of the most iconic album openers of all time

that was daft punk’s one more time and

that was daft punk’s one more time and I’ve grown to learn that so many of the

I’ve grown to learn that so many of the

I’ve grown to learn that so many of the songs I loved and had loved are based

songs I loved and had loved are based

songs I loved and had loved are based around samples like this where the

around samples like this where the

around samples like this where the source material isn’t so striking by

source material isn’t so striking by

source material isn’t so striking by itself but put into a different context

itself but put into a different context

itself but put into a different context or a different decade it becomes bigger

or a different decade it becomes bigger

or a different decade it becomes bigger than the sum of its parts it strikes a

than the sum of its parts it strikes a

than the sum of its parts it strikes a totally different nerve now I want it to

totally different nerve now I want it to

totally different nerve now I want it to be like Daft Punk so I did what they did

be like Daft Punk so I did what they did

be like Daft Punk so I did what they did I went to look for older disco records I

I went to look for older disco records I

I went to look for older disco records I sampled them in my bedroom and put them

sampled them in my bedroom and put them

sampled them in my bedroom and put them out for the whole internet to hear but

out for the whole internet to hear but

out for the whole internet to hear but then as it turns out there’s a thing

then as it turns out there’s a thing

then as it turns out there’s a thing called copyright who figures and it’s

called copyright who figures and it’s

called copyright who figures and it’s pretty heavily guarded and if you misuse

pretty heavily guarded and if you misuse

pretty heavily guarded and if you misuse it someone will get mad they will take

it someone will get mad they will take

it someone will get mad they will take your music off the internet and if

your music off the internet and if

your music off the internet and if you’ve made any money along the way they

you’ve made any money along the way they

you’ve made any money along the way they will come and take that too there are

will come and take that too there are

will come and take that too there are two key challenges and limitations when

two key challenges and limitations when

two key challenges and limitations when it comes to sampling one of them being

it comes to sampling one of them being

it comes to sampling one of them being these regulations revolving the audio

these regulations revolving the audio

these regulations revolving the audio recording itself and the copyright

recording itself and the copyright

recording itself and the copyright without the appropriate permissions

without the appropriate permissions

without the appropriate permissions which can be near impossible to obtain

which can be near impossible to obtain

which can be near impossible to obtain and often very expensive you might be

and often very expensive you might be

and often very expensive you might be headed towards a rather unpleasant legal

headed towards a rather unpleasant legal

headed towards a rather unpleasant legal ordeal and one of my favorite cases of

ordeal and one of my favorite cases of

ordeal and one of my favorite cases of such is the story of Frank ocean’s super

such is the story of Frank ocean’s super

such is the story of Frank ocean’s super rich kids we’re in the bridge section of

rich kids we’re in the bridge section of

rich kids we’re in the bridge section of the song Frank ocean’s sings about

the song Frank ocean’s sings about

the song Frank ocean’s sings about searching for real love in a way that is

searching for real love in a way that is

searching for real love in a way that is strikingly similar to that of a mary j

strikingly similar to that of a mary j

strikingly similar to that of a mary j blige song called real of in real of

blige song called real of in real of

blige song called real of in real of mary j blige sampled an audio rap group

mary j blige sampled an audio rap group

mary j blige sampled an audio rap group called audio – audio – had again sampled

called audio – audio – had again sampled

called audio – audio – had again sampled this drum loop from a 1979 record by the

this drum loop from a 1979 record by the

this drum loop from a 1979 record by the honey drippers and it was their record

honey drippers and it was their record

honey drippers and it was their record label that eventually sued Frank Ocean

label that eventually sued Frank Ocean

label that eventually sued Frank Ocean and could now claim ownership in all of

and could now claim ownership in all of

and could now claim ownership in all of these songs and this weird hierarchy of

these songs and this weird hierarchy of

these songs and this weird hierarchy of sampling and interpolation

sampling and interpolation

sampling and interpolation even though Frank ocean’s lyric had

even though Frank ocean’s lyric had

even though Frank ocean’s lyric had nothing to do we

nothing to do we

nothing to do we that drum loop from 1979 so we’ve now

that drum loop from 1979 so we’ve now

that drum loop from 1979 so we’ve now established one of the two key

established one of the two key

established one of the two key challenges the second one as I see it is

challenges the second one as I see it is

challenges the second one as I see it is the absoluteness of an audio recording

the absoluteness of an audio recording

the absoluteness of an audio recording it’s pretty much set in stone in the way

it’s pretty much set in stone in the way

it’s pretty much set in stone in the way that you can’t go back in time and ask

that you can’t go back in time and ask

that you can’t go back in time and ask Michael Jackson to sing something

Michael Jackson to sing something

Michael Jackson to sing something differently or ask Jimmy Hendrix to just

differently or ask Jimmy Hendrix to just

differently or ask Jimmy Hendrix to just play it cool on that solo part but what

play it cool on that solo part but what

play it cool on that solo part but what if you were to make your own samples

if you were to make your own samples

if you were to make your own samples wouldn’t you then avoid these

wouldn’t you then avoid these

wouldn’t you then avoid these regulations you don’t you would also be

regulations you don’t you would also be

regulations you don’t you would also be able to go back in time and make changes

able to go back in time and make changes

able to go back in time and make changes to the samples themselves three years

to the samples themselves three years

to the samples themselves three years ago I was tinkering around with a guitar

ago I was tinkering around with a guitar

ago I was tinkering around with a guitar if that for some reason reminded me of

if that for some reason reminded me of

if that for some reason reminded me of Ed Sheeran’s I see fire and instead of

Ed Sheeran’s I see fire and instead of

Ed Sheeran’s I see fire and instead of producing it out in the typical dance

producing it out in the typical dance

producing it out in the typical dance music fashion that I was used to at the

music fashion that I was used to at the

music fashion that I was used to at the time I decided to rather flesh it out as

time I decided to rather flesh it out as

time I decided to rather flesh it out as a more folksy symphonic piece which I

a more folksy symphonic piece which I

a more folksy symphonic piece which I wasn’t good at doing at all

wasn’t good at doing at all

wasn’t good at doing at all [Music]

I thought it sounded way pretentious and

I thought it sounded way pretentious and super corny and of course I scrapped it

super corny and of course I scrapped it

super corny and of course I scrapped it because I didn’t know what to do with it

because I didn’t know what to do with it

because I didn’t know what to do with it it didn’t sound like anything that would

it didn’t sound like anything that would

it didn’t sound like anything that would resonate with my audience at the time

resonate with my audience at the time

resonate with my audience at the time but one year later is that was browsing

but one year later is that was browsing

but one year later is that was browsing through old demos and folders as I heard

through old demos and folders as I heard

through old demos and folders as I heard that guitar riff again I couldn’t help

that guitar riff again I couldn’t help

that guitar riff again I couldn’t help but hear it as a sample it gave me that

but hear it as a sample it gave me that

but hear it as a sample it gave me that same sample urge that I was used to from

same sample urge that I was used to from

same sample urge that I was used to from way back when I sampled disco records

way back when I sampled disco records

way back when I sampled disco records and so I sampled myself only this time I

and so I sampled myself only this time I

and so I sampled myself only this time I stayed clear of all copyright

stayed clear of all copyright

stayed clear of all copyright infringement and was even able to go

infringement and was even able to go

infringement and was even able to go back in time and alter the sample itself

[Music]

[Music] crazy I feel the most woman is cold

crazy I feel the most woman is cold

crazy I feel the most woman is cold just in

just in

just in down to the saloon that song ended up on

down to the saloon that song ended up on

down to the saloon that song ended up on Kalani’s grammy-nominated mixtape you

Kalani’s grammy-nominated mixtape you

Kalani’s grammy-nominated mixtape you should be here and even though this is

should be here and even though this is

should be here and even though this is no this wasn’t a groundbreaking concept

no this wasn’t a groundbreaking concept

no this wasn’t a groundbreaking concept at all after all I just reused one of my

at all after all I just reused one of my

at all after all I just reused one of my old guitar ideas but this really sparked

old guitar ideas but this really sparked

old guitar ideas but this really sparked a completely different way from you to

a completely different way from you to

a completely different way from you to work I stopped worrying about ideas not

work I stopped worrying about ideas not

work I stopped worrying about ideas not being finished not fitting my project or

being finished not fitting my project or

being finished not fitting my project or brand or the politics of music and

instead I started encouraging myself to

instead I started encouraging myself to go ahead and copy other people other

go ahead and copy other people other

go ahead and copy other people other other songs that I admired only to

other songs that I admired only to

other songs that I admired only to sample them at a later point now there’s

sample them at a later point now there’s

sample them at a later point now there’s no secret that I can’t really play a

no secret that I can’t really play a

no secret that I can’t really play a guitar like Prince or John Mayer nor can

guitar like Prince or John Mayer nor can

guitar like Prince or John Mayer nor can I sing like Freddie Mercury but that’s

I sing like Freddie Mercury but that’s

I sing like Freddie Mercury but that’s become the most exciting and fun

become the most exciting and fun

become the most exciting and fun challenge of them all and I can’t it’s

challenge of them all and I can’t it’s

challenge of them all and I can’t it’s made me focus on things like how reggae

made me focus on things like how reggae

made me focus on things like how reggae drummers accent certain beats Motown

drummers accent certain beats Motown

drummers accent certain beats Motown recording techniques and common chord

recording techniques and common chord

recording techniques and common chord progressions in gypsy jazz and this

progressions in gypsy jazz and this

progressions in gypsy jazz and this obsession has grown into a pretty

obsession has grown into a pretty

obsession has grown into a pretty extensive sample library of my own it’s

extensive sample library of my own it’s

extensive sample library of my own it’s it’s really cool it’s like a personal

it’s really cool it’s like a personal

it’s really cool it’s like a personal record store where I can browse through

record store where I can browse through

record store where I can browse through for all bits and pieces of sampling

for all bits and pieces of sampling

for all bits and pieces of sampling inspiration like 80s

inspiration like 80s

inspiration like 80s smooth jazz number 2

smooth jazz number 2

smooth jazz number 2 [Music]

[Music]

[Music] now I would never really relief that ass

now I would never really relief that ass

now I would never really relief that ass is because it sounds like actual

is because it sounds like actual

is because it sounds like actual elevator music from the 80s but inside

elevator music from the 80s but inside

elevator music from the 80s but inside that little snippet I managed to find

that little snippet I managed to find

that little snippet I managed to find not quite unlike Daft Punk three little

not quite unlike Daft Punk three little

not quite unlike Daft Punk three little soundbites I sped them up and those

soundbites I sped them up and those

soundbites I sped them up and those three little soundbites eventually

three little soundbites eventually

three little soundbites eventually became the fundament for one of my songs

became the fundament for one of my songs

became the fundament for one of my songs called puzzled again strikes a totally

called puzzled again strikes a totally

called puzzled again strikes a totally different nerve than the original sample

different nerve than the original sample

different nerve than the original sample source and I have way more examples of

source and I have way more examples of

source and I have way more examples of this here’s dr. drum number two

this here’s dr. drum number two

this here’s dr. drum number two [Music]

I went for a 80s soulful R&B vibe but

I went for a 80s soulful R&B vibe but that sample ended up in a pop rap song

that sample ended up in a pop rap song

that sample ended up in a pop rap song by Pasha the Norwegian rapper called

by Pasha the Norwegian rapper called

by Pasha the Norwegian rapper called pretty boy bounce

pretty boy bounce

pretty boy bounce [Music]

[Music]

[Music] so none of these samples are modeled

so none of these samples are modeled

so none of these samples are modeled after specific songs more so after

after specific songs more so after

after specific songs more so after specific times and errors in music

specific times and errors in music

specific times and errors in music history and just this last week I was

history and just this last week I was

history and just this last week I was listening to a rather famous surf rock

listening to a rather famous surf rock

listening to a rather famous surf rock group and couldn’t help but get inspired

group and couldn’t help but get inspired

group and couldn’t help but get inspired to make a Christmassy doo-wop acapella

to make a Christmassy doo-wop acapella

to make a Christmassy doo-wop acapella sample only I didn’t have the Beach Boys

sample only I didn’t have the Beach Boys

sample only I didn’t have the Beach Boys there to sing it for me so I had to do

there to sing it for me so I had to do

there to sing it for me so I had to do myself

myself

myself [Music]

again as is it sounds very typical and

again as is it sounds very typical and classic and kind of boring but put some

classic and kind of boring but put some

classic and kind of boring but put some hip-hop drums on top

hip-hop drums on top

hip-hop drums on top [Music]

and suddenly it’s pretty bangin I have

and suddenly it’s pretty bangin I have more obscure examples like bossa nova –

more obscure examples like bossa nova –

more obscure examples like bossa nova – [Music]

[Music]

[Music] and as much as I hate to disappoint you

and as much as I hate to disappoint you

and as much as I hate to disappoint you that last one hasn’t actually found its

that last one hasn’t actually found its

that last one hasn’t actually found its home yet as is the case for most samples

home yet as is the case for most samples

home yet as is the case for most samples in this library but at least now I don’t

in this library but at least now I don’t

in this library but at least now I don’t feel like I’m wasting my time when I

feel like I’m wasting my time when I

feel like I’m wasting my time when I write really stupid music like that

write really stupid music like that

write really stupid music like that whereas I would previously look at maybe

whereas I would previously look at maybe

whereas I would previously look at maybe 95 percent of my work as just scrapped

95 percent of my work as just scrapped

95 percent of my work as just scrapped ideas or waste of time they’re now all

ideas or waste of time they’re now all

ideas or waste of time they’re now all potential samples and I could browse

potential samples and I could browse

potential samples and I could browse through my library all day but I’m not

through my library all day but I’m not

through my library all day but I’m not really here to promote my own music

really here to promote my own music

really here to promote my own music rather to try and spark an idea and see

rather to try and spark an idea and see

rather to try and spark an idea and see if there’s anything about this approach

if there’s anything about this approach

if there’s anything about this approach that could be applied to the way you

that could be applied to the way you

that could be applied to the way you face creative challenges and I should

face creative challenges and I should

face creative challenges and I should note that I’m not the only one using

note that I’m not the only one using

note that I’m not the only one using this work method in fact I have one very

this work method in fact I have one very

this work method in fact I have one very last example to show you that I

last example to show you that I

last example to show you that I unfortunately had nothing to do with if

unfortunately had nothing to do with if

unfortunately had nothing to do with if I had I would be driving a nicer car I

I had I would be driving a nicer car I

I had I would be driving a nicer car I had my friend and colleague a kettle

had my friend and colleague a kettle

had my friend and colleague a kettle send me this

send me this

send me this he works in a similar fashion and let me

he works in a similar fashion and let me

he works in a similar fashion and let me just play it for you and see if any of

just play it for you and see if any of

just play it for you and see if any of you recognize it

you recognize it

you recognize it [Music]

[Music]

[Music] you may have heard it in a song by la

you may have heard it in a song by la

you may have heard it in a song by la Mettrie called closer but if someone

Mettrie called closer but if someone

Mettrie called closer but if someone came into my room and I was working on

came into my room and I was working on

came into my room and I was working on that they would tell me to get a real

that they would tell me to get a real

that they would tell me to get a real job because that sounds stupid it sounds

job because that sounds stupid it sounds

job because that sounds stupid it sounds like something out of a Donkey Kong game

like something out of a Donkey Kong game

like something out of a Donkey Kong game but once that sample was flipped it

but once that sample was flipped it

but once that sample was flipped it became their most successful song to

became their most successful song to

became their most successful song to date closer I should clarify I still

date closer I should clarify I still

date closer I should clarify I still have nothing to do with that song so via

have nothing to do with that song so via

have nothing to do with that song so via this method the two key challenges of

this method the two key challenges of

this method the two key challenges of sampling the regulations and the

sampling the regulations and the

sampling the regulations and the absoluteness of an audio recording have

absoluteness of an audio recording have

absoluteness of an audio recording have both been eliminated so instead of

both been eliminated so instead of

both been eliminated so instead of stealing from others how about stealing

stealing from others how about stealing

stealing from others how about stealing from yourself

from yourself

from yourself [Applause]

”

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