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Persuade con tu voz. Estrategias para sonar creíble. | Emma Rodero | TEDxMalagueta


[Music]

Ashley worked to convince a

client to conquer our partner

In short to persuade the voice is

a decisive factor

well I think that this way of speaking

you will not know the totally credible result or

very convincing truth and that’s because

I have not correctly combined the

qualities of the voice that disaster is

say that I have not touched correctly the

piano keys and the voice has a

powerful influence in our day to

day

basically because it’s the vehicle of

transmission of the message but what happens

Well, the problem is that if you do not

we use correctly as it can

happen what happens in this case that is

that the goods do not arrive is to say a

message at the end does not arrive

that’s why it’s important to know her why

it is important to work and that is my

today’s objective here explain to you how

you have to manage it to get

our goal is to say so that the

message come to persuade and I will give you

some strategies to be credible

so let’s start with the

principle and we’re going to help from

our voice box that is here the voice

has four qualities that are the

intensity the tone the bell and the

duration and we’re going to start by by the

first that is the simplest that is the

intensity which is the intensity as the

volume of our voice that is to say is that

I speak lower or the one I speak more

high is easy to understand what it depends on

of the intensity then very simple

it depends on our breathing

if he has said it well it depends on our

breathing the breath is the basis of

our voice and intensity is no more

that the force with which we throw the air

towards the vocal cords

as simple as that and who is the

in charge of throwing that air of doing

that force is an organ that we have

here here in the abdominal portion and

diaphragm flame and what are you going to see

right now in action in this in this

small video you are going to see this is a

inspiration and the moment he goes

to inspire the lungs are filled and the

diaphragm drops after the diaphragm is

the one in charge of taking that air out of the

lungs

therefore it is who gives the strength to

final good so that you understand that

force so you feel that strength what

what we are going to do is an exercise all

together first he explained it and then to see

if we do it all

the idea is that we’re going to put the

hands on the abdominal part here where

is the diaphragm and we are going to make a

Deep inspiration trying to take

the air to the lower part of the lungs

let’s take a breath in a while and when

I count 3123 blow we have hit

so that they are prepared

we go there is easy, we are going to place the

hands on the abdominal part

Now if we’re all going to get air in a

good time pause story 3123 very well

you have done perfectly and not what

we had rehearsed that strength that you have

meaning is the strength of the diaphragm towards

the gandola go to the vocal cords

Therefore, if that force is low, it is low

then we are going to lower our

intensity down here what we will have

it will be a result of low intensity and

a powerful influence and instead if

we had the power strip up and we’re going

at high intensity

the voice has a powerful influence

there is a small difference truth we have

passed from 43 decibels to 79 the

intensity continue in decibels that do not

is more than the volume of the voice with

which is a perceptual difference and

here comes the question if I want

seem credible that I will have to use a

low intensity or intensity to the pa

well then if we think that the voice

reflects our personality

if we think that the voice reflects our

state of mind and we think that of course

I am suddenly sad

this one I’m going to use an intensity

low

I’m bored too and people

who are introverts use a

low intensity

so of course if I want to look credible

Of course that will not be the intensity

what do I have to use I have to use

an energetic intensity that I

listen well i’m not saying yell

I’m saying the energetic intensity

which is more or less what I am

doing now

so this would be the first advice

energetic intensity

we go with the second of our

qualities the second quality is the

tone the tone of the voice is difficult to

handle but it ‘s easy to understand

once the diaphragm pushes the

common as you have seen what it does is

get out the air well that air comes here

now to the neck inside the neck up

the larynx and inside the larynx are

the vocal chords that what they do what

what they’re going to do is basically vibrate at

step of that air

oh my god that’s the vocal cords

If the image and print a little bit I

I can swear that you all have some how

you are there in your body that vibrate

A) Yes

Well well what does it depend on?

that you have one more tone

serious do not have a more acute tone easy

to understand

I have here two ropes if I

I move with the same force that is to say with

the same intensity which moves more

fast is faster because it is more

short and because it is more skinny

So what does it depend on that you have a tone

half voice or other simply because

of the thickness length of our

vocal cords

when they are shorter, they will fight more

fast and therefore you will have one more tone

sharp and larger men have

a more serious tone in general there will be more

serious

as simple as that but of course

we do not speak with a single tone

that’s our middle tone let’s say the one

we use in our day to day with more

often but we use a range of

tones when we talk and there are differences

between one and the other

let’s see what happens if I lowered the tone

down let’s see what the voice sounds like

a powerful influence did change the

there was up the voice has a powerful

influence and also a difference

perceptive we have gone from 100 hertz to

190 that’s easy to understand

it’s simply that the vocal cords

vibrate slower and is serious or more

fast if it’s sharp

so here what do you think

if we want to sound credible what kind of

everything we do not have to use more serious or the

more acute

Well, all the studies we’ve done

performed indicate that to be perceived

as attractive and credible

we have to use as we see in the

graphic a serious tone versus a tone

acute and that’s why many professionals and

many politicians train their voice

precisely to get the voice down

and let’s say use that lower tessitura

of his voice or be attracted the case of

margaret thatcher who trained during

long your voice to get that

objective

skype and a mix up to me that obama

He expressed that it is almost a luxury I declare myself

an iron lady speaking so little

meaning and will have

and this is what made his voice train

for this whenever we provide voice

we need a professional because if

we can not damage the vocal cords

well we have a range of tones

we have a piano we have to play the

in different ways when we speak

we use that sum of tones and that sum

of tones is what we know as

intonation the intonation is

relatively complicated to understand

but I’ll give you two tips

the first is that one can not be

monotonous when he speaks because if one is

monotonous when no one then speaks

He will listen

basically to try to get

modify that monotony

let’s try to start the sentence in a

acute tone and end in serious

how can you hear in this example the

voice has a power

that human influence is a way of

change the tones what we can never

do when we speak in public not

we have a presentation is to sing

because if I sing he left then all

things up and that does not sound believable

it is easy to understand and in this example

you are going to give the voice has a powerful

influence like something is missing because it

it’s up there we always have

download the message below to be

credible the voice has a powerful

influence and that’s when he is competent

it is credible it sounds safe no no

no doubt

so remember to always not be

monotonous let’s try to go up to the acute

at the beginning we will try to go down to

serious at the end and of course the idea is

do not sing

Well, it’s about the tone what

It happens that a lot of people say it does not arrive

with having a serious tone

I am already perceived as credible and I think

that is not true I should sleep a little

I think this is not an attractive voice

but it is a voice in serious tone and it is that

marge simpson in this case is missing something

it lacks our third quality that

it needs to fix a little bit that is the

ring the bell of the voice is easy is

very easy to understand is the sum of the

sound that comes out of the vocal cords

plus the one that comes out of our box

resonance

what is this from the soundboard the

face to understand us

this face that we have is that you

have a bigger nose, a mouth

larger smaller than 13th for that

at the end it gives a determined result in

your voice and that’s why our voice is

unique and resulting sound of our voice

it’s unique, it ‘s like our fingerprint

somehow

so if my voice is unique

I can not understand that I ‘m not going to

change the rating has changed the

nose my voice is like that and obviously not

because if I modified the organs of

resonance is to say my lips my mouth

my tongue and so on

I’m going to get a sound completely

different and if you do not notice we’re going to do

a closed doorbell is to say that the

announcer close mouth pretty wolves

has a powerful influence and

we’re just going to open it after the

voice has a powerful influence only

has modified the amplitude of the mouth and

that already influences the sound that

we need to have to be credible

obviously we have to open the

mouth so that our voice resonates well and

What can we do for it?

do the beige exercises

we go first to inflate the cheeks or

meego right left very well now

let’s do another one for more fun

above all more optimistic let’s smile

very strong very strong being of the

backward commissions

I smiled and they are very low

so perfect we can also

directly pull the corners and

so we stretch it is important to heat

these muscles of the face to talk about

because they are the ones that ultimately have

to move so think about it and the last and

more complicated please do this in

single houses that see us we are going to

put four fingers in our mouths

if the hundreds are our fingers in

vertically mouth and we will

count from 1 to 10

with me or do very well perfect very

handsome all really but do not do it

with nobody before doing it at home but

under the before and after

you will see, I really promise you that

before the voice sounds very muted very

closed and suddenly everything osorio

great so just do

this before placing in front of a

public make a presentation or talk

in general public

perfect let’s go to our last quality

which is the duration the attraction is not

an acoustic quality but

expressively it is important that I

speak slow the one that I speak fast and if

we are not going to check what I’m going to lower the

terminal to the slow here

the voice has a powerful influence and

let’s go up fast the voice has a

powerful influence that you think to be

credible that we need

Well, if we think that a person

when it ‘s boring and instead I’m

super animated i speak fast so good

you have an idea the studies that we have

carried out and many others in the

world indicate that a person to be

perceived as credible have to use

a speed tending to fast the

people who speak a little more

fast than usual are perceived

as smarter as more dynamic

as more extroverted and eye than said

a little faster than usual what

said faster because we are very

fast on having and besides putting

glasses or you have not said it very fast

said tending to fast or a little more

quick than what I’m doing

now but maybe the best advice that

I can give them

in this sense is that you change the

speed when one speaks the most

important is said slow what is not

important

you say fast that contrast is the one

will make the listener to lend more

attention somehow and it also helps

to understand so that’s important

Well, we already have our four

qualities

let’s suppose now and this is an idea

important because the voice is not just a

as it is being said is a set is

the combination

let’s suppose now that we

we would like to express joy

well actually you see here that

we have the perfect combination

we have a high intensity we have a

acute tone we have last open is

to say smiled the smile is very

noticeable and a fast duration and the

result would be the wolf has a

powerful influence well let’s suppose

Now that we want to express sadness

which is the opposite

well in this case what we would do

to begin with it would be to lower the intensity

we would have to lower the tone to serious

we would have to close our mouths and also

we should talk

slow and the result would be this voice

has a powerful influence well and

now you are asking

This is the crux of the matter

what to do to be credible we already have

gone seeing

Well, we have to have a

energetic intensity as we have said

we have to have a rather serious tone

with a modulated intonation

we need an open doorbell and in addition

a velocity tending to fast and the

result could be more or less be the

voice has a powerful influence is a

once we have already placed that we have

here the combination of credibility

let’s see if we fix that bad

beginning that we have had in this

presentation to get a job

to convince a client to

conquer our partner

In short to persuade the voice is

a decisive factor but that we have

got the voice is the instrument more

important that you have to communicate is

which has more influence so that

you are perceived as competent and as

credible

I hope you know a little better today

how to do it

thank you very much for your attention more

[Applause]

and

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