good morning to all, certainly the world
of the work may seem like a world
far, yet we
we will find out today how it is
incredibly close to us as there
it belongs as it is part of the languages
of our time and how it participates in the
renewal of the show and the
Arts
first of all I would like you to understand how one
object that seems so far
distant ancient can be one
extraordinary open laboratory of
creative energies where they react and yes
find energies ferments of languages
contemporary artistic works ranging from
sound the image to the movement to the
electronic image space la
video art at the singing of course for
become an amazing show
current what it takes first of all
to create this laboratory a nice one
theater a theater like this this is
the municipal theater of bologna the theater
of this city is one of the most beautiful
theaters of the world with acoustics
legendary but above all it is a
jewel of architecture of 1700
created in 1763 by the star arches
of the era antonio galli bibiena così
how it was conceived realized is
remained to this day ever
damaged is a theater that has
extraordinary acoustics because that
architect wanted it to be one
extraordinary instrument a kind of
great help that resonates and can
create harmony and sound atmospheres
immensely beautiful this theater is
come up to us we inherit it
we take and want to turn it into
that laboratory of contemporaneity of
I told you about a theater that has
these features needs
have within the great elements
artistic
the first of these is an orchestra
an orchestra is an extraordinary one
element a sound project one
extraordinary sound energy that yes
propagates
from many instruments that play together
that concert together precisely that
they work together every day for each
its part to create what you do
calls a symphony or the art of
play together and the music and art of
put all these things together
an art like the one we saw
belongs to the work of the laboratories that
belongs to the work of the team here is the
theater is a great team is a big one
workshop where a team of artists and
music professionals work
together an orchestra is undoubtedly the
main engine of this great
laboratory and then what a chorus is needed
a m a group of important voices that yes
join the tools to enter
within this large factory of
sound production a factory of
sounds of images of dreams but
especially of emotions
here is what is an opera house
here’s how we have to watch it we have to
just look at it with this idea that the
music of the past
the music of mozart green rossini
bellini donizetti puccini wagner and then
gradually until our time it is something
which belongs to a show
incredibly modern and see you later
because this work is incredibly
modern it takes another thing because
this lab is complete one
stage a stage with gods
technicians who work to create these
extraordinary emotions to create these
extraordinary as we can say
vibrations that become figures that
they become scenes that become images
that become history that become
I tell a story that concerns us
think for example of the works of
giuseppe verdi
think for example of a work like
rigoletto a work that stages a
hunchback is something that belongs
this work has a great one
revolution to the great revolutions
social
enter the scene the poor enter
scene the derelicts enter the scene
oppressed the marginalized
they were over and almost two centuries ago when
this work was composed slightly less than
two centuries ago
in short, a world was a different world
in which the oppressed never had
had the qualification of protagonists
rigoletto is a hunchback la traviata is one
blue prostitute the gypsy of the
indeed troubadour and we can say
an ex-communitarian today we would say well
they are not the demigods are not of demigods
of wagner
they are not the great heroes they are a humanity
near to us
and think of these works as they speak to us
what do they tell us in the role that
still is so important today of the
relationship between the clans of the roles as well
important today of the relationships between them
social classes and the marginalized
they are works that continue to tell
their stories
in our time and we listening to them
we better understand who we are
we understand our conditions better
we better understand our history of
men in our time of ours
society and help us to get into certain
mechanisms that perhaps we had given for
asserted that perhaps we do not have too much
present and more this one music
wonderful music a music that there
I’m still current
when we listen to these works
we find, for example, the roots of so much
popular music the very pop rock jazz
that we listen to every day in the
acoustic bombardment of which we are
victims even unaware you know the
ears do not have eyelids and therefore not
we can defend ourselves so by closing the
eyes at the same time as
we close our ears instead to the
contrary
the work makes us enter the world
extraordinary of sounds tells us
listen to it is an invitation to listen
it’s an invitation to go to a music that
it is never trivial to a music that
we discover and discover it also gives us
the idea of being real explorers
sound explorers
here is what we should become
sound explorers in a city
open
this and bologna is a beautiful one
city in whose heart there is a theater
extraordinary that produces works and
emotions
an open city and like the theater
it is open and must be open to
citizens
to all the protagonists of the society of
today no more than once
an opera house only for a few
opera house for everyone where to go to
learn to listen to live emotions
we have never lived and therefore a
theater for students
a theater that today where young people today
students must become
protagonists of an audience
of the future that appropriates this
genre throughout Europe today young people
crowd the opera houses because
the work has become the new key
of the intermediate show you watch
I do not use the multimedia word and it is not
a case
multimedia means selling
Products sell items that have more
media that can express themselves
at the same time intermediality wants
say use multimedia
multimedia as a language
say create new projects where i
media work as a project of one
new form of art
the intermediate art and the work is art
intermediate of our time
here’s what can become a theater
a large container is also a workpiece
Been the dix also to bring these
themes at the municipal theater of bologna
in a very recent meeting a great one
meeting the topics of the economy
of society must enter the theater
and therefore new social strata
even the marginalized people he spoke of
greens today are part of our time
they must be in a theater for that too
they welcome them and tell them
that explains to him what goes on coming
staged and then new media
I said an intermediate art one
stage beautifully open a
these forms where screens elements of the
electronic music space converse with
the orchestra instruments and with that
chorus that he had seen that you saw
first and then the theater that can come out
of course because the theater is not
theater only of a physical place but the
theater of all of all and of all
therefore here are the spaces that the work can
invade the squares and public places
the streets the arcades all this does
part of a different way of life and of
listen to the opera theater that must
to be lived just like a new one
central artistic and creative energy
now let’s see this in this in this
image we see a beautiful
our realization that sir
called ildebrando d’arcangelo is one of the
most important basses of our time e
seems to say come to the theater and
above all it seems to invite all those
that are external to being part of
participate in this rite this was
attila di giuseppe verdi that is certainly a
he was a great conqueror of
instructor but we would rather like that
was the symbol of this new beginning
of this new beginning also in the world
of the opera house and now we see
what can happen
putting together on a stage
many young people this is a misguided
made with the young people of the school
of the work of the municipal theater of
bologna a training center that does
understand how to work with young people today
it means to put new creativity
within the great repertoire
classic repertoire new energy
repertoire of the past, however, action
new stage and so in action
we will also find the new sounds
because the work does not end with greens
puccini wagner etc. but it comes up
nowadays composers today
they write opera and now let’s go see
just the creative aspects
this is a beautiful project that
we have done recently and that is one
of the most important authors of the world yes
he calls Bob Wilson one of the biggest
directors artists creators designers who has
staged not anything else
that macbeth of giuseppe verdi
we see it immediately look at how it is
to complete the work as if it were a
object of contemporary art and design
these are the hole that plots for
kill jump in the macbeth
[Music]
look at this object that goes up there is a
great artist of today called
elia sony seems almost like a created object
from a pause as a record plays them
[Music]
too much
and look at the laser line in front of
neon laser that seems to create a
ideal diaphragm between the dark and the scene
naturally the public is a species
threshold a kind of gates that separates
the world of fiction from the world of
reality but at the same time unites them in
a kind of great architecture
bright this was a big wilson bob
artist who becomes the protagonist of
a work of great repertoire like
macbeth of greens and now let’s see a bit
next I was saying about this stage
where the energies react
here on this stage they react
who created and contemporary
and it is not lowered and divisions
a work that speaks of jewelry that does not
they are only physical walls but they are also
cultural ideals
this is david moss one of the biggest
journalists of our time
[Music]
from the graffiti artists who
they fight closures that fight
this is a territory that becomes
quality root good music
the composer as andrea molino who has
wrote this work which becomes one
real work as we can say of
presence also fighter on a theater
opera and protest here is not there
because now we come to the last of the gods
examples that I wanted to show you
on today’s work on the work as
Intermediate language is
of the work the yellow sound a text of
kandinsky played by alessandro
solemnate a composer of today with the
scenes created by gianni gave another
artist one of the protagonists of art
Contemporary
[Music]
here you see that the theater becomes
really something very similar to a
total art project
there was already talk of total art
in the work but today it becomes something of
different becomes an art that interprets
also the psychological tensions the rhythms
inner pulsations of all that
that happens around us
it makes us think and makes us understand that the work
it is really the language that looks
towards the future that only hair
message only by appropriating this
message you can really understand how
the work can innovate can not bring
art is also the visual language
also the cinematic one too
the sound one
towards a new territory towards a new one
beginning
now just a new frontier
with this I want to leave you and you
I thank you for listening to me
[Applause]
”
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