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Music Archeology: Reviving the World’s Forgotten Records | Alexis Charpentier | TEDxMontreal


I became obsessed with records when I

I became obsessed with records when I was about 12 years old my parents used

was about 12 years old my parents used

was about 12 years old my parents used to give me money to eat and on most days

to give me money to eat and on most days

to give me money to eat and on most days instead of eating I would save it and

instead of eating I would save it and

instead of eating I would save it and buy myself a record at the end of the

buy myself a record at the end of the

buy myself a record at the end of the week Here I am with a gigantic walkman

week Here I am with a gigantic walkman

week Here I am with a gigantic walkman that’s about half my leg

that’s about half my leg

that’s about half my leg it actually looks more like a VCR so

it actually looks more like a VCR so

it actually looks more like a VCR so when I was a teenager the obsession of

when I was a teenager the obsession of

when I was a teenager the obsession of buying cassettes vinyls and CDs just

buying cassettes vinyls and CDs just

buying cassettes vinyls and CDs just just kept growing I was even working in

just kept growing I was even working in

just kept growing I was even working in a record store for many years and only

a record store for many years and only

a record store for many years and only ever got paid in records one day I

ever got paid in records one day I

ever got paid in records one day I realized that I had thousands of records

realized that I had thousands of records

realized that I had thousands of records more that I could even listen to in my

more that I could even listen to in my

more that I could even listen to in my life I became what many of us are record

life I became what many of us are record

life I became what many of us are record junkies or record diggers as we like to

junkies or record diggers as we like to

junkies or record diggers as we like to call ourselves record digging as the

call ourselves record digging as the

call ourselves record digging as the name suggests means getting your hands

name suggests means getting your hands

name suggests means getting your hands dirty it means spending hours rummaging

dirty it means spending hours rummaging

dirty it means spending hours rummaging through warehouses church basements yard

through warehouses church basements yard

through warehouses church basements yard sales record stores all to find records

sales record stores all to find records

sales record stores all to find records that have been forgotten for decades

that have been forgotten for decades

that have been forgotten for decades records that have become cultural waste

records that have become cultural waste

records that have become cultural waste the earliest record collectors from

the earliest record collectors from

the earliest record collectors from about the 30s to the 1960s found and

about the 30s to the 1960s found and

about the 30s to the 1960s found and preserved so many important records that

preserved so many important records that

preserved so many important records that would have been lost forever in those

would have been lost forever in those

would have been lost forever in those days most cultural and public

days most cultural and public

days most cultural and public institutions didn’t really care to

institutions didn’t really care to

institutions didn’t really care to preserve these treasures in many cases

preserve these treasures in many cases

preserve these treasures in many cases they were just throwing them to the

they were just throwing them to the

they were just throwing them to the garbage record digging is a lifestyle

garbage record digging is a lifestyle

garbage record digging is a lifestyle we’re absolutely obsessed with obscure

we’re absolutely obsessed with obscure

we’re absolutely obsessed with obscure records expensive records dollar bin

records expensive records dollar bin

records expensive records dollar bin records crazy artwork sub subgenres and

records crazy artwork sub subgenres and

records crazy artwork sub subgenres and all of the tiniest details that go with

all of the tiniest details that go with

all of the tiniest details that go with each release when the media talks about

each release when the media talks about

each release when the media talks about the vinyl revival that’s been happening

the vinyl revival that’s been happening

the vinyl revival that’s been happening these last few years they often forget

these last few years they often forget

these last few years they often forget to mention this community that’s been

to mention this community that’s been

to mention this community that’s been keeping the vinyl and the tradition and

keeping the vinyl and the tradition and

keeping the vinyl and the tradition and the culture alive for these last thirty

the culture alive for these last thirty

the culture alive for these last thirty years it’s a very close knit but a

years it’s a very close knit but a

years it’s a very close knit but a competitive society a little bit the

competitive society a little bit the

competitive society a little bit the as when you’re hunting for extremely

as when you’re hunting for extremely

as when you’re hunting for extremely rare records if you miss your

rare records if you miss your

rare records if you miss your opportunity you might not see that

opportunity you might not see that

opportunity you might not see that record ever in your life but I guess the

record ever in your life but I guess the

record ever in your life but I guess the only person in here truly impressed by

only person in here truly impressed by

only person in here truly impressed by record collectors is another record

record collectors is another record

record collectors is another record collector to the outside world we seem

collector to the outside world we seem

collector to the outside world we seem like a very weird oddball group of

like a very weird oddball group of

like a very weird oddball group of individuals and and they’re mostly right

individuals and and they’re mostly right

individuals and and they’re mostly right all the record collectors I know are

all the record collectors I know are

all the record collectors I know are obsessive maniacs we know we’re all

obsessive maniacs we know we’re all

obsessive maniacs we know we’re all crazy in some way but I think we should

crazy in some way but I think we should

crazy in some way but I think we should be viewed a little bit more like this

be viewed a little bit more like this

be viewed a little bit more like this where music archeologists were hunting

where music archeologists were hunting

where music archeologists were hunting down the lost artifact we all have a

down the lost artifact we all have a

down the lost artifact we all have a list of records that we would do

list of records that we would do

list of records that we would do anything to get our hands on that we’ve

anything to get our hands on that we’ve

anything to get our hands on that we’ve been chasing for years and we actually

been chasing for years and we actually

been chasing for years and we actually call this list our holy grails

call this list our holy grails

call this list our holy grails when you’re digging for records you’re

when you’re digging for records you’re

when you’re digging for records you’re surrounded by music you don’t know

surrounded by music you don’t know

surrounded by music you don’t know you’re surrounded by mystery and by all

you’re surrounded by mystery and by all

you’re surrounded by mystery and by all these dreams records that people once

these dreams records that people once

these dreams records that people once believed in imagine the thousands of

believed in imagine the thousands of

believed in imagine the thousands of artists who were destined to be legend

artists who were destined to be legend

artists who were destined to be legend but for various reasons were just

but for various reasons were just

but for various reasons were just overlooked many of these records only

overlooked many of these records only

overlooked many of these records only exists in a handful of copies and some

exists in a handful of copies and some

exists in a handful of copies and some have never even been found never been

have never even been found never been

have never even been found never been heard they’re literally endangered

heard they’re literally endangered

heard they’re literally endangered species I’ll tell you a story that for

species I’ll tell you a story that for

species I’ll tell you a story that for me sort of sums up the value of the work

me sort of sums up the value of the work

me sort of sums up the value of the work of record diggers the story of a

of record diggers the story of a

of record diggers the story of a brilliant Montreal musician and composer

LGPL Noel was born and raised in Haiti

LGPL Noel was born and raised in Haiti but he lived briefly in the US and in

but he lived briefly in the US and in

but he lived briefly in the US and in Belgium he passed through Montreal what

Belgium he passed through Montreal what

Belgium he passed through Montreal what was supposed to be for two weeks but he

was supposed to be for two weeks but he

was supposed to be for two weeks but he ended up staying for the next 40 years

ended up staying for the next 40 years

ended up staying for the next 40 years when he was young he learned to play

when he was young he learned to play

when he was young he learned to play piano and developed a very particular

piano and developed a very particular

piano and developed a very particular way of playing his instrument very fast

way of playing his instrument very fast

way of playing his instrument very fast and almost like a percussion his style

and almost like a percussion his style

and almost like a percussion his style was a mix of his Haitian influences and

was a mix of his Haitian influences and

was a mix of his Haitian influences and folklore

folklore

folklore mixed with the American influences that

mixed with the American influences that

mixed with the American influences that he grew up hearing so he created a mix

he grew up hearing so he created a mix

he grew up hearing so he created a mix of compa mixed with funk and jazz as a

of compa mixed with funk and jazz as a

of compa mixed with funk and jazz as a young man he played and toured with live

young man he played and toured with live

young man he played and toured with live bands in the US and in Europe but had

bands in the US and in Europe but had

bands in the US and in Europe but had never recorded an album or a song before

never recorded an album or a song before

never recorded an album or a song before moving to Canada it was in Montreal in

moving to Canada it was in Montreal in

moving to Canada it was in Montreal in 1979 that he released his first album

1979 that he released his first album

1979 that he released his first album called piano

called piano

called piano completely on his own on Algenol records

completely on his own on Algenol records

completely on his own on Algenol records he only made what he could afford 2,000

he only made what he could afford 2,000

he only made what he could afford 2,000 copies of the record the record received

copies of the record the record received

copies of the record the record received a little bit of airplay a little bit of

a little bit of airplay a little bit of

a little bit of airplay a little bit of support in Canada and in Haiti but

support in Canada and in Haiti but

support in Canada and in Haiti but without a big label behind it it was

without a big label behind it it was

without a big label behind it it was very very difficult back then if your

very very difficult back then if your

very very difficult back then if your record wasn’t getting played on

record wasn’t getting played on

record wasn’t getting played on mainstream radio if you weren’t in

mainstream radio if you weren’t in

mainstream radio if you weren’t in jukeboxes or if you weren’t invited to

jukeboxes or if you weren’t invited to

jukeboxes or if you weren’t invited to play on TV the odds were completely

play on TV the odds were completely

play on TV the odds were completely against you releasing an album as an in

against you releasing an album as an in

against you releasing an album as an in as an independent artist was so much

as an independent artist was so much

as an independent artist was so much more difficult than it is today both in

more difficult than it is today both in

more difficult than it is today both in terms of being heard and just

terms of being heard and just

terms of being heard and just distributing the thing so soon after he

distributing the thing so soon after he

distributing the thing so soon after he released the second album kept a busy

released the second album kept a busy

released the second album kept a busy schedule playing piano in various clubs

schedule playing piano in various clubs

schedule playing piano in various clubs in the city but his records started to

in the city but his records started to

in the city but his records started to accumulate dust slowly and those 2,000

accumulate dust slowly and those 2,000

accumulate dust slowly and those 2,000 copies in the span of 30 years easily

copies in the span of 30 years easily

copies in the span of 30 years easily started to get lost owned until only a

started to get lost owned until only a

started to get lost owned until only a few copies in the world remain then in

few copies in the world remain then in

few copies in the world remain then in the mid-2000s a Montreal record digger

the mid-2000s a Montreal record digger

the mid-2000s a Montreal record digger that goes by the name cabal was doing

that goes by the name cabal was doing

that goes by the name cabal was doing his weekly rounds of just hunting for

his weekly rounds of just hunting for

his weekly rounds of just hunting for records he was in a flea market

records he was in a flea market

records he was in a flea market surrounded by thousands of other dirty

surrounded by thousands of other dirty

surrounded by thousands of other dirty dusty moldy records that’s where he

dusty moldy records that’s where he

dusty moldy records that’s where he found the piano album he wasn’t

found the piano album he wasn’t

found the piano album he wasn’t specifically looking for it actually you

specifically looking for it actually you

specifically looking for it actually you could say it sort of found him you could

could say it sort of found him you could

could say it sort of found him you could also say that after 20 years of record

also say that after 20 years of record

also say that after 20 years of record digging every single week he had

digging every single week he had

digging every single week he had developed a sixth sense for finding the

developed a sixth sense for finding the

developed a sixth sense for finding the gold

gold

gold he took the record and inspected at the

he took the record and inspected at the

he took the record and inspected at the front the artwork the back the liner

front the artwork the back the liner

front the artwork the back the liner notes and he was intrigued by the fact

notes and he was intrigued by the fact

notes and he was intrigued by the fact that this Haitian musician made a record

that this Haitian musician made a record

that this Haitian musician made a record in Quebec in the late 70s so he was you

in Quebec in the late 70s so he was you

in Quebec in the late 70s so he was you know he was intrigued he took out his

know he was intrigued he took out his

know he was intrigued he took out his little plastic portable turntable that

little plastic portable turntable that

little plastic portable turntable that he brought with him whenever he was on

he brought with him whenever he was on

he brought with him whenever he was on these digging quests and put the record

these digging quests and put the record

these digging quests and put the record on so why don’t we do the same thing

[Music]

[Music] he fell in love with the music instantly

he fell in love with the music instantly

he fell in love with the music instantly but he had to know the backstory behind

but he had to know the backstory behind

but he had to know the backstory behind it he didn’t know where it came from

it he didn’t know where it came from

it he didn’t know where it came from he knew the artists at the time of the

he knew the artists at the time of the

he knew the artists at the time of the recording was living in Montreal so for

recording was living in Montreal so for

recording was living in Montreal so for months he tried to track him down

months he tried to track him down

months he tried to track him down he even found Noelle’s business card

he even found Noelle’s business card

he even found Noelle’s business card inside the record sleeve that’s that’s

inside the record sleeve that’s that’s

inside the record sleeve that’s that’s how DIY Oh Fionna was so he found the

how DIY Oh Fionna was so he found the

how DIY Oh Fionna was so he found the card inside the the record sleeve of

card inside the the record sleeve of

card inside the the record sleeve of course he did try to call but after 30

course he did try to call but after 30

course he did try to call but after 30 years the number didn’t work anymore

years the number didn’t work anymore

years the number didn’t work anymore it was only in Belgium where the artist

it was only in Belgium where the artist

it was only in Belgium where the artist had once lived that Koval managed to

had once lived that Koval managed to

had once lived that Koval managed to find someone that knew the artist

find someone that knew the artist

find someone that knew the artist personally and gave him the contact so

personally and gave him the contact so

personally and gave him the contact so when he finally sat down with the artist

when he finally sat down with the artist

when he finally sat down with the artist he told him and he made him a promise to

he told him and he made him a promise to

he told him and he made him a promise to someday find a way to get the album

someday find a way to get the album

someday find a way to get the album re-released he then arranged through a

re-released he then arranged through a

re-released he then arranged through a British label called wah-wah 45s to get

British label called wah-wah 45s to get

British label called wah-wah 45s to get the two albums reissued and what happens

the two albums reissued and what happens

the two albums reissued and what happens very often is in these reissue projects

very often is in these reissue projects

very often is in these reissue projects it becomes very difficult to find the

it becomes very difficult to find the

it becomes very difficult to find the master tapes the original recording of

master tapes the original recording of

master tapes the original recording of the sessions art can be destroyed by

the sessions art can be destroyed by

the sessions art can be destroyed by fires floods earthquakes thrown in the

fires floods earthquakes thrown in the

fires floods earthquakes thrown in the garbage or just lost forever

garbage or just lost forever

garbage or just lost forever but thankfully the okapi lol tapes were

but thankfully the okapi lol tapes were

but thankfully the okapi lol tapes were safe and they were ready for remastering

safe and they were ready for remastering

safe and they were ready for remastering the record was finally re-released and

the record was finally re-released and

the record was finally re-released and received praise from music critics DJ’s

received praise from music critics DJ’s

received praise from music critics DJ’s and listeners worldwide the praise that

and listeners worldwide the praise that

and listeners worldwide the praise that it should have received in 1979 the

it should have received in 1979 the

it should have received in 1979 the artist was so inspired that he decided

artist was so inspired that he decided

artist was so inspired that he decided to revive his music career get back on a

to revive his music career get back on a

to revive his music career get back on a stage and play for new audiences the

stage and play for new audiences the

stage and play for new audiences the artist now in his 60s told me this

artist now in his 60s told me this

artist now in his 60s told me this changed everything for me I went from

changed everything for me I went from

changed everything for me I went from planning my retirement to playing on the

planning my retirement to playing on the

planning my retirement to playing on the BBC radio in London and on Hozuki nada

BBC radio in London and on Hozuki nada

BBC radio in London and on Hozuki nada and more but also it gave him a chance

and more but also it gave him a chance

and more but also it gave him a chance to play in front of his three sons for

to play in front of his three sons for

to play in front of his three sons for the first time to me the story shows

the first time to me the story shows

the first time to me the story shows perfectly the work of record diggers at

perfectly the work of record diggers at

perfectly the work of record diggers at his best

his best

his best beyond the rarity and the dollar value

beyond the rarity and the dollar value

beyond the rarity and the dollar value and I’ll be honest

and I’ll be honest

and I’ll be honest we’re totally obsessed by that the true

we’re totally obsessed by that the true

we’re totally obsessed by that the true beauty is to give art a second chance to

beauty is to give art a second chance to

beauty is to give art a second chance to save art from oblivion the work of a

save art from oblivion the work of a

save art from oblivion the work of a good wreck

good wreck

good wreck digger is a constant loop of three

digger is a constant loop of three

digger is a constant loop of three phases the first thing we do is hunt we

phases the first thing we do is hunt we

phases the first thing we do is hunt we spend hours days years of our lives

spend hours days years of our lives

spend hours days years of our lives rummaging through dirty and dusty record

rummaging through dirty and dusty record

rummaging through dirty and dusty record bins everything that we can do to find

bins everything that we can do to find

bins everything that we can do to find our finer hands on the gold yes you can

our finer hands on the gold yes you can

our finer hands on the gold yes you can find good records online but for the

find good records online but for the

find good records online but for the deepest treasures you need to get off

deepest treasures you need to get off

deepest treasures you need to get off the couch and it into the wild that’s

the couch and it into the wild that’s

the couch and it into the wild that’s why we call it record digging and not

why we call it record digging and not

why we call it record digging and not record clicking so what we are is music

record clicking so what we are is music

record clicking so what we are is music archeologists but then the next thing we

archeologists but then the next thing we

archeologists but then the next thing we do is we gather based on our taste

do is we gather based on our taste

do is we gather based on our taste expertise personal agenda we choose

expertise personal agenda we choose

expertise personal agenda we choose carefully which records the save which

carefully which records the save which

carefully which records the save which records means something to us we then

records means something to us we then

records means something to us we then try and find out every little thing we

try and find out every little thing we

try and find out every little thing we can about that record the artists the

can about that record the artists the

can about that record the artists the label and super vital information like

label and super vital information like

label and super vital information like who’s that playing trumpet on track

who’s that playing trumpet on track

who’s that playing trumpet on track three then we file them we contextualize

three then we file them we contextualize

three then we file them we contextualize them and we keep them safe we are music

them and we keep them safe we are music

them and we keep them safe we are music archivists and the last thing we do to

archivists and the last thing we do to

archivists and the last thing we do to close the loop is we share most record

close the loop is we share most record

close the loop is we share most record diggers that I know have some sort of a

diggers that I know have some sort of a

diggers that I know have some sort of a way to share their discovery and elevate

way to share their discovery and elevate

way to share their discovery and elevate the artists through an album reissue a

the artists through an album reissue a

the artists through an album reissue a web article a radio show we give records

web article a radio show we give records

web article a radio show we give records back to their rightful place in music

back to their rightful place in music

back to their rightful place in music history

history

history we are taste makers and curators we are

we are taste makers and curators we are

we are taste makers and curators we are musicologists so for myself and most of

musicologists so for myself and most of

musicologists so for myself and most of the record collectors I’ve encountered

the record collectors I’ve encountered

the record collectors I’ve encountered in 20 years I think that we all have

in 20 years I think that we all have

in 20 years I think that we all have some sort of an outlet for these

some sort of an outlet for these

some sort of an outlet for these discoveries I think it’s our way to keep

discoveries I think it’s our way to keep

discoveries I think it’s our way to keep our sanity and and sort of sense of

our sanity and and sort of sense of

our sanity and and sort of sense of purpose in this very maddening obsession

purpose in this very maddening obsession

purpose in this very maddening obsession because it can be sort of a lonely one

because it can be sort of a lonely one

because it can be sort of a lonely one but I think we also do it because it

but I think we also do it because it

but I think we also do it because it serves the human need to pass along

serves the human need to pass along

serves the human need to pass along cultural knowledge speaking of the need

cultural knowledge speaking of the need

cultural knowledge speaking of the need for curation in an era of overwhelming

for curation in an era of overwhelming

for curation in an era of overwhelming choice it’s been demonstrated that too

choice it’s been demonstrated that too

choice it’s been demonstrated that too much choice actually hinders discovery

much choice actually hinders discovery

much choice actually hinders discovery for example if you’re trying to watch

for example if you’re trying to watch

for example if you’re trying to watch something on Netflix you’re actually

something on Netflix you’re actually

something on Netflix you’re actually only browsing through a catalog of 6,000

only browsing through a catalog of 6,000

only browsing through a catalog of 6,000 titles now compare that with Spotify if

titles now compare that with Spotify if

titles now compare that with Spotify if you want to pick something to listen to

you want to pick something to listen to

you want to pick something to listen to you’re browsing through a catalogue of

you’re browsing through a catalogue of

you’re browsing through a catalogue of 30 million songs so I think as you can

30 million songs so I think as you can

30 million songs so I think as you can see this notion of paralysis by choice

see this notion of paralysis by choice

see this notion of paralysis by choice affects music more than movies for

affects music more than movies for

affects music more than movies for example and there’s a few studies that

example and there’s a few studies that

example and there’s a few studies that are starting to show the effects of this

are starting to show the effects of this

are starting to show the effects of this a recent look at the UK music market

a recent look at the UK music market

a recent look at the UK music market shows that

shows that

shows that the top 1% of artists in the UK are

the top 1% of artists in the UK are

the top 1% of artists in the UK are actually earning 77 percent of the total

actually earning 77 percent of the total

actually earning 77 percent of the total revenues inside the music industry and

revenues inside the music industry and

revenues inside the music industry and that’s 2013 and that’s progressively

that’s 2013 and that’s progressively

that’s 2013 and that’s progressively getting worse or you know progressing

getting worse or you know progressing

getting worse or you know progressing anyway if you’re in the 1% I’m sure

anyway if you’re in the 1% I’m sure

anyway if you’re in the 1% I’m sure you’re happy so the takeaway for me is

you’re happy so the takeaway for me is

you’re happy so the takeaway for me is it’s easier for people to to listen to

it’s easier for people to to listen to

it’s easier for people to to listen to music than ever before people have more

music than ever before people have more

music than ever before people have more music at their disposal than ever before

music at their disposal than ever before

music at their disposal than ever before yet people choose to listen to more of

yet people choose to listen to more of

yet people choose to listen to more of the same music than ever before and

the same music than ever before and

the same music than ever before and that’s a sad thing inspired by my love

that’s a sad thing inspired by my love

that’s a sad thing inspired by my love for music research record digging and

for music research record digging and

for music research record digging and curation I started a website called

curation I started a website called

curation I started a website called music is my sanctuary in 2007 our slogan

music is my sanctuary in 2007 our slogan

music is my sanctuary in 2007 our slogan has always been future classics and

has always been future classics and

has always been future classics and forgotten treasures and it shows our

forgotten treasures and it shows our

forgotten treasures and it shows our love for discovering music and

love for discovering music and

love for discovering music and introducing music both old and new from

introducing music both old and new from

introducing music both old and new from humble beginnings we’ve built a

humble beginnings we’ve built a

humble beginnings we’ve built a worldwide platform with a massive

worldwide platform with a massive

worldwide platform with a massive audience with over 100 collaborators

audience with over 100 collaborators

audience with over 100 collaborators we’ve created over 10,000 pieces of

we’ve created over 10,000 pieces of

we’ve created over 10,000 pieces of content over 500 hours of audio content

content over 500 hours of audio content

content over 500 hours of audio content our audience consists of people who just

our audience consists of people who just

our audience consists of people who just want more than what’s being offered to

want more than what’s being offered to

want more than what’s being offered to them by mainstream music channels they

them by mainstream music channels they

them by mainstream music channels they want to dig deeper but they don’t

want to dig deeper but they don’t

want to dig deeper but they don’t necessarily have 20 hours a week like us

necessarily have 20 hours a week like us

necessarily have 20 hours a week like us nerds

nerds

nerds so they trust us to do that for them

so they trust us to do that for them

so they trust us to do that for them curation is at the heart of everything

curation is at the heart of everything

curation is at the heart of everything we do we believe in human

we do we believe in human

we do we believe in human recommendations over algorithm another

recommendations over algorithm another

recommendations over algorithm another project that we’re working on but we’re

project that we’re working on but we’re

project that we’re working on but we’re very excited about it

very excited about it

very excited about it is a book that will go deep in the

is a book that will go deep in the

is a book that will go deep in the exploration of extremely rare records

exploration of extremely rare records

exploration of extremely rare records with the help of some of the finest

with the help of some of the finest

with the help of some of the finest record collectors we’re going to unearth

record collectors we’re going to unearth

record collectors we’re going to unearth some serious gems and the story of the

some serious gems and the story of the

some serious gems and the story of the Lost Island oil records that I just told

Lost Island oil records that I just told

Lost Island oil records that I just told you will be one of them in 2011 we also

you will be one of them in 2011 we also

you will be one of them in 2011 we also started a side project and an event

started a side project and an event

started a side project and an event series called 24 hours of vinyl as the

series called 24 hours of vinyl as the

series called 24 hours of vinyl as the name says it’s a music marathon where

name says it’s a music marathon where

name says it’s a music marathon where DJs relay each other using only vinyl

DJs relay each other using only vinyl

DJs relay each other using only vinyl records for 24 hours we started the

records for 24 hours we started the

records for 24 hours we started the event in Montreal but have since taken

event in Montreal but have since taken

event in Montreal but have since taken it to different cities like San

it to different cities like San

it to different cities like San Francisco London Paris it’s an ode to

Francisco London Paris it’s an ode to

Francisco London Paris it’s an ode to our love and obsession of vinyl but it’s

our love and obsession of vinyl but it’s

our love and obsession of vinyl but it’s also a great way to explore the music

also a great way to explore the music

also a great way to explore the music scenes and musicology of all these

scenes and musicology of all these

scenes and musicology of all these all these different cities it’s an event

all these different cities it’s an event

all these different cities it’s an event where the sense of community is strong

where the sense of community is strong

where the sense of community is strong we live and we survive this music

we live and we survive this music

we live and we survive this music marathon together all the DJ’s play for

marathon together all the DJ’s play for

marathon together all the DJ’s play for free there’s no cover charge and the

free there’s no cover charge and the

free there’s no cover charge and the best thing is at the end the audience

best thing is at the end the audience

best thing is at the end the audience gets to walk away with so many music

gets to walk away with so many music

gets to walk away with so many music discoveries I could talk about the

discoveries I could talk about the

discoveries I could talk about the passion of record digging for days but

passion of record digging for days but

passion of record digging for days but let me conclude this way after many

let me conclude this way after many

let me conclude this way after many years of doing it a record collectors

years of doing it a record collectors

years of doing it a record collectors collection becomes sort of his

collection becomes sort of his

collection becomes sort of his autobiography last year I was DJing in

autobiography last year I was DJing in

autobiography last year I was DJing in Poland and the people that were hosting

Poland and the people that were hosting

Poland and the people that were hosting me they had this amazing record

me they had this amazing record

me they had this amazing record collection and of course I was intrigued

collection and of course I was intrigued

collection and of course I was intrigued and I said are you selling these they

and I said are you selling these they

and I said are you selling these they then explained to me that it was the

then explained to me that it was the

then explained to me that it was the collection that belonged to their dear

collection that belonged to their dear

collection that belonged to their dear friend Maceo who passed away a few

friend Maceo who passed away a few

friend Maceo who passed away a few months earlier and they were doing a

months earlier and they were doing a

months earlier and they were doing a project of inviting different people to

project of inviting different people to

project of inviting different people to take the collection and to create

take the collection and to create

take the collection and to create something new from it whether it’s

something new from it whether it’s

something new from it whether it’s sampling or DJ mixes or you know just to

sampling or DJ mixes or you know just to

sampling or DJ mixes or you know just to give it a second life and so after a few

give it a second life and so after a few

give it a second life and so after a few hours of going through the collection

hours of going through the collection

hours of going through the collection myself and creating a DJ mix from it

myself and creating a DJ mix from it

myself and creating a DJ mix from it even though I never got the chance to

even though I never got the chance to

even though I never got the chance to meet him it felt like in a special way

meet him it felt like in a special way

meet him it felt like in a special way me and him we got to talk about records

me and him we got to talk about records

me and him we got to talk about records for a few hours so as record diggers our

for a few hours so as record diggers our

for a few hours so as record diggers our work and our record collections are

work and our record collections are

work and our record collections are passed or they’re to be passed on to the

passed or they’re to be passed on to the

passed or they’re to be passed on to the next generation

next generation

next generation beautiful art deserves to be cherished

beautiful art deserves to be cherished

beautiful art deserves to be cherished shared and rediscovered embrace curators

shared and rediscovered embrace curators

shared and rediscovered embrace curators we are alternative voices to the

we are alternative voices to the

we are alternative voices to the mainstream music channels digital or

mainstream music channels digital or

mainstream music channels digital or otherwise go beyond the algorithm

otherwise go beyond the algorithm

otherwise go beyond the algorithm whatever kind of music you like there

whatever kind of music you like there

whatever kind of music you like there are so many websites radio shows DJs

are so many websites radio shows DJs

are so many websites radio shows DJs record stores out there that are just

record stores out there that are just

record stores out there that are just waiting to share their discoveries with

waiting to share their discoveries with

waiting to share their discoveries with you we do this work for you all you have

you we do this work for you all you have

you we do this work for you all you have to do is open your ears and take risks

to do is open your ears and take risks

to do is open your ears and take risks this music will change your life thank

this music will change your life thank

this music will change your life thank you

”

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