Press "Enter" to skip to content

“Lo bueno, o bello y la verdad. El ser de la Arquitectura” | Eduardo Chuquimia | TEDxCharacato


[Music]

The owner is also the topic that most

City interests

Each prize is filled in a manner

particularly the five best in the country

directed to be as before

these awards have a Spanish league and

is what I understood the most I did not know

nothing

then what I am going to do today

Mix a little bit the things that most

like but also what has

been doing in recent years and

are made for management issues

natural disasters was not the recipe

for sustainable development is

important and I understand it well but

I understood that my career was not going

hand in hand with that sustainable development

so I tried to make a connection and

I ended up as a university teacher

I left the whole topic of today to explain

a little bit what the

last years

the good the beautiful and the truth the share

the word architecture to be the

translate heidegger in all its

investigations what man asks

is that you want to be want to have a life

authentic or a life and an authentic me

I want the word to be linked to the

architecture because then I would say that

wants to be the fact is that there they came

the themes of the conference and I hesitated a lot

because I had to think and I had to

think I had to bring a message

which I find interesting

so I put what I always put there

improvise giving me the silence and the series

look at the necessary serenity and the

silence to find your own

interiority to man and then the being of

the architecture and then the

word improvise what is it

doing a little improvising means

look for in their provisions

you have luggage and those baggage

start the world today I’m going to

improvise again darwin taught us

basically to that in difficult times

the species are changing and adapting

and in times of crisis for the

architecture of great changes in the

that everyone believes that architecture

they are only ways to consume and it is

almost a kind of ocular centrism all

fixed to the sense of sight

if the building is not beautiful in appearance

it does not work but it did all this inside

wrong

the building has to be beautiful by

front and it’s not about that and it’s because

that the conference is called the good

the beautiful the truth the philosophy the cinema

and art and architecture are

strongly linked and I will try

that is much more linked still

the great lessons I had in the

books always the first one I read in

ricote ski architecture theory

the second most important book in my

life the ten books of architecture

the book the first book of the

architecture and there vitruvio said there is

two things for the texture or are you theoretical

it is practical there is that text that knows

speak well but I do not know to get to the

work

therefore the work is fundamental also

and while it is true that I already theorize

today the work has been important in the

professional development that I had to

is the architecture and how it relates

with the world of ideas the

architecture has to do with the world

of ideas

Plato indicates through his

reflections that the world is sensitive and

sensitive blow

the ideas are from the world suffer sensitive

the good the beautiful and do it for the

sensitive world is this one of the

economies

the speed in societies of the

consumption the fashion

he who does

of matter the most important thing of the

world

however, I think it is understood

the world outweighs sensible you understand

then the true values as

I got to that we will not see the video

chats blogs

[Music]

I’m interested in houses, not my career

the money I want to make houses in places

Specials in special situations

I love houses never dreamed and for

that their buildings are idiosyncratic

they are independent works do not build

too much but he takes his time to

that matures in their ideas

[Music]

its author is a considered one of the

world’s best architects

an idiosyncratic architect

idiosyncrasy ideas the graph is that you

belongs to the world of ideas

ideas we already know them and that is what is going to

guide a little the talk about which I

I’m going to talk

architecture and the world of ideas

the good the beautiful and the data a sweep to

through the architecture from

different edges that will allow us

understand that what the students what

the architects must understand and the

users also understand that the

architecture has nothing to do with

aesthetic issues has nothing to do

with things of form the architecture has

what to do with ideas fly the towers

twins correct yes and then a

fundamental fact

we enter the 21st century through the

worse door of horror through the

which we could enter the towers

that meant the word trade center the

World Trade Center

the towers meant the fall of a

true system but also the

intolerance architecture communicates

expresses and has meanings

the book that brings me this was the

genealogy of the moral of federico

Nietzsche refers to the origin of the

moral and in the moral in which it is

the world overcome sensitive and find a

anthological establishment that is capable of

impose the truth but the question is

what is the truth of architecture

and in these times we are not going to see the

video

a single example about the good 850

millions of people in the world do not

has homes do not have homes

the UN reports indicate that the

housing rights define it as the

right to adequate housing but the

architects we say that it is appropriate if

today you are on mats and tomorrow you are in

bricks that’s right true it’s not

so much so because for us the

architects

the architecture is much more than the

physical world is the relationship of the world

physical with the mental world the

architecture translates what thought what

created the imagined the dreamed and all that

makes it a physical fact where

Relationships are connections

mental the only one says housing

adequate and I said that here there has been

a problem because if we see in the

slides we see the image of the

twin towers

and then there is one of the sets

most important housing

world 1954 yes and it was flown almost 15 years

later because the example of the

economic social unsustainability

anthropological and architectural

we had never generated a

disaster as high as this one

the example is positive this is in

san luis missouri united states and in the

54 they executed it 15 years later what

wash and there are the families the day

that apparently move everything

it was good in the lower part is the

architect, author of the work

minoru yamasaki minoru yamasaki is the

same architect who executed and designed

the towers of the world trade center

ten years later this happened and this is

what happens junk prostitution

levels of degradation that never before

we had seen because the architect believes

that works with walls and does not

works with aspects of human life

of the human condition are facts

anthropological you have to understand it

social and you have to understand the

philosophy because philosophy is the

totality of what you think

philosophy is the totality of what

it thinks right they flew it flew

their buildings as they flew that caused

the twin towers is the only

architect to whom his works ended

well not all of them by the way but the two most

iconic became in use in this

and in the translation one does not know if it is

an ill-understood icon or

misinterpreted something like as

saying that the architects say no

they understood

no it is not that we do not understand it

we do not understand the reality

the architect finished in the magazine time

and that’s when he presents the project and

in the towers

which brings us to this alvar image

aalto on the dollar bill in Gentile

that the framework forgive the cisns that already this

1986 ticket has the artist and a

of his best works luis fernández

Galiano says where the architects go

what is the truth of the architects

what good in architects

it seems that architects want

be in the magazines architects of

Coated paper

all this happened because the

industrial revolution and the revolution

industrial told us that we are all

same and you had to build the houses

same we took a recipe a century

we go to any department in

anywhere in the world everyone

they seem the facades change but the

inside

kitchen dining room small everything

compact the future studies of the century

twenty-one

then we have not learned the beautiful

luis barragán the best architect so

less for me he tracked it more than 20

years

he said do not do what I do try

see what I saw his library was

purchased for more than three million

Dollars

today who wants to access to investigate

have to pay a

maybe to be able to access this is the

best architect the world and they are the best

work and it is this that comes here when not

Looks at her says this is a disaster because

where is the house of the famous architect

luis barragán this his house like that

outside anyone’s house

it does not matter what you see on the outside what

that the reservation in the inner world is

the most important thing and inside has a

sense of total technical beauty

economic social and cultural

anthropological Mexico is literally

there in a cultural climate of the 60s

frida rivera yes they all form

stuck here even the best writer in

speak spanish for me

juan rulfo two books one more with two

books the best architect the best

Spanish-speaking writer in the world

the plain in flames si and pedro páramo

Luis is that literally then

this comes

art and philosophy have always

Been linked to Madrid with some with

3 jingle bells suspended in the air

way of UFOs that is saying in

chat today in belgium the horses

they carry rattles and these

jingle bells ring in the air and when

it sounds one knows on the hill the front that

is there I lived many years of my life in

the farm of friend of my grandmother in

puno january february and march all

years and since he had use of reason

up to 19 years old and every time

I listened to the quenas on a hill

they played I did not watch or I did not listen

music what I was looking at was the people

dancing madrid paints the thought

then beauty appears and if it

they fix here does the same but when

we arrived at dali a fact that is

really beautiful gala had there 60 years

and madrid and sorry dalí the pint like

as if it were healthy as it had

25 years with this

with this he was giving to gala

the condition of timeless without time

start without completion time

that’s the beauty the architecture has

to be fundamentally time 100

500 thousand years later is the real

measure of the architecture that there

I would find beauty more and that’s why

that the sun is photographing one another and another

time until we find this but that

has the sun and I will try to do the

stronger translation that I always do

in my life everyone has to

answer a question because there is something and

no more nothing if there is something there is a being

small anguished who wonders

his existence and he asks about his

existence because he knows that he is a being

finite

there are several projects for man but

the project that knows to which we all go

to arrive is death

as long as man is never going to be

after death

the universe is eternal immeasurable

indeterminate and that likes the man and the

man at least the text tries

transcend through his works

santa catalina has that happened

more than 300 years since it was built and

we all keep seeing how it was

from today

let’s look at today’s architecture in two

years is old and you have to vote and not

they pass the test of time they are

that

and that’s what makes it wonderful

They seek all conferences or

talks to their students at the university

from pennsylvania he took a brick and they

said this brick wants to be something that

wants to be brick arch I not want to be

it can be arch

you have to be a wall I do not want to be an arch

it could not be arch because it had appeared

the beam and the bow was what replaced

the beam

but when the brick says I want to be

the question is how is the matter to

architect asks him what he wants

be and the only one who asks questions

about his being

the man the man I will read

quickly this I love always

not just talk but talk to them from

the books that is from where I always

like architecture articulates

experience of being in the world and

strengthen our sense of

reality and self does not make us live in

worlds of mere fiction and invention and

fantasy the beautiful and the truth what is the

true if the architects want to be

at all times in the paper covered in

journals

If our projects do not come out

published is a disaster and it is not true

because we have much stronger tasks

that only come out on the coated paper

make the 60s

Haydée appears and write a book very

pretty now a conference architects

where he tells them architects never

he said no architect architecture but

so the call and give a

talk that is called to build and

inhabit think think generate the

reflection to become aware of things

makes to take the thinking to its

maximum expression that is the doing if

build and inhabit each one of us

they inhabit the architecture every day

the city ​​and its houses and those buildings or

Overwhelm and make life easy or

they make their lives sad and there the people

and now it grows dream aspires gets up and

it falls again and the cinema is projected

Italian taught us a lot of that with the

neorealist cinema yes and to finalize

box I wanted to talk about something that is

something that moves me when one

asks about his being and asks the

architecture about your being

I can not help but translate that being of

the architecture

It has taught me that Arequipa has

local values that can be considered

that constitute values

universal through an architecture

that does not translate thick walls like in the

case of the slide with this picture

from quarries and quarries to

the city a cut material that have the

synthetic vision of being able to

summarize everything that happened in the story

from this city

when we look at the being of architecture

from here to the global

we say we can not stop looking

Arequipa but for me it’s not only

arequipa

I never think only my city I think

in the Latin American identity because

Latin America is very similar and that’s what

I learned with Juan Rulfo with the cinema

Classic Mexican gold with martín

chambi with the recoleta with the quarries

and with the vargas brothers

all that is what in regards to

me means to be the being of the

architecture that responds to this

ask how is the being of the

architecture in these times

hipermodernos hipervelocidad

architecture requires something that is

fundamental and something that I always tell them

to the students

apart from this less is more always

do less with more between entered to

different buildings like this young man

simple plating

how much does it cost that I do not require that

matter what it requires is the

thinking and can make matter

be sublime with the thought not with what

what it costs

I do not need the gold of the king midas to

make architecture less is more

rulfo two books less is more

san francisco de asís live with little

need little and if we look at the church

of recoleta is a total austerity

with little finished in this way a

project that I did never shows the

projects but this is a project where

it was brought to conciliate yes and the light is

fundamental

I wanted to be a window but the window

what

really for an architect the window

do not look at the landscape waiting for the

landscape return something to the look or the

city give something back to look at

one what the window does is make

the man

look at your own interiority your being and if

we can the architects look at our

be

we can find the being of the

less architecture is more and that is the

lesson of the good the beautiful and the truth

thank you

to

”

Be First to Comment

Leave a Reply

Your email address will not be published. Required fields are marked *