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Latin Jazz: Change and Innovation Through Diversity | Jose Amador | TEDxSanAntonio


during the summer of 1929 a what was 90

during the summer of 1929 a what was 90 years ago a 28 year old trombone player

years ago a 28 year old trombone player

years ago a 28 year old trombone player unknown from a Caribbean island reports

unknown from a Caribbean island reports

unknown from a Caribbean island reports to rehearsal with a pre karate strike

to rehearsal with a pre karate strike

to rehearsal with a pre karate strike I’m being pretty good who happened to be

I’m being pretty good who happened to be

I’m being pretty good who happened to be playing in Washington DC just like

playing in Washington DC just like

playing in Washington DC just like thousands or hundreds of thousands of

thousands or hundreds of thousands of

thousands or hundreds of thousands of decisions that the minister of her

decisions that the minister of her

decisions that the minister of her furniture however unbeknownst to that

furniture however unbeknownst to that

furniture however unbeknownst to that musician the band members and even the

musician the band members and even the

musician the band members and even the bands here that day would change the

bands here that day would change the

bands here that day would change the jazz musical landscape forever 1929 in

jazz musical landscape forever 1929 in

jazz musical landscape forever 1929 in more ways than one

more ways than one

more ways than one jazz in the 1920s 30s and 40s was about

jazz in the 1920s 30s and 40s was about

jazz in the 1920s 30s and 40s was about swing bebop where it’s known today that

swing bebop where it’s known today that

swing bebop where it’s known today that American jazz standards think Frank

American jazz standards think Frank

American jazz standards think Frank Sinatra Tony Bennett who played I’d like

Sinatra Tony Bennett who played I’d like

Sinatra Tony Bennett who played I’d like to add that was about to change as well

to add that was about to change as well

to add that was about to change as well the Latin influence of that one

the Latin influence of that one

the Latin influence of that one individual forever change very quietly

individual forever change very quietly

individual forever change very quietly the jazz world almost 90 years ago

the jazz world almost 90 years ago

the jazz world almost 90 years ago ground was broken and the way was paid

ground was broken and the way was paid

ground was broken and the way was paid for musicians from Latin America and the

for musicians from Latin America and the

for musicians from Latin America and the Caribbean to join America’s gasps see

Caribbean to join America’s gasps see

Caribbean to join America’s gasps see the road obviously was not gonna be an

the road obviously was not gonna be an

the road obviously was not gonna be an easy one to travel but there was no

easy one to travel but there was no

easy one to travel but there was no turning back before post-world War two

turning back before post-world War two

turning back before post-world War two Latin music stars like Francisco would

Latin music stars like Francisco would

Latin music stars like Francisco would be a degree you better known as machito

be a degree you better known as machito

be a degree you better known as machito here headed by New York and Juilliard

here headed by New York and Juilliard

here headed by New York and Juilliard train bandleader and percussionist Tito

train bandleader and percussionist Tito

train bandleader and percussionist Tito Puente human Damaso Ferris Prado who

Puente human Damaso Ferris Prado who

Puente human Damaso Ferris Prado who found fame while I listen to Mexico or

found fame while I listen to Mexico or

found fame while I listen to Mexico or coracle natives are one for Rico native

coracle natives are one for Rico native

coracle natives are one for Rico native people Rodriguez Elinor me darlin don’t

people Rodriguez Elinor me darlin don’t

people Rodriguez Elinor me darlin don’t forget about one a la mina llamo es que

forget about one a la mina llamo es que

forget about one a la mina llamo es que nunca poisoning all village everybody

nunca poisoning all village everybody

nunca poisoning all village everybody knows that song with a you speak spanish

knows that song with a you speak spanish

knows that song with a you speak spanish or not

or not

or not this individual his rhythms compositions

this individual his rhythms compositions

this individual his rhythms compositions and arrangements shaped and came to

and arrangements shaped and came to

and arrangements shaped and came to influence American jazz artists such as

influence American jazz artists such as

influence American jazz artists such as team captain Charlie Parker Dizzy

team captain Charlie Parker Dizzy

team captain Charlie Parker Dizzy Gillespie just to name

this individual created an incredible

this individual created an incredible repertoire music that wasn’t foul

embrace my advices embrace change and

embrace my advices embrace change and diversity of thought I’m not saying

diversity of thought I’m not saying

diversity of thought I’m not saying don’t don’t misunderstand me I’m not

don’t don’t misunderstand me I’m not

don’t don’t misunderstand me I’m not saying he’s the father of Latin jazz

saying he’s the father of Latin jazz

saying he’s the father of Latin jazz he’s probably an uncle as well what I’m

he’s probably an uncle as well what I’m

he’s probably an uncle as well what I’m saying is that what he did was

saying is that what he did was

saying is that what he did was influenced the influences and forever

influenced the influences and forever

influenced the influences and forever change the jazz concept for the concept

change the jazz concept for the concept

change the jazz concept for the concept of jazz music in our great city and

of jazz music in our great city and

of jazz music in our great city and throughout the United States we’re

throughout the United States we’re

throughout the United States we’re experiencing an explosion of different

experiencing an explosion of different

experiencing an explosion of different music Johnny’s

music Johnny’s

music Johnny’s mind you I’m only focusing on library

mind you I’m only focusing on library

mind you I’m only focusing on library madness but our city has they have

madness but our city has they have

madness but our city has they have accepted and attracted musicians from

accepted and attracted musicians from

accepted and attracted musicians from all over the world brought to us by the

all over the world brought to us by the

all over the world brought to us by the impact of social economic and political

impact of social economic and political

impact of social economic and political immigration decisions from Mexico Puerto

immigration decisions from Mexico Puerto

immigration decisions from Mexico Puerto Rico

Rico

Rico whoo Dominican Republic Venezuela Panama

whoo Dominican Republic Venezuela Panama

whoo Dominican Republic Venezuela Panama Colombia Brazil just named as much as

Colombia Brazil just named as much as

Colombia Brazil just named as much as our city loves our mariachis cumbia

our city loves our mariachis cumbia

our city loves our mariachis cumbia bolero Tejano music this cultural

bolero Tejano music this cultural

bolero Tejano music this cultural Renaissance has allowed us musicians as

Renaissance has allowed us musicians as

Renaissance has allowed us musicians as well as the audience to appreciate and

well as the audience to appreciate and

well as the audience to appreciate and accept alternative music genres

accept alternative music genres

accept alternative music genres different stuff

like like jazz salsa bring it on you

like like jazz salsa bring it on you like it

like it

like it merengue bachata

merengue bachata

merengue bachata holder’s I go back to that one unknown

holder’s I go back to that one unknown

holder’s I go back to that one unknown from both layer unknown who you probably

from both layer unknown who you probably

from both layer unknown who you probably still

still

still because this is his legacy and we are

because this is his legacy and we are

because this is his legacy and we are his successors on piano

[Applause]

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[Music]

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[Music]

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[Music]

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[Music]

[Music] [Applause]

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from wanna come what’s our repo

from wanna come what’s our repo [Music]

[Music]

[Music] [Applause]

[Music]

[Music] [Applause]

[Applause]

[Applause] [Music]

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