
during the summer of 1929 a what was 90 years ago a 28 year old trombone player
years ago a 28 year old trombone player
years ago a 28 year old trombone player unknown from a Caribbean island reports
unknown from a Caribbean island reports
unknown from a Caribbean island reports to rehearsal with a pre karate strike
to rehearsal with a pre karate strike
to rehearsal with a pre karate strike I’m being pretty good who happened to be
I’m being pretty good who happened to be
I’m being pretty good who happened to be playing in Washington DC just like
playing in Washington DC just like
playing in Washington DC just like thousands or hundreds of thousands of
thousands or hundreds of thousands of
thousands or hundreds of thousands of decisions that the minister of her
decisions that the minister of her
decisions that the minister of her furniture however unbeknownst to that
furniture however unbeknownst to that
furniture however unbeknownst to that musician the band members and even the
musician the band members and even the
musician the band members and even the bands here that day would change the
bands here that day would change the
bands here that day would change the jazz musical landscape forever 1929 in
jazz musical landscape forever 1929 in
jazz musical landscape forever 1929 in more ways than one
more ways than one
more ways than one jazz in the 1920s 30s and 40s was about
jazz in the 1920s 30s and 40s was about
jazz in the 1920s 30s and 40s was about swing bebop where it’s known today that
swing bebop where it’s known today that
swing bebop where it’s known today that American jazz standards think Frank
American jazz standards think Frank
American jazz standards think Frank Sinatra Tony Bennett who played I’d like
Sinatra Tony Bennett who played I’d like
Sinatra Tony Bennett who played I’d like to add that was about to change as well
to add that was about to change as well
to add that was about to change as well the Latin influence of that one
the Latin influence of that one
the Latin influence of that one individual forever change very quietly
individual forever change very quietly
individual forever change very quietly the jazz world almost 90 years ago
the jazz world almost 90 years ago
the jazz world almost 90 years ago ground was broken and the way was paid
ground was broken and the way was paid
ground was broken and the way was paid for musicians from Latin America and the
for musicians from Latin America and the
for musicians from Latin America and the Caribbean to join America’s gasps see
Caribbean to join America’s gasps see
Caribbean to join America’s gasps see the road obviously was not gonna be an
the road obviously was not gonna be an
the road obviously was not gonna be an easy one to travel but there was no
easy one to travel but there was no
easy one to travel but there was no turning back before post-world War two
turning back before post-world War two
turning back before post-world War two Latin music stars like Francisco would
Latin music stars like Francisco would
Latin music stars like Francisco would be a degree you better known as machito
be a degree you better known as machito
be a degree you better known as machito here headed by New York and Juilliard
here headed by New York and Juilliard
here headed by New York and Juilliard train bandleader and percussionist Tito
train bandleader and percussionist Tito
train bandleader and percussionist Tito Puente human Damaso Ferris Prado who
Puente human Damaso Ferris Prado who
Puente human Damaso Ferris Prado who found fame while I listen to Mexico or
found fame while I listen to Mexico or
found fame while I listen to Mexico or coracle natives are one for Rico native
coracle natives are one for Rico native
coracle natives are one for Rico native people Rodriguez Elinor me darlin don’t
people Rodriguez Elinor me darlin don’t
people Rodriguez Elinor me darlin don’t forget about one a la mina llamo es que
forget about one a la mina llamo es que
forget about one a la mina llamo es que nunca poisoning all village everybody
nunca poisoning all village everybody
nunca poisoning all village everybody knows that song with a you speak spanish
knows that song with a you speak spanish
knows that song with a you speak spanish or not
or not
or not this individual his rhythms compositions
this individual his rhythms compositions
this individual his rhythms compositions and arrangements shaped and came to
and arrangements shaped and came to
and arrangements shaped and came to influence American jazz artists such as
influence American jazz artists such as
influence American jazz artists such as team captain Charlie Parker Dizzy
team captain Charlie Parker Dizzy
team captain Charlie Parker Dizzy Gillespie just to name
this individual created an incredible
this individual created an incredible repertoire music that wasn’t foul
embrace my advices embrace change and
embrace my advices embrace change and diversity of thought I’m not saying
diversity of thought I’m not saying
diversity of thought I’m not saying don’t don’t misunderstand me I’m not
don’t don’t misunderstand me I’m not
don’t don’t misunderstand me I’m not saying he’s the father of Latin jazz
saying he’s the father of Latin jazz
saying he’s the father of Latin jazz he’s probably an uncle as well what I’m
he’s probably an uncle as well what I’m
he’s probably an uncle as well what I’m saying is that what he did was
saying is that what he did was
saying is that what he did was influenced the influences and forever
influenced the influences and forever
influenced the influences and forever change the jazz concept for the concept
change the jazz concept for the concept
change the jazz concept for the concept of jazz music in our great city and
of jazz music in our great city and
of jazz music in our great city and throughout the United States we’re
throughout the United States we’re
throughout the United States we’re experiencing an explosion of different
experiencing an explosion of different
experiencing an explosion of different music Johnny’s
music Johnny’s
music Johnny’s mind you I’m only focusing on library
mind you I’m only focusing on library
mind you I’m only focusing on library madness but our city has they have
madness but our city has they have
madness but our city has they have accepted and attracted musicians from
accepted and attracted musicians from
accepted and attracted musicians from all over the world brought to us by the
all over the world brought to us by the
all over the world brought to us by the impact of social economic and political
impact of social economic and political
impact of social economic and political immigration decisions from Mexico Puerto
immigration decisions from Mexico Puerto
immigration decisions from Mexico Puerto Rico
Rico
Rico whoo Dominican Republic Venezuela Panama
whoo Dominican Republic Venezuela Panama
whoo Dominican Republic Venezuela Panama Colombia Brazil just named as much as
Colombia Brazil just named as much as
Colombia Brazil just named as much as our city loves our mariachis cumbia
our city loves our mariachis cumbia
our city loves our mariachis cumbia bolero Tejano music this cultural
bolero Tejano music this cultural
bolero Tejano music this cultural Renaissance has allowed us musicians as
Renaissance has allowed us musicians as
Renaissance has allowed us musicians as well as the audience to appreciate and
well as the audience to appreciate and
well as the audience to appreciate and accept alternative music genres
accept alternative music genres
accept alternative music genres different stuff
like like jazz salsa bring it on you
like like jazz salsa bring it on you like it
like it
like it merengue bachata
merengue bachata
merengue bachata holder’s I go back to that one unknown
holder’s I go back to that one unknown
holder’s I go back to that one unknown from both layer unknown who you probably
from both layer unknown who you probably
from both layer unknown who you probably still
still
still because this is his legacy and we are
because this is his legacy and we are
because this is his legacy and we are his successors on piano
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from wanna come what’s our repo
from wanna come what’s our repo [Music]
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”
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